-as of [13 OCTOBER 2026]-
.
.
*KINDRED SPIRITS*
*F#major*
.
******************************************************************
*V1*
(‘fall 2014’)
[bandcamp width=100% height=120 album=1731759778 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small track=549650242]
*V1*
(fall 2014)
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(written + recorded in ‘fall 2014’)
(part of ‘persona non grata’ song cycle)
(opens the top 12 ‘my final answer’ tracks)
(composed + recorded intro guitar riff after “jon the batshit” stopped by mounts motel with a few joints)
(a tribute to “magic dan”)
(good porn star name)
(like “big baby ruth”)
(ARV: “ONE!”)
(“daniel poon” can be a chinaman’s moniker)
“poon” is a corny term for female genitalia
(much like “patch” ala ‘dopey hughes’)
(or calophyllum aka the “poon tree”)
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(haven’t played the song with a group)
(jon would love to play that riff)
(gotta teach the song to ‘arv’)
(jon is the only one able to quote the song right now)
******************************************************************
(recorded in ‘fall 2014’)
(@ mounts motel)
(lawrenceville NJ)
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8.9.17:
V3 (0:00)
V4 (0:00)
V9 (0:00)
(IG)
V13 (1:00)
*V1*
(summer 2017)
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(texting with ‘roboray’)
(fall 2014)
(after being exiled to the ‘mounts motel’)
(with a tall swedish blonde trampling him in heels)
(biblical daniel)
(“send in the lions”)
(daniel rolland)
(daniel boone)
(poon)
(as in “pussy”)
(“poontang”)
******************************************************************
(bandcamp page:)
(opening track of “my final answer”)
(track #6 of “persona non grata”)
(introduction to “ACT 1”)
*ACTS OF THE APOSTLES*
(F#major)
–
*SLOW DANCE*
(F#major)
–
*MY DEAR BROWN*
(F#major)
*DANIEL*
(same name “daniel”)
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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️♀️
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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-as of [23 JANUARY 2024]–
.
.
[8 MINUTES] / [8 SECONDS]
[180 BARS]
.
[F#major]
[4:4]
[88 BPM]
.
[1 BEAT] = [0.682 SECONDS]
.
*INTRO*
*VERSE 1*
*VERSE 2*
*CHORUS 1*
*INTRO RIFF*
*VERSE 3*
*CHORUS 2*
*INTRO RIFF*
*VERSE 4*
*INTRO RIFF*
*CHORUS 3*
*VERSE 5*
*CHORUS 4*
*OUTRO 1*
*OUTRO 2*
.
*INTRO*
(34 bars)
(0:00 – 1:33)
.
*VERSE 1*
(6 bars)
(1:33 – 1:50)
.
*VERSE 2*
(6 bars)
(1:50 – 2:06)
.
*CHORUS 1*
(4 bars)
(2:06 – 2:15)
.
*INTRO RIFF*
(2 bars)
(2:15 – 2:22)
.
*VERSE 3*
(4 bars)
(2:22 – 2:33)
.
*CHORUS 2*
(6 bars)
(2:33 – 2:49)
.
*INTRO RIFF*
(4 bars)
(2:49 – 3:00)
.
*VERSE 4*
(4 bars)
(3:00 – 3:10)
.
*INTRO RIFF*
(4 bars)
(3:10 – 3:20)
.
*CHORUS 3*
(6 bars)
(3:20 – 3:38)
.
*VERSE 5*
(10 bars)
(3:38 – 4:05)
.
*CHORUS 4*
(2 bars)
(4:05 – 4:11)
.
*OUTRO 1*
(8 bars)
(x 8)
(4:11 – 7:04)
.
*OUTRO 2*
(2 bars)
(x 12)
(7:04 – 8:07)
.
*INTRO*
[2 BAR RIFF] x 17
[34 BARS]
[136 BEATS]
[92.752 SECONDS]
[1 MINUTE / 32.752 SECONDS]
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 2-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
riff: (E E E F# E A G# F# E E E E F# E C#)
.
*lead-in (#) reference notes* —>
-1 BEAT-
[F#m]
(A3)
“where…”
.
*VERSE 1*
[6 BARS]
[24 BEATS]
[16.368 SECONDS]
[1:33 – 1:50]
.
-BAR 1-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…art thou rob roy…sweet…)
.
-BAR 2-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…yellow-haired boy…are the…)
.
-BAR 3-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…synths sinking in…)
.
-BAR 4-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…yellow-haired boy…are the…)
.
-BAR 5-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…synths sinking in?)
.
-BAR 6-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…where…)
.
(bass: F# F# D# D# C# C# B A G# F#)
.
*VERSE 2*
[6 BARS]
[24 BEATS]
[16.368 SECONDS]
[1:33 – 1:50]
.
-BAR 1-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…art thou rob roy…sweet…)
.
-BAR 2-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…yellow-haired boy…are the…)
.
-BAR 3-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
(…synths sinking in…are you)
.
-BAR 4-
[B9] [B9] [B9] [B9]
(2) (2) (2) (2)
(…stuck in the cupboard a…)
.
-BAR 5-
[C#sus4] [C#sus4] [C#sus4] [C#sus4]
(4) (4) (4) (4)
(gain..)
.
-BAR 6-
[C#] [C#] [C#] [C#]
(4) (4) (4) (4)
(…but if you…)
.
*CHORUS 1*
[4 BARS]
.
-BAR 1-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…bring me along…)
.
-BAR 2-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…(yea) i will…)
.
-BAR 3-
[F#] [F#] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…break out in song)
.
-BAR 4-
[F#sus2] [F#sus2] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…yea if you…)
.
(bass: B (F#) F#)
.
*INTRO RIFF*
[2 BARS]
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
bring me along…i will…
.
-BAR 2-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
break out in song…dam…
.
*VERSE 3*
[4 BARS]
.
-BAR 1-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
kani come back…and…
.
-BAR 2-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
make me a snack…and…
.
-BAR 3-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
put down your game…and
.
-BAR 4-
[F#] [F#] [F#] [F#m]
(2) (2) (2) (2)
pour me some grain…and should i…
.
*CHORUS 2*
[6 BARS]
.
-BAR 1-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…break out in song…)
.
-BAR 2-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…(yea) will you…)
.
-BAR 3-
[F#] [F#] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…sing right along…)
.
-BAR 4-
[F#sus2] [F#sus2] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…yea if you…)
.
-BAR 5-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(bring me along…i may just…)
.
-BAR 6-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(break out in song)
.
*INTRO RIFF*
[4 BARS]
.
riff: (E E E F# E A G# F# E E E E F# E C#)
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 2-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 3-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 4-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
hey ay…
.
*VERSE 4*
[4 BARS]
.
-BAR 1-
[F#] [F#] [F#] [F#]
(9) (9) (9) (9)
“I…don’t despair…for we’re”
.
-BAR 2-
[E] [E] [Esus2] [Esus2]
(7) (7) (7) (7)
“practically there…where the…”
.
-BAR 3-
[A6] [A6] [A6] [A6]
(5) (5) (5) (5)
“outlook is clear…”
.
-BAR 4-
[A6] [A6] [A6] [A6]
(5) (5) (5) (5)
.
*INTRO RIFF*
[4 BARS]
.
riff: (E E E F# E A G# F# E E E E F# E C#)
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 2-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 3-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
.
-BAR 4-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
and if i…
.
*CHORUS 3*
[6 BARS]
.
-BAR 1-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…break out in song…)
.
-BAR 2-
[B] [B] [B] [B]
(7) (7) (7) (7)
(…(yea) will you…)
.
-BAR 3-
[F#] [F#] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…sing right along…)
.
-BAR 4-
[F#sus2] [F#sus2] [F#sus4] [F#sus4]
(9) (9) (9) (9)
(…yea if you…)
.
-BAR 5-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(bring me along…i may just…)
.
-BAR 6-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(break out in song…my…)
.
*VERSE 5*
[10 BARS]
.
-BAR 1-
[B] [B] [B] [B]
(2) (2) (2) (2)
(dear daniel boone…won’t you…)
.
-BAR 2-
[B] [B] [B] [B]
(2) (2) (2) (2)
(ring again soon…)
.
-BAR 3-
[B] [B] [B] [B]
(2) (2) (2) (2)
.
-BAR 4-
[Bmaj7] [Bmaj7] [Bmaj7] [Bmaj7]
(2) (2) (2) (2)
(ring again soon…)
.
-BAR 5-
[Bmaj7] [Bmaj7] [Bmaj7] [Bmaj7]
(2) (2) (2) (2)
.
-BAR 6-
[B7] [B7] [B7] [B7]
(2) (2) (2) (2)
(ring again soon…)
.
-BAR 7-
[B7] [B7] [B7] [B7]
(2) (2) (2) (2)
.
-BAR 8-
[Bm] [Bm] [Bm] [Bm]
(2) (2) (2) (2)
(ring again soon…)
.
-BAR 9-
[Bsus2] [Bsus2] [Bsus2] [Bsus2]
(2) (2) (2) (2)
.
-BAR 10-
[Bsus2] [Bsus2] [Bsus2] [Bsus2]
(2) (2) (2) (2)
(…and if you…)
.
*CHORUS 4*
[2 BARS]
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(bring me along…i will…)
.
-BAR 2-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
(break out in song…)
.
*OUTRO 1*
[8 BARS]
.
-BAR 1-
[F#] [F#] [C# B] [A B]
(9) (9) (9 7) (5 7)
.
-BAR 2-
[C# B] [B] [B] [B]
(9 7) (7) (7) (7)
.
-BAR 3-
[C#7] [C#7] [C#7 B7] [A E]
(9) (9) (9 7) (5 7)
.
-BAR 4-
[F#] [F#] [F#] [F#]
(9) (9) (9) (9)
.
-BAR 5-
[F#7] [F#7] [B] [B]
(9) (9) (7) (7)
.
-BAR 6-
[B7] [B7 A] [F#] [F#7]
(7) (7 5) (2) (2)
.
-BAR 7-
[C#7] [C#7] [B7 B6] [B Bsus4]
(9) (9) (7) (7)
.
-BAR 8-
[F#] [F#] [F#7] [F#7]
(9) (9) (9) (9)
.
*OUTRO 2*
[2 BARS]
(x 12)
.
-BAR 1-
[C#7] [C#7] [B7 B6] [B Bsus4]
(9) (9) (7) (7)
.
-BAR 2-
[F#] [F#] [F#7] [F#7]
(9) (9) (9) (9)
.
.
*INTRO*
(# BARS)
.
*MANTRAS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
*BASSLINES*
.
*BEATS*
.
*HARMONIES*
.
*COUNTER-POINTS*
.
*SAMPLES*
-as of [23 JANUARY 2024]–
.
.
-WORKING TITLES-
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
(my big baby ruth…)
(“holy ghosted…”)
(“you got ghosted…”)
(“sorry buddy…”)
(“who goes there?)
(“bury my body…”)
(smoke pot smoke pot everybody smoke pot!)
(smoke pot smoke pot everybody smoke pot!)
(stick it up her jumper!)
(everybody’s got one!)
“and should i break out in song…”
“and if you bring me along…”
“who’s against you?”
my dear daniel poon
will you ring again soon?
my dear dyke van larnald
the tom to my Arnold
the chink in my armor
the rish in my parmar
(no response of course)
my big baby ruth
my tindertoothed tiger
orally serviced by bimbettes from niger
(he’s sick with the flu)
where art thou rob roy?
sweet yellow-haired boy…
are the synths sinking in?
are you stuck in the cupboard again?
if you bring me along
i will break out in song
if you bring me along
i will break out in song
damkani come back
and make me a snack
and put down your game
and pour me some grain
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
AI don’t despair
i’m practically there
where my outlook is clear
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
my dear daniel boone
won’t you ring again soon?
ring again soon…
ring again soon…
ring again soon…
if i break out in song
will you sing right along?
OUTRO:
my dear daniel poon…
my big baby ruth…
.
*INTRO*
(34 BARS)
(F#sus2 F#) x 12
(add B9 there for spice)
(or F#7 F#?)
(aka “e note” to “f note”)
(or F#m F#?)
[(F#7) (F#m F#msus2 F#m) (F#7)] x 12
(bass: F# F# C# B A B C# B A A F# F# E)
(bass: F# F# F# C# B A B C# B A G# F# F# E F#)
.
.
*BAR 1* —>
XXX
.
*VERSE 1*
(6 BARS)
(F#sus2 F#) x 3
.
*BAR 1* —>
XXX
.
(F# F#sus4 F# F#sus2 F#7)
are you stuck in the cupboard again?
(F#msus2 F#m C#)
(bass: F# (A B) C#)
makin my axis rotate
paper trail ends with you
.
(F#sus2 F# F#+ F#) (F#sus2 F# F#6 F#) (F#sus2 F# F#+ F#) (F#7)
damkani come back…
*MANTRAS*
(# BARS)
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
will you go it alone
or will you go right along
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
.
F#sus2 F# F#+ F#) (E Esus2) (A6)
AI don’t despair
i’m practically there
where my outlook is clear
(bass: F# E (F# G#) A)
.
(INTRO x 2)
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
.
.
*BAR 1* —>
XXX
.
(Bsus4 B Bsus2)
my dear daniel boone
(Bmaj7sus2 Bmaj7)
won’t you ring again soon?
(Bmaj7sus2 Bmaj7)
ring again soon…
(B7sus2 B7)
ring again soon…
(B7sus2 B7)
ring again soon…
.
(F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
(bass: (B A) F#)
.
*FREE-FORM CHANTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*OUTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
off the grid”
“the rolland runts”
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(F#sus4 F#) (B7)] x 2
(C#7 B7 B6 F#7)
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(Bsus4) (B) (B7)]
(C#7 B7 B6 F#7)
(C#7 B7 B6 F#7) x 12
(bass: F# (Bb) C# (B G#) A (C#) C# B (G#) F#)
(bass: (Bb) B (A) F# (Bb) B (D#) C# B (G#) F# F#)
(bass: (Bb) C# (B G#) A (C#) C# B (G#) F# (Bb) B (D#) C# B (G#) F# (Bb) C# B (G#) F#)
my dear daniel poon…
my big baby ruth…
inner edger outer atta a motel
doing things the good old fashioned way…
.
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
(4:4 / F#major / 88bpm)
INTRO:
[(F#7) (F#m F#msus2 F#m) (F#7)] x 12
riff: (E F# E A G# F# E E E E F# E C#)
(F#sus2 F#) x 12
(bass: F# F# C# B A B C# B A A F# F# E F# F# F# C# B A B C# B A G# F# F# E F#)
VERSE:
(F#sus2 F#) x 3
where art thou rob roy?
sweet yellow-haired boy…
are the synths sinking in?
(bass: F# F# D# D# C# C# B A G# F#)
(F# F#sus4 F# F#sus2 F#7)
are you stuck in the cupboard again?
(F#msus2 F#m C#)
(bass: F# (A B) C#)
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if you bring me along
i will break out in song
if you bring me along
i will break out in song
(bass: B (F#) F#)
VERSE:
(F#sus2 F# F#+ F#) (F#sus2 F# F#6 F#) (F#sus2 F# F#+ F#) (F#7)
damkani come back
and make me a snack
and put down your game
and pour me some grain
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
(INTRO x 2)
VERSE:
(F#sus2 F# F#+ F#) (E Esus2) (A6)
AI don’t despair
i’m practically there
where my outlook is clear
(bass: F# E (F# G#) A)
(iINTRO x 2)
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
BRIDGE:
(Bsus4 B Bsus2)
my dear daniel boone
(Bmaj7sus2 Bmaj7)
won’t you ring again soon?
(Bmaj7sus2 Bmaj7)
ring again soon…
(B7sus2 B7)
ring again soon…
(B7sus2 B7)
ring again soon…
CHORUS:
(F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
(bass: (B A) F#)
OUTRO:
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(F#sus4 F#) (B7)] x 2
(C#7 B7 B6 F#7)
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(Bsus4) (B) (B7)]
(C#7 B7 B6 F#7)
(C#7 B7 B6 F#7) x 12
(bass: F# (Bb) C# (B G#) A (C#) C# B (G#) F# (Bb) B (A) F# (Bb) B (D#) C# B (G#) F# F# (Bb) C# (B G#) A (C#) C# B (G#) F# (Bb) B (D#) C# B (G#) F# (Bb) C# B (G#) F#)
my dear daniel poon…
my big baby ruth…
inner edger outer atta a motel
doing things the good old fashioned way…
.
*ALTERNATE OUTRO* —>
(C# C# C# A C# A G# F# E F#)
F# F# F# A F# C# B A F# C# B
(D D D D D) (E D C#) (A B)
(B F#) (F# B)
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(F#sus4 F#) (B7)] x 2
(C#7 B7 B6 F#7)
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(Bsus4) (B) (B7)]
(C#7 B7 B6 F#7)
OR:
(F# F# F# F# F# (up 1 octave) E D B A B (C# D C#))
(C# C# C# C# A F#)
(4:4)
(F#major)
(88bpm)
INTRO:
[(F#7) (F#m F#msus2 F#m) (F#7)] x 12
riff: (E F# E A G# F# E E E E F# E C#)
(F#sus2 F#) x 12
(bass: F# F# C# B A B C# B A A F# F# E F# F# F# C# B A B C# B A G# F# F# E F#)
VERSE:
(F#sus2 F#) x 3
where art thou rob roy?
sweet yellow-haired boy…
are the synths sinking in?
(bass: F# F# D# D# C# C# B A G# F#)
(F# F#sus4 F# F#sus2 F#7)
are you stuck in the cupboard again?
(F#msus2 F#m C#)
(bass: F# (A B) C#)
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if you bring me along
i will break out in song
if you bring me along
i will break out in song
(bass: B (F#) F#)
VERSE:
(F#sus2 F# F#+ F#) (F#sus2 F# F#6 F#) (F#sus2 F# F#+ F#) (F#7)
damkani come back
and make me a snack
and put down your game
and pour me some grain
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
(INTRO x 2)
VERSE:
(F#sus2 F# F#+ F#) (E Esus2) (A6)
AI don’t despair
i’m practically there
where my outlook is clear
(bass: F# E (F# G#) A)
(iINTRO x 2)
CHORUS:
(B Bsus4 Bsus2) (F# F#msus4 F#m) (F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
if i break out in song
will you sing right along?
(bass (F# Bb) B (F#) F#)
BRIDGE:
(Bsus4 B Bsus2)
my dear daniel boone
(Bmaj7sus2 Bmaj7)
won’t you ring again soon?
(Bmaj7sus2 Bmaj7)
ring again soon…
(B7sus2 B7)
ring again soon…
(B7sus2 B7)
ring again soon…
CHORUS:
(F#7 F#m7sus4 F#m7)
if i break out in song
will you sing right along?
(bass: (B A) F#)
OUTRO:
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(F#sus4 F#) (B7)] x 2
(C#7 B7 B6 F#7)
(F#sus4 F#) (C#7) (A A6 A) (C#7 B7 B6 F#7)
[(Bsus4) (B) (B7)]
(C#7 B7 B6 F#7)
(C#7 B7 B6 F#7) x 12
(bass: F# (Bb) C# (B G#) A (C#) C# B (G#) F# (Bb) B (A) F# (Bb) B (D#) C# B (G#) F# F# (Bb) C# (B G#) A (C#) C# B (G#) F# (Bb) B (D#) C# B (G#) F# (Bb) C# B (G#) F#)
my dear daniel poon…
my big baby ruth…
inner edger outer atta a motel
doing things the good old fashioned way…
.
-LYRICAL ALTERNATES/EXTENSIONS-
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-SONG LINX-
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-VISUALS-
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥