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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(Aminor –> Dminor / 84bpm)
VERSE:
5:4 –> 4:4
[(C ) (D) (D7) (Am)] x 2
REFRAIN:
(4:4 swing)
[(F6) (Am) (C#dim) (Am)]
(C9)
(C ) (D) (F6) (Am) (Gm)
(C ) (D) (Am) (F6)
(F6) (Am) (Dm)
OUTRO:
[(Ddim) (G7)] x 4
[(A7) (Dm)]
.
(Aminor –> Dminor / 84bpm)
VERSE:
5:4 –> 4:4
[(C ) (D) (D7) (Am)] x 2
REFRAIN:
(4:4 swing)
[(F6) (Am) (C#dim) (Am)]
(C9)
(C ) (D) (F6) (Am) (Gm)
(C ) (D) (Am) (F6)
(F6) (Am) (Dm)
OUTRO:
[(Ddim) (G7)] x 4
[(A7) (Dm)]
.
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nobody ever wanna know why
not i
won’t know
you’d better leave before my feelings start to show
but don’t go
just hide
i don’t know
just do
i need your love
but i don’t need you
i don’t need youβ¦.
‘cuz there ain’t no room for romance
in this already fragile brain
to sum it up
i dig your fumes
but i figured you’d feel no pain
and there ain’t no money in contemplation
but i’d never before abstained
it’s that i need
got brains to feed
done died
we’re though
now i don’t know what to do
i think but i hardly speak
i sleep but i barely breathe
i hear but i never know
i climb right up but remain below
i want but i never need
i hurt but i rarely bleed
i see but i also show
i’m hidin’ out but they always know
they always know…
(so i) retreat to a sweet cocoon
i dare never leave this space
but the day will be coming soon
when i come right out and show my face
i’m dumb but pretend to know
i’m fine but pretend to bleed
i someday will find the cure
‘cuz i always know just what i need
.
nobody ever wanna know why
not i
won’t know
you’d better leave before my feelings start to show
but don’t go
just hide
i don’t know
just do
i need your love
but i don’t need you
i don’t need youβ¦.
‘cuz there ain’t no room for romance
in this already fragile brain
to sum it up
i dig your fumes
but i figured you’d feel no pain
and there ain’t no money in contemplation
but i’d never before abstained
it’s that i need
got brains to feed
done died
we’re though
now i don’t know what to do
i think but i hardly speak
i sleep but i barely breathe
i hear but i never know
i climb right up but remain below
i want but i never need
i hurt but i rarely bleed
i see but i also show
i’m hidin’ out but they always know
they always know…
(so i) retreat to a sweet cocoon
i dare never leave this space
but the day will be coming soon
when i come right out and show my face
i’m dumb but pretend to know
i’m fine but pretend to bleed
i someday will find the cure
‘cuz i always know just what i need
.
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π§«π₯Όπ§ͺβ¨DEVELOPMENTβ¨π§ͺπ₯ΌποΈββοΈ
hard at work on a new tune entitled βno dough for dopeβ.
infer from it what you will
(all donations to remedy current predicament will be graciously accepted). to compensate, iβve been downing lots of what the ruskies like to call βlittle waterβ (though this particular brand hails from the netherlands)
the earliest written reference to what we now know as the βscrewdriverβ is from the 24 october 1949 issue of βtimeβ:
βIn the dimly lighted bar of the sleek Park Hotel, Turkish intelligence agents mingle with American engineers and Balkan refugees, drinking the latest Yankee concoction of vodka and orange juice, called a βscrewdriverβ.
(*the drink got its name because the american engineers secretly added vodka to small cans of orange juice and stirred the mixture with their screwdrivers*)
(i myself first sampled the cocktail with a harvard bozo (whose last name happens to rhyme with βtowelβ and wasnβt much of a head). by his own admission, he couldnβt even break 1300 on the SATs (as it was then called) but somehow stumbled upon the most prestigious institution of higher learning on the planet. ostensibly for his football skills (though he quit the team within the week). last i heard he was off gunninβ down innocent (though as bitter as youβd expect) ayrabs because thatβs what fellow texan george w. bush told him to do (βcuz thatβs what dick cheney told him to doβ¦βcuz thatβs what the ziocons told him to doβ¦and so it goesβ¦))
what a country!
the tune begins in the key of Cmajor because that is where my sonic self feels most comfortable. modulates quite nicely into Dmajor and then somehow finds its way to Dminor (for those precious few familiar with the jogabop catalogue, in particular the album βthe creepsβ, think shades of βplight of the phoenixβ and βcocoa courtβ outros)
also been reading a great deal of this: alan w. pollackβs notes on beatles catalogueβ¦ as well as absorbing the youtubified rants of glenn gould, bobby fischer, and charlie sheen for comedic inspiration
(i probably need new microphones by now (still using the same mics from fall 2005) but at least iβve updated to cubase (essential) v5. which doesnβt seem quite catered to the ‘imac’)
.
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
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ππππππ-=*OUTRO*=-ππππππ
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π»ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅π»
πππβ*βWAR ON DRUGSβ* β πππ
*THE PLAYLIST*
π»ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅π»
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
.
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯