*THE BASIX*
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-=*INTRO*=-
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*KINDRED SPIRITS*
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.SOUND
CLOUDS.*V1*
(‘spring 2015’)
[bandcamp width=100% height=120 album=230120013 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small track=2825983539]
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*THAT’S ALRIGHT MAMA*
(5610 – 5819)
(swing beat 4)
VERSE:
[(A) (that’s al) (Asus4) (right) (A) (my mama)] x 2
(A) (that’s al) (Asus4) (right) (A) (my mama) (A6) (an) (A) (y) (A7) (way) (A6) (you) (A) (put) (Asus4) (me) (A) (through)
that’s alright mama
that’s alright for you
that’s alright mama
anyway you put me through
[(D7) (Abar D7)] x 2
(D9)
that’s alright
that’s alright
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
(Asus2 A) (Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
VERSE:
lying free and easy
way past 21
flying with the breeze
until i’m dying in the sun
that’s alright
wall street lite
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(C#dim Cdim Bdim) (A)
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
[(C#dim Cdim Bdim) (A) (Am Amsus2)] x 2
[(A Bdim Cdim C#dim) (A A7 Adim) A)] x 3
(bass: A (C#) D (C ) A (C ) D (C ) A (C ) D (C A F#) E D# D (C ) A (C ) C# C B (G#) A (E))
(bass: A (C#) B C C# (Bb) A)
(swing beat 5)
(D E A)
i’m gonna do well
(A) (Asus4) (gon) (A) (na) F#m)
i’m gonna do well
(Dsus2 D E F#m)
(A Asus4 A A6 F#m –> F#)
(bass: D (A F#) E (G#) F# (A) A (F#) F#)
*TURNING INTO TONY*
(4:4 / F#blues)
(funk beat 3)
(“you turned into tony…”)
INTRO:
(F#)
(riff: F# F# A B C# B A B A F# F# A B C# E C# B A F#)
(F#) (my) (F#m) (mor) (F#sus4) (tal) (F#m) (mik) (F#) (ey)
(F#) (will) (F#m) (dad) (F#sus4) (y donate) (F#m) (a) (F#sus4) (kid) (F#m) (ney)
(F#) (or buy) (F#sus4) you) (F#m) (your) (F#sus4) (fav) (F#m) (rte toy o boy)
my mortal mikey
will daddy donate a kidney?
or buy you your favorite toy? (o boy)
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
he’d sell you on ebay
(B9)
if somebody’d pay
(F#m)
for mortal mikey
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
dying of cancer
(B9)
in a boiler room
(C#7) (cold calling) (C#+) (the) (C#7) (roll) (C#+) (ands) (F#m) (soon)
cold calling the rollands soon
(bass: F# (A) A (C#) B (A) F# (A) A (C#) B (C#) C# (A F) F#)
*PATRICIDE*
(4:4 / 98bpm)
(funk beat 5)
(F#m) (F# (like) F# (you) F#maj7 (to) F#m7 (know)) (F#m) (F# (go) F# (dad) F#maj7 (dy) F#m7 (go))
i’m keeping on walkin
though there’s something that i’d like you to know
we’ll never get talkin’
now go daddy go
(*pin taylor*)
(bill taylor drowning in carolyn taylor’s ciggie smoke)
you’re really not moving
forever find me frozen in doubt
yet you’re finally gonna figure me out
(outlast shallcross)
you’re nothing special
and i liked it better when you were gone
now no use in trying to carry it on
(slap socrates down)
stay outta my forest!
discover that the silence is golden
behold all your beholden
(*face down luke*)
this is payback
though all that was between us is gone
still continuin’ to carry it on
(piledrive blumberg into the sea)
(just as the arabs drive israel into the sea)
(if only) for the feeling, for the feeling that i get over here
there never area nadya to fear
(knock out cua with a single punch)
(cue nadia doing me a dance)
baby, there someone that i’d like you to meet
cuz all my other contacts are beat
(as sobic lies in a ditch)
(padua and nora come outta the woodwork)
(‘now presenting!’)
(*kick down joseph*)
someone so special, so special, that i’d like you to fear
she’s been in town for almost a year
get ready, get ready
cuz it’s time to explode
we’ll meet up further down the road
***
found me in a funk
but i considered this stand
and all my other haters be damned!!!
(curl up into a ball)
now we find me wallowing in honest defeat
til all your other saviors been beat
(hauer in forest princess costume appears)
harken
wonderful years of abuse
really noa nada excuse
***
don’t mean to be rude, i really don’t mean to be rude
but all your facts n figures are skewed
and all your fake vaginas are screwed
but all your facts n figures are skewed
and all your fake vaginas are screwed
and all your fake vaginas are screwed…
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
dying of cancer
(B9)
in a boiler room
(C#7) (cold calling) (C#+) (the) (C#7) (roll) (C#+) (ands) (F#m) (soon)
cold calling the rollands soon
(Ablues)
[(A) (C ) (G) (A)] x 2
(A) (C6) (Gsus2) (A)
(bass: (F# A F#) A (C#) C (A) G (A) A)
who done done
who done done
finally who done done
we soon will see
whose side you on
i already know who won
while some derailed
i grabbed my gun
i already got it done
now i’ll need my dead man
to turn me on
one who already good and gone
yea i damn you all
and i fear you none
i already know who won
we will win
whose side you on?
i already got it done
i already know who won…
(A C G A) x 12
(don’t come around)
(continue!)
(so let it be me!)
(1 bar of “don’t come around” loop)
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*“THAT’S ALRIGHT MAMA”
V1:
that’s alright mama
that’s alright for you
that’s alright mama
anyway you put me through
that’s alright
that’s alright
that’s alright my mama
anyway you do…
that’s alright my mama
anyway you do…
V2:
lying free and easy
way past 21
flying with the breeze
until i’m dying in the sun
that’s alright
wall street lite
that’s alright my mama
anyway you do…
that’s alright my mama
anyway you do…
i’m gonna do well…
“MICHAEL ANTHONY”
my mortal mikey
will daddy donate a kidney?
or buy you your favorite toy? (o boy)
he’d sell you on ebay
if somebody’d pay
for mortal mikey
dying of cancer
in a boiler room
cold calling the rollands soon
“DADDY-O”
i’m keeping on walkin
(gimme) something that i’d like you to know
we’ll never get talkin’
now go daddy go…
(*pins taylor*)
(william taylor suffocating in carolyn taylor’s ciggie smoke)
you’re really not moving
forever find me frozen in doubt
now you’re finally gonna figure me out
(outlast shallcross in stalemate)
you’re nothing special
and i liked it better when you were gone
now there’s no use in trying to carry it on
(slap socrates down with guitar)
outta my forest!
discovered that the silence is golden
now behold all your beholden
(face down luke in the studio)
(whisper: ‘it’s payback, it’s payback’)
now all that was between us is gone
continuin’ to carry on
(piledrive blumberg into the sea)
(just as the arabs drive israel into the sea)
(if only) for the feeling, the feeling that i get over here
there never are-a nadia to fear
(knock out cua with a single punch)
(to an ebullient nadia in a cheerleader costume)
baby, there someone that i’d like you to meet
cuz all my other contacts are beat
(as sobic lies in a ditch)
(padua and nora come doe-eyed outta the woodwork like spooked arabs)
(‘now presenting!’)
someone so special, so special, that i’d like you to fear
she’s been in town for almost a year
(*bitchslaps joseph*)
get ready, get ready
cuz it’s time to explode
we’ll meet further down the road
(make room for another load)
found me in a funk, ma man
but i considered this stand
and all my other haters be damned!!!
(curl up into a ball)
she’s really not ready
now we find me wallowing in honest defeat
til all your other saviors been beat
(hauer twins in forest princess costume appear)
harken
these wonderful years of abuse
there’s really noa nada excuse
don’t mean to be rude (boy!)
i really don’t mean to be rude
but all your facts n figures are skewed
and all your fake vaginas are screwed
ALTERNATE VERSES:
i’m keeping on walkin
though there’s something that i’d like you to know
we’ll never get talkin’
now go daddy go
you’re really not moving
forever find me frozen in doubt
now you’re finally gonna figure me out
you’re nothing special
and i liked it better when you were gone
now there’s no use in trying to carry it on
stay outta my forest
discover that the silence is golden
beholding all your beholden
this is payback
though all that was between us is gone
still continuin’ to carry it on
if only for the feeling
for the feeling that i get over here
though there’s never ever nada to fear
baby, there someone that i’d like you to meet
cuz all my other contacts are beat
someone so special, so special, that i’d like you to fear
she’s been in town for almost a year
get ready, get ready
cuz it’s time to explode
we’ll meet up further down the road
don’t mean to be rude, i really don’t mean to be rude…
but all your facts n figures are skewed
and all your fake vaginas are screwed
all your facts n figures are skewed…
and all your fake vaginas are screwed…
dying of cancer
in a boiler room
cold calling the rollands soon
“PATRICIDE”
who done done
who done done
finally who done done
we soon will see
whose side you on
i already know who won
while some derailed
i grabbed my gun
i already got it done
now i’ll need my dead man
to turn me on
one who already good and gone
yea i damn you all
and i fear you none
i already know who won
we will win
whose side you on?
i already got it done…
i already know who won…
don’t come around…
.
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\
ENSEMBLE/♘
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….
*PRODUCTION*******************************************************************
*ENSEMBLE*
*V1*
(’21 september 2017′)
(thursday night)
(@ “dekalb” subway station in ‘brooklyn’)
.
9.21.17:
V5 (6:50)
got extraneous “derailed” verse
good deep singing 8:30
V7 (2:50)
(good start)
second attempt eliminates ‘derailed’
good falsetto impromptu end
(into faster “down the line” outro)
IG: 3:10 – 4:03
V11 (3:30)
a bit breathier and fatigued
better second attempt
hit wrong B instead of C
third attempt after tip is good “need my dead man”
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♩♪♫♬
♩♪♫♬
☜*“DADDY ISSUES”* ☞ 
*THE PLAYLIST*
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