*THAT’S ALRIGHT MAMA*
(5610 – 5819)
(swing beat 4)
VERSE:
[(A) (that’s al) (Asus4) (right) (A) (my mama)] x 2
(A) (that’s al) (Asus4) (right) (A) (my mama) (A6) (an) (A) (y) (A7) (way) (A6) (you) (A) (put) (Asus4) (me) (A) (through)
that’s alright mama
that’s alright for you
that’s alright mama
anyway you put me through
[(D7) (Abar D7)] x 2
(D9)
that’s alright
that’s alright
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
(Asus2 A) (Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
VERSE:
lying free and easy
way past 21
flying with the breeze
until i’m dying in the sun
that’s alright
wall street lite
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(C#dim Cdim Bdim) (A)
(Em E9) (E9 D#9 D9)
that’s alright my mama
anyway you do…
(Adim C#dim Cdim Bdim) (A)
[(C#dim Cdim Bdim) (A) (Am Amsus2)] x 2
[(A Bdim Cdim C#dim) (A A7 Adim) A)] x 3
(bass: A (C#) D (C ) A (C ) D (C ) A (C ) D (C A F#) E D# D (C ) A (C ) C# C B (G#) A (E))
(bass: A (C#) B C C# (Bb) A)
(swing beat 5)
(D E A)
i’m gonna do well
(A) (Asus4) (gon) (A) (na) F#m)
i’m gonna do well
(Dsus2 D E F#m)
(A Asus4 A A6 F#m –> F#)
(bass: D (A F#) E (G#) F# (A) A (F#) F#)
*TURNING INTO TONY*
(4:4 / F#blues)
(funk beat 3)
(“you turned into tony…”)
INTRO:
(F#)
(riff: F# F# A B C# B A B A F# F# A B C# E C# B A F#)
(F#) (my) (F#m) (mor) (F#sus4) (tal) (F#m) (mik) (F#) (ey)
(F#) (will) (F#m) (dad) (F#sus4) (y donate) (F#m) (a) (F#sus4) (kid) (F#m) (ney)
(F#) (or buy) (F#sus4) you) (F#m) (your) (F#sus4) (fav) (F#m) (rte toy o boy)
my mortal mikey
will daddy donate a kidney?
or buy you your favorite toy? (o boy)
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
he’d sell you on ebay
(B9)
if somebody’d pay
(F#m)
for mortal mikey
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
dying of cancer
(B9)
in a boiler room
(C#7) (cold calling) (C#+) (the) (C#7) (roll) (C#+) (ands) (F#m) (soon)
cold calling the rollands soon
(bass: F# (A) A (C#) B (A) F# (A) A (C#) B (C#) C# (A F) F#)
*PATRICIDE*
(4:4 / 98bpm)
(funk beat 5)
(F#m) (F# (like) F# (you) F#maj7 (to) F#m7 (know)) (F#m) (F# (go) F# (dad) F#maj7 (dy) F#m7 (go))
i’m keeping on walkin
though there’s something that i’d like you to know
we’ll never get talkin’
now go daddy go
(*pin taylor*)
(bill taylor drowning in carolyn taylor’s ciggie smoke)
you’re really not moving
forever find me frozen in doubt
yet you’re finally gonna figure me out
(outlast shallcross)
you’re nothing special
and i liked it better when you were gone
now no use in trying to carry it on
(slap socrates down)
stay outta my forest!
discover that the silence is golden
behold all your beholden
(*face down luke*)
this is payback
though all that was between us is gone
still continuin’ to carry it on
(piledrive blumberg into the sea)
(just as the arabs drive israel into the sea)
(if only) for the feeling, for the feeling that i get over here
there never area nadya to fear
(knock out cua with a single punch)
(cue nadia doing me a dance)
baby, there someone that i’d like you to meet
cuz all my other contacts are beat
(as sobic lies in a ditch)
(padua and nora come outta the woodwork)
(‘now presenting!’)
(*kick down joseph*)
someone so special, so special, that i’d like you to fear
she’s been in town for almost a year
get ready, get ready
cuz it’s time to explode
we’ll meet up further down the road
***
found me in a funk
but i considered this stand
and all my other haters be damned!!!
(curl up into a ball)
now we find me wallowing in honest defeat
til all your other saviors been beat
(hauer in forest princess costume appears)
harken
wonderful years of abuse
really noa nada excuse
***
don’t mean to be rude, i really don’t mean to be rude
but all your facts n figures are skewed
and all your fake vaginas are screwed
but all your facts n figures are skewed
and all your fake vaginas are screwed
and all your fake vaginas are screwed…
(A) (sell) (Asus2) (you) (A) (on) (Asus2) (e) (A) (bay) (A6)
dying of cancer
(B9)
in a boiler room
(C#7) (cold calling) (C#+) (the) (C#7) (roll) (C#+) (ands) (F#m) (soon)
cold calling the rollands soon
(Ablues)
[(A) (C ) (G) (A)] x 2
(A) (C6) (Gsus2) (A)
(bass: (F# A F#) A (C#) C (A) G (A) A)
who done done
who done done
finally who done done
we soon will see
whose side you on
i already know who won
while some derailed
i grabbed my gun
i already got it done
now i’ll need my dead man
to turn me on
one who already good and gone
yea i damn you all
and i fear you none
i already know who won
we will win
whose side you on?
i already got it done
i already know who won…
(A C G A) x 12
(don’t come around)
(continue!)
(so let it be me!)
(1 bar of “don’t come around” loop)
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(***BACK TO “DEATH OF A SALESMAN”***)
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