-THE BASIX-
.
******************************************************************
******************************************************************
******************************************************************
******************************************************************
******************************************************************
******************************************************************
🧫🥼🧪✨“BEHIND THE MUSIC”✨🧪🥼🏋️♀️
*📥.DEVELOPMENT.📤*
******************************************************************
🤖☠️🛡⚔️🛡\✨ENSEMBLE✨/🛡⚔️♘☠️💀🤖
******************************************************************
******************************************************************
12.2.17:
(saturday night)
(dekalb busking)
V1
(42:42)
6:20
(shock and awe 1)
15:00
(shock and awe 2)
21:00
(shock and awe 3)
30:20
(shock and awe 4)
38:50
(shock and awe 5)
V2
(5:53)
0:00
(shock and awe 6)
V3
(20:52)
0:00
(shock and awe 7)
5:15
(shock and awe 8) !!!
(too fast)
(verse 1 good otherwise)
(first line a bit shaky)
(verse 2 good)
(refrain 2 good)
(bridge 1 good and transition out of it)
(verse 4 good)
16:00
(shock and awe 9) !!!
(fast)
(first line interrupted with ‘thank you’)
(verse 1 not acceptable)
(refrain 1 good)
(woa oh good)
(verse 2 good)
“then i think id be surprised” good
(17:30 – startover)
(keeper 1)
(verse 2 is also good as starting point)
(20:00)
(“i’ve been healed” good vocals)
V5
(11:49)
0:00
(shock and awe 10)
(slower)
(first line shaky)
(startover at 0:30)
(shaky singing)
good exit of refrain
good verse 2
refrain 2 – messed up lyrics
2:30
(good falsetto singing)
good last verse
3:45 – good last verse
(keeper 2)
(messed up the end)
V6
(3:32)
0:00
(shock and awe 11)
(good start)
(keeper 3?)
verse 2 interrupted
ended good
V8
(2:18)
0:00
(shock and awe 12)
(slower)
(0:33 – start)
(keeper 4?)
(refrain 1 good!)
(verse 2 good)
(keeper 5)
(messed up end of second refrain)
V9
(1:12)
0:00
(shock and awe 13)
(aborted take)
V10
(9:48)
0:00
(shock and awe 14)
(slower)
(keeper 6?)
(messed up lyrics)
(good refrain 1)
(good exit to refrain 1)
(good verse 2)
(a bit out of breath)
(good verse 3)
(good bridge 1) – keeper 7 (2) – good falsetto
messed up last verse – out of steam
7:00
(shock and awe 15)
(good start)
(keeper 8)
(a bit shaky)
(refrain 1 good)
(one flat note at end of first part)
(good exit out of it)
(verse 2 good)
(shaky alternating melody)
8:50 – good last verse
(keeper 9) !!!
V11
(3:06)
0:00
(shock and awe 16) !!!
(decent first line)
(keeper 10)
(a bit varied tempo)
(good exit of refrain 1)
(good verse 2)
(good vibrato on refrain 2)
(keeper 11)
(good bridge 1) !!! (1:55)
(good last verse)
(keeper 12)
(messed up end of it!)
V13
(3:56)
0:00
(shock and awe 17) !!!
(decent first line – not great)
(good refrain 1)
(keeper 12)
(a bit out of breath)
good “open my bedroom door…”
good exit from refrain 2
(good last verse)
(keeper 13)
(a bit out of breath)
V14
(3:35)
0:00
(shock and awe 18) !!!
(a bit shaky first line)
(good refrain 1)
(keeper 14)
(interesting falsetto outro)
V15
(4:13)
1:24
(shock and awe 19)
(good refrain 1)
(keeper 15)
(good verse 2)
(good refrain 2)
3:30
(keeper 16)
good last verse)
V17
(2:30)
0:00
(shock and awe 20)
(1:42 good singing)
(good first line)
(out of breath)
(good refrain 1)
(good verse 2)
(interrupted – out of gas)
*V1*
(*2 december 2017*)
(*saturday night*)
(*dekalb busking*)
*SOLO CLIPS*
*SOLO*
*ENSEMBLE*
******************************************************************
******************************************************************
(the song was rejected by TAXI a few times)
(both my solo version and the liliana version)
this is what they said:
good lyrical theme
some interesting imagery sets the stage here
‘don’t get surprised no more’…we can relate…
unfortunately, the song’s lyrical theme doesn’t seem to convey the same sort of depth. I don’t doubt your sincerity, but for some reason I do have a difficult time investing myself emotionally in what you’re singing about.
there are some vocal pitch issues that could be addressed.
good vocal arrangement.emotion, male/ female layers, textures…yet it can help to create one, distinctive lead vocal identity
and the vocal is buried in the mix.
the way in which the vocals are arranged sounds really wonderful.
It sounds like there are layers of voices, and I really like how they all seem to bend and weave around one another.
I think that overall the performances could use some tightening up in order to show this band in the best light possible.
without drums to provide a solid rhythmic foundation this arrangement feels a bit lackluster.
the distortion effect you’re using on the guitar also sounds overly synthetic.
In general, the recording seems suitable for use as a demo on which to test out instrumental and arrangement ideas, but it is not suitable for this type of broadcast quality listing.
Sounds rough and unfinished.
Lacks any sort of dynamic variation,
This track has an original feel, sound Joseph……
(musically, the track falls somewhere between funk, hard rock and psychedelia, but seems to lack the sensibility associated with today’s indie rock music)
(the instrumental performance is handled with obvious skill and conviction)
.
******************************************************************
******************************************************************
.
.
📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜
👈👈👈☜*’SMOKE’ + ‘MIRRORS’* ☞ 👉👉👉
*SONIC CHRONICLE #2*
*ACT 1*
📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
*🌈✨ *TABLE OF CONTENTS* ✨🌷*
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥