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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(4:4)
(Amajor)
(120bpm)
(reference note: A A A A G# G# G# G# F# E C# B A)
INTRO:
(Dmaj7 D6) (A)
VERSE:
(A) (Amaj7) (A6) (A) (A Asus2 A) (Dmaj7 D6) (A)
(A A6 A) (A (than) B7) (B7 A7 B7) (E Esus2 E) (E E7 E6)
hanging by a thread tied to my family treeβ¦o the woe is meβ¦
there is nothing other that i’d rather do than take a tumble with you…
(bass: A (C#) D (B) A (C#) B (A) A (C#) B (A F#) E (G# B C#))
CHORUS:
(D D6 D) (D D Dm F# F#sus2 Adim) (C#7 D)
(A Am) (E Esus4) (D Ddim D) (D Dm A)
(bass: D (A F) F# (G#) A (C ) C# D (A) A (E) E (B) D (A) A))
if only i’da ventured out a little more
i woulda surely scored just like i scored before
cuz half the battle’s showing up right on time
VERSE:
came to my decision very easilyβ¦o the woe is meβ¦
there is nothing other that i’d rather do than take a tumble with you
CHORUS:
(D D6 D) (D D Dm Dsus2 D) (E (gain) Esus4) (D C#7 D)
(A Am) (E Esus4) (D Ddim D) (D Dm A)
(bass: D (A F#) E D C# D (A) A (E) E (B) D (A) A)
madam may i take up all your precious time?
we’re gonna glow again
you’re gonna blow my mind
(half your body’s showing up right time…)
now channel 4 is showing usβ¦
OUTRO:
(140bpm)
(riff: A F# A E A C# A B A A A A F# A E A C# A B A A A)
(A6 A A Asus2 A)
(A A6 A) (A6) (A Asus2 A) (A A6 A)
(D D6 D) (F#m F#msus4 F#m) (D)
(A6 A A Asus2 A)
(A A6 A) (A6) (A Asus2 A)
(D D6 D) (A (still) Adim (ther) Bm7) (D Dm A)
(bass: A (C#) D (A) F# (A C#) D (A))
(bass: (A C#) D (A) A (C ) B (D) D (A) A)
working really hard to get my feelings right
like dynamite
blowing up proponents of the oversightβ¦
just like dynamiteβ¦
trying hard to overthrow the overlordβ¦
exorcising demons is a nasty choreβ¦
provide another solvent for my broken heart
my valentine
and an alternate ending for our rocky start
my broken heart
knowing that i’ll never see you anymore
exorcising demons is a nasty chore…
working really hard to get my feelings right
(just like dynamite…)
LAST VERSE:
(open invitation to our last hurrah…)
(but we’ve still got further to go…)
(no nada woe is me, mama me is woe)
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********************************************
*ALTERNATE SECTIONS*
********************************************
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*as of βD M Yβ*
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*WORDS*
*NOTES*
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*key*
*time signature*
*tempo*
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*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
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*INTRO*
(# BARS)
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*lead-in (#) reference notes* β>
XXX
[X]
(0)
ββ¦β
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*SONIC SNAPSHOTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*MANTRAS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*FREE-FORM CHANTS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*OUTRO*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*BAY 6*
(buy 1 get one free)
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*BASSLINES*
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*BEATS*
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*HARMONIES*
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*COUNTER-POINTS*
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*SAMPLES*
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INTRO:
βgreetings from the prime meridianβ¦β
VERSE 1:
hey, whoβs gonna bring the booze?
hey, youβd better not sing the bluesβ¦
hey, what have you got to say?
VERSE 2:
hey, what have we got to lose?
throw away the substances we abuseβ¦
hey, are there any more games to play?
VERSE 3:
hey, iβm moving to jersey C
yea, i broke up with lisa B
hey, now iβm blowing it all awayβ¦
ready now roboray?
go ahead make my dayβ¦
PART 2:
that alpha omega
will waste us away
be careful what, be careful what you sayβ¦
PART 3:
now youβre a time zone away
right back to yesterdayβs ex
we went from heartbreak to rape
i left a stain on your dress
we made a sexual messβ¦
OUTRO:
(been a long timeβ¦been a long timeβ¦been a long lonely lonely lonely lonely lonely timeβ¦)
.
(go sista! go sista!)
(make it glow sista!)
(glow sista!)
(making it grow)
.
PART 1:
hanging by a thread tied to my family treeβ¦
(o the woe is meβ¦)
there is nothing other that i’d rather do than take a tumble with you…
if only i’d a’ventured out a little more…
i woulda surely scored just like i scored before…
cuz half the battle’s showing up right on time…
.
PART 2:
came to my decision very easilyβ¦
(o the woe is meβ¦)
there is nothing other that i’d rather do than take a tumble with you…
madam may i take up all your precious time?
we’re gonna glow again…
you’re gonna blow my mind…
and half the battle’s showing up…
PART 3:
working really hard to get my feelings right…
like dynamite…
blowing up proponents of the oversightβ¦
just like dynamiteβ¦
trying hard to overthrow the overlordβ¦
exorcising demons is a nasty choreβ¦
PART 4:
provide another solvent for my broken heart…
my valentine…
and an alternate ending for our rocky start…
my broken heart…
knowing that i’ll never see you anymore…
exorcising demons is a nasty chore…
PART 5:
working really hard to get my feelings right…
just like dynamite…
open invitation to our last hurrah…
but we still got further to go…
no nada woe is me…
mama me is woe…
–
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*as of βD M Yβ*
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*CHORDS*
*NOTES*
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*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
*INTRO*
(# BARS)
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*lead-in lyrix* β>
βXXXβ
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*SONIC SNAPSHOTS*
(# BARS)
XXX
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*MANTRAS*
(# BARS)
XXX
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*FREE-FORM CHANTS*
(# BARS)
XXX
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*OUTRO*
(# BARS)
XXX
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(thenβ¦)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
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*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
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*SONG TITLE* β>
*WORKING TITLES*
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*ALTERNATE TITLES*
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*INTRO*
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*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
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*VERSE #*
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(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
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*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
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*BRIDGE*
XXX
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*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
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βfirst things firstβ¦β
*determine ‘pertinent playlist placement(s’*
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π§«π₯Όπ§ͺ⨓BEHIND THE MUSIC”β¨π§ͺπ₯ΌποΈββοΈ
(written + recorded in fall 2014)
(theme of estrangement from family)
(a tumbler is a flat-bottomed beverage container for drinking made of plastic, glass, etc)
(booze theme)
(although i was more fueled by brother john’s dope)
(as i recorded the song in the early morning hours of mounts motel)
(as he sat on the bed and read the bible)
(“take a tumble with you…”)
(the song speeds up in the latter half)
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
*ENSEMBLE*
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“2.9.18”
(dekalb + 7th avenue)
(“20 VIDEOS”)
V1:
(36:21)
26 – LOVE LIES BLEEDING!
(V2)
(9:16)
(1)
(7:52)
(!!!)
(V3)
(1:35)
(2)
(1:08)
(broken string)
(V4)
(7:21)
(3)
(0:00)
(false start)
(4)
(5:37)
(!!!)
(V5)
(12:59)
(5)
(0:00)
(black kids drownout)
(keeper 2)
(6)
(2:00)
(train drownout)
(!!!)
(keeper 1)
(7)
(7:05)
(!!!)
(repeat)
(keeper 1)
V6
(22:23)
(8)
(9:37)
(!!!)
(staring down roboray – good)
(IG 9:35 – 10:35)
(9)
(15:00)
(jersey C – good)
V8
(12:46)
(10)
(2:00)
(KEEPER 1)
V9
(9:42)
(11)
(0:00)
(12)
(1:41)
V11
(4:35)
(13)
(0:00)
(KEEPER 2)
(last verse shaky)
(14)
(1:41)
V12
(10:24)
(15)
(1:55)
(shaky)
V14
(1:15)
(16)
(0:00)
(KEEPER 3)
V15
(1:45)
(chromatic riff Amajor) !!!
(17)
(0:00)
(!!!)
(alpha omega)
V17
(5:08)
(18)
(0:00)
(KEEPER 3)
V18
(1:39)
(19)
(0:00)
V20
(0:56)
(20)
(0:00)
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
(bandcamp page:)
(track #4 on ‘finest hour’)
(track #3 on ‘quirk’)
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ππππππ-=*OUTRO*=-ππππππ
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ππππππππππππππππππ π‘π’π£π€π₯π¦π§
πππβ*βPERSONA NON GRATAβ* β πππ
β³π/⨔SEASONAL SONIC CHRONICLE“β¨\πβ³
π¨ππππ”FALL 2014″πππππ¨
ππππππππππππππππππ π‘π’π£π€π₯π¦π§
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*β¨πβ¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨πβ¨*
πππβ*βMY FINAL ANSWERβ* β πππ
*ACT 1*
*β¨πβ¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨β¨πβ¨*
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯