*aka “gentrification”*
.
(aka “9th street (shuffle)”
(‘turn me on dead man…’)
.
(akin to (just your average) “east village blues”)
.
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-=*INTRO*=-
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.SOUND
CLOUDS.******************************************************************
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(Dmajor / 4:4 swing / 160bpm)
INTRO:
(D7) (C7) (C7) (D7)
(D Dsus2 D Dsus2 D) (G G G7 G6 D7) (F#7)
(bass: D (A) C (E) D (A F#) G (B D E) D (C A) F# (Bb C#))
VERSE:
(D7) (D7sus2) (D7sus2) (D) (G Gsus2 Gmaj7 G6 G) (D)
(D7) (G6) (C7) (G) (G G7 G6) (D)
(D7) (C7) (Bsus4) (Bm) (F# G A) (D)
(D7) (D7sus2) (D7) (Bm) (E7 Esus2 E7) (A)
(bass: D (A F#) G (B) D D (A F#) G (B) C (G) G (B) D (C ) C B (F#) F# G (B) A (C#) D (A) B (F#) E (G#) A)
CHORUS:
(D7) (D7sus4) (D7) (D7sus2) (D7sus2) (D7) (D7sus2) (D)
(D9 D9 C D D) x 2 (B7 B7sus4 Bm) (Gmaj7) (Gm7) (D E trill)
(C7) (Csus2) (Csus4) (C ) (Csus2) (Cmaj7) (D7)
(bass: D (C ) C (E) D (C ) C (E) D (A) B (F#) G (B) C (E) D)
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*(“persistence is the name of the game…”)
(“holocaust kids”)
there’s fresh meat on ninth street
and it’s only a dimebag away
she’s a bum bum (she’s a thoroughly ripened plum)
plucked out of time for a day
he’s taking pictures of the police
brooklyn is the town where she came from
took off to japan, landed in jail then
stashed bout a dimebag away
a dumpster hunter done jumped her
so she decided that she probably shouldn’t stay
called from the payphone when she was home alone
come baby what do you say?
that’s when it started to rain
exposing my pain to the elements
wash ‘way the evidence
rain, wash away my pain, wash away my pain
‘cause when the clouds roll through, i’m gonna dial dial her number again
(for when the clouds come through…)
called from the payphone when she was home alone
come baby what do you say?
she screened ma calls then (‘hello’), I’ll never call her again!
call the captain to take me away
*police dispatch*
a naked body, condition spotty
spotted right near the tent by the bay
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♞
ENSEMBLE♘
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*
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-=*******************************************************************
.
.
♩♪♫♩♬♩
♩♪♫♬
☜*“KING OF NUMBERS”* ☞ 
*THE PLAYLIST*
♩♪♫♬♩♩♩♪♫♬
.
.
.
.
*.
.
