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“the silver screen”
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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
*V1*
(2013)
*V2*
(2012)
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π§«π₯Όπ§ͺβ¨DEVELOPMENTβ¨π§ͺπ₯ΌποΈββοΈ
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
*SOLO*
*V1*
(βLOCATIONβ)
(βXX-XX-XXβ)
(βDAY OF THE WEEKβ)
(βTIMEβ)
*SOLO CLIPS*
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(*12.23.17*)
(β9 VIDEOSβ)
PHONE 1:
V1:
(27:37)
(13:07)
(“watergate 1”)
(first verse is ‘shaky at best’)
(shaky outro to
(then came p with a better tempo / rhtthm right in them iddle
getig to know the musc
refusl
nefer unertimate
(14:30)
(that’s good!)
(1 almost ‘bum note’)
(who wrote that dumb review to prove that he has an ear for pitch)
oown on his knees for the last tie
checking
(end of two / 15:40)
IG:
V2:
(16:55)
(12:00)
(“watergate 2”)
(things i first line ifou out of tne)
shaky fisrst part)
morbid OK low note
good executinon
(orphan annie middle section sucks)
(GOOD OUTRO!) (KEEPER 1?)
(14:55 – 15:55 – IG)
(good woos falsetto at end of ths take with a complementary ssiren)
“foul play” (or “cry flou)
the goalposts are moving
the winners are weeping
screaming a greeting, fearing a beating
(15:39)
(“watergate 3”)
V3:
(20:56)
(12:50)
(“watergate 4”)
(15:20)
(“watergate 5”)
V4:
(13:29)
(8:52)
(“watergate 6”)
V5:
(15:50)
(15:20)
(“watergate 7”)
PHONE 2:
V9:
(4:33)
(1:17)
(βwatergate 8β)
V13:
(3:27)
(0:00)
(βwatergate 9β)
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
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ππππππ-=*OUTRO*=-ππππππ
*GENDER-BENDER*
(musical link)
(both in ‘Bmajor’)
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ππππππππππππππππππππππππππππππππππππππ
πππβ*βTHE JERSEY SHOREβ* β πππ
*SONIC CHRONICLE #6*
*ACT 1*
ππππππππππππππππππππππππππππππππππππππ
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯