“book of job”
*the song*

*THE BASIX*

.

“the silver screen”

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🌑🌒🌓✨🚪-=*INTRO*=-🚪✨🌖🌗🌘

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*🌪.SOUND🌥🎙🌩CLOUDS.🌪*

*V1*
(2013)

*V2*
(2012)

*SOUNDCLOUDS*

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*🎬✨CLIPS✨📽*

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*🎸✨CHORDS✨🎸*

*CHORDS*

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*🎼✨LYRICS✨✍️*

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.

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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️‍♀️

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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖

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⚡️🔌🎤🌌PRODUCTION🌌🎤🔌⚡️

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🕴🎫🎭✨PERFORMANCE✨🎭🎫🕴

*SOLO*

*V1*
(“LOCATION”)
(“XX-XX-XX”)
(“DAY OF THE WEEK”)
(“TIME”)

*SOLO CLIPS*

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(*12.23.17*)
(“9 VIDEOS”)

PHONE 1:

V1:
(27:37)

(13:07)
(“watergate 1”)
(first verse is ‘shaky at best’)
(shaky outro to
(then came p with a better tempo / rhtthm right in them iddle
getig to know the musc
refusl
nefer unertimate
(14:30)
(that’s good!)
(1 almost ‘bum note’)
(who wrote that dumb review to prove that he has an ear for pitch)

oown on his knees for the last tie
checking

(end of two / 15:40)
IG:

V2:
(16:55)

(12:00)
(“watergate 2”)
(things i first line ifou out of tne)
shaky fisrst part)
morbid OK low note
good executinon
(orphan annie middle section sucks)
(GOOD OUTRO!) (KEEPER 1?)
(14:55 – 15:55 – IG)
(good woos falsetto at end of ths take  with a complementary ssiren)

“foul play” (or “cry flou)

the goalposts are moving
the winners are weeping
screaming a greeting, fearing a beating

(15:39)
(“watergate 3”)

V3:
(20:56)

(12:50)
(“watergate 4”)

(15:20)
(“watergate 5”)

V4:
(13:29)

(8:52)
(“watergate 6”)

V5:
(15:50)

(15:20)
(“watergate 7”)

PHONE 2:

V9:
(4:33)

(1:17)
(“watergate 8”)

V13:
(3:27)

(0:00)
(“watergate 9”)

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*✨🦄📖✨STORYLINES✨📖🦄✨*

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👎🤷‍♂️👩‍⚖️🙀*REVIEWS*😻👨‍⚖️🤷‍♂️👍

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🌌🌓🌔🌕🎆🌃-=*OUTRO*=-🌃🎆🌖🌗🌘🌌

*OUTRO*

*GENDER-BENDER*

(musical link)

(both in ‘Bmajor’)

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📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜

👈👈👈☜*“THE JERSEY SHORE”* ☞ 👉👉👉
*SONIC CHRONICLE #6*
*ACT 1*

📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜

.

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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

.

.

*🌈✨ *TABLE OF CONTENTS* ✨🌷*

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥

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