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*SOLO AKUSTIKA* —>
XXX
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*MASTER TAKE* —>
XXX
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*DISTROKID LINK* —>
XXX
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*SPOTIFY LINK* —>
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*OUR SONGS*
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*V1*
(2013)
*V2*
(2009)
(included on spring 2010 CD “good morning!”)
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*V1*
(2013)
*V2*
(2009)
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(4:4 swing)
(94bpm)
(Aminor + Cmajor)
INTRO:
(Am) (D) (Am Am/G Am/F Am/E)
(Am) (C B C) (D) (D7) (Am) (A G F E)
(bass: A (C ) D (C A F#) A (C E))
VERSE:
(Am7) (C Csus2 C Csus2 C) (D9) (D7) ([Fmaj7 F6 F)] x 2 (C )
(bass: C (E) D (C A F#) F (A) C (E))
BRIDGE:
(Dsus2) (E E7 E+ E) (Am) (Amsus2 Am)
(bass: D (A F#) E (G#) A (C E))
OUTRO:
(Fsus4 F Fm) (G Gsus2 Gm) (C )
(bass: F (G#) G (Bb) C (G E))
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VERSE 1:
you’d better straighten your ties for the cosmic parade…
got a cold wind blowing…
and without me knowing…
they’ve already sealed my fate…
VERSE 2:
you’d better tighten up your act as a matter of fact…
you’ve got a ways to goin’…
but without me showin’…
there ain’t gonna be no show…
VERSE 3:
i found there’s simply no way to extinguish the flame…
so i caught a cold in…
and then i fake it away…
i fight it off and face another day…
VERSE 4:
and now i open my heart for the cosmic parade…
until my faith came callin’…
you had a thousand chances…
and i never heard you call my name…
VERSE 5:
well now the roles are reversed…
and now the blessed are cursed…
that’s when my faith departed…
i’ll finish what i started…
and finally extinguish the flame…
REFRAIN 1:
hard to hold…
hard to hold on…
wait until another break of dawn…
VERSE 6:
you’ve gotta strengthen your ties for the cosmic parade
screw second chances…
you should’ve learned your dances…
and showed’em that you mean what you say…
REFRAIN 2:
damn right i’m takin’ my time
time has takin’ it’s toll on mine and my kind…
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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️♀️
written around the time i was recording traditional tunes
(cue ‘battle hymn of the republic’)
written in summer 2009
intro in Aminor
verses in Cmajor
choruses in Dmajor
coda in Cmajor
about myself as self-deprecating messianic figure
(like radiohead’s ‘creep’)
some october 2009 youtube post referenced a mixing of DNA of hitler, einstein, and dahmer????
(though i’m not gay, jewish, nor a serial killer!)
goes together with “crimson chicks”
(i as ‘cosmic creep’ / prey as ‘crimson chicks’)
(according to brit reviewer:)
“’good morning !’ rambles out on the ambling sing-a-long ‘cosmic creep’, hopefully not a reference the beloved bolan. i think not”
(according to “TAXI”:)
the guitarist really stands out on this one too.
in fact, the entire ensemble sounds really distinctive. it’s as if you’re all seasoned professionals, but you decided to switch instruments right before they rolled tape. in a way that approach is very regressive. you’re obviously quite skilled, but have chosen to play in a deliberately loose manner. It’s structured but very chaotic at the same time. I think that’s actually an incredibly interesting approach, but unfortunately, doesn’t really suit the folks who placed this listing.
they’re searching for stuff that more easily slots in with contemporary bands like fleet foxes, Espers, Vetiver, Devendra Banhardt, Six Organs of Admittance, etc.
(who is “they”?)
.
(written in ‘summer 2009’)
(final version recorded in 2013)
(in my princeton NJ bedroom)
(1st command to ‘jon the batshit’)
“onward and upward ye christian soldier!”
(as we ‘exit the ivy’ yet again)
(for the n-th time that week)
(2009 version is closing track of ‘good morning!’)
(2013 version appears on the ‘tabula rasa’ song cycle)
written around the time i was recording traditional tunes
(cue ‘battle hymn of the republic’)
intro in Aminor
verses in Cmajor
choruses in Dmajor
coda in Cmajor
about myself as self-deprecating messianic figure
(like radiohead’s ‘creep’)
some october 2009 youtube post referenced a mixing of DNA of hitler, einstein, and dahmer????
(though i’m not gay, jewish, nor a serial killer!)
goes together with “crimson chicks”
(i as ‘cosmic creep’…)
(prey as ‘crimson chicks’)
(i was known my girls as a ‘creep’ at harvard)
(at least ACCORDING TO DUDES)
(pseudo alpha dudes who were bigger + stronger than me)
(but still knew i was better with girls than they were)
(these so-called ‘dudes’ were named ‘christopher ware’ and ‘james dowell’ by the way)
(“but they wuz ain’t no ‘buddies o’mine’…)
(sweet child o’mine)
(sweet caroline)
(tow the line…)
(“they had plenty ‘o time…”)
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
*V1*
(2009)
XXX
XXX
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*V1*
(summer 2017)
*V2*
(2010)
9.4.17:
V4 (0:00)
good!
V6 (7:20)
good!
(IG 7:35 – 8:35)
V7 (7:35)
good!
V3 (7TH) (0:00)
good!
V5 (7TH) (0:00)
good!
V6 (7TH) (0:00)
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.
XXX
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(according to brit reviewer:)
“’good morning !’ rambles out on the ambling sing-a-long ‘cosmic creep’, hopefully not a reference the beloved bolan. i think not”
(according to “TAXI”:)
the guitarist really stands out on this one too.
in fact, the entire ensemble sounds really distinctive. it’s as if you’re all seasoned professionals, but you decided to switch instruments right before they rolled tape. in a way that approach is very regressive. you’re obviously quite skilled, but have chosen to play in a deliberately loose manner. It’s structured but very chaotic at the same time. I think that’s actually an incredibly interesting approach, but unfortunately, doesn’t really suit the folks who placed this listing.
they’re searching for stuff that more easily slots in with contemporary bands like fleet foxes, Espers, Vetiver, Devendra Banhardt, Six Organs of Admittance, etc.
(who is “they”?)
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XXX
XXX
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👈👈👈 ☜ *“TABULA RASA” (PLAYLIST)*
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*“GOOD MORNING!” (2010)* ☞ 👉👉👉
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥