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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(4:4 / 102bpm)
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*VERSES*
(D) (Dsus2) (D) (Gmaj7 G6 G)
(D) (G Gsus2 Gmaj7 G6) (D6 F#dim Em)
(Bm) (Bmsus4 Bm Bmsus4 Bm)
(D Dsus2 D) (G) (Gm Gm6) (Dsus2 D)
(bass: D (A F#) G (B) D (A F#) G (B D E) D (B A) F# (A C D#) E (G) B (D) D (A F#) G (Bb D) D)
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*REFRAIN*
(D D6 D D6) (D D6 D D+ D)

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(4:4 / 102bpm)
VERSE:
(D) (Dsus2) (D) (Gmaj7 G6 G)
(D) (G Gsus2 Gmaj7 G6) (D6 F#dim Em)
(Bm) (Bmsus4 Bm Bmsus4 Bm)
(D Dsus2 D) (G) (Gm Gm6) (Dsus2 D)
(bass: D (A F#) G (B) D (A F#) G (B D E) D (B A) F# (A C D#) E (G) B (D) D (A F#) G (Bb D) D)
REFRAIN:
(D D6 D D6) (D D6 D D+ D)

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what a fine indication of the way we used to be
and just the camera lens reminds us what we see
with reservations but we know we can’t be seen
someday soon you’ll notice what i mean
my fine fava mava and i knew i’d find a way
to get to liliana’s papermill play
it’s a role we all fulfill to the amusement of our team
but after awhile we only live to dream
reality you didn’t want and you wanna go away
far from the things that happen every single day
from the show we all know
and towards the way we’re meant to be
with no one left to set a brother free
we’ll get the same reaction every single day
too scared to know about and too depressed to play
and all the while knowing, knowing damn well where i’ll be
now justify the things they’ve done to me
.
what a fine indication of the way we used to be
and just the camera lens reminds us what we see
with reservations but we know we canβt be seen
someday soon youβll notice what i mean
my fine fava mava and i knew iβd find a way
to get to lilianaβs papermill play
itβs a role we all fulfill to the amusement of our team
but after awhile we only live to dream
reality you didnβt want and you wanna go away
far from the things that happen every single day
from the show we all know
and towards the way weβre meant to be
with no one left to set a brother free
weβll get the same reaction every single day
too scared to know about and too depressed to play
and all the while knowing, knowing damn well where iβll be
now justify the things theyβve done to me
.
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π§«π₯Όπ§ͺ⨓BEHIND THE MUSIC”β¨π§ͺπ₯ΌποΈββοΈ
(written in 2011)
(recorded in 2013)
(after i started dating emma i started worrying that i wasn’t devoting enough time to writing new songs)
(so i forced myself to write this one)
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π€β οΈπ‘βοΈπ‘\β¨ENSEMBLEβ¨/π‘βοΈββ οΈππ€
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β¨β‘οΈππ€π….π*PRODUCTION*π…ππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
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ππππππ-=*OUTRO*=-ππππππ
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ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅
πππβ*βMAKE A WISHβ* β πππ
*THE PLAYLIST*
ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯