*LYRICS*
.
(4:4)
(85bpm)
(D#major)
.
*INTRO*
.
*VERSE 1*
.
*VERSE 2*
.
*BRIDGE 1*
.
*BRIDGE 2*
.
*LINX 1*
.
*OUTRO*
.
.
*INTRO*
(D#dim)
(bass: D# C A F# F)
.
(F) (riff: A A A C) x 2
.
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
.
(Dmsus2)
(riff: D E) x 3
.
(Bb) (F)
(riff: Bb A F)
.
(G)
(riff: G F E D)
.
(G#)
(riff: C D D# D)
.
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
.
.
*VERSE 1*
(reference notes: G4 F4 F4 D#4)
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2
(6th fret barred)
you were bigger…
than the lightweights in my life
you were bigger…
now i’m craving something other than
your no nonsense replies…
now i’m craving somethin other…
i’m getting closer
to the limelight in your eyes
don’t know nothing better, don’t know nothing better
than to hear your noble sighs just out of….
.
(Cmsus4 Cm)] x 2
sight…so i say….
.
(G#) (Cm)
ay yi yi yi ya
.
(Cm) (Fm)
ay yi yi yi yiy ya
.
(D#)
ya
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
.
.
*VERSE 2*
(D#)
you were brighter
than the limelights in the sky
and i know of nothing greater
than to let life pass you by
(no baby now)
you were better
than the lowlives in my life
now i know it’s all inside
but it’s still al
.
(Cm) (Fm)
right….
.
(G#) (Cm)
fay ya ya ya ya ya
.
(Fm)
fay yay yay ya da da
.
(G#)
da…
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
.
.
*BRIDGE*
(D#)
from the evening that we shared a table at your local chucky
.
(Bb)
cheeses…it was all i thought of for the rest of my life…i was nearly torn to
.
(D#)
pieces…and my mother’s mother from another mother well she had a son named
.
(Bb)
jesus…and she seemed quite right…she made me laugh all night…she seemed free of any…
.
(D#)
diseases…
.
.
(D#)
i needed someone for these lonely nights…she seemed just what i
.
(Bb)
needed…we were supposed to be figurin what to do with our lives, we were, we were simply mis
.
(D#)
leaded…
.
(Cm)
dawgone damn it knew it all along…i knew
.
(Fm)
i had was she needed….(suky!)
.
(G#) (Bb)
.
(Fm)
do do do do do
(Fm)
do do do do do
(Fm)
do do do do do
(C#)
do do do do do
.
.
*OUTRO*
[(Fm) (C#m) (C#dim) (G#)]
(letting my mojo go…)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
.
.
.
.
(4:4 / 85bpm / D#major)
INTRO:
(D#dim) (bass: D# C A F# F)
(F) (riff: A A A C) x 2
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
(Dmsus2)
(riff: D E) x 3
(Bb) (F)
(riff: Bb A F)
(G)
(riff: G F E D)
(G#)
(riff: C D D# D)
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (G#dim) (D#)
(bass: F (G# C) C (G) G# (B D) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (Gm) (D#)
(bass: F (G# C) C (G) G# G (Bb D) D#)
BRIDGE:
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
(D#) (D#sus4) (D#) (D#sus2) (Bb) (Bb6) (Bb) (Bbsus4) (Bb) (Bbsus4) (Bb6) (Bb) (Bbsus4)
(Cm) (Cmsus4) (Cm) (G#) (Cm) (Cmsus4)
(G#) (Bb)
(bass: D# (Bb G) Bb (D) D# (Bb G) Bb (D) D# (Bb G) Bb (D# D) C C (G) G# (C ) C (G) G# (C ) Bb (F))
OUTRO:
(Fm) (Fmsus2) (Fm) (Fmsus2) (Fm) (C#m) (C#m6) (Cm) (C#m6) (C#m) (C#dim) (G#)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
.
******************************************************************
(4:4)
(85bpm)
(D#major)
INTRO:
(D#dim) (bass: D# C A F# F)
(F) (riff: A A A C) x 2
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
(Dmsus2)
(riff: D E) x 3
(Bb) (F)
(riff: Bb A F)
(G)
(riff: G F E D)
(G#)
(riff: C D D# D)
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (G#dim) (D#)
(bass: F (G# C) C (G) G# (B D) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (Gm) (D#)
(bass: F (G# C) C (G) G# G (Bb D) D#)
BRIDGE:
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
(D#) (D#sus4) (D#) (D#sus2) (Bb) (Bb6) (Bb) (Bbsus4) (Bb) (Bbsus4) (Bb6) (Bb)
(Bbsus4)
(Cm) (Cmsus4) (Cm) (G#) (Cm) (Cmsus4)
(G#) (Bb)
(bass: D# (Bb G) Bb (D) D# (Bb G) Bb (D) D# (Bb G) Bb (D# D) C C (G) G# (C) C (G) G#)
(bass: ((C) Bb (F))
.
OUTRO:
(G#major)
(Fm) (Fmsus2) (Fm) (Fmsus2) (Fm) (C#m) (C#m6) (Cm) (C#m6) (C#m) (C#dim) (G#)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
.
👈👈👈 ☜ *“GIRL NEXT DOOR”*☞ 👉👉👉
*CHORDS*
.
.
*”BASIC CHORDS”*
.
.
.
.
.
.
.
********************************************
–
(4:4)
(85bpm)
(D#major)
INTRO:
(D#dim)
(bass: D# C A F# F)
(F) (riff: A A A C) x 2
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
(Dmsus2)
(riff: D E) x 3
(Bb) (F)
(riff: Bb A F)
(G)
(riff: G F E D)
(G#)
(riff: C D D# D)
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
VERSE 1:
(reference notes: G4 F4 F4 D#4)
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2
(6th fret barred)
you were bigger…
than the lightweights in my life
you were bigger…
now i’m craving something other than
your no nonsense replies…
now i’m craving somethin other…
i’m getting closer
to the limelight in your eyes
don’t know nothing better, don’t know nothing better
than to hear your noble sighs just out of….
(Cmsus4 Cm)] x 2
sight…so i say….
(G#) (Cm)
ay yi yi yi ya
(Cm) (Fm)
ay yi yi yi yiy ya
(D#)
ya
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
VERSE 2:
(D#)
you were brighter
than the limelights in the sky
and i know of nothing greater
than to let life pass you by
(no baby now)
you were better
than the lowlives in my life
now i know it’s all inside
but it’s still al
(Cm) (Fm)
right….
(G#) (Cm)
fay ya ya ya ya ya
(Fm)
fay yay yay ya da da
(G#)
da…
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
BRIDGE:
(D#)
from the evening that we shared a table at your local chucky
(Bb)
cheeses…it was all i thought of for the rest of my life…i was nearly torn to
(D#)
pieces…and my mother’s mother from another mother well she had a son named
(Bb)
jesus…and she seemed quite right…she made me laugh all night…she seemed free of any…
(D#)
diseases…
(D#)
i needed someone for these lonely nights…she seemed just what i
(Bb)
needed…we were supposed to be figurin what to do with our lives, we were, we were simply mis
(D#)
leaded…
(Cm)
dawgone damn it knew it all along…i knew
(Fm)
i had was she needed….(suky!)
(G#) (Bb)
(Fm)
do do do do do
(Fm)
do do do do do
(Fm)
do do do do do
(C#)
do do do do do
OUTRO:
[(Fm) (C#m) (C#dim) (G#)]
(letting my mojo go…)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
(4:4 / 85bpm / D#major)
INTRO:
(D#dim) (bass: D# C A F# F)
(F) (riff: A A A C) x 2
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
(Dmsus2)
(riff: D E) x 3
(Bb) (F)
(riff: Bb A F)
(G)
(riff: G F E D)
(G#)
(riff: C D D# D)
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (G#dim) (D#)
(bass: F (G# C) C (G) G# (B D) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (Gm) (D#)
(bass: F (G# C) C (G) G# G (Bb D) D#)
BRIDGE:
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
(D#) (D#sus4) (D#) (D#sus2) (Bb) (Bb6) (Bb) (Bbsus4) (Bb) (Bbsus4) (Bb6) (Bb) (Bbsus4)
(Cm) (Cmsus4) (Cm) (G#) (Cm) (Cmsus4)
(G#) (Bb)
(bass: D# (Bb G) Bb (D) D# (Bb G) Bb (D) D# (Bb G) Bb (D# D) C C (G) G# (C ) C (G) G# (C ) Bb (F))
OUTRO:
(Fm) (Fmsus2) (Fm) (Fmsus2) (Fm) (C#m) (C#m6) (Cm) (C#m6) (C#m) (C#dim) (G#)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
******************************************************************
(4:4)
(85bpm)
(D#major)
INTRO:
(D#dim) (bass: D# C A F# F)
(F) (riff: A A A C) x 2
[(F) (Fsus2) (F) (Fmaj7)] x 2
(riff: A A C F A G F E) (A G F E)
(Dmsus2)
(riff: D E) x 3
(Bb) (F)
(riff: Bb A F)
(G)
(riff: G F E D)
(G#)
(riff: C D D# D)
(D#)
(riff: D D#) x 4
(bass: F (A C E) D (A) Bb (F) F (A) G G# (C ) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (G#dim) (D#)
(bass: F (G# C) C (G) G# (B D) D#)
VERSE:
[(D#sus2 D#) x 3 (D#sus3) (D#) [(D#sus2) (D#)] x 2 (Cmsus4 Cm)] x 2
(D#) (D#sus2) (D#) (D#sus4) (D#) (D#sus2) (D#)
(G#) (Cm) (Cmsus4) (Cm) (Cmsus4) (Fm7) (Fm)
(bass: D# (Bb) C (D#) D# (Bb) C (D#) D# (Bb G) G# (C ) C (F) F)
CHORUS:
(Fm Fm6) [(Cm) (Cmsus2)] x 2
(G#) (G#6) (G#maj7) (G#6) (G#) (Gm) (D#)
(bass: F (G# C) C (G) G# G (Bb D) D#)
BRIDGE:
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
[(D#) (Bb6) (Bb) [(Bb6) (Bb) (Bbsus4) (Bb)] x 2 [(Bb6) (Bbsus4)] x 2 (Bb6) (D#)]
(D#) (D#sus4) (D#) (D#sus2) (Bb) (Bb6) (Bb) (Bbsus4) (Bb) (Bbsus4) (Bb6) (Bb)
(Bbsus4)
(Cm) (Cmsus4) (Cm) (G#) (Cm) (Cmsus4)
(G#) (Bb)
(bass: D# (Bb G) Bb (D) D# (Bb G) Bb (D) D# (Bb G) Bb (D# D) C C (G) G# (C) C (G) G#)
(bass: ((C) Bb (F))
OUTRO:
(G#major)
(Fm) (Fmsus2) (Fm) (Fmsus2) (Fm) (C#m) (C#m6) (Cm) (C#m6) (C#m) (C#dim) (G#)
(bass: F (G# C) C# C C# (Bb G) G# (C D#))
.
.
“IN SUMMARY …”
(for all versions)
.
.
.
.
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(11.18.17:)
(saturday night)
(6:30PM – 10:00PM)
(dekalb station busking)
V2 (4:55)
!!! GOOD!!! (KEEPER 1)
GOOD YEA YEA!
GREAT END!
(good middle)
GREAT SWOOP NOTES IN END
KEEPER (TAME)
V3
(0:00)
false
KEEPER 2
too much space between first lines
(restart before verse 2 – 1:14
KEEPER 2 – good hiya ya
good
brigher verse a bit strange wording
flub some lines
OR NOT
V4
(0:00)
XXX
(good woo! in verse 1)
(slower)
(long before craving something other…
good phrasing
KEEPER 2
1:54 – start over KEEPER 3
replies a bit off? but good!
sighs – out of breath
no not for nothin – no discussion
low octave on chucky cheese middle
V7
(1:50)
yea youd better!
(letting it roll
great outrao – good ending
bigger – not great – need goood first line
NO
a bit rushed
still alright OK
V8
(0:00)
slower
false start
good first line
sped up subtly (unacceptable)
baby now – out of tune
first hiya good
second verse good
or not
inTO MARTHA MY DEAR (POST THIS)
V10 (0:00)
GREAT!!!!! even middle is best!!!! OUTRO GREAT!
but first line is off
ooo yea – verse 1 is GREAT after that KEEPER 4
good vesre 1 to verse 2 OOOO
V13 (7:40)
ok start
good ooos – different character
a bir sped up awkwardly
BRIGHER VERSE IS GOOD! – go into chucky better
good KEEPER 5
interrrupted
CHUCKY !!!
a jesus
V15 (0:00)
a bit shaky?
(good ‘uh nothing better tag
slower
black teen whoops
shaky parts
brigher is verse – but not acceptable
slows down
NEW SECTION FROM G# Cm
wodd did dii da
1:50 – “why die it die?{
play for mike
V17 (0:00)
IG 0:25 – 1:25
!!!!!! (KEEPER) 0:25
out of sight
repeat verse 1
WHY?!??!?
combine two?
V19 (0:00)
(KEEPER)
good scream after vese 1
bigger – awkard a bit
V20 (19:30)
GREAT
GREAT SCREM OUTRO
first vese a bit fats and awkward
good on hi ya i yi ya rag
V21 (0:00)
GREAT!
XXX
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*V1*
*V2*
*V3*
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.
*VERSE 1*
you were bigger…
than the lightweights in my life
you were bigger…
now i’m craving something other than
your no nonsense replies…
now i’m craving somethin other…
i’m getting closer
to the limelight in your eyes
don’t know nothing better, don’t know nothing better
than to hear your noble sighs just out of sight
so i say:
fay ya ya ya ya ya
fay yay yay ya da da
.
*VERSE 2*
you were brighter
than the limelights in the sky
and i know of nothing greater
than to let life pass you by
(no baby now)
you were better
than the lowlives in my life
now i know it’s all inside
but it’s still alright
so i say:
fay ya ya ya ya ya
fay yay yay ya da da
.
*BRIDGE*
from the evening that we shared a table at your local chucky cheese’s
it was all i thought of for the rest of my life
i was nearly torn to pieces
and my mother’s mother from another mother
heard she had a son named jesus
and it seemed quite right, he made us laugh all night
he seemed free of any diseases
.
i needed something for these lonely nights
you were just what i needed
we were supposed to be a figurin what to do with our lives
well we were simply misleaded
while i was inside planning all along,
you were doing just as you pleases…
.
.
*OUTRO*
so i say….
(letting my mojo go…)
.
.
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VERSE 1:
you were bigger…
than the lightweights in my life
you were bigger…
now i’m craving something other than
your no nonsense replies…
now i’m craving somethin other…
i’m getting closer
to the limelight in your eyes
don’t know nothing better, don’t know nothing better
than to hear your noble sighs just out of sight
REFRAIN 1:
so i say:
fay ya ya ya ya ya
fay yay yay ya da da
VERSE 2:
you were brighter
than the limelights in the sky
and i know of nothing greater
than to let life pass you by
(no baby now)
you were better
than the lowlives in my life
now i know it’s all inside
but it’s still alright
REFRAIN 2:
so i say:
fay ya ya ya ya ya
fay yay yay ya da da
BRIDGE:
V1:
from the evening that we shared a table at your local chucky cheese’s
it was all i thought of for the rest of my life
i was nearly torn to pieces
and my mother’s mother from another mother
heard she had a son named jesus
and it seemed quite right, he made us laugh all night
he seemed free of any diseases
V2:
i needed something for these lonely nights
you were just what i needed
we were supposed to be a figurin what to do with our lives
well we were simply misleaded
while i was inside planning all along, you were doing just as you pleases…
OUTRO:
so i say….
(letting my mojo go…)
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(***BACK TO “GENTLEMENS CLUBS”***)
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*BASIC CHORDS*
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*REFERENCE LINKS*
.
*SCRAPS*
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🧫🥼🧪✨BEHIND THE MUSIC✨🧪🥼🏋️♀️
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜
👈👈👈☜*“THE 2ND NATURE”* ☞ 👉👉👉
*SONIC CHRONICLE #4*
📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜📜
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥