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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(4:4 / 120bpm / Cmajor)
INTRO:
[(F) (G)] x 2
(bass: F (A) G)
VERSE:
(Am7) (Am) (Amsus4) (Am)
(Gm) (Gmsus4) (Gm6)
(Fm6) (Fm) (Fmaj7) (F6) (F)
(bass: A G F (A))
(C ) (Csus2) (C ) (Bb) (Bbsus2) (Bb)
(Fmaj7) (F6) (Fmaj7) (G) (Gsus4) (Gsus2) (G)
(bass: C Bb (D) F (A) G (B))
TRANSITION:
(A+) (F) (Am)
(bass: A (F) F (A) A (C E))
BRIDGE:
(D) (Dsus2) (D) (D) (Dsus2) (D) (D6)
(E) (Esus2) (E) (E7) (E) (Esus2) (E) (E7)
(C ) (Cdim) (Csus2) (Cmaj7) (Cdim)
(A7) (Asus4) (A6) (A) (Asus2) (A6) (A)
(bass: D (F#) E (G# B) C A)
(A) (A7) (A) (A7) (A) (A7) (A) (Asus4) (A) (A) (Asus2)
(F#m) (D6)
(Dmaj7) (D6) (D)
(D) (D7) (D6) (D) (D7)
(Amsus2) (Am)
(bass: A (E) F# (A C#) D (C ) A)
CODA:
(C Csus2 C) (C Csus2 C) (Am) (Dm) (Dm7)
(Dmsus4 Dm) (C ) (C Am) (C ) (C Am) (Cm) (C Am) (Cm) (C Am) (C ) (C Am) (C )
(C+) (E7) (C+) (Am) (C )
(C ) (Csus2) (C ) (Cm) (Cmsus2) (Cm)
(bass: C (G) A (C E) D (A) C (G) A (C ) C (G) A (C ) C (G) A (C ) C (G) A (C ) C (G) A (C ) C (G# E) E (G# B D) C (G#) A (C ) C)
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hipster chicks
they get their kicks
from faggy boys
and jewish ploys
hipster chicks
demand their fix
a need to showβ¦
refuse to knowβ¦
refuse to growβ¦
my blackout baby
we tend to forget
the constant struggle while we’re getting our feet wet
my blackout baby
we tend to forget
causing all sorts of trouble while we’re getting our feet wet
she’s well acquainted with my limewired ways
she don’t know nothing bout the end of the days
so hopelessly elitist, but life goes on
she forges forward like i’ve never been gone
calm down sadie
it’s all quite alright
you can crash on the couch
and cry all nightβ¦cry all nightβ¦cry all night…
tattoo me like they tattooed you
suck it up
and introduce me to your guru(rururuse)…
so dance like a white girl all night
just suck it up
and enjoy the flight…
they make an art out of starving themselvesβ¦
prescription bottles all lined up on their shelves
for they’re pill-popping bimbos on a selfish trip
so unseasonably cool, so incredibly hip
so unreasonably rude, so ironically glib
so unbearably moody, so (un)endearingly flip (ripped?)
ooh modern lady
i think i’m ready to go
ooh modern lady
i’m sure you already know
hey modern lady
i will not give it a rest
hey there baby
how bout you give me your best? (yea)
when there’s a will and a way
there’s still time of the day
run a mile in the wild…
there’s a fan and a flame
it’s the source/ it’s a shame
run a mile in the wildβ¦.
i’ve got my o o o o
(she was my littleβ¦)
forgot my o o o oβ¦
hey modern lady
i can’t quite figure you out
hey little lady
ain’t this what life’s all aboutβ¦
(no!)
hey there baby
y’all ain’t so easily pleasedβ¦yea!
hey little lady
just shout my name to the breezeβ¦
when there’s a will and a way
there’s still time of the day
run a mile in the wild…
y’all so easily pleased
shout my name in the breeze
run a mile in the wild…
affect my state state state state of mindβ¦
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π§«π₯Όπ§ͺ⨓BEHIND THE MUSIC”β¨π§ͺπ₯ΌποΈββοΈ
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π€β οΈπ‘βοΈπ‘\β¨ENSEMBLEβ¨/π‘βοΈββ οΈππ€
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β¨β‘οΈππ€π….π*PRODUCTION*π…ππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
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ππππππ-=*OUTRO*=-ππππππ
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