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(4:4swing / Cblues / 102bpm)
(whisper: “devour…devour…”)
(count smokula yapping away about gene simmons liking his “blues piano” as he’s led away in a conveyor belt coffin with other middle-aged wannabe “vampires”)
INTRO:
(G#) (D#) (C )
(bass: G# (C ) D# (Bb) C)
VERSE:
(C9) (til they) (D#maj7) (walked in) (Gsus4 G Gsus4) (town again)
(C9) (didn’t we) (D#maj7) (almost) (G# G#m G#) (have it all)
(C9) (D#maj7) (freddy) (Gsus4 G Gsus4) (cuts the grass)
(C9) (D#maj7) (gave that) (G# G#m G#) (job to paul)
[(G#) (Bb (we) Bbsus4 (al) Bb (most) Bbsus2 (have)) (B (it) C (all))] x 2
(bass: C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) Bb B C (G) (G#)
til they walked in town again
didn’t we almost have it all?
father freddy cut the grass
til he gave that job to paul
didn’t we almost have it all?
(C9) (D#maj7) (eddie) (Gsus4 G Gsus4) (never left)
(C9) (D#maj7) (eddie) (G# G#m G#) (mows the lawn)
(C9) (D#maj7) (freddy) (Gsus4 G Gsus4) (cuts the grass)
(C9) (D#maj7) (stifle) (G# G#m G#) (ing a yawn)
little eddie never left…
little eddie mows the lawn…
father freddy cuts the grass…
paulie’s stifling a yawn…
(Bbsus4 Bb) (freddy) (G# G#m) (like to) (F9) (sacrifice)
freddy’d like to sacrifice…
[(G#) (Bbsus2) (B) (C )] x 2
his firstborn pawn…
(bass: C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) Bb G# (B D#) F (G) G# (C ) Bb B C)
PART 1:
(Cminor / D#major)
(Cm7) (pound for) (G#) (pound) (G#6 G#maj7) (pound for)
pound for pound…
(D#) (pound) (D#6) (D#6 D#) (in vi)
pound for pound…
(larnick stuck around…)
(G7) (ena) (G+ G)
in vienna…
(G+ G+ Cm)
(G#) (riff: B C Bb) (G#m)
ring ring…
(D# D#bar) (D#bar C#bar) (G#) (G#m)
but larnick wouldn’t sing…
(so hit the road…)
(bass: C (Bb G) G# (C ) D# (C Bb) G (B) C (G) G# (B) D# (C#) C# (B) G#)
PART 2:
(4:4 straight / 120bpm)
(Gm F#m)
(Cm7)
(Bbsus4 Bb) (nother) (Bb6) (i’ll face a)
(moving out to another town)
(D#maj7 (nother) D#+ (round)) (D# D#6) (i’ll face a)
(i’ll face another round…)
(G# G#dim G#) (nother) (G#m) (round) (G#m G# G#dim) (i’ll face a)
(i’ll face another round…)
(G# G#dim G#) (F7 F6) (round) (Cm Cmsus4)
(i’ll face another round alone…)
(G# G#maj7 G#6) (F7) (F6 Fsus4) (D#)
(i’ll face another round alone…)
(bass: G F# (A C#) C (Bb) Bb (D) D# (C Bb G) G# (B D#) F (A) C (G) G# (F) F (A Bb C F) D#)
BLUMBEE:
(84bpm)
(C# C#6) (D#) (fifteen)
remember when we was 15?
(F9)
man you wanted me…
(you wannabe)
(G#dim G7 G#dim) (making a) (C#9) (ho) (Fm6) (bby) (Fm) (Fmsus2) (py) (Fm Fm7 Fm) (G#dim)
baby making a hobby of copying me…
(bass: C# (F) D# (Bb G) F (G) G# G G# (B D) C# (B G#) F (G#) G# (B D) )
but it’s too late now…
strike 3!
(you overgrown fairy)
(G+) (G+7) (your) (G+) (G+7) (film) (G+) (Cm Cm) (your chest)
trying your best to get this film off your chest…
(this is art not therapy!)
(bass: G (B) C (G) G (B) C (G))
CHORUS:
(G#maj7) (F9) (on writing while my plate) (D#dim) (remains full)
(F9) (Fm Fm9) (bowl)
(C# D#) x 3 (cereal)
and i’ll keep right on writing while my plate remaining full
(man you couldn’t even finish a bowl…of cereal…)
(yea…of cereal…)
(bass: G# (G) F (G A C) D# (C A F#) F (G G# C) C# (F) D# C# (F) D# C# (F) D#)
TC:
(to “melville”)
(4:4 swing)
(riff: Bb Bb Bb Bb C C D Bb C)
[(D#) (tin) (D#6) (eared) (D#)] x 2
(D# D#sus2 (and) D# (they))
(D#m6) (mous) (D#msus2) (fer) (D#m)
o tin-eared TC…
takes two tits to know(tice)…
and they famously flopped on the ferguson show…
(Bbm7 (put her) Bbm6 (in the) Bbmsus4 (pe) Bbmsus2 (en)) (Bbm7 (pella) Bbm6 (gat) Bbmsus4 (ti))
(G#m (nail her) G#msus2 (in the) G# (crucifix)) (G# (immedi) G#maj7 (ate) G# (ly))
(Fm) (nor) (F9) (mal)
(Fm9)
(bass: D# (Bb) Bb G# (C D#) F (G G# C))
so put her in a pen with a pellagatti…
nail her to the crucifix immediately…
just your normal spoiled bitch…
i knew her back when i was rich…
[(D#) (D#6) (D#)] x 2
(Fm9) (like it or not here you) (D#sus2 D#)
none of em thought that you’d make it this far
but like it or not here you are
don’t ever give in to the whispers you hear…
[(Fm9) (D#sus2 D#)] x 4
(bass: D# (Bb G) F (G G# C) D# (Bb G))
but silently lend them your ear…
but silently lend them your ear…
but silently lend them your ear…
but silently lend them your ear…
.
(4:4swing)
(Cblues)
(102bpm)
(whisper: “devour…devour…”)
(count smokula yapping away about gene simmons liking his “blues piano” as he’s led away in a conveyor belt coffin with other middle-aged wannabe “vampires”)
INTRO:
(G#) (D#) (C)
(bass: G# (C) D# (Bb) C)
VERSE:
(reference notes: C4 D4 D#4 D4)
(C9) (til they) (D#maj7) (walked in) (Gsus4 G Gsus4) (town again)
(C9) (didn’t we) (D#maj7) (almost) (G# G#m G#) (have it all)
(C9) (D#maj7) (freddy) (Gsus4 G Gsus4) (cuts the grass)
(C9) (D#maj7) (gave that) (G# G#m G#) (job to paul)
[(G#) (Bb (we) Bbsus4 (al) Bb (most) Bbsus2 (have)) (B (it) C (all))] x 2
(bass: C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) Bb B C (G) (G#)
til they walked in town again
didn’t we almost have it all?
father freddy cut the grass
til he gave that job to paul
didn’t we almost have it all?
(C9) (D#maj7) (eddie) (Gsus4 G Gsus4) (never left)
(C9) (D#maj7) (eddie) (G# G#m G#) (mows the lawn)
(C9) (D#maj7) (freddy) (Gsus4 G Gsus4) (cuts the grass)
(C9) (D#maj7) (stifle) (G# G#m G#) (ing a yawn)
little eddie never left…
little eddie mows the lawn…
father freddy cuts the grass…
paulie’s stifling a yawn…
(Bbsus4 Bb) (freddy) (G# G#m) (like to) (F9) (sacrifice)
freddy’d like to sacrifice…
[(G#) (Bbsus2) (B) (C)] x 2
his firstborn pawn…
(bass: C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) C (D) D# (D Bb) G (B C) C (D) D# (D Bb G) G# (C ) Bb G# (B D#) F (G) G# (C ) Bb B C)
PART 1:
(Cminor / D#major)
(Cm7) (pound for) (G#) (pound) (G#6 G#maj7) (pound for)
pound for pound…
(D#) (pound) (D#6) (D#6 D#) (in vi)
pound for pound…
(larnick stuck around…)
(G7) (ena) (G+ G)
in vienna…
(G+ G+ Cm)
(G#) (riff: B C Bb) (G#m)
ring ring…
(D# D#bar) (D#bar C#bar) (G#) (G#m)
but larnick wouldn’t sing…
(so hit the road…)
(bass: C (Bb G) G# (C ) D# (C Bb) G (B) C (G) G# (B) D# (C#) C# (B) G#)
PART 2:
(4:4 straight)
(120bpm)
(Gm F#m)
(Cm7)
(Bbsus4 Bb) (nother) (Bb6) (i’ll face a)
(moving out to another town)
(D#maj7 (nother) D#+ (round)) (D# D#6) (i’ll face a)
(i’ll face another round…)
(G# G#dim G#) (nother) (G#m) (round) (G#m G# G#dim) (i’ll face a)
(i’ll face another round…)
(G# G#dim G#) (F7 F6) (round) (Cm Cmsus4)
(i’ll face another round alone…)
(G# G#maj7 G#6) (F7) (F6 Fsus4) (D#)
(i’ll face another round alone…)
(bass: G F# (A C#) C (Bb) Bb (D) D# (C Bb G) G# (B D#) F (A) C (G) G# (F) F (A Bb C F) D#)
BLUMBEE:
(84bpm)
(C# C#6) (D#) (fifteen)
remember when we was 15?
(F9)
man you wanted me…
(you wannabe)
(G#dim G7 G#dim) (making a) (C#9) (ho) (Fm6) (bby) (Fm) (Fmsus2) (py) (Fm Fm7 Fm) (G#dim)
baby making a hobby of copying me…
(bass: C# (F) D# (Bb G) F (G) G# G G# (B D) C# (B G#) F (G#) G# (B D))
but it’s too late now…
strike 3!
(you overgrown fairy)
(G+) (G+7) (your) (G+) (G+7) (film) (G+) (Cm Cm) (your chest)
trying your best to get this film off your chest…
(this is art not therapy!)
(bass: G (B) C (G) G (B) C (G))
CHORUS:
(G#maj7) (F9) (on writing while my plate) (D#dim) (remains full)
(F9) (Fm Fm9) (bowl)
(C# D#) x 3 (cereal)
and i’ll keep right on writing while my plate remaining full
(man you couldn’t even finish a bowl…of cereal…)
(yea…of cereal…)
(bass: G# (G) F (G A C) D# (C A F#) F (G G# C) C# (F) D# C# (F) D# C# (F) D#)
TC:
(to “melville”)
(4:4 swing)
(riff: Bb Bb Bb Bb C C D Bb C)
[(D#) (tin) (D#6) (eared) (D#)] x 2
(D# D#sus2 (and) D# (they))
(D#m6) (mous) (D#msus2) (fer) (D#m)
o tin-eared TC…
takes two tits to know(tice)…
and they famously flopped on the ferguson show…
(Bbm7 (put her) Bbm6 (in the) Bbmsus4 (pe) Bbmsus2 (en)) (Bbm7 (pella) Bbm6 (gat) Bbmsus4 (ti))
(G#m (nail her) G#msus2 (in the) G# (crucifix)) (G# (immedi) G#maj7 (ate) G# (ly))
(Fm) (nor) (F9) (mal)
(Fm9)
(bass: D# (Bb) Bb G# (C D#) F (G G# C))
so put her in a pen with a pellagatti…
nail her to the crucifix immediately…
just your normal spoiled bitch…
i knew her back when i was rich…
[(D#) (D#6) (D#)] x 2
(Fm9) (like it or not here you) (D#sus2 D#)
none of em thought that you’d make it this far
but like it or not here you are
don’t ever give in to the whispers you hear…
[(Fm9) (D#sus2 D#)] x 4
(bass: D# (Bb G) F (G G# C) D# (Bb G))
but silently lend them your ear…
but silently lend them your ear…
but silently lend them your ear…
but silently lend them your ear…
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(***BACK TO “LETTER TO PAUL”***)
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PART 1:
(to coincide with sinatra’s “it was a very good year”)
V1:
’til they walked in town again
didn’t we almost have it all?
‘father freddy’ cut the grass…
tried to give that job to paul…
(…didn’t we almost have it all?…)
V2:
little eddie never left…
little eddie mows the lawn…
‘father freddy’ cuts the grass…
paulie’s stifling a yawn…
“THIS was ‘freddy’s firstborn son’?)
(just imagine an alternate reality with a ‘malchow sister’)
“LOOKING FOR LARNICK”
pound for pound…
pound for pound…
in ‘vienna’…
ring ring…
ring ring…
but larnick wouldn’t sing…
“DISNEY WORLD (REPRISE)”
moving out to another town…
i’ll face another round…
i’ll face another round…
i’ll face another round alone…
i’ll face another round alone…
PART 2:
V1:
remember when we was 15?
man you wanted (to be) me…
baby making a hobby of copying me…
V2:
though it’s too late now…
(strike 3!)
(you overgrown fairy)
V4:
trying your best to get this film off your chest…
(“this is ‘art’ not “therapy”…!)
V5:
and i’ll keep right on writing with my ‘plate’s’ remaining full…
(man you couldn’t even finish a bowl…of cereal…)
PART 3:
o tin-eared TC…
takes two tits to know…
and they famously flopped on the ‘ferguson show’…
(“gave it her best shot!”)
(“…but i think not!”)
stick her in the same cell as ‘pellagatti’…
nail ’em to the ‘crucifix’ immediately…
just your normal spoiled bitch…
(i knew her back when i was rich…)
OUTRO:
none of ’em thought that you’d make it this far…
(“…but like it or not here you are…”)
don’t ever give in to the whispers you hear…
(“…but silently lend them your ear…”)
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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️♀️
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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*ENSEMBLE*
*V1*
(“7TH AVENUE FLATBUSH STATION”)
(“2-2-18”)
(“FRIDAY NIGHT”)
(“8PM – 10PM”)
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“2.2.18”
(7TH AVENUE FLATBUSH STATION)
(“17 VIDEOS”)
V8
(4:42)
(1)
(0:00)
(keeper 1)
(1)
(1:15)
(keeper 1)
(IG 1:15 – 2:15)
V10
(2:50)
(1)
(0:00)
(KEEPER 1)
(second ‘all’ a bit flat)
(train drowning)
(1)
(1:42)
(good outro tag vocal line) GREAT!
V12
(8:17)
(1)
(0:00)
(“eddie” scream out of tune)
(meld with another better take)
(with different imovie filters)
(1)
(1:08)
(second ‘cut the grass’ a bit clipped)
(keeper 2)
(a bit flat?)
V15:
(7:30)
(1)
(0:00)
(’til we’ out of tune)
(1)
(1:20)
(false start)
(1)
(3:30)
(good)
(‘again’ a bit flat on first line)
(keeper 1)
V16
(4:22)
(2)
(0:00)
(good)
(coin drop)
(2)
(1:17)
(good)
(mess-up first verse lyric)
(good otherwise)
(good tagline melody)
(2)
(2:24)
(flub ‘freddy cuts the grass’)
(good otherwise)
(2)
(3:19)
(getting rougher)
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(***BACK TO “LETTER TO PAUL (SOLO)”***)
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥