-as of [22 MAY 2024]–
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(“changing keys”)
(552 possible key changes)
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Aminor
Am –> A
Am –> Bbm
Am –> Bbm –> Bb
Am –> Bbm –> Bm
Am –> Bbm –> Bm –> B
Am –> C
Am –> Dm
(go back and forth between Am and Dm chords)
Am –> Em
(go back and forth between Am and Em chords)
Am –> A –> F#m
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Amajor
A –> Am
A –> Am –> C
A –> D
(go back and forth between A and D chords)
A –> E
(go back and forth between A and E chords)
A –> F#m
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Bbminor
Bbm –> Bb
Bbm –> C#
Bbm –> D#m
(go back and forth between Bbm and D#m chords)
Bbm –> Fm
(go back and forth between Bbm and Fm chords)
Bbm –> Bb –> Gm
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Bbmajor
Bb –> Bbm
Bb –> D#
(go back and forth between Bb and D# chords)
Bb –> F
(go back and forth between Bb and F chords)
Bb –> Gm
Bb –> Bbm –> G
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Bminor
Bm –> B
Bm –> D
Bm –> Em
(go back and forth between Bm and Em chords)
Bm –> F#m
(go back and forth between Bm and F#m chords)
Bm –> B –> G#m
.
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Bmajor
B –> Bm
B –> Bm –> D
B –> E
(go back and forth between B and E chords)
B –> F#
(go back and forth between B and F# chords)
B –> G#m
.
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Cminor
Cm –> C –> Am
Cm –> C
Cm –> D#
Cm –> Fm
(go back and forth between Cm and Fm chords)
Cm –> Gm
(go back and forth between Cm and Gm chords)
.
.
Cmajor
C –> Cm
C –> Am
C –> Cm –> D#
C –> F
(go back and forth between C and F chords)
C –> G
(go back and forth between C and G chords)
.
.
C#minor
C#m –> C# –> Bbm
C#m –> C#
C#m –> E
C#m –> F#m
(go back and forth between C#m and F#m chords)
C#m –> G#m
(go back and forth between C#m and G#m chords)
.
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C#major
C# –> C#m
C# –> Bbm
C# –> F#
(go back and forth between C# and F# chords)
C# –> G#
(go back and forth between C# and G# chords)
.
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Dminor
Dm –> D
Dm –> F
Dm –> Gm
(go back and forth between Dm and Gm chords)
Dm –> Am
(go back and forth between Dm and Am chords)
.
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Dmajor
D –> Dm
D –> Bm
D –> G
(go back and forth between D and G chords)
D –> A
(go back and forth between D and A chords)
.
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D#minor
D#m –> D#
D#m –> F#
D#m –> G#m
(go back and forth between D#m and G#m chords)
D#m –> Bbm
(go back and forth between D#m and Bbm chords)
.
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D#major
D# –> D#m
D# –> Cm
D# –> G#
(go back and forth between D# and G# chords)
D# –> Bb
(go back and forth between D# and Bb chords)
.
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Eminor
Em –> E
Em –> G
Em –> Am
(go back and forth between Em and Am chords)
Em –> Bm
(go back and forth between Em and Bm chords)
.
.
Emajor
E –> Em
E –> C#m
E –> Em –> G
E –> A
(go back and forth between E and A chords)
E –> B
(go back and forth between E and B chords)
.
Fminor
Fm –> F
Fm –> G#
Fm –> Bbm
(go back and forth between Fm and Bbm chords)
Fm –> Cm
(go back and forth between Fm and Cm chords)
.
.
Fmajor
F –> Fm
F –> Dm
F –> Bb
(go back and forth between F and Bb chords)
F –> C
(go back and forth between F and C chords)
.
.
F#minor
F#m –> F#
F#m –> A
F#m –> Bm
(go back and forth between F#m and Bm chords)
F#m –> C#m
(go back and forth between F#m and C#m chords)
.
.
F#major
F# –> F#m
F# –> D#m
F# –> B
(go back and forth between F# and B chords)
F# –> C#
(go back and forth between F# and C# chords)
.
.
Gminor
Gm –> G
Gm –> Bb
Gm –> Cm
(go back and forth between Gm and Cm chords)
Gm –> Dm
(go back and forth between Gm and Dm chords)
.
.
Gmajor
G –> Gm
G –> Em
G –> C
(go back and forth between G and C chords)
G –> D
(go back and forth between G and D chords)
.
.
G#minor
G#m –> G#
G#m –> B
G#m –> C#m
(go back and forth between G#m and C#m chords)
G#m –> D#m
(go back and forth between G#m and D#m chords)
.
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G#major
G# –> G#m
G# –> Fm
G# –> C#
(go back and forth between G# and C# chords)
G# –> D#
(go back and forth between G# + D# chords)
“JOGA2020”
(to locate duplicate)
(best / worst key changes)
(aka ‘modulation’ november 2014 in arv’s basement)
(setting tempos together)
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(in ‘music’, modulation is the change from 1 ‘tonality’ [‘tonic/tonal’) center] to another)
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This may or may not be accompanied by a change in key signature.
Modulations articulate or create the structure or form of many pieces, as well as add interest.
Treatment of a chord as the tonic for less than a phrase is considered tonicization.
Modulation is the essential part of the art.
Without it there is little music, for a piece derives its true beauty not from the large number of fixed modes which it embraces but rather from the subtle fabric of its modulation
.— Charles-Henri Blainville (1767)
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*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥