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(4:4 swing / 95bpm / Bmajor)
INTRO:
(Bm –> B)
VERSE:
(B) (B B6 B) (B+) (D Dmaj7 D6 D D6) (D Dmaj7 D6) (A7 A7sus2 A7) (A7 A7sus2 A7 A7sus4 A7 A7sus2)
(A7 A7sus2 A7) (A6 A)
(bass: B (D#) D (B) A (C#))
CHORUS:
(E Esus4 Esus2 Esus4 Esus2 Esus4 Esus2 E Esus4 Esus2 E) (Em7 Em)
(bass: (E) E (G))
backing vocals:
G# –> G
B –> B
E –> E
OUTRO:
(Em/D#) (Em6)
(B Bsus2 B) (G#m G#msus4) (F#6 F# F#6 F#) (E)
(E7 E6)
(E7) (E6) (E)
(B)
(bass: B (F#) G# F# E (G#))
(bass: E (G#) B)
backing vocals:
F# –> G# –> F# –> B
D# –> D# –> C# –> G#
B –> B –> Bb –> E
.
(4:4 swing / 95bpm / Bmajor)
INTRO:
(Bm –> B)
VERSE:
(B) (B B6 B) (B+) (D Dmaj7 D6 D D6) (D Dmaj7 D6) (A7 A7sus2 A7) (A7 A7sus2 A7 A7sus4 A7 A7sus2)
(A7 A7sus2 A7) (A6 A)
(bass: B (D#) D (B) A (C#))
CHORUS:
(E Esus4 Esus2 Esus4 Esus2 Esus4 Esus2 E Esus4 Esus2 E) (Em7 Em)
(bass: (E) E (G))
backing vocals:
G# –> G
B –> B
E –> E
OUTRO:
(Em/D#) (Em6)
(B Bsus2 B) (G#m G#msus4) (F#6 F# F#6 F#) (E)
(E7 E6)
(E7) (E6) (E)
(B)
(bass: B (F#) G# F# E (G#))
(bass: E (G#) B)
backing vocals:
F# –> G# –> F# –> B
D# –> D# –> C# –> G#
B –> B –> Bb –> E
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rebecca…
yea, she’s my best bet…
the only one who hasn’t chosen me yet…
but man, i’ve made up my mind…
and now i’m all but resigned…
to my rebecca…
so now i’m making my mecca…
i’d be a fool not to d-do what i do without a woman like you…
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy…
rebecca…
what would my world be with a woman like you?
pounding our pavements and paying our due
speaking the statements we know to be true…
we know to be true…
we know to be true…
(solo over chorus)
rebecca…
exploring the edges and sensing the doom…
playing our hearts out and hear’em go boom…
cleaning the carpets and leaving the room…
and leaving the room…
and leaving the room…
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy…
(fade out)
(into “miss mildrew”)
.
rebecca…
yea, she’s my best bet…
the only one who hasn’t chosen me yet…
but man, i’ve made up my mind…
and now i’m all but resigned…
to my rebecca…
so now i’m making my mecca…
i’d be a fool not to d-do what i do without a woman like you…
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy…
rebecca…
what would my world be with a woman like you?
pounding our pavements and paying our due
speaking the statements we know to be true…
we know to be true…
we know to be true…
(solo over chorus)
rebecca…
exploring the edges and sensing the doom…
playing our hearts out and hear’em go boom…
cleaning the carpets and leaving the room…
and leaving the room…
and leaving the room…
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy…
(fade out)
(into “miss mildrew”)
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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️♀️
(written + recorded in 2012)
rebecca was the wife of isaac
(a consolation prize of sorts…)
i spent the remainder of the evening working on the recording of “rebecca”…it disheartened me to realize that there were no ‘rebeccas’ (nor ‘beckys’ nor ‘beccas’) in my life to present the song to…in fact, at the moment there are no women at all in my life…there’s really not much of anyone in my life…only internet spam…
also rebecca went to stay at a friend’s house for “several nights” rather than be around me (according to mark)…it was only after i facebook-defriended her that she complimented the song i wrote for her…go figure…
becca mildrew was my crush during my freshman year at harvard. she was a california soccer player. i never actually hooked up with her.
(bummer…)
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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👈👈👈☜*“HARVARD HOP” (PLAYLIST)* ☞ 👉👉👉
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥