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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(4:4 swing / 95bpm / Bmajor)
INTRO:
(Bm β> B)
VERSE:
(B) (B B6 B) (B+) (D Dmaj7 D6 D D6) (D Dmaj7 D6) (A7 A7sus2 A7) (A7 A7sus2 A7 A7sus4 A7 A7sus2)
(A7 A7sus2 A7) (A6 A)
(bass: B (D#) D (B) A (C#))
CHORUS:
(E Esus4 Esus2 Esus4 Esus2 Esus4 Esus2 E Esus4 Esus2 E) (Em7 Em)
(bass: (E) E (G))
backing vocals:
G# β> G
B β> B
E β> E
OUTRO:
(Em/D#) (Em6)
(B Bsus2 B) (G#m G#msus4) (F#6 F# F#6 F#) (E)
(E7 E6)
(E7) (E6) (E)
(B)
(bass: B (F#) G# F# E (G#))
(bass: E (G#) B)
backing vocals:
F# β> G# β> F# β> B
D# β> D# β> C# β> G#
B β> B β> Bb β> E
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rebeccaβ¦
yea, sheβs my best betβ¦
the only one who hasnβt chosen me yetβ¦
but man, iβve made up my mindβ¦
and now iβm all but resignedβ¦
to my rebeccaβ¦
so now iβm making my meccaβ¦
iβd be a fool not to d-do what i do without a woman like youβ¦
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiyβ¦
rebeccaβ¦
what would my world be with a woman like you?
pounding our pavements and paying our due
speaking the statements we know to be trueβ¦
we know to be trueβ¦
we know to be trueβ¦
(solo over chorus)
rebeccaβ¦
exploring the edges and sensing the doomβ¦
playing our hearts out and hearβem go boomβ¦
cleaning the carpets and leaving the roomβ¦
and leaving the roomβ¦
and leaving the roomβ¦
so i say ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy
ay yiy yiy yiy yiy yiy yiy
ay yiy yiy yiy yiyβ¦
(fade out)
(into βmiss mildrewβ)
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π§«π₯Όπ§ͺβ¨DEVELOPMENTβ¨π§ͺπ₯ΌποΈββοΈ
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
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ππππππ-=*OUTRO*=-ππππππ
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πππβ*βHARVARD HOPβ (PLAYLIST)* β πππ
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯