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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
and those showboats running…
(composed from several song sections in spring 2008)
this is a song that was pieced together because my songwriting output was becoming too fast (and i needed a good umbrella to capture all the pieces)
it’s a compilation of 5 song sections:
‘lady of the night’
‘Wind-Up’
‘Closer’
‘McFadden’s’
‘More Beer Please’
Socrates said: “Music Is Sex”
(after I inquired as to how well ‘the ladies’ had been treating him…)
Music as woman / Composer as man / Creative Process as sexual intercourse
Transition from major chord (I root) to major chord (minor VI root) is inherently unsettling to the human ear…
Write in all keys (tonal exploration)
I was only free to develop my music when the sun went down…
(an artist in corporate shackles)
(charged with “failure to connect with the masses”)
(sentence: rescind daylight-hour music privileges)
Alternative options:
Community Service (“teach the children”)
Indentured Servitude (“coffee bean dispenser”)
jesus Lady Of The Nighttime
(dark where no light shows…)
livetype animated lyrics
(plain jogajungle white on black background)
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
*JANUARY 2008*
Liliana Rose
(7 years ago) damn, you are “on to something.” i LOVE this song. i’m sad it just ends though π don’t end song…come back!
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ππππππ-=*OUTRO*=-ππππππ
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πππ β *βSMOKE + MIRRORS” (THE CHRONICLE)*
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*βDANCING WITH THE STARSβ (THE PLAYLIST)* β πππ
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯