-as of [4 JULY 2024]–
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*RN* –>
(E3 F#3 F#3)
[F#(7)]
“dad eee back…”
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*SECTION BASIX —>
[F#] [B] [F#] [E A]
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*SECTION BASIX —>
[E9 F#dim B7 B7] [C#7] [B] [Bm]
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*EXAMPLES* —>
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*FILE PATH* —>
/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-STOP MOTION-
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*CURRENT [(SCREEN RECORDINGS) DESTINATION FOLDER]* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-RAW MATERIALS-/-SCREEN RECORDINGS-
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*TEMPOS* —>
(half time?)
[1:4]
75
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[4:4]
118
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[MINUTES] / [SECONDS]
[XXX BARS]
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[F# BLUES]
[4:4]
[118 BPM]
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[1 BEAT] = [OVER 0.508 SECONDS]
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[27 BARS]
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-PART 1-
[8 BARS]
[4 BARS]
(x 2)
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-PART 2-
[19 BARS]
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-PART 1-
[4 BARS]
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*RN* –>
(E3 F#3 F#3)
[F#(7)]
“dad eee back…”
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*SECTION BASIX —>
[F#] [B] [F#] [E A]
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-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
“DADDY BACK DOWN…”
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-BAR 2-
[B] [B] [B] [B]
(2) (2) (2) (2)
“DADDY DON’T AFFECT MY…”
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-BAR 3-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
“…MOTION…”
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-BAR 4-
[E] [E] [A] [A]
(7) (7) (5) (5)
“…HOLY GHOST CAN…”
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-PART 2-
[8 BARS]
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*SECTION BASIX —>
[E9 F#dim B7 B7] [C#7] [B] [Bm]
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-BAR 1-
[E9] [F#dim] [B7] [B7]
(7) (5) (2) (2)
“DADDY BACK DOWN…”
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-BAR 2-
[C#7] [C#7] [C#7] [C#7]
(4) (4) (4) (4)
“DADDY DON’T AFFECT MY…”
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-BAR 3-
[B] [B] [B] [B]
(7) (7) (7) (7)
“…MOTION…(WOULDN’T ENTERTAIN THE)…”
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*rn* —>
{B B B B C# Bb G# F#)
“wouldn’t entertain the notion…”
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-BAR 4-
[B] [B] [B] [B]
(7) (7) (7) (7)
“….NOTION…EVEN AS OUR SOIL…”
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-BAR 5-
[B] [B] [B] [B]
(7) (7) (7) (7)
“ERODED….EVEN AS OUR SOULS…”
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-BAR 6-
[B] [B] [B] [B]
(7) (7) (7) (7)
“EXPLODED…DADDY DON’T AFFECT MY”
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-BAR 7-
[B] [B] [B] [B]
(7) (7) (7) (7)
“….MOTION….(ONLY THE…)”
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-BAR 8-
*reference notes* —>
(B) (A) (F#)
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[Bm] [Bm7] [Bm] [Bm]
(7) (7) (7) (7)
1 —>
“…HOLY GHOST CAN…ONLY”
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-BAR 9-
[B] [B7] [B] [B]
(7) (7) (7) (7)
2 —>
“…HOLIEST GHOST CAN…ONLY THE”
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-BAR 10-
(2 BEATS)
[E9] [A7]
“HOLY GHOST CAN…”
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*INTRO*
(# bars)
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
*OUTRO*
(# bars)
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*INTRO*
(# BARS)
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*lead-in (#) reference notes* —>
XXX
[X]
(0)
“…”
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-REFRAIN 1-
(reference notes: E3 F#3 F#3 F#3 B3 B3 B3 B3 C#4 Bb3 G#3 F#3)
(F#7)
(barred 2nd fret / lift pinky 7th)
(daddy back down)
(B)
(daddy don’t affect)
(B) (Bbar) (F#m7) (ffect my mo…)
(barred 2nd fret / lift pinky 7th)
(my)
(F#m7)
(motion)
(Bsus4 B E7 A)) (only the / holy / ghost can)
(barred 2nd fret B / open chord lift pinky E7 / open chord lift pinky A7)
(on)
(B)
(ly the)
(E7)
(holy)
(A Amaj7 A6)
(ghost can)
REPEAT:
(F#7)
(daddy back down)
(B)
(daddy don’t affect)
(Bsus2)
(my)
(F#m7)
(motion)
(Bsus4)
(on)
(B)
(ly the)
(E7)
(holy)
(A Amaj7 A6)
(ghost can)
PART 2:
(reference notes: F#4 F#4 E4 D#4)
(E9)
(jazz 9th 767777)
(daddy)
(Adim)
(xx4545)
(back)
(B7)
(xx4445)
(down)
(C#7)
(xx6667)
(daddy don’t affect my)
(B7 B6 B)
(7th fret bar)
(motion)
(Bsus4)
(on)
(B)
(ly the)
(Bm Bm Bm7 Bm6 Bm)
(holy ghost can…)
(only the holy ghost can…)
LYRICS:
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can…)
(only the holy ghost can…)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F#)
(bass: (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E)
(bass: (G#) A (C ) B (D#) C# (B) B (F#))
******************************************************************
(4:4)
(118bpm)
(F#blues)
(CHORUS:)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(E9) (daddy) (Adim) (back) (B7) (down)
(C#7) (daddy don’t affect my)
(B7 B6 B) (motion) (Bsus4) (on) (B) (ly the)
(Bm Bm Bm7 Bm6 Bm) (holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E (G#) A (C ) B (D#) C# (B) B (F#))
(1:4 / F#major / 84bpm)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(riff: F# C# D# F F# C# D# F)
(two measures of B)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(bass: F# (Bb D#) C# (F) B (F#))
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C# D D#) (F#sus2) (F#)
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C#6) (C#) (C#sus4) (F#sus2) (F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# (F) F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# D D# (Bb) F#)
root…
pursuit…
c-c-c-cyan…
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*SONIC SNAPSHOTS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*MANTRAS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*FREE-FORM CHANTS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*BAY 6*
(buy 1 get one free)
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*BASSLINES*
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*BEATS*
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*HARMONIES*
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*COUNTER-POINTS*
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*SAMPLES*
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*********************************
*********************************
*********************************
*********************************
*********************************
*********************************
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(“time signature”)
(“tempo”)
(“key”)
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“IN SUMMARY …”
(for all versions)
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*BAY 6*
(buy 1 get one free)
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********************************************
–
(“time signature”)
(“tempo”)
(“key”)
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O
XXX
XXX
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“IN SUMMARY …”
(for all versions)
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✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅
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👈👈👈 ☜ *“STOP MOTION”*☞ 👉👉👉
*THE BASIX*
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥