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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
*V1*
(2013)
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(4:4)
(105bpm)
(Emajor)
INTRO:
(octaves)
(E E E C# C B E F# G G# F# E)
VERSE:
[(E7) (Em) (E)] x 2
you see the young girls in the nightclubs…
(E7) (A6) (A)
[(E7) (Em) (E)]
(B) (Bsus4) (Bsus4) (Bb) (A7) (Asus2) (E)
(bass: E (G#) A (E) E (G#) B Bb A (E) E)
CHORUS:
(E) (G) (Am7) (Amsus2) (G)
(E) (B) (A) (A A7 E)
(bass: E (G#) G (B) A (E) G (B D) E (G#) B A (G) E (G#))
CODA:
[(A) (A7) (E) (E) (E7)]
(Emaj7) (E) (Amaj7) (Amaj7sus2) (Amaj7) (Esus2) (E) (A) (riff: G F# E)
(bass: A (E) E (G#) E (G#) A (E) E (G#) A (E))
OUTRO:
(octaves)
(E E E B Bb A E F# G F# D# E)
.
(4:4 / 105bpm / Emajor)
INTRO:
(octaves)
(E E E C# C B E F# G G# F# E)
VERSE:
[(E7) (Em) (E)] x 2
(E7) (A6) (A)
[(E7) (Em) (E)]
(B) (Bsus4) (Bsus4) (Bb) (A7) (Asus2) (E)
(bass: E (G#) A (E) E (G#) B Bb A (E) E)
CHORUS:
(E) (G) (Am7) (Amsus2) (G)
(E) (B) (A) (A A7 E)
(bass: E (G#) G (B) A (E) G (B D) E (G#) B A (G) E (G#))
CODA:
[(A) (A7) (E) (E) (E7)]
(Emaj7) (E) (Amaj7) (Amaj7sus2) (Amaj7) (Esus2) (E) (A) (riff: G F# E)
(bass: A (E) E (G#) E (G#) A (E) E (G#) A (E))
OUTRO:
(octaves)
(E E E B Bb A E F# G F# D# E)
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(octaved riff)
you’ll see the young girls in the nightclubs
you watch them giving old men backrubs
and at the end, they gettin’ green green
old men pretending to be mean mean
now there’s a riptide comin’…
(boy you’d better be a running along!)
(enter drums…)
(liliana sings falsetto harmonies…)
you’ll have to work to earn your paycheck
you’ll have to speed your pace to breakneck
if your intention is the top prize
can’t leave your cubicle ’til sunrise
at dawn, a riptide’s coming…
(i’m inviting you to jump in, come on!)
(liliana sings harmony…)
(socrates whispers “turn turn turn”…)
make no sound when i’m coming through
turn around ’cause I’m better than you
think you know what I came to do
i’m gonna cut you down…i’m gonna get her from you!
(guitar solo over verse)
(vocal improvisation:)
(gonna have to take a raincheck…)
(not yet…)
(add third harmony…)
make no sound when i’m coming through
turn around ’cause i’m better than you
think you know what i came to do
i’m gonna cut you down…i’m gonna get her from you!
HER NAME WAS… (x 3)
(wait for the dollar sign…)
(liliana enters with crescendo harmonies on βher name wasβ)
(then she harmonizes on “valentine”)
her name was valentine…
(they had to stand in a line)
can’t touch the valentine…
(20 dollars is fine)
it won’t be satisfying…
(but she may blow your mind…)
(liliana sings first line / joga sings second line:)
(socrates sings “woa-oh…..”)
oh just sit back and she’ll grind you
(there goes your last dime…)
and then she looks at her watch
(takes the cloth off your crotch…)
there she is back on the pole
(’til another asshole…)
yea we are all supporting valentine…
vocal improvisation from all 3 singers to finale…
(encourage audience participationβ¦pass out utensils for percussion…)
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