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intro:
(4:4 funk)
(G#blues)
(94bpm)
(F F# G)
G#
(G# D D# D# F D#)
F#
(F# F D# B)
F# F# G G#
(G# D D# D# D B)
F#sus4 F#
(Bb B)
G#
(G# D D# D# F D#)
B
(F# F D# B)
C#
(G# D D# D# D D# B G G#)
(F F# G)
G#
(G# G# EbendD# FbendD#)
F# F#6
(F F# F D#)
G#
(G# G# D# F D#)
B
(F F#)
(F# F# G G#)
G#
(G# G# EbendD#)
Gdim G#dim Gdim Fm
(Bb B Bb G#)
D#7 D#6 G#
(D# D D# C# D# C# C G#)
D#7 G#
(D# D D# C# D# C# B G#)
(bass: G# F# (F# G) G# F# (Bb) G# (C) B (D#) C# (G#) G# F# (Bb) G# (Bb) B (F#) G# G G# G (E) F (G# C) D# (C Bb G) G# (C) D# (C# Bb G) G#)
VERSE:
(4:4 swing)
(G#major)
(100bpm)
(reference notes: C4 Bb3 G#3 G#3)
(G#)
it’s always you…
it’s always you…
(Cm) (Bb) (on repeat play Cm C#9 to C#dim or end on C#9)
no matter what you do…
(Bbdim) (G#)
(F# –> G# ???)
it’s always you…
(bass: G# (C) C Bb G# (C D#))
VERSE 2:
(G#)
you’re always right…
(G#dim)
you’re always right…
(Cm) (Bb)
so tell those devil (doggone?) dogs in the middle of the night…
(Bbdim) (G#)
(F# –> G#)
you’re always right…
(bass: G# (C) C Bb G# (C D#))
CHORUS:
(Fm –> Fm/E –> Fm/D#)
(no matter what we) say…
(C) (C7) (Fm)
we can’t ever prove…
(C)
cuz when the ladies of the night start moving towards the light…
(G#) (transient) (G#+) (trains) (C7) (Fm)
and them there transient trains start moving with all of their might…
(Bbm)
don’t be afraid no you
(Cmsus4) (Cm) (C7) (Fm)
know just what to do…
(Fm) (G#dim)
oh you’d better (gotta?) remember it’s always
(G#)
you…
(bass: F (G#) C (B) (C)…C (G) G# (E) F (G# C) Bb (D) D# (Bb) G#))
BRIDGE 1:
(G#) (D#m) (Fm)
there’s better things ahead for the living and the dead…
(G#) (F#) (Fm)
there’s better things ahead for the living and the dead…
(bass: (G# F# F F#) (Bb C#))
BRIDGE 2:
(C)
your well-meaning intentions they will
(F# / D#m) (Fm)
leave us in suspense…
(C7)
your different directions…they will…
(F#) (Fm)
get us every time…
(G#+) (G#+sus2) (alternate pattern)
so you provide the lemonade and i’ll provide the lime
(and then we’ll)
(E) (E/Bb) (E)
pour ourselves a
(C#m7) (C#m6) (C#m)
grand old glass of
(G#)
wine…
(bass: [C (G) F# (Bb C#)] x 2 (G# F# (Bb) G#) (C)
OUTRO:
(Cm groove)
(wave dumby doo!)
(how dumb were you?)
.
INTRO:
(4:4 funk)
(G#blues)
(94bpm)
(F F# G)
G#
(G# D D# D# F D#)
F#
(F# F D# B)
F# F# G G#
(G# D D# D# D B)
F#sus4 F#
(Bb B)
G#
(G# D D# D# F D#)
B
(F# F D# B)
C#
(G# D D# D# D D# B G G#)
(F F# G)
G#
(G# G# EbendD# FbendD#)
F# F#6
(F F# F D#)
G#
(G# G# D# F D#)
B
(F F#)
(F# F# G G#)
G#
(G# G# EbendD#)
Gdim G#dim Gdim Fm
(Bb B Bb G#)
D#7 D#6 G#
(D# D D# C# D# C# C G#)
D#7 G#
(D# D D# C# D# C# B G#)
(bass: G# F# (F# G) G# F# (Bb) G# (C) B (D#) C# (G#) G# F# (Bb) G# (Bb) B (F#) G# G G# G (E) F (G# C) D# (C Bb G) G# (C) D# (C# Bb G) G#)
4:4 swing / 100bpm
VERSE:
G#
it’s always you…
it’s always you…
C Bb
no matter what you do…
F# –> G#
it’s always you…
(bass: G# (C) C Bb G# (C D#))
VERSE 2:
G#
you’re always right…
you’re always right…
C Bb
so tell those devil dogs in the middle of the night…
(F#–>) G#
you’re always right…
(bass: G# (C) C Bb G# (C D#))
CHORUS:
(Fm –> Fm/E –> Fm/D#)
no matter what we say…
C Cmaj7 Cdim
we can’t ever prove…
C
cuz when the ladies of the night start moving towards the light…
G#+ Fm
and then them transient trains start moving with all of their might…
Bbm D#m
don’t be afraid and you’ll know exactly what to do…
G#
and remember it’s always you…
(bass: F (G#) C (B) (C)…C (G) G# (E) F (G# C) Bb (D) D# (Bb) G#))
BRIDGE 1:
G# –> F# –> F#/F
there’s better things ahead for the living and the dead…
bass: (G# F# F F#) (Bb C#)
BRIDGE 2:
C
your well-meaning intentions
F# F#m
leave us in suspense…
C
your different directions…
F# F#m
will get us every time…
G#+ G#+sus2
so you provide the lemonade and i’ll provide the lime
B C# G#
and then we’ll pour ourselves a grand old glass of wine…
bass: [C (G) F# (Bb C#)] x 2 (G# F# (Bb) G#) (C)
OUTRO:
(Cm groove)
(scat vocals)
.
intro:
(4:4 funk)
(G#blues)
(94bpm)
(riff: F F# G)
(G#)
(riff: G# D D# D# F D#)
(F#)
(riff: F# F D# B)
(F# F# G G#)
(riff: G# D D# D# D B)
(F#sus4 F#)
(riff: Bb B)
G#
(riff: G# D D# D# F D#)
B
(riff: F# F D# B)
C#
(riff: G# D D# D# D D# B G G#)
(riff: F F# G)
(G#)
(riff: G# G# EbendD# FbendD#)
(F# F#6)
(riff: F F# F D#)
(G#)
(riff: G# G# D# F D#)
(B)
(riff: F F#)
(riff: F# F# G G#)
(G#)
(riff: G# G# EbendD#)
(Gdim G#dim Gdim Fm)
(riff: Bb B Bb G#)
(D#7 D#6 G#)
(riff: D# D D# C# D# C# C G#)
(D#7 G#)
(D# D D# C# D# C# B G#)
(bass: G# F# (F# G) G# F# (Bb) G# (C) B (D#) C#)
(bass: (G#) G# F# (Bb) G# (Bb) B (F#))
(bass: G# G G# G (E) F (G# C) D# (C Bb G)) G# (C) D# (C# Bb G) G#)
4:4 swing / 100bpm)
VERSE:
(G#)
it’s always you…
it’s always you…
(C Bb)
no matter what you do…
(F# –> G#)
it’s always you…
(bass: G# (C) C Bb G# (C D#))
VERSE 2:
(G#)
you’re always right…
you’re always right…
(C Bb)
so tell those devil dogs in the middle of the night…
(F#–>) G#
you’re always right…
(bass: G# (C) C Bb G# (C D#))
CHORUS:
(Fm –> Fm/E –> Fm/D#)
no matter what we say…
(C) (Cmaj7) (Cdim)
we can’t ever prove…
(C)
cuz when the ladies of the night start moving towards the light…
(G#+) (Fm)
and then them transient trains start moving with all of their might…
(Bbm) (D#m)
don’t be afraid and you’ll know exactly what to do…
(G#)
and remember it’s always you…
(bass: F (G#) C (B) (C)…C (G) G# (E) F (G# C) Bb (D) D# (Bb) G#))
BRIDGE 1:
(G# –> F# –> F#/F)
there’s better things ahead for the living and the dead…
(bass: (G# F# F F#) (Bb C#)
BRIDGE 2:
(C)
your well-meaning intentions
(F# F#m)
leave us in suspense…
(C)
your different directions…
(F# F#m)
will get us every time…
(G#+) (G#+sus2)
so you provide the lemonade and i’ll provide the lime…
(B) (C#) (G#)
and then we’ll pour ourselves a grand old glass of wine…
(bass: [C (G) F# (Bb C#)] x 2 (G# F# (Bb) G#) (C)
OUTRO:
(Cm groove)
(***BACK TO “TALES FROM THE MOUNTS MOTEL”***)
.
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(start boarding your mystery ships!)
the gradients changing
so you provide the framework…
and i’ll commit the crime…
they don’t know what it feels like…
start picking up my clues…
stop traveling to train stops…
i may complain but i’m never true…
i may be in danger but i’m always alright….
i’m boarding the train but i’m willing to put up a fight…
i’ll eat my boogers for dinner
man i’m the 10 dolllar winner
up and out now they’re casting me out
are you prepared to be bad?
why you’re a poor daughter of a porter, are you?
a pauper?
discover brother
one got caught to a girl jerking off
lady of the night starts leaning towards the light
we’ll take him down now
tell ’em not to bother tryin to dial 911
when your overgrown soldier gives you the boot
and the starving martians are stealing your food
when there’s no once to dance with in a roomful of dudes
continue to march and continue to move…
when those starving martians are begging for food…
when you gasp your last breath and begin to protrude…
with your mothers and lovers are continually wooed…
don’t you dare be afraid, my wild child..
‘cuz it’s always you…
there’s a few other facts that you tend to exclude…
and we’ll meet again in time…
the neverending cigarette…
we were inspired by the youth…
still we kept our cool…
(***BACK TO “TALES FROM THE MOUNTS MOTEL (LYRICS)”***)
PART 1:
it’s always you
it’s always you
no matter how you do
it’s always you
you’re always right
you’re always right
so tell those devil dogs in the middle of the night…
you’re always right…
no matter what we say…
we can’t ever prove…
cuz when the ladies of the night start a’moving towards the light…
and the transient train starts a’speeding with all of its might…
don’t be afraid and you’ll know exactly what to do…
just remember…it’s always you…
PART 2:
there’s better things ahead…
for the living and the dead…
your well-meaning intentions…
leave us in suspense…
your different directions…
will get us every time…
so you provide the lemonade and i’ll provide the lime…
and then we’ll pour ourselves a grand old glass of wine…
(***BACK TO “TALES FROM THE MOUNTS MOTEL”***)
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🧫🥼🧪✨DEVELOPMENT✨🧪🥼🏋️♀️
(last track of “special ed” song cycle)
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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*SOLO*
*ENSEMBLE*
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*V1*
(fall 2017)
*SOLO CLIPS*
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11.19.17:
#4
(7:50)
#6
(0:00)
#8
(0:00)
(!!!)
(4:30)
#11
(0:00)
(!!!)
(KEEPER)
#13
(0:00)
(!!!)
(2:42 second attempt)
#16
(1:44)
#17
(0:00)
(!!!)
#19
(1:20)
(!!!!)
(good into Fm)
(IG 1:26 – 2:26)
#21
(1:20)
(!!!)
(start again at 2:30 !!!)
(second part GOOD!) (keeper)
#23
(0:00)
(!!!)
#24
(2:40)
(!!!)
#25
(2:20)
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🕐🕑🕒🕓🕔🕕🕖🕗🕘🕙🕚🕛🕜🕝🕞🕟🕟🕠🕡🕢🕣🕤🕥🕦🕧
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👈👈👈☜*“THE 2ND COMING* ☞ 👉👉👉
⏳📆/✨”SONIC CHRONICLES”✨\🗓⏳
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🕐🕑🕒🕓🕔🕕🕖🕗🕘🕙🕚🕛🕜🕝🕞🕟🕟🕠🕡🕢🕣🕤🕥🕦🕧
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥