.
******************************************************************
******************************************************************
*V1*
(2010)
******************************************************************
.
.
*V1*
(2013)
.
******************************************************************
.
(4:4 swing)
(93bpm)
INTRO:
(Emajor)
(E E Esus2 E)
[(G#m) (F#m) (E)]
(E) (Esus2) (E) (E6) (E)
(G#m) (G#m7) (G#+) (C#m C#msus4)
(Am) (Amsus2) (F#sus2) (F#)
(F#) (F#7) (F#) (E) (Esus2) (E) (E6) (Esus4) (Esus2) (E) (Em) (E7)
(bass: G# F# E (G# B) G# (C ) C# (G#) A (E) F# E)
VERSE:
(Bmajor)
(Emaj7) (E6) (E)
[(Em/D#) (Em6) (Em)] x 2 (E6)
(G#) (G#sus4) (G#m) (G#+) (F#) (F#6) (F#)
(F#) (F#sus4) (F#sus2) (Emaj7) (E6) (Esus2) (E) (Esus2)
(Emaj7) (B)
(bass: E (G# B) G# (E) F# E (G#) B (F#) E (G#) B)
TRANSITION:
[(B6) (B)] x 2
(Bsus2) (B)
[(B6) (B)] x 2
CHORUS:
[(B6) (B)] (B B6)
(G#m) (G#m7) (G#m)
[(F#sus2) (F#) (F#sus2) (F#6) (F#) (F#sus4)] x 2
(E) (Esus2) (E) (Emaj7) (E+)
(Amaj7) (Amaj7+6) (Emaj7) (A)
(bass: B (Bb F#) G# F# (Bb) G# F# E (G#) [A (E) E (G#) A] x 2 (C#))
.
*********************************
*********************************
*********************************
*********************************
*********************************
.
.
(“time signature”)
(“tempo”)
(“key”)
(4:4 swing / 93bpm)
INTRO:
(Emajor)
(E E Esus2 E)
[(G#m) (F#m) (E)]
(E) (Esus2) (E) (E6) (E)
(G#m) (G#m7) (G#+) (C#m C#msus4)
(Am) (Amsus2) (F#sus2) (F#)
(F#) (F#7) (F#) (E) (Esus2) (E) (E6) (Esus4) (Esus2) (E) (Em) (E7)
(bass: G# F# E (G# B) G# (C ) C# (G#) A (E) F# E)
VERSE:
(Bmajor)
(Emaj7) (E6) (E)
[(Em/D#) (Em6) (Em)] x 2 (E6)
(G#) (G#sus4) (G#m) (G#+) (F#) (F#6) (F#)
(F#) (F#sus4) (F#sus2) (Emaj7) (E6) (Esus2) (E) (Esus2)
(Emaj7) (B)
(bass: E (G# B) G# (E) F# E (G#) B (F#) E (G#) B)
TRANSITION:
[(B6) (B)] x 2
(Bsus2) (B)
[(B6) (B)] x 2
CHORUS:
[(B6) (B)] (B B6)
(G#m) (G#m7) (G#m)
[(F#sus2) (F#) (F#sus2) (F#6) (F#) (F#sus4)] x 2
(E) (Esus2) (E) (Emaj7) (E+)
(Amaj7) (Amaj7+6) (Emaj7) (A)
(bass: B (Bb F#) G# F# (Bb) G# F# E (G#) [A (E) E (G#) A] x 2 (C#))
.
.
“IN SUMMARY …”
(for all versions)
.
.
.
.
👈👈👈☜*“THE CREEPS”* ☞ 👉👉👉
*THE SONIC SNAPSHOT*
(“slapped in the face…put back in your place…come again please…)
.
******************************************************************
.
*REFERENCE LINKS*
.
*INTRO*
don’t knock me senseless…
don’t pull the plug just yet…
and never forget that an instant in time…
can getchya right outta the grime…
and straight to the limelight honey…
horinka like chevelle…
straight to the limelight honey
horinka like chevelle…
(1 2 3 4…)
.
*VERSE 1*
they keep to themselves ’til the timing is right
they’re always preparing to put up a fight
they understand some who would die or live free
they’re alternate versions of me…
.
*VERSE 2*
they’re similar to people you’re likely to meet
they take up no space ‘cause they lie at your feet
they’ll never object to the way that you speak
they won’t even prey on the weak…
.
*VERSE 3*
they picture themselves in the moment of heat
they’re similar to people you’ve wanted to meet
they live in a place where the living is free
they’re not where you’re likely to be…
.
.
.
don’t knock me senseless…
don’t pull the plug just yet…
and never forget that an instant in time…
can getchya right outta the grime…
and straight to the limelight honeys…
horinka like chevelle…
(*it musta been a miracle*)
straight to the limelight, honey
horinka like chevelle…
(1 2 3 4…)
they keep to themselves ’til the timing is right
they’re always preparing to put up a fight
they understand some who would die or live free
they’re alternate versions of me…
they’re similar to people you’re likely to meet
they take up no space ‘cause they lie at your feet
they’ll never object to the way that you speak
they won’t even prey on the weak…
they picture themselves in the moment of heat
they’re similar to people you’ve wanted to meet
they live in a place where the living is free
they’re not where you’re likely to be…
.
.
*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
.
.
******************************************************************
🧫🥼🧪✨“BEHIND THE MUSIC”✨🧪🥼🏋️♀️
(*check your local itunes for further clues*)
(“the chocolate candy”)
(*cue clips from ‘the edge’*)
(alternate title: ‘mama knows best’)
(alternate alternate title: ‘henriques how could you?’)
written while recording vocals to another version of ‘zero’
(from perspective of bo raddley)
(who cheryl lynn loves in ‘to kill a mockingbird’)
(is she harper lee is disguise???)
(and i truman capote)
(seems to justify child molestation?)
(larnald said i was really ‘stretching out’ my voice)
(written on my 26th birthday)
(reminded me of ‘don juan rodrigo’ in spirit)
(outlier voices singing of divine forces)
(started life as a drunken poem)
(closing track of ‘the creeps’ album)
(recorded latest version in 2013)
(@ 61 clearview avenue in ‘princeton’)
(based on the 2010 recording)
XXX
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XXX
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
******************************************************************
******************************************************************
*ENSEMBLE*
XXX
*V1*
(29 september 2017)
(friday night)
9.29.17:
V2 (3:00) –>
decent
shaky
V2 (6:15) –>
x
V3 (5:40) –>
keeper?
better
a few bum notes
V4 (21:21) –>
sounds good to me intro
V6 (2:00) –>
xgood
bad igh note
NO bad last note
V7 (0:00) –>
good outro solo
keeper?
V7 (8:30) –>
out of tune high note into verse
V9 (0:00) –>
sllowr this time (good)
god igh note until tracl sustain
V9 (7:55) –>
bit shakey ontro
gets better
(***BACK TO “THE CREEPS (SOLO)”***)
******************************************************************
******************************************************************
(originally released as closing track to 2010 album ‘the creeps’)
(emma liked the track)
(but she didn’t remember the song title)
(bandcamp page:)
(closing track to ‘the creeps’ album)
(originally released as closing track to 2010 album ‘the creeps’)
(emma liked the track)
(but she didn’t remember the song title)
(bandcamp page:)
(closing track to ‘the creeps’ album)
******************************************************************
******************************************************************
XXX
******************************************************************
*KINDRED SPIRITS*
******************************************************************
******************************************************************
.
.
🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵
👈👈👈☜*“ALLIED POWERS”* ☞ 👉👉👉
*THE PLAYLIST*
🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
*🌈✨ *TABLE OF CONTENTS* ✨🌷*
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥