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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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(4:4 / 113bpm / Amajor)
VERSE:
(A) (E) (F#m) (A) (D) (A) (E)
PRECHORUS:
[(D) (A) (E)] x 2
(E)
CHORUS:
[(A) (E)] x 2
(D) (E) (A)
BRIDGE:
(A) (E) (Dsus2) (Asus2)
(AAA D A BB E) x 12










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(4:4 / 113bpm / Amajor)
VERSE:
(A) (E) (F#m) (A) (D) (A) (E)
PRECHORUS:
[(D) (A) (E)] x 2
(E)
CHORUS:
[(A) (E)] x 2
(D) (E) (A)
BRIDGE:
(A) (E) (Dsus2) (Asus2)
(AAA D A BB E) x 12










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βthis oneβs dedicated to the one that got awayβ¦β
i see you shining on saturday
i thought i’d let you know
i couldn’t catch your eye but that’s OK
you’d rather let me go…
i’m tired of reaching out to take your hand
to guide you to the light
you act as if i’m from some foreign land
when i am in your sight
what has happened to that sparkle in your eyes?
replaced it with a permanent disguise for me….
why did it die?
why did it die?
tell me why, now baby, why you let it die…
and baby baby, we’ve all been hurt before
to build a wall around you will only hurt you more
i’ll stand outside that wall ’til it falls down
and climb inside where your loving will be found
seated two tables down in the cafe
with that old friend of mine
i should’ve never looked across the way
and now i would be fine…
*SCRAPS*
βthis oneβs dedicated to the one that got awayβ¦β
i see you shining on saturday
i thought iβd let you know
i couldnβt catch your eye but thatβs OK
youβd rather let me goβ¦
iβm tired of reaching out to take your hand
to guide you to the light
you act as if iβm from some foreign land
when i am in your sight
what has happened to that sparkle in your eyes?
replaced it with a permanent disguise for meβ¦.
why did it die?
why did it die?
tell me why, now baby, why you let it dieβ¦
and baby baby, weβve all been hurt before
to build a wall around you will only hurt you more
iβll stand outside that wall βtil it falls down
and climb inside where your loving will be found
seated two tables down in the cafe
with that old friend of mine
i shouldβve never looked across the way
and now i would be fineβ¦
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π§«π₯Όπ§ͺβ¨DEVELOPMENTβ¨π§ͺπ₯ΌποΈββοΈ
(written in fall 2003)
(i was sitting in a harvard lecture hall)
(year 2)
(“the crusades”)
(after sara padua had rejected me at the HY game that year)
(not only did she reject me but she refused to be in my presence)
(and that was BEFOREΒ i picked up the drunken obnoxious nasty habits!)
(i was actually nice + passive back then)
(and the title was the working title for the beatles’ song “for no one”)
(i based the music off patterns shown to me by don juan)
(recorded in 2005)
(written in fall 2003)
(i was sitting in a harvard lecture hall)
(year 2)
(βthe crusadesβ)
(after sara padua had rejected me at the HY game that year)
(not only did she reject me but she refused to be in my presence)
(and that was BEFOREΒ i picked up the drunken obnoxious nasty habits!)
(i was actually nice + passive back then)
(and the title was the working title for the beatlesβ song βfor no oneβ)
(i based the music off patterns shown to me by don juan)
(recorded in 2005)
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
(originally released on spring 2006 album ‘finest hour’)
(submitted the song to TAXI)
(‘cool’)
(but they didn’t forward it)
(because it was too ‘retro’?)
(bandcamp page:)
(‘ministry of illusion’ album)
(originally released on spring 2006 album βfinest hourβ)
(submitted the song to TAXI)
(βcoolβ)
(but they didnβt forward it)
(because it was too βretroβ?)
(bandcamp page:)
(βministry of illusionβ album)
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ππππππ-=*OUTRO*=-ππππππ
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πππππππππππππππππππππππ
πππβ*βMINISTRY OF ILLUSIONβ* β πππ
*SONIC CHRONICLE #1*
πππππππππππππππππππππππ
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯