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INTRO
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*[vimeo 10794486]
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♞
ENSEMBLE♘
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*SOLO*
*ENSEMBLE*
*V1*
(11.16.17)
(dekalb busking)
(8:00PM – 10:45PM)
(now i can capture ~ 3 1/2 hours of video)
(almost 4-hour springsteen marathon concert)
(who plays the longest concerts as strenuous singers?)
(who has the most durable voice?)
(who has developed as a busker in the gutter like me?)
(and actually improved?)
(not many, i’d say)
(everyone else gains some sort of ‘following’ or ‘break’)
(or else they get ‘broken’)
*SOLO CLIPS*
11.16.17:
(IG)
V1:
(7:00)
4:00
(first attempt)
V2:
(10:33)
0:00
(not acceptable yet)
(decent)
(good second high octave line)
(good “leave this one alone” –> “take it to the limit”)
(good singing on “take it to the limit”!)
(to “NY state of mind”)
V3:
(41:27)
13:05
(good first line)
(keeper 1)
19:20
(good first line)
(decent shaky ‘ooo’)
(too slow?)
(good end “just like her daddy did”)
V5
(9:31)
4:20
(too fast?)
8:55
(shaky slowdown on first line)
(keeper 2)
V6
(17:06)
2:50
(a bit shaky)
(good vocal arc on “leave this one alone” high octave)
3:31
(good subway announcement on second attempt)
(leave scat out)
(go to song proper)
(keeper 3)
16:30
(good “ooo” yelp in beginning)
(keeper 4)
V7:
(1:04)
0:00
(decent)
(into good version of “take it to the limit”)
V8
(12:49)
0:00
(keeper 5)
8:50
(not good)
V9:
(6:39)
0:00
(keeper 6)
(good octave jump in beginning)
(previous first line a bit better)
(good jump to high octave)
(second attempt same – good “yea” in beginning)
(good singing of “writer’s block”)
(good vocal arc at high octave end into siren)
5:30
(good falsetto at 5:48)
(too fast)
V10:
(4:32)
2:24
(decent falsetto in beginning!)
(more than decent)
(good grind into first lines)
3:25
(keeper 7)
(good singing of “block”)
(into “hey jude”)
(Cmajor to Fmajor)
(the outro to “writer’s block” ends on F)
(use this trick to modulate)
(give yourself a bar to mentally prepare for key change)
(but try to minimize this duration without sacrificing vocal tonal accuracy)
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☜*’CUT’ + ‘PASTE’* ☞ 
*SONIC CHRONICLE #3*
*ACT 1*
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