(4:4)
(100bpm)
(Ablues)
CHORUS:
(D7) (A7) (Am Cmaj7 D7)
(riff: A C C A D C A C A D C)
(riff: E G G E A G)
(riff: CC B A) – “mariachi!”
(riff2: D F# D E D A)
(riff2: A G F E F E)
(riff2: A C A C D C A)
“mariachi!”
(bass: D (C ) A (C ) C (E) D)
(Am Cmaj7 D7) x 2
(Am Cmaj7 Am E)
(bass: (D C) A (C ) C (E) D (C ) A (C ) C (E) D (C ) A (C ) C (B G) A (E) E)
PART 1:
(Emajor)
(reference notes: G#4 F#4 G#4 F#4 G#4 G#4 F#4 E4)
(E B6 C#m Amaj7 A6)
oh little sister…
pretty pretty pretty pretty girl…
pretty pretty such a pity…pretty girl…
come on baby…please please please…
(bass: E (G#) B (D#) C# (G#) A (F#))
INTRO:
(swing)
(E) [(Em Emsus2) (E)]
tay tegga tay tegga tay tegga tay alright…
(A B) (F#7) (F#sus2 F# F#sus2 F# F#sus2 F#)
get your girlfriends to concur…oh little sister…
(E) [(Em Emsus2) (E)]
tay tegga tay tegga tay tegga tay alright…
(A B) (F#7) (F#m F#sus4) (F#7)
spread my message like a whore…keep’em coming back for more…
(first verse is 4 measures / second verse is 5 1/2 measures)
(bass: E (G#) A (C#) B (F#) F#)
PART 2:
(90bpm) / (4:4 straight)
(G#m) (G#m G#msus4 E G#m C#m C#m7 C#m)
(C#m C#msus2 C#m C#m7 C#m C#msus2 C#m C#m7 C#m)
(riff: B C# E D# C# B C#) (E D# C# B E D# C# B C#)
(bass: (F# Bb) G# (B C# D#) E (G#) G# (B D#) C# (G#) A (E) E)
i don’t need no doctor drew …
da-dirty deeds da-dooby done to you…
(A) (E) (A A6 A) (E Esus2 E) (B) (B6 B B6 B)
(bass: A (E) E (G#) A (E) E (G#) B (F#))
ain’t i hard enough?
ain’t i rough enough?
ain’t i rich enough?
i’m not too blind to see…
oh little sister…
(E B6 C#m Amaj7 A6)
(bass: E (G#) B (D#) C# (G#) A (F#))
BRIDGE 2:
(E Esus2 E)
(E+ E+sus2 E+)
(C#m) (Bm) (A A6 A) (Am)
(bass: E (G# C) C# B A (E))
this miserable life i’ve been living
shoulda been long since forgiven…
cuz i’m suddenly sorry…
(E) (F#m) (F#m7 F#msus4 F#sus2 F#)
(E Esus2 E) (E6 E) (E+sus2 E+ E+sus2 E+) (A Am)
(bass: E (G#) F# E (G#) A (E))
working the same old beat
well if you’re gonna take a risk make sure you’re saving your receipt
playing the same old instrument
why bother trying out another, won’t be sounding any different
smoking my last good cigarette
preferring something sweeter but i’ll take what i can get
longing for the good old green
i’ll be a little more specific if you don’t know what i mean
(A Am) x 12
(oh…that’s growing up…)
TRANSITION:
(Aminor)
(Am Amsus2 Am Amsus2 Am)
(G G+ G6 G6) (E)
(A C C A D C A C A D C) (D D# E G G# G# B)
(E7 E7 E+ E7) (Am Amsus2 Am) (Amsus2 Am Amsus2) (F Fm Fm6 Fm Fm6)
(D D C D) (E D C) (D D C D) (A A G# D D C D)
(riff2: E G E E Gb G E D C)
(Fmaj7 F6 F) (F6 F F6) (Fmaj7 F6 Fmaj7 F6 F)
(E D C) (D D C D) (E D E F E D C)
(Esus4 E) (F Fm6) (C)
(A A G#) (A C A G# D C)
(riff2: A B C B A G A E D C B C)
(riff3: F E)
(bass: A G (E) E (G#) A (E) F E F (G#) C)
OUTRO:
(110bpm)
(Cmajor)
(C Csus2 C C6 F G) x 2
(C Csus2 C Csus2 C C6) (Fm) (Fm6)
(Cm C+sus2 C+ C+sus2 C+ Cm) (Gm Gmsus4 G Gsus2 Gsus4 G+) (F6 Fmaj7 Fm7) (Csus2 C)
(bass: C (A G E) F (A) G (B) C (A G E) F (A) G (B) C (A G E) F (G#) C G F (G#) C)
earned her attention by moving too fast
earned a suspension for leading the class
wholly admitting to leaving the scene
under suspicion for saving the queen…
for saving the queen…
for saving the queen…
(fade out after two lines of repeat verse)
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