*G# minor*

*OUR SONGS*

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*KINDRED SPIRITS*

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“GET LOST”

“THE REPLACEMENTS” (PART 2)

(“g# minor” is a minor scale based on the ‘G♯’ root note)

7 DIATONIC PITCHES:

‘G#’
‘A#’
B
C#
D#
E
F#

(it’s ‘key signature’ has 5 ‘sharps’)

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(the ‘g# natural minor scale’ is:

\relative c'' { \clef treble \key gis \minor \time 7/4 \hide Staff.TimeSignature gis4^\markup "Natural minor scale" ais b cis dis e fis gis fis e dis cis b ais gis2 \bar "||" \clef bass \key gis \minor }

 

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(changes needed for the ‘melodic’ and ‘harmonic’ versions of the ‘scale’ are written in with ‘accidentals’ as necessary)

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(‘g# harmonic minor’ scale –>)

\relative c'' { \clef treble \key gis \minor \time 7/4 \hide Staff.TimeSignature gis4^\markup "Harmonic minor scale" ais b cis dis e fisis gis fisis e dis cis b ais gis2 }

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(‘g# melodic minor’ scale –>)

\relative c'' { \clef treble \key gis \minor \time 7/4 \hide Staff.TimeSignature gis4^\markup "Melodic minor scale (ascending and descending)" ais b cis dis eis fisis gis fis! e! dis cis b ais gis2 }

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(its ‘relative major’ is ‘B major’)

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(its ‘parallel major’ (‘g major’) is usually replaced by its ‘enharmonic equivalent’ of ‘A major”, since ‘G-sharp major’ features an F in the ‘key signature’ and ‘A-flat major’ only has 4 ‘flats’, making it rare for ‘G♯ major’ to be used)

(‘A minor’ (its ‘enharmonic’ with 7 ‘flats’) has a similar problem, thus ‘G minor’ is often used as the ‘parallel minor’ for ‘A major’)

(the same ‘enharmonic situation’ occurs with the keys of ‘D major’ and ‘C♯ minor’)

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*RESEARCH JOURNALS*

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*WIKI-LINK*

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👈👈👈 ☜ *G MINOR*

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*A MINOR* ☞ 👉👉👉

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👈👈👈☜*MINOR KEYS* ☞ 👉👉👉

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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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*🌈✨ *TABLE OF CONTENTS* ✨🌷*

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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥