-DOPELAND SKETCHES 4-

*DOPELAND SKETCHES 3*

pop

SCORE

LYRICS

different drummers

VIDEO

THEMES

SCORE

LYRICS

not again!

well hung

SCORE

LYRICS

well hung in watchung…

seeking solace in the light of the sun
won’t let go until my time is running low

til it’s over
til i’m done

to save your space, you’ve gotta fire someone…

deny me baby but  you know i’m the one
it won’t be finished til i say it is done
then it’s bye bye baby
i can cure your disease
and you can do what you please with me
do what you please

a dark reminder of the deeds of the dark one…

art of the straddle

baltimore blues

SCORE

(4:4 / 95bpm / Cmajor)

INTRO:

(G7sus2) (Fsus2)

(riff: F F F E D B)

(G) (C )

VERSE:

(fingerpicked)

(Fsus2) (Fmaj7)

(riff: C D)

(Csus2)

(with G/C alternating bass)

(G Gmaj7 G) (Gdim) (Adim A7) (Bdim) (Csus2)

(into “cobain”)

CHORUS:

(riff: C C B)

(Am) (G) (riff: G F#) (Dm) (riff: F E) (D+) (riff: D E) (G Gdim Adim G G7)

(riff: B B B Bb A G# G F#)

(riff: B A E A E G A G F)

OUTRO:

(G) (G+ G6 G7)

(A) (Bm) (C ) (C6 C) (Cdim) (F7) (Gm) (F7) (Cdim)

LYRICS

diamonds in the rough

OUTTAKES:

gridlock

baby boomers

VISUALS

NOTES

(4:4 / 107bpm / Bbmajor)

[(Bb) (D#)] x 2

(G) (F) (Bb) (G#)

(Gm) (Gm/F#) (C ) (Bb)

(Gdim)

(Gm) (Gm/F#) (Gm/F) (Gm/E)

(D#) (F)

LYRICS:

bergblum:

“he’s an old man…”

it’s all a zoo zoo zoo
til you love me and I love you

it’s all bout me me me
cause i come seeking what I saw befo’

forsaken in the raw, in the reel
in the right, prepared to steal

its all for me me me
now don’t go barking up my tree

it’s not the right thing to do…

you wouldn’t believe the abuse o can take
i’d been led to believe that my heart couldn’t break
encouraged to feel that my feelings were wrong
that i shouldn’t be singing this song

allow me

LYRICS

(4:4 / 93bpm / Amajor)

INTRO:

(trumpets)

(A) (D)

(riff: A G E G A A) (D D D C D C A G)

(bass: A (C#) D (A))

VERSE 1:

[(A) (A6) (A) (A) (Asus2) (D) (D6) (Dmaj7) (D6) (D)] x 2

[(A) (Asus2) (A) (Asus2) (A6) (A)]

[(A7) (Asus2) (A) (Asus2) (A6) (A)]

(A A A Asus2 A) (Dsus2) (D)

(A A) (E) (Esus4) (E) (Esus2) (Esus4)

(Dmaj7) (Esus2) (Esus4)

(A)

(bass:

(intro riff)

VERSE 2:

[(A) (A6) (A) (A) (Asus2) (D) (D6) (Dmaj7) (D6) (D)] x 2

[(A) (Asus2) (A) (Asus2) (A6) (A)]

[(A7) (Asus2) (A) (Asus2) (A6) (A)]

(Dmaj7) x 2 (D6 D) (Dsus2 D)

(Dmaj7 D6 D) (E) (Esus2) (Esus4)

(E6) (Esus2) (Esus4)

(A)

VERSE 3:

(A) (Asus2) (A) (Asus2) (A6) (A6 A) (riff: F# F E F# G# A)

(Cdim) (B7) (Cdim) (B7) (Cdim) (B7) (Cdim) (B7)

[(A) (A6)] x 2

CHORUS:

(A) (Asus4) (A) (Asus2) (A) (Asus2) (A)

[(C#m7) (C#+) (C#msus4) (C#+) (C#msus4) (Bmsus2) (Bm7)] x 3

[(A) (Asus2) (A6)] x 4

(D) (Dsus2) (Dmaj7) (D6) (Dmaj7) (D6) (A)

GUITAR SOLO:

(A) (Am)

(into “are you lonesome tonight?”)

allow me (chords)

are you lonesome tonight?

THEMES

(1926 song written by roy turk and lou handman)

SCORE

(4:4 / 93bpm / Amajor)

(A) (Amaj7) (A7) (Dsus2) (A)

(Bm) (Bmsus2) (F#m) (E+) (A)

(F#m) (D) (Dmaj7) (D7) (E+)

(A) (Amaj7) (Bm) (D) (E) (A)

charity

(105bpm)

(B) (A) (E) (F#+) (F#)

(B) (A) (C#) (F#)

(B) (A) (E) (F#+) (F#) (Bdim)

LYRICS:

hey hey charity
more donations
show ‘em what you’re made of

played it like a parody and faked elation
solving the eternal equation

hey hey chelsie lee
whatchya tryin to tell me?
silence speaks volumes in a talkative room

when you’re normally cheery
to the weak and the weary
but the closest i can come to is the smell of your perfume

but my solitary solace is the smell of your perfume

(the smell of your perfume…)

when we come on too strongly
rightly or wrongly
knowingly ignorant of how to proceed

because when push comes to shove
we’re only soldiers is love
we won’t lay down our arms ‘til we have what we need

pebbles

VIDEO

https://youtu.be/IsnywSoQ1ik

(96bpm)

(A) (Amaj7) (A7)

(Bm) (F#m)

(Dmaj7) (E6) (Dmaj7) (E6) (E+)

LYRICS:

(here we come again…)

ooh little lover
we gotta lotta ground to cover
falling in a second time

ooh little lover
what’s one without another?
stepping in and out of line

then there will come a time
when it really starts to matter
and the truth’s right in your eyes
and the boy becomes the batter

i was living many lies
but i always had an answer
they try to cut me down to size
but i’m a baller, not a dancer

so build me up again
convince me i’m your captain
and i’ll see you to the end
and we’ll act like nothing happened

and the prayers we never hear
shall be answered in our time
and the reason’s never clear
what’s the dire need for fear?
to straighten up the line
(to straighten up the line)

so beat me up again
convince me there’s no reason
we’re silent to the end
we sleep through every season

til someday wakes us up
and we’re foresaken in our time
so back down we will go
and no one ever know
madonna longed for romance
but there never came a chance

fabric softeners

patricide

(4:4 / 88bpm / Ablues)

[(A) (C ) (G) (A)]

“whose side you on?”

“to teach a les-SON!”

who done done?
who done done
i finally who done done

we soon will see
whose side you on
i already who done done

while some derail
i grabbed a gun
i already who dun dun
i’ll need my dead man
to turn me on
one who already who dun dun

i damn you all
and i fear you none
i already who dun dun

we will win
so whose side you on?
i already who dun dun

i teach a lesson
but who will listen?
soon gotta choose someone

a two-faced tiger
who stole your thunder
he raised my ire
i’ll take him under

ye all done wait

here comes your son
don’t come around
CONTINUE!

(so let it be me)

cosmic creep

VIDEO

https://youtu.be/8KA4OcclNww

https://youtu.be/NTSfiPLG9wQ

NOTES

LYRICS

(4:4 swing / 94bpm / Aminor + Cmajor)

INTRO:

(Am) (C B C) (D) (D7) (Am) (A G F E)

(bass: A (C ) D (C A F#) A (C E))

VERSE:

(Am7) (C Csus2 C Csus2 C) (D9) (D7) ([Fmaj7 F6 F)] x 2 (C )

(bass: C (E) D (C A F#) F (A) C (E))

BRIDGE:

(Dsus2) (E E7 E+ E) (Am) (Amsus2 Am)

(bass: D (A F#) E (G#) A (C E))

OUTRO:

(Fsus4 F Fm) (G Gsus2 Gm) (C )

(bass: F (G#) G (Bb) C (G E))

cosmic creep (chords)

mister negative

VIDEO

https://youtu.be/1fW9lhHHgXw

(4:4 swing / 155bpm / Gmajor)

VERSE:

(G) (C ) (G) (C ) (B7) (Am) (A)

(G+) (G)

LYRICS:

hey mister negative
leave me alone
i’ve got a grand old papaya in my mobile home

and i’m usually not one to get in the way
but there’s a great big outlier some people say

but i need no more of it
cuz now i’m sure of it
i’m making it out OK…

little miss hauer
i feel for you
you gotta lotta lotta livin up ahead of you

and i’m usually not one to get in the way
but there’s a single stray thought that i’d rather not say

and i’m not too sure of it
so i gotta have some more of it
we’re gonna make it all out ok…

hey mister bully stop bullying me
stop bullying me
stop bullying me
stop bullying me

mean mean mean…
miserable man
minding his business

boomerang

VERSE:

(Cmaj7) (Fmaj7) (G+) (Em)

(Cmaj7) (Fmaj7) (D#dim) (G)

CHORUS:

(C7) (F) (Fm) (Fm6) (Dm)

[(F) (riff: F E D# C / C D D# E F)] x 2

(C+) (C)

must he wait for a little in the morning when she runs out of clever things to say?
must she hide inside for every evening….just wishing he would go away?

must he try, don’t stay where you’re unwanted
they’ll never listen when you say

they receive eternal education
but they never know to whom they pray

believe in the boomerang, expect a return
when the fire’s gone and your bridges burned
and the things i learned from the simplest information
how to ease the suffering…
how to ease the suffering…
and vent frustration…

still he waits, he thinks he’s getting closer
they say he’ll never see the day
they deny your undivided attention
they all demand it their own way

i declare, don’t need the aggravation
let ’em go their merry way…

avalanche

(4:4 / 115bpm / Dmajor)

(D) x 2

[(riff: D C# C) (Bm)] x 2

(riff: C# D D#) (E7)

(riff: B C C#) (D)

LYRICS:

all get ready for the avalanche special
come join hands for the avalanche special
come on son, you don’t impress no one
now get ready for the avalanche special

come downstairs and eat your razorblade breakfast
swallow hard and check it off the checklist

let you in on a secret conversation
let you in on the secret combination
i was the middleman…i learned it secondhand
so get ready for the final celebration

comforter

(1:4 motown groove / Eblues / 120bpm)

(E) (D) (A) (G) (E)

(E+) (A)

LYRICS:

there ain’t nothin like TV!
more TV for me!

there ain’t nothin like the tube

my pants are totally caked
i’m totally baked
and i’m thoroughly trashed

my puppy’s licking my wounds
while porno shoots from the tube

(yaawwwn)

the comfort kings
we know the many blessed things that all this comfort brings
we surrender to our couches as our stereo sings
sit back, relax, enjoy your days in the digital age
say sayonara as your autopilot turns the page

it’s a comfort to know that grover is over us all
we eat cookie dough cause we got no patience for baking

turn on the WB…

chory called
he wants his ball back

showboat called
he wants his balls back

paul lee called
he wants it all back

conman’s too busy to call…

(he takes in the back)

buzzkill

LYRICS

so insane, you don’t even know it
get it over, get it it over with
my own measly faith got me over (get it over)

suicide’s for sissies
and i’m lost

my enemy stays
my suicidal savior

my sentimental sweetheart
but the rest of the lot don’t wanna follow me
takes time to take me over

heyday

(Gm) (Dm)

*SIM CITY*

(NEW YORK CITY)

roller coasters

as good as it gets

VIDEO

https://youtu.be/XtMOn78LUTQ

THEMES

(originally off 2009 album ‘dinosaurs’)

SCORE

(4:4 / 240bpm)

(*actually 120bpm*)

INTRO:

(Dmajor)

(Eminor / Gmajor)

[(Em7) (Csus2) (G) (A) (A7)] x 3

[(Em7) (Csus2) (A) (D)]

[(Dmaj7) (D)] x 2

(D A Dmaj7 A7)

VERSE:

(D) (Dmaj7) (D) (B9) (B7 B7 B7+ E)

riff: (G# E B) x 3 (G# B F# G# A)

PRECHORUS:

(A) (E) (Bm) (C#m)

(C#m Cm)

(F#m7) (looking down there’s a)

(Esus4 E) (kid in) (E6) (he face a)

(Amaj7) (A+) (round) (A A6) (he face a)

(D Ddim D) (Dm) (nother round) (Dm D Ddim) (he face a)

(D Ddim D) (B7) (B6) (F#m) (lone)

(D Dmaj7 D6) (nother) (B7) (B6 Bsus4) (A)

CHORUS:

(A) (A+) (A6) (A7) (D)

(A) (Dm) (A)

(Asus4 A Asus2 A)

(A A A Asus4)

(A A A7 A)

OUTRO:

(Em7 Csus2 A D) x 3

(Em7 Csus2 G A)

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LYRICS

surprise store

midlife crisis

calendar girls

time to play the game!

VIDEO

https://youtu.be/aPwDE18zd9g

VISUALS

NOTES

(4:4 / 115bpm / Ablues)

(16th note rhythm)

(accent on 1 4 7)

(A) (A7) (D9) (D) (D7) (A) (E) (G) (C ) (A) (D) (C ) (A)

(A) (A7) (D9) (D) (D7) (A) (E) (G) (C/D/C) (A) (D) (C ) (A)

(bass: A (C#) D (C ) A (E) E (G#) G (B) C (G) A (C#) D C (G) A)

(bass: A (C#) D (C ) A (E) E (G#) G (B) C (E) D C (G) A (C#) D C (G) A)

little little things
o little little things
every day + night brings me more
little little things

what little time we’re given
we whittle it away
wasting it on little people
every single day

with one eye looking forward
and one eye looking back
to see who’s catching up in
the race around the track…

and when the race is over
the winner gets the wings
the rest of us, we gonna ride the bus
as soldiers of the kings

while one of us will fly away
with his brand new pair of wings
the rest of us will die
killed over little little things

(guitar solo / (mad)cowbells + barks)

pretty little things
bring me your pretty little things
every single night bring me your pretty little things…

tuss

VIDEO

THEMES

SCORE

(4:4 heavy swing / Amajor / 95bpm –> 101bpm)

INTRO:

[(A Asus2 A) (C#m) Bm7) (A)] x 2

(bass: A (C#) C# B (A) A)

VERSE:

(A) (A6) (C#m Bm7) (A)

[(D Dsus2)] x 2 (Dmaj7 D6 D) (E6 E) (D7 D6)

(A) (A6) (C#m) (Bm7) (F#m)

[(D Dsus2 D) (E6) (E)] x 2

(D Dsus2 D Dsus2) (E6 E) (A)

(bass: A (C#) C# B (A) A (C#) D (A F#) E (G# B) D (B) A (C#) C# B (A) F# (A C#) D (A F#) E (G# B) D (A F#) E (G# B) D (A F#) E (G#) A (E))

OUTRO:

[(F#m) (F#msus4) (Bm7) (Bm Bmsus2 Bm) (C#+ C#msus4) (C#m7) (Bm7)]

(bass: F# (A) B (D) C# (B) B (A))

brainwashed (chords)

LYRICS

(‘we all gonna burst into flames…’)

(instrumental)

fire burns and it burns in my soul
help me return to the (w)hole…
help me abandon my goal…

some will learn, some will never grow old…
help me escape from the cold…
help me return to the fold…

father yearns…
son is cooler than cold
help me return to the fold…

come return…
and we’ll never grow old…
help me return to the fold…

what do you do when the world that you knew
was really just a cage in a zoo?
and what do you do when your guru is gone?
you’ve gotta move on…
you’ve gotta move on…
you’ve gotta gotta gotta move on…

you’re telling me things that i already knew…
i’m picking up on every clue…
i won’t be ashamed, now it’s only a game…
you’re changing the names…
you’re training my brain…
the bottom line is always the same…

and when you feel nothing, your body is numb
you’re chewing your gum…you’re blind deaf and dumb
but how will you feel when the real thing is there?
you’re never aware…
it always was there…
you’re never never never aware…

VISUALS

missed opportunities

9/11 (a comedy)

SCORE

LYRICS

overgrown fairies

trigger happy

INTRO:

(G#msus4) (G#m)

VERSE:

(G#m) (riff: G# G F# F) (C#) (G#m)

LYRICS:

everyday get closer to the truth
everyday get closer to the truth
they tell me “don’t worry, enjoy your youth”
but everyday get closer to the truth…

fireworks

VIDEO

https://youtu.be/Vad34VvHRko

https://youtu.be/-1F7oKX6EMc

REVIEWS

SCORE

(4:4 / 145bpm / Cmajor)

(or 1:4 motown)

INTRO:

[(C ) (Am Amsus2 Am)] x 2

VERSE:

[(C ) (Am Amsus2 Am Am7)] x 2

(C ) (D9) (G) (G6 G6 G6 G6 G Gsus2)

(Am) (F Fmaj7 F6 F) (C ) (riff: D E D E D E)

(G) (G7) (G6 G Gsus2) (C ) (riff: D E D E D E)

(bass: C (G) A (C ) C (G) A (C ))

(bass: C (E) D (C A F#) G (A) A (E) F (A) C (G))

(bass: G (A B) C)

CHORUS:

(C Csus2 C) (F7) (F7+6) (F7)

(C ) (Amsus4 Am) (C7 C7sus4 C7) (G Gsus4 Gsus2 G G6 G) (G G G7 G7 G7 G6) (riff: F E F E)

(C ) (C+sus2 C+ C+sus2) (Fmaj7 Fsus2 Fmaj7) (Fm6 Fm)

(Csus4) (C Csus4) (G6) (G) (C ) (riff: D E D E)

(bass: C (G E) F (A) C (G) A (C ) C (Bb) G (B) C (G# E) F (G#) C (G) G (B) C)

VERSE:

[(C ) (Am Amsus2 Am Am7)] x 2

(C ) (D9) (G) (G6 G6 G6 G6 G Gsus2)

(Am) (F Fmaj7 F6 F) (Am E7 Am) (riff: D E D E D E)

(G) (G7) (G6 G Gsus2) (C ) (riff: D E D E D E)

(bass: C (G) A (C ) C (G) A (C ))

(bass: C (E) D (C A F#) G (A) A (E) F (A) A (E) E (G#) A)

(bass: G (A B) C)

CODA:

[(Csus4) (C ) (G6) (G) (C )] x 3

(Am) (Fm6) (C )

(bass: (C G) A (E) F (G#) C)

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LYRICS

(joga:)

i remember waking up in the morning
blasting guns n’ roses, i ran a red
but the cop just let me off with a warning
“just go ahead”, said sergeant ed

(liliana:)

i remember bringing breakfast to grandma
dozen bagels/dozen donuts for all
i recall the old man gave me a hard time
“catch the ball, just catch the ball”

(both:)

so farewell my friend, it’s been a fabulous ride
but i can’t spend my life in a queue

i’m taking one final ride…
line up for the wa, for the water slide (c’mon)
i’m gonna slide down that water slide with you

(joga:)

i remember waiting out by the payphone
travis frost the hedgehog waited there too
thought i saw your car, i’m ready for the

(both:)

long road home

(joga:)

but it wasn’t you

(both:)

no it wasn’t you (no no no no)

and even the bums have umbrellas tonight
bet she’s thinking i don’t have a clue

(everyone in group sings:)

but there’s still time in the night…
yea i’ve got some time to get my timing right (yea)

i’ll save a space by the fire for you…
yea, there’s a space tonight (if you want it)
where the fireworks are burning bright (c’mon)

i’ll save a space by the fire for you
space by the fire for you (space by the fireplace)
space by the fire for you (space by the fireplace)

*MINISTRY OF ILLUSION*

(1984 – 2006)

risky business

AUDIO

VIDEO

BACKSTORY

REVIEWS

LYRICS

SCRAPS

“grandfather clock” riff

INTRO:

(A C# E D# C A C D# D B G#) (A A)

(A C# E D# C A C D# D B G#)

VERSE:

(4:4 / Amajor / 104bpm)

[(A) (A7) (A6) (A+) (A7) (A)] x 4

CHORUS:

(A Asus4 A Asus2)

(Amaj7 Amaj7sus4 Amaj7 Amaj7sus2)

(A7 A7sus4 A7 A7sus2)

(D) (Asus2)

(intro riff)

BRIDGE:

[(F#m) (E) (D)] x 2

[(F#m) (Amaj7)] x 2

(F#m) (Cdim) (D) (E)

CODA:

(A) (A7) (A6) (A+) (A)

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katerina

trespassing

jacquelina divine

why did it die?

magazine / mens health

AUDIO

VIDEO

THEMES

REVIEWS

SCORE

LYRICS

OUTRO

fishin 4 fisher

(not again1)

VIDEO

THEMES

REVIEWS

SCORE

LYRICS

OUTRO

.

.

rat race

.

.

.

.

NASA

.

.

22

OUTRO

.

.

veritas

AUDIO

VIDEO

VISUALS

STUDIO

ENSEMBLE

LIVE

.

.

*CATEGORIES*

*LITTLE ROCK*

union village

.

.

little rock

.

.

little italy

.

.

lonely little boys

.

.

death of a little boy

.

.

little debbie

.

.

*BIG LOVE*

big bang

SCORE

LYRICS

big rock

big blue

bigtime blues

big love

big ben

*ALPHABET SOUP*

AAA

EEE

the f word

*TWELVE*

less than zero

2020

one of a kind

four-letter woman

44

fivefivefive

six flags

el seven

9th street

twelve

*COLLAGE ART*

*GREAT WHITE*

white liar

great white

*SILVER ALERT*

silver alert

*YELLOW FEVER*

yellow

yellow ledbetter

*LUCKY ORANGE*

lucky orange

SCORE

LYRICS

*GOLDEN SLUMBERS*

golden slumbers

golden lady

*VILLAGE GREEN*

village green

*THE BROWN SOUND*

my dear brown

ann brown

brown stains

*RED LIGHT DISTRICT*

crimson chicks

redhead

redneck reggae

red house

red lights

*PINK*

pink

*TYRIAN PURPLE*

purple haze

*TOO BLUE*

big blue

too blue

wedding bell blues

klebold blues

therapeutic blues

union square blues

bigtime blues

baltimore blues

superhuman blues

the moody blues

*THE BLACK ALBUM*

blackout babies

blackbird

black magic woman

*TABULA RASA*

*BIG BANG*

(SPACE MUSIC)

back in orbit

little rock

big rock

big bang

big blue

bigtime blues

apollo 18

radiator ray

all-american alien

nightfly

cosmic creep

phone home

*SILENT STARS*

(THE SUN)

silent stars

here comes the sun

house of the rising sun

sun king

sunshine of your love

sunshine thunderer

sunspotting

i’ll follow the sun

good day sunshine

waterloo sunset

night and day

sunset king

(outtakes):

cheap sunglasses

fat old sun

tequila sunrise

you are my sunshine

*FLOWER POWER*

tag teams

flower power

smell the roses

trees

*RAT RACE*

*ALPHA WHALE*

point pleasant

VIDEO

THEMES

SCORE

LYRICS

down the shore

muddy waters

land down under

alpha whale

fluke

the brook

great white

wishing well

show me to the shower

crab’s claw

*MAN’S BEST FRIEND*

lone wolves

rodents

man’s best friend

*PLIGHT OF THE PHOENIX*

plight of the phoenix

bumblebee

*KING OF THE CATS*

(JUNGLE MUSIC)

mitochondrial eve

king of the kittens

schrodinger’s cat

copycats

scaredycats

garcia

i may be obsoleta

the wild ones

call of the wild

johannesboy

like a lion

*OUR WORLD*

*affirmative action*

affirmative action

motown

lynch mobs

*shiksa*

shiksa

jap happy

*the crusades*

mark of cain

abraham ain’t my son

modern marvels

good god!

nation of islam

jinn genie

NOTES

[(Asus4 A Asus4 Asus4) (Dmaj7) (Asus4)]

backing vocals:

A –> A

F# –> E

D –> C#

(D) (G)

(riff: Bb A G)

“fivefivefive”

i see breaks in the rider
and cracks in the roar

for i’m foreign to fire
but familiar for sure

i am floating in paris
to the salient degree

i’ve already noticed
you noticing me…

i flew you to cyprus
and over the hill

and under the banyon
they fired at will

noticed you watching
and you never saw me…

i noticed you weeping
then i fell formally

i surrendered my elder
to the zion as well

they are signing their waivers
they’ve got nothing to sell

i notice you’re wired
to the highest degree…

i noticed you watching
and you never saw me

you never saw me…

they are signing their waivers…
they’re waiting for saviors…

(we’re) almost out of the limelight, baby yea
almost out of the limelight, baby yea
almost run its course…
almost right on time…
take what is yours and damn the design
shout yourself hoarse…
well baby that’s fine fine fine…

ali baba

LYRICS

(4:4 / 83bpm / Emajor)

INTRO:

(E E6 E E) (E6 E E6 E)

(E E6 E G#dim) (E Esus2 E E)

(E E6 E G#m F# F#sus2 F# E)

(bass: E (G#) G# (F) E (G#) G# F# E)

VERSE:

(E) (E6) (A6) (Amaj7) (A6) (Amaj7)

(F#m) (F#msus2) (F#m7) (F#msus4) (F#m)

(bass: E (G#) A (G# E) F#)

CHORUS:

(A) (C#m) (A) (Bm6 Bm Bmsus4 Bmsus2 A)

(Amaj7) (A6) (A) (Bmsus4) (Bmsus2)

(Amaj7) (A6) (A) (F#7)

(bass: A (C#) C# (G#) A (C#) B A (C#) B A (E) F# (Bb))

BRIDGE:

(Esus2 E Esus2 E) x 3 (C#m C#msus4) x 2 (C#m C#m)

(Esus2 E Esus2 E) x 2 (G#m F# E F# E)

(bass: E (G# B) C# (E) E (G#) G# F# E (G#) F# E)

OUTRO:

(Bmajor)

(Emaj7) (F#) (F#sus2) (F#) (Emaj7) (F#) (F#sus2)

(Emaj7) (F#sus4) (G#m F# F#6 F# E)

(Emaj7) (E6) (Em) (Emaj7) (E6) (B)

(bass: E (G#) F# E (G#) F# E (G#) F# (B Bb) G# F# E (G#) B)

ali baba (chords)

bitter bastards

.

happy nakba day!

(4:4 / 138bpm)

(E) (C )

(Em)

(C7)

(F) (F7) (Bb) (Bbm)

(F) (Bb) (G) (C )

(C ) (G#) (F)

“don’t nobody move!”

(F groove)

(Bb) (riff: Bb A G) (Gm) (G) (F)

the crusades

glorified genocide

(112bpm)

VERSE:

(D) (G) (A)

(D7) (Gmaj7) (A6)

(Bm) (F#m) (Bm) (Gm) (D)

CHORUS:

(C# D) x 4

(F#m) (C#m) (Bm)

(Am) (G) (Gm) (D) (D+) (D)

na na na na na na i feel you fallin away
you’ll notice there’s no difference in my nights and days
i sail into your harbor without making a sound
cause you’re the only other vessel around

then shalalala i hear you holding his hand
again i am the soldier in the enemy’s land
i never meant enough to be a part of your battle plan
but over in the distance i stand

and now i’m crowded in an elevator going down
cast into somebody else’s lost and found
i suppose you really feel i’m only messing around
i’m merely making sense of the sound

you know we’ll never run the risk until we run away
i’m getting pretty tired of the games we play
i never woulda won you over anyway
reminded of it everyday
(remind me of it everyday)

arrested in our former forms of verbs and nouns
forensic in the figments of our former towns
i hope it all makes sense before it hits the ground
and finally find the source of the sound

ministry of illusion

NOTES

(motown beat / Amajor / 140bpm)

this illusion is officially over
(A A A A A6 A A6 A A6 A6 A)

and it means not a thing to me now
(A A A6 A A6 A A Asus2 A)

enlightenment’s right ’round the corner
(A A6 A A6 A A Asus2 A A)

i used to get lost but i’ll find it somehow
(A A A A6 A A A6 Asus2 A A A A A6)

there’s a bad bad man on the loose
(A A Asus4 Asus4 Am Amsus2 A A)

and he’s just getting ’round to it now
(A A Asus4 A A Asus2 A A A A A6)

with his hand to his heart and his head on the ground
(A A Am Amsus2 A A A A6 Am Amsus2 A A A A6)

he play good old poker
(A A A A A6 D6)

fell for the joker in this humorless town
(Dmaj7 Dsus2 D Dmaj7 Dmaj7 Dsus2 D Dmaj7 D6 D D Dsus2 D)

yea he used to be lost but he’s glad to be found
(D D D D D D7 D6 D D Dsus2 Dsus2 D7 D6 D)

mistaken conclusions
(D D D Dsus2 Esus2 Esus4)

from a couple of euphemisms lying around
(Esus4 Esus4 Esus4 E Esus4 E6 E6 E6 E6 E Esus4 Esus2 Esus4 E Esus2)

you could use an illusion…
(E E E Esus2 E A A)

A Bdim Cdim C#dim
C#dim Cdim Bdim A

greetings from your fellow survivors
(A A A6 A A6 A A A A)

who shouldered you over
(A Asus2 A A6 Asus2 A A Asus2 A)

who’s that round the corner?  that’s somebody’s daughter
(A A6 A A Asus2 A A Asus2 A A6 D)

(bass:)

(A (C#) D (F#) E (G#) A (C#) B C C# C B (G#) A (C#) D (A))

LYRICS:

this illusion is officially over
and it means not a thing to me now
enlightenment’s right round the corner
i used to get lost but i’ll find it somehow

there’s a bad bad man on the loose
(and he’s just getting round to it now)
with his hand to his heart and his head to the ground…

he plays good old poker
she fell for the joker in this humorless town
yea he used to be lost but he’s glad to be found

mistaken conclusions
from a couple of euphemisms lying around

you could use an illusion…

greetings from your fellow survivors
who shouldered you over and over and older and older…
and higher and higher…

who’s that round the corner?
that’s somebody’s daughter

who’s that in the mirror?
that’s somebody dearer…

who took that reflection?
we’re chasing perfection

who’s that getting clearer?
that’s somebody dearer

who’s that getting older?
look over my shoulder

who’s that getting nearer?
that’s somebody dearer

OUTTAKES:

church music

(C C Cmaj7)

(Am G7 C)

(G G6 G6)

(C C C)

(G C G7)

(C G7 C)

(G7 C G7)

(C Am G7)

(C C C C C C)

Screen shot 2013-08-22 at 3.20.53 PM

amazing grace

(i like how the song doesn’t mention jesus christ)
(just “grace”)

(john newton)
(1779)
(cue john newton as slave trader in reverse)

pilgrim

view from the cross

VIDEO

SCORE

LYRICS

it is accomplished

(C ) (riff: C B C D C B C)

(C ) (Am) (G) (C )

jesus christ

lady madonna

http://youtu.be/9po6LraRWrM

*ultimus romanorum*

roman candle

VIDEO

(4:4 / 86bpm / Bminor)

INTRO:

(Bm7) (Bm7 D Bm7) (Bm7)

(Bmsus4) (Gsus2 Gmaj7) (Bm7 G Bm D+ Bm7)

(riff: F# E D B)

(riff: G A B A G F#)

(riff: A F# G F# D B)

VERSE:

(Bm) (Bmsus4) (Bm) (Bmsus4) (Bm)

(Gmaj7) (G6 G) (F#7)

(Em Emsus2 Em Em7 Em Em7 Em)

(Em7) (A6) (A7) (D Dsus2 D)

(riff over A: A Bb B C#)

CHORUS:

(D6 D Dsus2 D Dsus2 D Dsus4 D D D7)

(G Gsus2) (Gmaj7 G6) (G)

(Asus2 A) (A6 A) (Asus4 Asus2)

(A Asus2 A) (Em7 Em) (Emsus2 Em Em7 Em7 Em)

(Emsus4 Em Em7 Em Emsus4 Em Em7 Emsus2)

OUTRO:

(D) (riff: A A A A F# D C A A A A G D) (Bm)

light my roman candle
fight my my neon need
lead me through the darkness
then watch me go
just let me bleed…

own up to this nonsense
don’t pretend to pray
lead me through this nightmare
then make me move
design my day…

almost out of the limelight, baby
almost out of the limelight, baby
almost run its course
almost right on time
so take what is yours
and damn the design
shout yourself hoarse
well baby, that’s fine fine fine

light my roman candle
keep me in a haze
burn me down to ashes
and make me melt
but earn my praise

be part of the problem
ending up this way
don’t show no solution
just stick around
and do not say…

roman candle (chords)

romanesca

NOTES

(4:4 / Cmajor / 120bpm)

opening like the “sega” musical intro: “romanesca”

(C ) (G) (Am) (Em)

(C ) (G) (Am) (Em) (C )

(bass: C (G) G (B) A (E) E (G B))

romanesca (chords)

ultimus romanorum

VISUALS

(4:4 / 120bpm / Aminor)

(Am B Dm Em F G)

(bass: A (C ) B (D#) D (A F) E F (A) G (B))

ultimus romanorum (chords)

(open with “ultimus romanorum” in deep booming voice)
(“open sesame!”)

son of zeus

caesar

be my andromeda

transit of venus

mafia playground

INTRO

AUDIO

VIDEO

THEMES

REVIEWS

SCORE

LYRICS

VISUALS

STUDIO

ENSEMBLE

LIVE

OUTRO

fat italians

SCORE

LYRICS

the second shunning

down in turin

VIDEO

(4:4 / Amajor / 102bpm)

INTRO:

(riff: B B C# D C# B C# B A)

(riff: C# C# C# B A F# A) x 2

(E A) (Asus4 A Asus2 A Asus2 A) (Dmaj7 D6 Esus4 E)

VERSE:

(Esus4 E A) (Asus4 A) (Asus2 A A) (D) [(Dmaj7) (D6 D Dsus2)] [(Esus4 E)] x 2

(Esus4 E A) (Asus4 A) (Asus2 A A) (D) [(Dmaj7) (D6 D Dsus2)] [(Esus4 E)] x 2

(D) (E) (D D6 D) (F#m) (F#m F#msus4 F#m) (E) (E6 E Esus4 Esus2 E)

(bass: E (G#) A (C#) D (E) E (G# B))

(bass: D (A F#) E (G# B) D (A) F# E (G#))

OUTRO:

(A) (D Dsus2 D) (A6 A)

(bass: A (C#) D (A) A)

“down in the grand ole turin again…”
in the swissest of lands…
and now they’ve all gone honest you see
they’ve made a meatball of me…

in this land of who knows when
we don’t know who it should be
(so why not let it be me….?)

is it all back to normal again
in the strangest of lands???

and no we all don’t work here for free
we get paid quite handsomely

cuz in this land of who knows when
we don’t know who it should be

(so let it be me….)

she went straight to the heart of me
from an A to a double D

we went a whole lot further when…
she gave me just i wanted then…

down in turin (chords)

VERSE (x2):

Asus2 (down)
A (the)
D (grand)
Dmaj7 (old)
D6 (turin)
Dmaj7 (in the)
D6 (swissest)
A (-and)

(bass: A (C#) D (B) A)

BRIDGE:

Asus2 (cuz in this)
Asus4 A (land of)
Asus2 (who knows when)
A6 (should)
F#m7 (be)
F#msus4  F#m (let it)
Esus4 E (me)

(bass: A (F#) F# E (G#))
(second time: end on E (G# B))

OUTRO:

D
Dsus2 (to)
A6 A (A to)

(bass: D (A) A (C#))

holy roman soldiers

*british invasion*

british invasion

VIDEO

VISUALS

NOTES

INTRO:

(*native son*)

(from “border victoria”)

(4:4 / 100bpm / D#major)

(with backup vocals:)

(D#) (Fm)

(4:4 / 118bpm)

INTRO:

(Emajor)

(E) (E Esus2 E E Esus2 E) x 2 (E Esus2 E E E)

(Fmajor)

(F) (F Fsus2 F F Fsus2 F) x 2 (F Fsus2 F F F)

(F#major)

(F#) (F# F#sus2 F# F# F#sus2 F#) x 2 (F# F#sus2 F# F# F#)

(bass: E F F# (Bb))

PART 1:

(C#7 C#6 C#) (Bmaj7 B7 B6 B) (Bmaj7 Bm6 Bm Bmsus2 B) (F#)

(bass: C# B (F#) F#)

PART 2:

(F#major)

(F#) (F# F#sus2 F# F# F#sus2 F#) x 2 (F# F#sus2 F# F# F#)

(Gmajor)

(G) (G Gsus2 G G Gsus2 G) x 2 (G Gsus2 G G G)

(G#major)

(G#) (G# G#sus2 G# G# G#sus2 G#) x 2 (G# G#sus2 G# G# G#)

(G# G#sus2 G# G# G#sus2 G#) x 8

(bass: F# G G#)

PART 3:

(G#7 G#6 G#7) (G#) (F#) (F) (G#) (G# G# G#6) (G#) (F#) (F) (G#)

(bass: G# F# F (A) G#)

OUTRO:

(G# G#sus2 G#) (F#maj7 F#sus2) (Fm)

(bass: G# F# F (G#))

LYRICS:

so you see
i’m full of the country
i’m lying in ireland
and staying alive

so you see
i built them a city
i hide in the holy land
preach peace to survive

so you see
italia’s my enemy
we were long-lost friends
until she stabbed me in the back…

why don’t we try again?
and pretend we are friends…
and that this will never happen again…

border victoria

friend of dorothy

glasgow grin

SCORE

LYRICS

iona

VIDEO

SCORE

LYRICS

OUTRO

from cork to county mayo

hill of tara

VIDEO

SCORE

LYRICS

queen elizabeth

i don’t need no inspiration

SCORE

LYRICS

*back in the USSR*

back in the USSR

(off 1968 album “the beatles”)

(E7)

[(A) (D) (C ) (D)] x 2

(D) (A) (C ) (D) (A) (B7) (E7) (C ) (A)

(A) (D7) (A) (A7) (D) (Dmaj7) (D7) (B7) (E7) (D7) (A)

*sharma*

sharma

VIDEO

SCORE

LYRICS

durga

SCORE

LYRICS

silk roads

(4:4 / 150bpm / Bminor)

(Bm C#/D D D Dsus2 D E E Esus2 E D Bm)

(riff: F# Bb F# D C# B Bb B)

can i get a little help?
not when you live for yourself…

i encourage purba…

*banjogai*

matsui

VIDEO

THEMES

hiroshima

chai mayoto

(4:4 / 111bpm / D#major)

INTRO:

(D# D# D#m D# Bb D# Fm D#)

(bass: D# (Bb) Bb (D) D# (Bb G) F (G# C) D#)

(D#m D# Cm7 G G7 D# Cm D#)

(bass: D# (Bb) C (G) G (B D) D# (Bb) C (D#) D#)

(D#m D# Cm7 G#maj7 Cm D# Cm)

(bass: D# (Bb) C (G) G# (C ) C (D#) D# (Bb) C)

VERSE:

(D# D#m D# Cm7)

(D# D#m D# Bb6 Bb Bbsus4 Bbsus2)

(Cm Cmsus4 Cm) (Cm Bb G#) (G#m)

(bass: D# (Bb) C (D#) D# (Bb) Bb (C ) C Bb G# (B))

CHORUS:

(D# D#maj7 D#) (Cm Cmsus2 Cm)

(Cm7 Cmsus2 Cm7) (D#sus4 D# Fm)

(Fmsus2 Fm Fmsus2 Fm Fm7) (C Csus2 G#)

(bass: D# (Bb) C (D#) D# (Bb G) F (G#) C (D G) G# (C ))

BRIDGE:

(Cm7) (Bbsus2 Bbsus4) (Bbsus2 Bb Bb7)

(G#maj7 G#6 G#) (G G G7 G#)

(bass: C (Bb) Bb (G#) G# G G# (C D#))

SOLO:

(D# G Bb) (D# G Bb) (D# F# Bb) (D# G Bb) (D F Bb) (D# G Bb) (F G# C) (D# G Bb)

(D# Bb F#) (D# Bb G) (D# Bb G C) (D B G D) (D B G F) (D# Bb G G) (D# C G) (D# Bb G)

(D# Bb F#) (D# Bb G) (D# C G Bb) (D# C G# G) (D# C G) (D# Bb G) (D# C G)

LYRICS:

oh chai mayoto
please don’t lie
come back to me
and make me your guy
i’ll never stray from you
that’s for sure…

oh chai mayoto
say no more
say sayonara
my handmade whore
we’re safe in space
but i’d like more time…

just a slow row and a long ride…
who in the world would know?
it’s time to decide…

oh chai mayoto
i need more lime
eke out a living
on man-made dime
i’m out of order here, that’s for sure…

oh chai mayoto
my midday sun
come unto me until kingdom come
so speak your mind
let me hear me you roar…

oh chai mayoto
please don’t ride (away)
come back to me
and make me your guide
i’ll never stray from you
that’s for sure…

oh chai mayoto
please don’t rise (up)
bow down to me
and accept my guise
i’ll never stray from you
that’s for sure…

oh chai mayoto
my midday sun
come unto me until kingdom come
their souls secure
and their people pure

chai mayoto (chords)

okinawa

LYRICS

(4:4 / Cmajor / 100bpm)

INTRO:

(Cmaj7) (Dmsus2)

(bass: C (E) D)

VERSE:

(C ) (Fmaj7)

(G) (F) (G) (F)

(G) (G7)

(bass: C (E) F (A) G F (A) G F (A) G (B))

okinawa (chords)

they offered their resistance just so you and i could meet…
(Cdim)

*snow bunny*

polar bear

(120bpm)

(F#) (B) (G#) (E)

(B)

LYRICS:

long live the polar bear
she nearly lost her head
when the glacial age took center stage
and your girl’s as good as dead
when the stars align, when there’s something to be said

sympathize with the polar bear
who tore your baby to shreds
when the glacial age took center stage
and your girl’s as good as dead

“the nearest bar’s a little too far”

“may as well grill us some sausage sandwiches out here on this fire”

*native son*

seminole

wild child

*luce grace terranova*

luce grace terranova

wave

THEMES

SCORE

*more americana*

la jolla

big ben

VIDEO

SCORE

LYRICS

going rogue!

VIDEO

LYRICS

leap year

dumataliana

teabaggers

oh shut up!

(based off melody of “fixin to die” rag)
(“the fish cheer”)
(country joe and the fish)
(off 1967 album “i feel like i’m fixin to die”)

(as sung by pellabear @ the college graduation party)
(an incredulous uncle stubbles: “he’s singing about vietnam!”)
(cue pellabear billed as headliner for woodstock 2020)

“gimme an F!”

(4:4 swing / 150bpm / Emajor)

VERSE:

12-bar E blues

(bass: E (G#) A (E) E (G#) B (F#) E)

CHORUS:

(E E+) (A Asus2 E) (E Esus2 E) (B) (B6 B Bsus4) (E)

(bass: E (G#) A (E) E (G#) B (F# E) E)

fixin to die rag (chords)

austin city limits

swing voters

redneck reggae

THEMES

SCORE

LYRICS

along came obama

VIDEO

LYRICS

ALONG CAME OBAMA

FIXING TO DIE RAG

DA DOO RON RON

“along came obama”

(4:4 / Bmajor / 145bpm)

INTRO:

(F#m) (Em)

(bass: F# E (G))

VERSE:

(B) (Bsus2) (B) (Bsus4) (B) (Bsus2) (B) (G#m)

(bass: B (F#) G# (B))

(C#9) (B9) (G#m) (F#) (G#m) (G#msus4) (G#m)

(bass: C# (B) B (A) G# F# (Bb) G# (B D#))

(E) (F# F#6 F# F#sus4) (G#m)

(bass: E (G#) F# G# (B D#))

(E) (F# F#6 F# F#sus4) (B)

(bass: E (G#) F# (B) B (F#))

OUTRO:

(G#m) (C#7) (C#) (C#sus2) (C#) (G#m)

(bass: G# (B D#) C# (G#) G# (B D#))

“da doo ron ron”

VERSE:

(E) (A6 A) (B B6) (Esus2 E)

(bass: E (G#) A (C#) B (G# F#) E (G# B))

CHORUS:

[(C#m) (B Bsus4)] x 2

(C#m) (A6 A)

(B B6) (Esus2 E)

(bass: C# B C# B C# (G#) A (C#) B (G# F#) E)

“fixing 2 die”

(4:4 swing / 150bpm / Emajor)

VERSE:

12-bar E blues

(bass: E (G#) A (E) E (G#) B (F#) E)

CHORUS:

(E E+) (A Asus2 E) (E Esus2 E) (B) (B6 B Bsus4) (E)

(bass: E (G#) A (E) E (G#) B (F# E) E)

along came obama (chords)

an american dream

SCORE

LYRICS

more americana

OUTTAKES:

omaha

NOTES

(4:4 / 111bpm / Dmajor)

(D) (G) (D) (A)

(D+)

“uncle bernie had a gun…”

my grandmama was a fat old bitch in a well-cushioned chair
my grandpapa, he conditioned air, he was barely even there
so i say…ah ha ha ha ay yi yi ya

my grandmama from arabia, rolled grapes into leaves
my grandpapa from italia wore his heart on his sleeves

so i say…

*THAT’S LIFE*

*good morning!*

fountain of youth

that’s life

12:8 / 106bpm / Gmajor

VERSE:

(G) (B7) (Em) (A9)

(G) (B7) (Em) (A9) (D13)

(G) (B7) (Em) (A7)

(G) (B7) (Em) (A9) (D9sus4) (G6/9)

(bass: G (B) B (B A F#) E (E G B) A G (B) B (B A F#) E (E G B) A (A B C#) D (D B A) G (B) B (B A F#) E (E G B) A (A G) G (B) B (B A F#) E (E G B) A (A B C#) D (D A G) G)

CHORUS:

(G7) (G7#5) (G13) (C6) (A7) (D7) (G)

(bass: G (G B) C (A) A (C#) D (D C A F#) G

VERSE:

(G) (B7) (Em Em7) (A9)

(G) (B7) (Em) (A7) (D9sus4) (G) (Am7 G#maj7 G6)

(bass: G (B) B (B A F#) E (E G B) A G (B) B (B A F#) E (E G B) A (C#) D (D A G) G (B) A G# G)

CHORUS:

(G7) (G7#5) (G13) (C6) (A7) (D7) (D#7)

(bass: G (G B) C (A) A (C#) D D# (D# C# Bb G))

VERSE:

(G#major)

(G#) (C7) (Fm) (Fm7) (Bb7)

(G#) (C7) (Fm) (Bb7)

(6:8) measure

(9:8) measure

(12:8)

(D#9sus4) (G#) (B6) (E7) (D#9sus4) (A7b5) (G#6/9)

(bass: G# (C ) C (C Bb G E) F (F G# C) Bb (G#) G# (C ) C (Bb G E) F (G# C) Bb (D))

(bass: D# (Bb) G# (C ) B (G# F#) E D# (Bb) A G#)

alive

alive again

VIDEO

SCORE

LYRICS

one of these days

(4:4 / 85bpm / Gmajor)

VERSE:

(G Gsus4 G Gsus4) (D6 D Dsus4 D) (Am7)

(G Gsus2 G) (Dsus4 D6) (C Csus2) (D)

[(G) (Bm7) (C C6)] x 2

(G) (Bm7) (C C6 Cmaj7 C6 C) (G)

(bass: G (B C) D (A) A (G) G (B) D (B) C (D) D (A F#) G (B) B C (A) G (B) B C (A) G (B) B C (G) G (B))

CHORUS:

(Dm7 Dmsus2) (Am7 Amsus4) (G Gsus4) (Dm7 Dm6) (Am7 Amsus2) (G)

(Am7) (Gsus2 G) (C)

(bass: D (C ) A (G) G (B C) D (B) A (G) G (B) A (G) G (B) C (G))

it’s over now

lonely old people

off 1975 paul mccartney album “venus and mars”

“treat her gently”

(A) (D) (E) (C#7) (F#m)

(D) (G) (D) (G) (D) (G) (D) (F#7) (Bm) (E) (A)

“lonely old people”

[(D) (F#m F#m7) (Bm G Bm) (Asus4) (G G6 G) (D6 D)] x 2

(Bm) (F#7) (A7) (Bm) (G Gdim G G6 G) (D6 D )

(A) (A6 A7 A6 A7) (Bm) (G) (G) (A6 Asus4 A) (D)

treat her gently (v1)

i’ve got a feeling

THEMES

SCORE

young at heart

(4:4 / 82bpm)

(INTRO:)

(bass:)

A (E) F (G#) A (E) F (G# C) B (D) E (G#)

A…

A (C#) B (D) E

E (G#) B (D) E (G#)

A (C#)

C# (E) F# (E) C# (E) F# (E C# Bb)

B (A F#)

E (G#) G (E) E (G#) G (E) E (G#)

A (E) F (G#) A (E) F (G# C) B (D) E (G#)

B (F#) E (G B)
(all you’ll derive out of being alive…)

A (E) E (G#) B (D) E (G#)
(here…)

A (C#) D (C) B A

A (C#) D (C) B (D) E (G#) A

living room

the replacements

SCORE

LYRICS

*he done died*

do not disturb

THEMES

SCORE

LYRICS

VISUALS

damn you

twitch

SCORE

LYRICS

waiting place

semblance of order

SCORE

LYRICS

dingbat bimbos

silencers

OUTTAKES:

bundy

deathbed

dead ducks

six feet under

new friends

pavement pattycake

cemetery blues

*HONORARY BERRIES*

(family matters)

tabula rasa

AUDIO

THEMES

REVIEWS

SCORE

LYRICS

OUTRO

forgotten sons

VIDEO

NOTES

(4:4 shuffle / 85bpm)

(C ) (C7) (F) (Fm)

LYRICS:

ooh…you can love me none
i’m your lesson learned
i’m your dirty one

ooh, you can save your face
for i’m your silent source
i’ll restore your grace

ooh but the price you paid
oh but don’t you fear
cuz soon we’ll have it made…

ooo…you can love me none…
i’m your lesson learned, i’m your dirty one…

i’m your flesh and blood
i’m your only son…

lips like candy…
spit out brandy…

ha!

stillborn

dinosaurs

cocoa court

bro

bitter skies

gymboree

quicksand

shabby dee

cheryl lynn

fruit

OUTTAKES:

born an orphan

SCORE

LYRICS

kissing cousins

personality crisis

billboard

XY (chromosomal confusion)

mommy issues

demoscene –> sis

pass the guinea bread

joey

deadbeat dads

t-bills

seaglass

seaside heights

uncle bernie had a gun

jaybird

motherless children

*HOLIDAZE*

happy birthday

valentine’s day

VIDEO

THEMES

SCORE

LYRICS

may i?

*SEASON’S GREETINGS*

season’s greetings

gingerbread house

white christmas

missing christmas

chestnuts

SCORE

jingle bells

silver bells

joy to the world

please come home for christmas

christmas is a time to say i love you

wonderful christmastime

christmas with hank

OUTTAKES:

run rudolph run

happy christmas (war is over)

THEMES

santa claus is coming to town

*NEWFOUND HEROES*

past masters

VIDEO

SCORE

LYRICS

el jacko

cobain

VIDEO

SCORE

LYRICS

forgiven forgotten

SCORE

LYRICS

don juan

chitlin circuit

SCORE

LYRICS

groucho

the great unknown

VIDEO

THEMES

SCORE

LYRICS

no matter what i do
i’m the kind of sort that nobody knew
and no one will know

while you’re headed down to better bellows
improving your game
i didn’t want to end up the same…

so now i’m takin it day at a day
cuz i’d never really gotten the clue
and i never meant to get in your way

i’m just the kind of person nobody knew
and no one will know
it’s kinda just the way that it goes

i know i never really had an excuse
but i hope you have your happiest day
in time
i think i justa may’ve had mine

to do the things we do
you’ve gotta feel it out for yourself

i go to places most of us go
but it’s never the same
when you’re the only person missing a name

someday someone will show
someday, lo and behold
but theres a wicked storm brewing below…

*GIRL TALK*

*she loves you*

(high school sweethearts)

carrot booty

VIDEO

SCORE

LYRICS

lack ̊of love

melville

INTRO

AUDIO

VIDEO

THEMES

REVIEWS

SCORE

LYRICS

VISUALS

STUDIO

ENSEMBLE

LIVE

OUTRO

parlin lane

doppelgangers

saga

erectile misfunction

john carl leede

little debbie

(ritter was a) runner-up

roshina (may we meet again)

OUTTAKES:

she loves you

catia maria

*harvard hop*

(crimson chicks)

matsui

geeks

crimson chicks

virgin

padua

ann brown

heathens

photos of moira

rebecca

harvard hop

magic marker

*hey nardilla!*

hey nardilla!

the x factor

jimmy torres

happy days

the coward

*wedding bell blues*

generation gap

emma

claire

melissa

hipster chicks

phishsticks

emmories

wedding bell blues

*the battle of princeton*

(princeton girls)

the jaffies

miss o’meara

my girls

ruffa

centuries

kelsey

anderson

mounting everest

*dancing with the stars*

i saw her standing there

the night was so young

dancing with ashley

slow dance

last chance dance

dancing with the stars

*girl talk*

first impressions

dyke

bianca

pegglio

age of consent

finders keepers

popcorn princess

plain jane avenue

ruby roo

lolita

hi carly

surrogate sisters

OUTTAKES:

we’re open tonight

hey jude

don’t look back in anger

rona

ala garafalo

*THE CREEPS*

*chung chums*

(friends)

chung chums

robert can you take me back?

manboy miracle

ballad of joe tremarco

klebold blues

suburbian sabbath

fanboy

half nelson

conman

unsolved mysteries

clark cotton

the creeps

OUTTAKES:

common sense

gerardo

booze

socratic saga

john the drunk

kurt kroeber

*I ME MINE*

regression

my god

my will

my mantra

my agenda

my shadow

my precious

my creed

only joe knows

know thyself

time to shine

*me want!*

often she eats

cereal killers

let’s bake

carnivores

bad apples

eminems

thirsty

useless eater

peanut butter

happy meal

corn on the cob

OUTTAKES:

glass onion

*dopeland*

(drugs)

user’s manual

one-hitter

feel better

whiskey heaven

wheatgrass

high times

blunt

salvia (shall we?)

stoner

no dough for dope

dipsomania

grey goose garden

OUTTAKES:

more beer please

mcfaddens

*ode to self*

therapeutic blues

retard range

bozo

strawberry syndrome

wiseguy

melancholia

starved 4 attention

S&M

sacdawg suicide

outliers (let my people go)

(just like) giving up

weirdos

OUTTAKES:

six feet of rope

*THE SLUMS*

*sugar daddies*

beginner’s luck

power shower!

what you’re after

prodigies

maid of honor

back office rats

works in progress

michael anthony

cashman

LYRICS

wheels of fortune

SCORE

LYRICS

dealmakers

sugar daddies

OUTTAKES:

shoeshine

SCORE

LYRICS

buried treasure

SCORE

LYRICS

mister bankrupt

*the great american train wreck*

dirty rider

failure to launch

VIDEO

SCORE

LYRICS

VISUALS

meaningless motion

VIDEO

THEMES

SCORE

LYRICS

calling all cars

THEMES

SCORE

LYRICS

VISUALS

NASA

DWI

SCORE

LYRICS

exit strategies

SCORE

the great american train wreck

(1:4 motown / 89bpm / Aminor + Emajor)

INTRO:

(Abar x 4)

VERSE:

(E) (Edim)

(C#m) (B) (C#) (B) (A) (E)

(F#m) (E)

(Am) (Adim) (E) (E7)

(B Bsus4 B) (A7) (A6) (Adim) (Am) (Am6)

LYRICS:

don’t wanna wait…
for the great american train wreck…
go on a date…
getting your feet wet…

don’t mind climbing up that mountain
don’t mind swinging from that tree
don’t mind drinking from that fountain
i really don’t mind you
now don’t mind me

you try burning all that carbon
you try landing in that free
not quite bright but oh so charmin
and i’d really like to meet her majesty

lifetime leg-up, so disarming
my may madam majesty
not just bright but also charming
and she’s making history most definitely…

wait…
for the great american train track…

*lunacy*

SCORE

LYRICS

come get me

SCORE

LYRICS

piglets

SCORE

LYRICS

manhunt

SCORE

VISUALS

no exit

SCORE

LYRICS

the fugitive

THEMES

SCORE

LYRICS

olfactory

SCORE

LYRICS

*4 new york*

5B

SCORE

LYRICS

VISUALS

union square blues

new york new york

new york state of mind

THEMES

SCORE

corporate cones

o rudy!

SCORE

LYRICS

*let it charge*

let it charge

freudian slips

4:4 / 110bpm / Aminor

(slow version: 90bpm)

[(Am) (riff: B C) (Em)]

(riff: G E B F# E)

(riff: E D C B A G F# E)

[(Am) (Am) (Am G Am)] x 2

“toilet goethe”

LYRICS:

LiliAna/JoGa duet

come dream with me…
(come and dream with me…)

i knew we’d meet
(how did you know?)

‘cuz i set you free
(so long ago)

come dream with me (come dream with me)
come dream with me (come dream with me)

i knew we’d meet (how did you know?)
cuz i set you free (so long ago)
this memory (my mind will keep)

(both:) so we close our eyes and we go to sleep…

(socrates enters on drums)…

now come dream with me (come dream with me)
come dream with me (come dream with me)

you let me leave (i let you go)
i had every intention (just so you know)
i’m coming back (10x as strong)
for a midnight snack (i can’t wait that long)

dell dear

VIDEO

SCORE

LYRICS

the duodecimalist

iLife

dolls

virtual reality

clairvoyance

dissemble

SCORE

LYRICS

game over

VIDEO

SCORE

LYRICS

*THE GAME*

*be the ball*

fantasy football

grapplers

be the ball

VIDEO

LYRICS

(4:4 / 95bpm / Bm –> Dm)

VERSE 1:

(Bm) (Bmsus2) (Bm) (Bmsus2)

(Bm) (Bmsus2) (Bm) (Bmsus2) (C#)

(Bm) (D) (A) (F#+) (F#) (G+) (G) (Cm)

VERSE 2:

(Cm) (Cmsus2) (Cm) (Cmsus2)

(Cm) (Cmsus2) (Cm) (Cmsus2) (D)

(Cm) (D#) (Bb) (G+) (G) (G#+) (G#) (C#m)

VERSE 3:

(C#m) (C#msus2) (C#m) (C#msus2)

(C#m) (C#msus2) (C#m) (C#msus2) (D#)

(C#m) (E) (B) (G#+) (G#) (A+) (A) (Dm)

VERSE 4:

(Dm) (Dmsus2) (Dm) (Dmsus2)

(Dm) (Dmsus2) (Dm) (Dmsus2) (E)

(Dm) (F) (C ) (A+) (A) (Bb+) (Bb) (D#m)

uncle bob’s basement

LYRICS

(4:4 / 90bpm / Amajor)

INTRO:

[(Amaj7) (A7)] x 2

(Amaj7) (Asus2) (E) (A7 Asus2) (E)

(A6) (A) (E) (Esus4) (E) (Dmaj7) (E) (Esus4) (D6)

(bass: A (E) E (G#) A (E) E (G#) A (E) E (G# B) D (C# A F#) E (G# B) D (B A F#))

VERSE 1:

(125bpm)

(A A6) repeat

(A) (Asus4) (A) (Asus2) (A) (Asus2) (A)

(A) (A) (C ) (A)

(bass: A (C#) C (G) A)

CHORUS 1:

(A6 Esus4) (F#m F#msus4 F#m C#m7 C#m)

(Bm) (Bmsus2) (Bm) (F#m)

(A) (Asus4) (A+) (D)

(B) (B7) (E) (Em Em6) (B7) (C#) (B) (F#6) (F#) (B)

(bass: A (E) E (G#) F# (A) C# B (F#) F# (A) A (C#) D (A) B (A F#) E (G C#) B (D#) C# B (F#) F# (Bb) B)

VERSE 2:

(B) (Bsus4) (B) (Bsus2) (B) (Bsus2) (B)

(B) (B) (D) (B)

(bass: B (D#) D (A) B)

CHORUS 2:

(B6 F#sus4) (G#m G#msus4 G#m D#m7 D#m)

(C#m C#msus2 C#m G#m)

(B) (Bsus4) (B+) (E)

(C# C#7 F# F#m F#m6) (C#7) (D#) (C#) (G#6 G#) (C#)

(bass: B (F#) F# (Bb) G# (B) D# C# (G#) G# (B) B (D#) E (B) C# (B G#) F# (A D#) C# (F) D# C# (G#) G# (C ) C#)

VERSE 3:

(C# C#sus4) (C#) (C#sus2) (C#) (C#sus2) (C#)

(C# C# E C#)

(bass: C# (G# F) E (G# B) C#)

OUTRO:

(C#7 C7)

(with D drone)

(bass: C# C)

uncle bob's basement (chords) (v1)
uncle bob's basement (chords) (v2)

verses shift from swing to straight…

“he had ’em run before they learned how to walk…” (swing)
“in a dark dark basement…” (straight)

outro is (swing):

C# C# B C# C# C# E C#
(alternate between 6 measures and 4 measures)

(finale goes C#7 C7 Csus2 C Cmaj7 C)

and i went down swinging

(4:4 / 97bpm / Gmajor)

(Cmaj7) (Bbmaj7)

(C ) (A)

(Em) (D) (Em) (C ) (Cm)

LYRICS:

many worry bout the state of their health
its shape and its size
they just as easily tend to lie to themselves
rely on their wives

for many millions there’s a need to know more
i’ve come to open their eyes

letting the people know
letting the good weed grow
(it’s the seed we’ll sow)

many call themselves the salt of the earth
and some of em tries
many seem to really know what it’s worth
and make the most of their lives

not very many have the courage to ask
why many a good man dies

letting a good man go
letting his neighbors know
be they friend or foe

fireman’s carry

friendlier faces

(4:4 / Bbmajor)

INTRO:

(Bb) groove

(spoken word:)

excuse me…

pardon me fellas…

i’m gonna teach you fellas how to sing…

VERSE:

(Bb) (Bbm Bb Bb7) (Bbm Bb Bb7)

(Bb7) (Bbm Bbmsus4 Bbm Bbsus2 Bb)

CHORUS:

(D# D#sus2) x 2 (D#) (D#maj7) (D# D#sus2 D# D#maj7 D#) (D# D#sus2)

(D# D#sus2) x 2 (D#) (D#maj7)

[(D#9) (D#maj7) (Bbdim)] x 2

(Gm) (Fm Fm6 Fm Fmsus4) (Bb)

(bass: (Bb D) D# (D) Bb (C#) D# (D) Bb (G) G F (G#) Bb (D))

BRIDGE:

(Cm Cmsus2 Cm Cmsus2 Cm)

(Cm) (Dm Dmsus4 Dm) (Bb)

(Cm) (Cm Cmsus2) x 3 (Cmsus4) (Cm) (Cmsus2) (Cm7) (Gm) (F)

(bass: C (D#) D (A) Bb (D) C (Bb) G F)

LYRICS:

“excuse me, pardon me fellas, im gonna teach u guys howta sing…”

how prophetic!
i’m legit, i tellya!
i’m heaven sent, ya see
and it’s all upta me
always had and always will be
this thing’ll go BUST if we don’t…
(no no, not that bust, jimmy) (durante)

put that back!

and call a docta!

joe…
had a coach called kostibos
he made us stand on our toes

(*with british tilt to accent*)

(“ray ray ray” backing vocals:)

then ray ray
came to take me away
replaced with a friendler face

so miss mary tell me a story
about a life of another
(anyone other than me)

cuz i’m wary of anyone other
no need to discover
new sisters and brothers
i’m bad to the bone
and only barely alone
i’m always barely alone

is it safe?
no it’s never safe
but safety’s overrated anyway

have some faith
and you’ll find it when you’re least expected
reflected in a friendlier face

champ

VIDEO

SCORE

LYRICS

vitollo

LYRICS

i love this game!

LYRICS

ain’t no need to scream and shout
they’re silent at the roundabout

VISUALS

broad street bullies

VIDEO

LYRICS

(110bpm)

INTRO:

(4:4 swing)

(Bbmajor)

(Bbsus4) (Bb) (Bb7sus4) (Bb7) (Bbsus2)

(Fm) (Fmsus4) (Fmsus2) (Fmsus4) (Fmsus2)

(Fmsus2) (Fmsus4) (Fm) (Bb)

(Bbsus4) (Bb) (Bb7sus4) (Bb7) (Bbsus2)

(Cm7) (C#dim) (Fm) (Bb)

(Cm7) (C#dim) (Cm) (Bb)

(D#major)

(D#maj7 D#) x 8

[(D#sus4) (D#)] x 2 (D#sus2)

(Bbm) (Bbmsus4) (Bbmsus2) (Bbsus4) (Bbsus2)

(Bbmsus2) (Bbmsus4) (Bbm) (D#)

[(D#sus4) (D#)] x 2 (D#sus2)

(Fm7) (F#dim) (Bbm) (D#)

(Fm7) (F#dim) (Fm) (D#)

(bass: Bb (C D) F (G# C) Bb (C D) C C# (Bb G E) F (G# C) Bb (C D) C C# C (Bb) Bb (D))

(bass: D# (Bb) Bb (C# F) D# (Bb G) F F# (A) Bb (C# F) D# (Bb G) F F# F (G# C F) D#)

VERSE:

(4:4 straight)

[(D#) (D#m) (D#msus2) (D#) (D#6) (D#) (D#m) (D#msus2) (D#)] x 2

[(D#) (D#m) (D#msus2) (D#)] x 2

(D#6) (D#) (D#m) (D#msus2) (D#)

[(C#) (D#7) (D#msus4) (D#m) [(F#) (F#6)] x 3 (D#m)] x 2

(bass: D# (C# F) D# (Bb) F# (Bb C#) D#)

CHORUS:

(D#) (Cm) (Bb) (D#)

(D#) (D#6) (D#) (D#sus2) (D#)

(G) (G7) (G+) (G) (Gsus4)

(Fm) (Fm6) (Fm7) (Fmsus2) (Fm) (Fmsus2) (Fm) (Fm7) (Fm) (Cm)

(bass: D# (Bb) C Bb (D) D# (Bb) G F (G#) C (G))

OUTRO:

[(Fm7) (Fm)] x 2

(Fmsus2) (Fm) (Fm7) (Fm)

(Cm) (Cmsus4) (Cm)

(bass: F (G#) C (G))

broad street bullies (chords)

back to the bullpen

“luck be a lady”

THEMES

(written by frank loesser)
(from 1950 broadway musical “guys and dolls”)
(based on the 1933 damon runyon short stories “the idyll of miss sarah brown” and “blood pressure”)

SCORE

intro is 80bpm
verses is 140bpm

(4:4 swing)

(intro: 80bpm)

(G#7#5#9) (G#13) (C#6/9)

(G#7#5#9) (G#13) (C#6/9)

(F#6) (Gdim7) (Bbm7) (Gm7b5) (F#13) (F#9)

(G#7#5#9) (G#13) (C#6/9)

(G#7#5#9) (G#13) (C#6/9)

(F#6) (Gdim7) (Bbm7) (Gm7b5) (F#13) (F#9) (Gm7) (C7sus4) (C7b9)

(Fmaj9) (F6) (C#6/9#11)

(Fmaj9) (F6) (Amaj7) (A6 Amaj9)

(A6) (C#6) (G#m7b5) (G#13) (G#9) (C#6)

(bass: G# (C ) C# (Bb) G# (C ) C# (B Bb G# F) F# G (Bb) Bb (G#) G F#)

(bass: G# (C ) C# (Bb) G# (C ) C# (B Bb G# F) F# G (Bb) Bb (G#) G F# G (Bb D) C (Bb G E) F (A C D) C# (Bb E) F (A) A (C#) C# (Bb G#) G# (Bb C) C#)

(verse: 140bpm)

[(C#6) (D6)] x 3

(C#6) (G#7#9b5)

[(C#6) (D13#11)] x 6

(D#m7) (D9#11)

(C#6) (D6) (C#6) (A13)

[(D) (Am7b5/D#)] x 4

(D) (F7) (Em7) (C7) (B7#5)

(Em7) (Bbmaj7#11) (A7sus4) (Dmaj7)

(Em11) (A7sus4) (D6) (Bb7) (D#6) (Bb13b9) (D#6) (Bbm7) (D#7) (F7b9)

(Bbmsus2) (Bbm) (Bbm/maj7) (Bbm7b5) (C7b9) (Fmsus2) (Fm) (C7b9) (D#m7) (G#7sus4) (G#7)

[(C#6/9) (D6/9)] x 4

[(C#6/9) (Dmaj13)] x 4

[(C#6) (D9)] x 2

(C#6) (D13)

(C#6/9) (D13)

(C#6) (D6)

(D#m7) (B7) (D#6) (Edim) (D#m7) (Dmaj13) (C#6) (C7) (A+sus2) (Bbm7) (A13)

[(Dmaj7) (Em7b5)] x 4

(Dmaj7) (D7#9) (Gmaj7) (C9)

(D) (Am7b5sus4)

(C#6/9) (Bb7b9) (Ebm7) (Bb7#5#9) (D#m11) (Em11) (D#m11) (G#13sus4) (C#6) (D13) (C#6) (D13) (C#6) (D13) (C#6/9) (D7) (C#6)

(bass: C# D) x 3
(bass: C# (Bb) G# (B C))
(bass: C# D) x 6
(bass: D# D C# D C# (Bb G#) A (C#))
(bass D (A) A (C D#)) x 4
(bass: D (A F#) F E (G B) C B (G) E (G B) Bb A (C# D) D (C# A F#) E (G A B) A (C# D) D (B) Bb (D))
(bass: D# (C Bb) Bb (B D) D# (C ) Bb (C#) D# (C# Bb G) F (A C) Bb (C#) C (Bb G E) F (G#) C (C# E) D# (C# Bb F#) G# (C ))
(bass: C# D) x 13
(bass: D# (C# Bb) B (D#) C# (G# F) E D# D C# C (Bb) A Bb A (C#) D (C# A F#) E (D) D (C# A F#) E (G B) D (C# A F#) E (G B) D (C# A F#) E (G B) D (C A F#) G (B) C (D E) D (A) A (C D#) C# (Bb) Bb (B D F) D# (C# Bb) Bb (C# D) D# E D# (Bb F#) G# (C C#))
(bass: C# D C# D C# D C# D C#)

luck be a lady (chords) (v1)
luck be a lady (chords) (v2)

OUTTAKES:

ty cobb

“TC” –>

TC Sa

Taryn Chory

Ty Cobb

(based on “across the universe”)

(as i performed @ cafe cielo)

(Dmajor)

D –> G#

(a dissonant transition)

(a dissonant tradition)

best to forget the other…

we remember…

(F# –> G –> G# ascension)

(settle on G)

(return to normalcy)

(like nothing happened)

shot in the leg…

leveled in space…

coca-cola made a man into a corporate face…

(*cue ty cobb drowning in a pool of coca-cola*)

capital punishment shall be the newest art form!

(like the brits used to do)

(drawn + quartered)

pistol pete

(*cue marava committing suicide in poland*)

sveva is the ghost of marava
they both committed suici-ide (“they really tried…”)
and poland paul
had the loneliest birthday of them all
and poland paul
just had the loneliest birthday in his life…

and pistol pete had em all but beat
and pistol pete don’t accept defeat
while poland paul
built like a bowling ball
while poland paul
as i ignore the call
so poland paul
turned to alcohol
and poland paul…
just had the loneliest birthday of his life…

relax with my cats
we’re only doing our best
be cool with the ghoul
and he’ll lay you to rest

warm up with a lap…
recharge with a nap…

have fun with a gun
but don’t fool around

people come and cry to me
i always wonder why
what is it they see in me
thats makes them wanna
have me hold their hand and watch them cry

i always seem outnumbered
i dare not make a stand
so i hold it in and write it down
and keep it up and make no sound, but…

i know you know i know you know i know you know i know you know…

double down
double D
(still) i’ll remain…a mystery…
(so can you score some dope for me?)

jock

VIDEO

SCORE

LYRICS

you shook me all night long

VERSE:

(G) (C C) (G) (C ) (G) (D)

(G) (G) (D) (G) (D) (G)

(D)

CHORUS:

(G) (riff: A B) (D7) (D6) (D)

*raise hell*

(year of the rat)

mayday

SCORE

LYRICS

(an emergency distress signal)

it was mayday
it may’ve been out of the way
it was high time
unwilling and able to pay

it was mayday
my mayday gave me away
it was high time
decided to lead her astray

(and we left at the right time)

she was older
how old i will not ever say
she was all mine
now everything’s goin my way

(i look over my shoulder)

it was game time
writing me out of your will
and shooting to kill

it was mayday
they’re making me give her away
i pulled away at the right time

mayday
i know what you’re trying to say

it was game time
knowing the price players pay

it was mayday
taking a walk in the dark
with somebody’s sunshine
she was all mine
her momma gave her away
leavin’ just at the right time

fight or flight

SCORE

LYRICS

OUTRO

be prepared

THEMES

SCORE

(4:4 swing)
(Amajor+minor –> E –> B –> F# –> C# –> G# –> D# –> Bb –> F –> C –> G –> D –> A)
(120bpm)

VERSE:

(Amajor)

(A Asus4) (Am) [(Am6 Am G)] x 2 (G A)

(bass: A G (B) A (C C#))

CHORUS:

(C#m C#msus4 C#m) (F#m F#msus4 F#m F#msus2) (G# G#7 G#) (C#msus4 C#m)

(A Amaj7 A) (F#msus4) (B Bsus4) (B6 B Bsus4) (E) (riff: E D# C# B (AD) –> (BE))

VERSE:

(Emajor)

(E Esus4) (Am) [(Em6 Em D)] x 2 (D E)

(bass: E (G B) D (A F#) E (G G#))

CHORUS:

(G#m G#msus4 G#m) (C#m C#msus4 C#m C#msus2) (D# D#7 D#) (G#msus4 G#m)

(E Emaj7 E) (C#msus4) (F# F#sus4) (F#6 F# F#sus4) (B) (riff: B Bb G# F# (EA) –> (F#B))

(bass: G# (B D#) C# (D#) D# (Bb G) G# (B D#) E (G# B) C# (G# F#) F# (Bb) B)

VERSE:

(Bmajor)

(B Bsus4) (Bm) [(Bm6 Bm A)] x 2 (A B)

(bass: B A (C#) B (D D#))

CHORUS:

(D#m D#msus4 D#m)

be prepared (chords)

LYRICS

stay tuned

SCORE

(4:4 / 92bpm / G#major)

INTRO:

[(G#) (G#dim) (Gdim) (F# G G#) (riff: C# D D#)] x 2

VERSE:

[(G#) (G#dim) (F# G G#)] x 2

(D#) (D#7) (G#m) (G#)

(G#) (G#sus4) (G#m) (F#)

(F#6) (F#) (F#sus4) (E) (Emaj7 E6 Esus2)

OUTRO:

(B) (B+) (B6)

(C#m) (C#dim) (B+) (B)

LYRICS

stay up while the rest of them sleep
and i will break every promise you keep

obey while the rest of them stray
light up in the dark…
and get in the way

shout out
while they’re trying to sleep
slow down
’til you’re starting to creep

let go while the rest of them hold…
they’re certain to drop
you’re destined to fold…
your destiny’s told…

their rivers don’t run very deep
as surely as some of them sleep
on honor i’d certainly dwell
i’m treading too deep
it’s all just as well

pipe down when there’s nobody home
and wait til she gets off the phone
(man) they all wanna put you to sleep
i’ll wait in the dark…
my outlook is bleak…

my razor is sharp…
but not very deep…

OUTRO

(i’ll tear you to pieces…)

“day of the dead”

wherever it is…
let’s hope it’s well on its way
yea you’re practically cured…
so whaddya say?

the rest is assured…
still pretending to pray…

so i hope that i’ll make it…
to the light of the day…

whether ready or not…
by the light of the day…

we’ve gotta watch what we do…
we’ve gotta watch what we say…

‘cuz in another dawn…
they’ll try to send me away…

but i held right on…
by the light of the day…

and in the dead of the night…
by the light of the day…

in the midnight hour…
they’ll try to lead me astray…
still i held right on…
by the light of the day…

we’d better watch what we do…
(before they put us away)

we below

the fire

SCORE

4:4 / 120bpm / Cmajor

C C C C C C C6 C Csus2 C
Em Em Em Em Em Em7 E+
Am

(bass: C (G) E (G B) A)

the fire (chords)

LYRICS

slippers

.

.

.

word salad

SCORE

(4:4 / Aminor / 120bpm)

(Am) (G)

(F)

LYRICS

baby not so fast….
we’re gonna all get gassed…
unless i make my move…
unless i make my move…

you’re lying in that shade
you think you’ve got it made
i detonate grenade

on my ground i stayed…

babe i smell a rat
baby how bout that
your man is thick as brick
his words will never stick

she didn’t care to see
she turned her nose up quite happily
don’t just leave it up to me

important things to do
i leave the floor to you…
i leave the floor to you…

evil empires

smokey bear

maniac magee

throwing grenades

SCORE

LYRICS

my forefathers had come unprepared
they dared never dared

their prophecies are fallin right flat
can’t you define where i’m at?

i’ve given in to throwing grenades
just to lighten the shades
interrupt their parades…

my alibis been blowin to bits
i’m throwing my fits…
i’m calling it quits…

love me in a little bit
my enemies never quit

wait until the judgment day
then think of something to say
(before it all blows away)

i’m holier than the ghosts of the past
the first and the last
(the slow and the fast…)

so narrowly averting disaster
moving faster n faster…
(til you’re already past her)

OUTRO

followed by the ghosts

i’ve given in to giving up names…
just to lessen my shame

.

be my superwoman

.

.

*👨‍🔬🕵️‍♀️🙇‍♀️*SKETCHES*🙇‍♂️👩‍🔬🕵️‍♂️*

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📚📖|/\-*WIKI-LINK*-/\|📖📚

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👈👈👈 ☜ *“XXX”*

.

*“XXX”* ☞ 👉👉👉

.

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👈👈👈☜*“XXX”* ☞ 👉👉👉

.

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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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*🌈✨ *TABLE OF CONTENTS* ✨🌷*

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🔥🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥🔥