pop
SCORE
LYRICS
different drummers
VIDEO
THEMES
SCORE
LYRICS
not again!
well hung
SCORE
LYRICS
well hung in watchung…
seeking solace in the light of the sun
won’t let go until my time is running low
til it’s over
til i’m done
to save your space, you’ve gotta fire someone…
deny me baby but you know i’m the one
it won’t be finished til i say it is done
then it’s bye bye baby
i can cure your disease
and you can do what you please with me
do what you please
a dark reminder of the deeds of the dark one…
art of the straddle
baltimore blues
SCORE
(4:4 / 95bpm / Cmajor)
INTRO:
(G7sus2) (Fsus2)
(riff: F F F E D B)
(G) (C )
VERSE:
(fingerpicked)
(Fsus2) (Fmaj7)
(riff: C D)
(Csus2)
(with G/C alternating bass)
(G Gmaj7 G) (Gdim) (Adim A7) (Bdim) (Csus2)
(into “cobain”)
CHORUS:
(riff: C C B)
(Am) (G) (riff: G F#) (Dm) (riff: F E) (D+) (riff: D E) (G Gdim Adim G G7)
(riff: B B B Bb A G# G F#)
(riff: B A E A E G A G F)
OUTRO:
(G) (G+ G6 G7)
(A) (Bm) (C ) (C6 C) (Cdim) (F7) (Gm) (F7) (Cdim)
LYRICS
diamonds in the rough
OUTTAKES:
gridlock
baby boomers
VISUALS
NOTES
(4:4 / 107bpm / Bbmajor)
[(Bb) (D#)] x 2
(G) (F) (Bb) (G#)
(Gm) (Gm/F#) (C ) (Bb)
(Gdim)
(Gm) (Gm/F#) (Gm/F) (Gm/E)
(D#) (F)
LYRICS:
bergblum:
“he’s an old man…”
it’s all a zoo zoo zoo
til you love me and I love you
it’s all bout me me me
cause i come seeking what I saw befo’
forsaken in the raw, in the reel
in the right, prepared to steal
its all for me me me
now don’t go barking up my tree
it’s not the right thing to do…
you wouldn’t believe the abuse o can take
i’d been led to believe that my heart couldn’t break
encouraged to feel that my feelings were wrong
that i shouldn’t be singing this song
allow me
LYRICS
(4:4 / 93bpm / Amajor)
INTRO:
(trumpets)
(A) (D)
(riff: A G E G A A) (D D D C D C A G)
(bass: A (C#) D (A))
VERSE 1:
[(A) (A6) (A) (A) (Asus2) (D) (D6) (Dmaj7) (D6) (D)] x 2
[(A) (Asus2) (A) (Asus2) (A6) (A)]
[(A7) (Asus2) (A) (Asus2) (A6) (A)]
(A A A Asus2 A) (Dsus2) (D)
(A A) (E) (Esus4) (E) (Esus2) (Esus4)
(Dmaj7) (Esus2) (Esus4)
(A)
(bass:
(intro riff)
VERSE 2:
[(A) (A6) (A) (A) (Asus2) (D) (D6) (Dmaj7) (D6) (D)] x 2
[(A) (Asus2) (A) (Asus2) (A6) (A)]
[(A7) (Asus2) (A) (Asus2) (A6) (A)]
(Dmaj7) x 2 (D6 D) (Dsus2 D)
(Dmaj7 D6 D) (E) (Esus2) (Esus4)
(E6) (Esus2) (Esus4)
(A)
VERSE 3:
(A) (Asus2) (A) (Asus2) (A6) (A6 A) (riff: F# F E F# G# A)
(Cdim) (B7) (Cdim) (B7) (Cdim) (B7) (Cdim) (B7)
[(A) (A6)] x 2
CHORUS:
(A) (Asus4) (A) (Asus2) (A) (Asus2) (A)
[(C#m7) (C#+) (C#msus4) (C#+) (C#msus4) (Bmsus2) (Bm7)] x 3
[(A) (Asus2) (A6)] x 4
(D) (Dsus2) (Dmaj7) (D6) (Dmaj7) (D6) (A)
GUITAR SOLO:
(A) (Am)
(into “are you lonesome tonight?”)
are you lonesome tonight?
THEMES
(1926 song written by roy turk and lou handman)
SCORE
(4:4 / 93bpm / Amajor)
(A) (Amaj7) (A7) (Dsus2) (A)
(Bm) (Bmsus2) (F#m) (E+) (A)
(F#m) (D) (Dmaj7) (D7) (E+)
(A) (Amaj7) (Bm) (D) (E) (A)
charity
(105bpm)
(B) (A) (E) (F#+) (F#)
(B) (A) (C#) (F#)
(B) (A) (E) (F#+) (F#) (Bdim)
LYRICS:
hey hey charity
more donations
show ‘em what you’re made of
played it like a parody and faked elation
solving the eternal equation
hey hey chelsie lee
whatchya tryin to tell me?
silence speaks volumes in a talkative room
when you’re normally cheery
to the weak and the weary
but the closest i can come to is the smell of your perfume
but my solitary solace is the smell of your perfume
(the smell of your perfume…)
when we come on too strongly
rightly or wrongly
knowingly ignorant of how to proceed
because when push comes to shove
we’re only soldiers is love
we won’t lay down our arms ‘til we have what we need
pebbles
VIDEO
(96bpm)
(A) (Amaj7) (A7)
(Bm) (F#m)
(Dmaj7) (E6) (Dmaj7) (E6) (E+)
LYRICS:
(here we come again…)
ooh little lover
we gotta lotta ground to cover
falling in a second time
ooh little lover
what’s one without another?
stepping in and out of line
then there will come a time
when it really starts to matter
and the truth’s right in your eyes
and the boy becomes the batter
i was living many lies
but i always had an answer
they try to cut me down to size
but i’m a baller, not a dancer
so build me up again
convince me i’m your captain
and i’ll see you to the end
and we’ll act like nothing happened
and the prayers we never hear
shall be answered in our time
and the reason’s never clear
what’s the dire need for fear?
to straighten up the line
(to straighten up the line)
so beat me up again
convince me there’s no reason
we’re silent to the end
we sleep through every season
til someday wakes us up
and we’re foresaken in our time
so back down we will go
and no one ever know
madonna longed for romance
but there never came a chance
fabric softeners
patricide
(4:4 / 88bpm / Ablues)
[(A) (C ) (G) (A)]
“whose side you on?”
“to teach a les-SON!”
who done done?
who done done
i finally who done done
we soon will see
whose side you on
i already who done done
while some derail
i grabbed a gun
i already who dun dun
i’ll need my dead man
to turn me on
one who already who dun dun
i damn you all
and i fear you none
i already who dun dun
we will win
so whose side you on?
i already who dun dun
i teach a lesson
but who will listen?
soon gotta choose someone
a two-faced tiger
who stole your thunder
he raised my ire
i’ll take him under
ye all done wait
here comes your son
don’t come around
CONTINUE!
(so let it be me)
cosmic creep
VIDEO
NOTES
LYRICS
(4:4 swing / 94bpm / Aminor + Cmajor)
INTRO:
(Am) (C B C) (D) (D7) (Am) (A G F E)
(bass: A (C ) D (C A F#) A (C E))
VERSE:
(Am7) (C Csus2 C Csus2 C) (D9) (D7) ([Fmaj7 F6 F)] x 2 (C )
(bass: C (E) D (C A F#) F (A) C (E))
BRIDGE:
(Dsus2) (E E7 E+ E) (Am) (Amsus2 Am)
(bass: D (A F#) E (G#) A (C E))
OUTRO:
(Fsus4 F Fm) (G Gsus2 Gm) (C )
(bass: F (G#) G (Bb) C (G E))
mister negative
VIDEO
(4:4 swing / 155bpm / Gmajor)
VERSE:
(G) (C ) (G) (C ) (B7) (Am) (A)
(G+) (G)
LYRICS:
hey mister negative
leave me alone
i’ve got a grand old papaya in my mobile home
and i’m usually not one to get in the way
but there’s a great big outlier some people say
but i need no more of it
cuz now i’m sure of it
i’m making it out OK…
little miss hauer
i feel for you
you gotta lotta lotta livin up ahead of you
and i’m usually not one to get in the way
but there’s a single stray thought that i’d rather not say
and i’m not too sure of it
so i gotta have some more of it
we’re gonna make it all out ok…
hey mister bully stop bullying me
stop bullying me
stop bullying me
stop bullying me
mean mean mean…
miserable man
minding his business
boomerang
VERSE:
(Cmaj7) (Fmaj7) (G+) (Em)
(Cmaj7) (Fmaj7) (D#dim) (G)
CHORUS:
(C7) (F) (Fm) (Fm6) (Dm)
[(F) (riff: F E D# C / C D D# E F)] x 2
(C+) (C)
must he wait for a little in the morning when she runs out of clever things to say?
must she hide inside for every evening….just wishing he would go away?
must he try, don’t stay where you’re unwanted
they’ll never listen when you say
they receive eternal education
but they never know to whom they pray
believe in the boomerang, expect a return
when the fire’s gone and your bridges burned
and the things i learned from the simplest information
how to ease the suffering…
how to ease the suffering…
and vent frustration…
still he waits, he thinks he’s getting closer
they say he’ll never see the day
they deny your undivided attention
they all demand it their own way
i declare, don’t need the aggravation
let ’em go their merry way…
avalanche
(4:4 / 115bpm / Dmajor)
(D) x 2
[(riff: D C# C) (Bm)] x 2
(riff: C# D D#) (E7)
(riff: B C C#) (D)
LYRICS:
all get ready for the avalanche special
come join hands for the avalanche special
come on son, you don’t impress no one
now get ready for the avalanche special
come downstairs and eat your razorblade breakfast
swallow hard and check it off the checklist
let you in on a secret conversation
let you in on the secret combination
i was the middleman…i learned it secondhand
so get ready for the final celebration
comforter
(1:4 motown groove / Eblues / 120bpm)
(E) (D) (A) (G) (E)
(E+) (A)
LYRICS:
there ain’t nothin like TV!
more TV for me!
there ain’t nothin like the tube
my pants are totally caked
i’m totally baked
and i’m thoroughly trashed
my puppy’s licking my wounds
while porno shoots from the tube
(yaawwwn)
the comfort kings
we know the many blessed things that all this comfort brings
we surrender to our couches as our stereo sings
sit back, relax, enjoy your days in the digital age
say sayonara as your autopilot turns the page
it’s a comfort to know that grover is over us all
we eat cookie dough cause we got no patience for baking
turn on the WB…
chory called
he wants his ball back
showboat called
he wants his balls back
paul lee called
he wants it all back
conman’s too busy to call…
(he takes in the back)
buzzkill
LYRICS
so insane, you don’t even know it
get it over, get it it over with
my own measly faith got me over (get it over)
suicide’s for sissies
and i’m lost
my enemy stays
my suicidal savior
my sentimental sweetheart
but the rest of the lot don’t wanna follow me
takes time to take me over
heyday
(Gm) (Dm)
*SIM CITY*
(NEW YORK CITY)
roller coasters
as good as it gets
VIDEO
THEMES
(originally off 2009 album ‘dinosaurs’)
SCORE
(4:4 / 240bpm)
(*actually 120bpm*)
INTRO:
(Dmajor)
(Eminor / Gmajor)
[(Em7) (Csus2) (G) (A) (A7)] x 3
[(Em7) (Csus2) (A) (D)]
[(Dmaj7) (D)] x 2
(D A Dmaj7 A7)
VERSE:
(D) (Dmaj7) (D) (B9) (B7 B7 B7+ E)
riff: (G# E B) x 3 (G# B F# G# A)
PRECHORUS:
(A) (E) (Bm) (C#m)
(C#m Cm)
(F#m7) (looking down there’s a)
(Esus4 E) (kid in) (E6) (he face a)
(Amaj7) (A+) (round) (A A6) (he face a)
(D Ddim D) (Dm) (nother round) (Dm D Ddim) (he face a)
(D Ddim D) (B7) (B6) (F#m) (lone)
(D Dmaj7 D6) (nother) (B7) (B6 Bsus4) (A)
CHORUS:
(A) (A+) (A6) (A7) (D)
(A) (Dm) (A)
(Asus4 A Asus2 A)
(A A A Asus4)
(A A A7 A)
OUTRO:
(Em7 Csus2 A D) x 3
(Em7 Csus2 G A)
LYRICS
surprise store
midlife crisis
calendar girls
time to play the game!
VIDEO
VISUALS
NOTES
(4:4 / 115bpm / Ablues)
(16th note rhythm)
(accent on 1 4 7)
(A) (A7) (D9) (D) (D7) (A) (E) (G) (C ) (A) (D) (C ) (A)
(A) (A7) (D9) (D) (D7) (A) (E) (G) (C/D/C) (A) (D) (C ) (A)
(bass: A (C#) D (C ) A (E) E (G#) G (B) C (G) A (C#) D C (G) A)
(bass: A (C#) D (C ) A (E) E (G#) G (B) C (E) D C (G) A (C#) D C (G) A)
little little things
o little little things
every day + night brings me more
little little things
what little time we’re given
we whittle it away
wasting it on little people
every single day
with one eye looking forward
and one eye looking back
to see who’s catching up in
the race around the track…
and when the race is over
the winner gets the wings
the rest of us, we gonna ride the bus
as soldiers of the kings
while one of us will fly away
with his brand new pair of wings
the rest of us will die
killed over little little things
(guitar solo / (mad)cowbells + barks)
pretty little things
bring me your pretty little things
every single night bring me your pretty little things…
tuss
VIDEO
THEMES
SCORE
(4:4 heavy swing / Amajor / 95bpm –> 101bpm)
INTRO:
[(A Asus2 A) (C#m) Bm7) (A)] x 2
(bass: A (C#) C# B (A) A)
VERSE:
(A) (A6) (C#m Bm7) (A)
[(D Dsus2)] x 2 (Dmaj7 D6 D) (E6 E) (D7 D6)
(A) (A6) (C#m) (Bm7) (F#m)
[(D Dsus2 D) (E6) (E)] x 2
(D Dsus2 D Dsus2) (E6 E) (A)
(bass: A (C#) C# B (A) A (C#) D (A F#) E (G# B) D (B) A (C#) C# B (A) F# (A C#) D (A F#) E (G# B) D (A F#) E (G# B) D (A F#) E (G#) A (E))
OUTRO:
[(F#m) (F#msus4) (Bm7) (Bm Bmsus2 Bm) (C#+ C#msus4) (C#m7) (Bm7)]
(bass: F# (A) B (D) C# (B) B (A))
LYRICS
(‘we all gonna burst into flames…’)
(instrumental)
fire burns and it burns in my soul
help me return to the (w)hole…
help me abandon my goal…
some will learn, some will never grow old…
help me escape from the cold…
help me return to the fold…
father yearns…
son is cooler than cold
help me return to the fold…
come return…
and we’ll never grow old…
help me return to the fold…
what do you do when the world that you knew
was really just a cage in a zoo?
and what do you do when your guru is gone?
you’ve gotta move on…
you’ve gotta move on…
you’ve gotta gotta gotta move on…
you’re telling me things that i already knew…
i’m picking up on every clue…
i won’t be ashamed, now it’s only a game…
you’re changing the names…
you’re training my brain…
the bottom line is always the same…
and when you feel nothing, your body is numb
you’re chewing your gum…you’re blind deaf and dumb
but how will you feel when the real thing is there?
you’re never aware…
it always was there…
you’re never never never aware…
VISUALS
missed opportunities
9/11 (a comedy)
SCORE
LYRICS
overgrown fairies
trigger happy
INTRO:
(G#msus4) (G#m)
VERSE:
(G#m) (riff: G# G F# F) (C#) (G#m)
LYRICS:
everyday get closer to the truth
everyday get closer to the truth
they tell me “don’t worry, enjoy your youth”
but everyday get closer to the truth…
fireworks
VIDEO
REVIEWS
(4:4 / 145bpm / Cmajor)
(or 1:4 motown)
INTRO:
[(C ) (Am Amsus2 Am)] x 2
VERSE:
[(C ) (Am Amsus2 Am Am7)] x 2
(C ) (D9) (G) (G6 G6 G6 G6 G Gsus2)
(Am) (F Fmaj7 F6 F) (C ) (riff: D E D E D E)
(G) (G7) (G6 G Gsus2) (C ) (riff: D E D E D E)
(bass: C (G) A (C ) C (G) A (C ))
(bass: C (E) D (C A F#) G (A) A (E) F (A) C (G))
(bass: G (A B) C)
CHORUS:
(C Csus2 C) (F7) (F7+6) (F7)
(C ) (Amsus4 Am) (C7 C7sus4 C7) (G Gsus4 Gsus2 G G6 G) (G G G7 G7 G7 G6) (riff: F E F E)
(C ) (C+sus2 C+ C+sus2) (Fmaj7 Fsus2 Fmaj7) (Fm6 Fm)
(Csus4) (C Csus4) (G6) (G) (C ) (riff: D E D E)
(bass: C (G E) F (A) C (G) A (C ) C (Bb) G (B) C (G# E) F (G#) C (G) G (B) C)
VERSE:
[(C ) (Am Amsus2 Am Am7)] x 2
(C ) (D9) (G) (G6 G6 G6 G6 G Gsus2)
(Am) (F Fmaj7 F6 F) (Am E7 Am) (riff: D E D E D E)
(G) (G7) (G6 G Gsus2) (C ) (riff: D E D E D E)
(bass: C (G) A (C ) C (G) A (C ))
(bass: C (E) D (C A F#) G (A) A (E) F (A) A (E) E (G#) A)
(bass: G (A B) C)
CODA:
[(Csus4) (C ) (G6) (G) (C )] x 3
(Am) (Fm6) (C )
(bass: (C G) A (E) F (G#) C)
LYRICS
(joga:)
i remember waking up in the morning
blasting guns n’ roses, i ran a red
but the cop just let me off with a warning
“just go ahead”, said sergeant ed
(liliana:)
i remember bringing breakfast to grandma
dozen bagels/dozen donuts for all
i recall the old man gave me a hard time
“catch the ball, just catch the ball”
(both:)
so farewell my friend, it’s been a fabulous ride
but i can’t spend my life in a queue
i’m taking one final ride…
line up for the wa, for the water slide (c’mon)
i’m gonna slide down that water slide with you
(joga:)
i remember waiting out by the payphone
travis frost the hedgehog waited there too
thought i saw your car, i’m ready for the
(both:)
long road home
(joga:)
but it wasn’t you
(both:)
no it wasn’t you (no no no no)
and even the bums have umbrellas tonight
bet she’s thinking i don’t have a clue
(everyone in group sings:)
but there’s still time in the night…
yea i’ve got some time to get my timing right (yea)
i’ll save a space by the fire for you…
yea, there’s a space tonight (if you want it)
where the fireworks are burning bright (c’mon)
i’ll save a space by the fire for you
space by the fire for you (space by the fireplace)
space by the fire for you (space by the fireplace)
*MINISTRY OF ILLUSION*
(1984 – 2006)
risky business
AUDIO
VIDEO
BACKSTORY
REVIEWS
LYRICS
SCRAPS
“grandfather clock” riff
INTRO:
(A C# E D# C A C D# D B G#) (A A)
(A C# E D# C A C D# D B G#)
VERSE:
(4:4 / Amajor / 104bpm)
[(A) (A7) (A6) (A+) (A7) (A)] x 4
CHORUS:
(A Asus4 A Asus2)
(Amaj7 Amaj7sus4 Amaj7 Amaj7sus2)
(A7 A7sus4 A7 A7sus2)
(D) (Asus2)
(intro riff)
BRIDGE:
[(F#m) (E) (D)] x 2
[(F#m) (Amaj7)] x 2
(F#m) (Cdim) (D) (E)
CODA:
(A) (A7) (A6) (A+) (A)
katerina
trespassing
jacquelina divine
why did it die?
magazine / mens health
AUDIO
VIDEO
THEMES
REVIEWS
SCORE
LYRICS
OUTRO
fishin 4 fisher
(not again1)
VIDEO
THEMES
REVIEWS
SCORE
LYRICS
OUTRO
.
.
rat race
.
.
.
.
NASA
.
.
22
OUTRO
.
.
veritas
AUDIO
VIDEO
VISUALS
STUDIO
ENSEMBLE
LIVE
.
.
*CATEGORIES*
*LITTLE ROCK*
union village
.
.
little rock
.
.
little italy
.
.
lonely little boys
.
.
death of a little boy
.
.
little debbie
.
.
*BIG LOVE*
big bang
SCORE
LYRICS
big rock
big blue
bigtime blues
big love
big ben
*ALPHABET SOUP*
AAA
EEE
the f word
*TWELVE*
less than zero
2020
one of a kind
four-letter woman
*COLLAGE ART*
*GREAT WHITE*
great white
*SILVER ALERT*
*YELLOW FEVER*
*LUCKY ORANGE*
lucky orange
*GOLDEN SLUMBERS*
*VILLAGE GREEN*
*THE BROWN SOUND*
*RED LIGHT DISTRICT*
*PINK*
*TYRIAN PURPLE*
*TOO BLUE*
superhuman blues
the moody blues
*THE BLACK ALBUM*
blackout babies
blackbird
black magic woman
*TABULA RASA*
*BIG BANG*
(SPACE MUSIC)
back in orbit
little rock
apollo 18
*SILENT STARS*
(THE SUN)
(outtakes):
flower power
*RAT RACE*
*ALPHA WHALE*
point pleasant
*MAN’S BEST FRIEND*
*PLIGHT OF THE PHOENIX*
*KING OF THE CATS*
(JUNGLE MUSIC)
*OUR WORLD*
*affirmative action*
*shiksa*
*the crusades*
[(Asus4 A Asus4 Asus4) (Dmaj7) (Asus4)]
backing vocals:
A –> A
F# –> E
D –> C#
(D) (G)
(riff: Bb A G)
“fivefivefive”
i see breaks in the rider
and cracks in the roar
for i’m foreign to fire
but familiar for sure
i am floating in paris
to the salient degree
i’ve already noticed
you noticing me…
i flew you to cyprus
and over the hill
and under the banyon
they fired at will
noticed you watching
and you never saw me…
i noticed you weeping
then i fell formally
i surrendered my elder
to the zion as well
they are signing their waivers
they’ve got nothing to sell
i notice you’re wired
to the highest degree…
i noticed you watching
and you never saw me
you never saw me…
they are signing their waivers…
they’re waiting for saviors…
(we’re) almost out of the limelight, baby yea
almost out of the limelight, baby yea
almost run its course…
almost right on time…
take what is yours and damn the design
shout yourself hoarse…
well baby that’s fine fine fine…
ali baba
(4:4 / 83bpm / Emajor)
INTRO:
(E E6 E E) (E6 E E6 E)
(E E6 E G#dim) (E Esus2 E E)
(E E6 E G#m F# F#sus2 F# E)
(bass: E (G#) G# (F) E (G#) G# F# E)
VERSE:
(E) (E6) (A6) (Amaj7) (A6) (Amaj7)
(F#m) (F#msus2) (F#m7) (F#msus4) (F#m)
(bass: E (G#) A (G# E) F#)
CHORUS:
(A) (C#m) (A) (Bm6 Bm Bmsus4 Bmsus2 A)
(Amaj7) (A6) (A) (Bmsus4) (Bmsus2)
(Amaj7) (A6) (A) (F#7)
(bass: A (C#) C# (G#) A (C#) B A (C#) B A (E) F# (Bb))
BRIDGE:
(Esus2 E Esus2 E) x 3 (C#m C#msus4) x 2 (C#m C#m)
(Esus2 E Esus2 E) x 2 (G#m F# E F# E)
(bass: E (G# B) C# (E) E (G#) G# F# E (G#) F# E)
OUTRO:
(Bmajor)
(Emaj7) (F#) (F#sus2) (F#) (Emaj7) (F#) (F#sus2)
(Emaj7) (F#sus4) (G#m F# F#6 F# E)
(Emaj7) (E6) (Em) (Emaj7) (E6) (B)
(bass: E (G#) F# E (G#) F# E (G#) F# (B Bb) G# F# E (G#) B)
bitter bastards
.
happy nakba day!
(4:4 / 138bpm)
(E) (C )
(Em)
(C7)
(F) (F7) (Bb) (Bbm)
(F) (Bb) (G) (C )
(C ) (G#) (F)
“don’t nobody move!”
(F groove)
(Bb) (riff: Bb A G) (Gm) (G) (F)
the crusades
glorified genocide
(112bpm)
VERSE:
(D) (G) (A)
(D7) (Gmaj7) (A6)
(Bm) (F#m) (Bm) (Gm) (D)
CHORUS:
(C# D) x 4
(F#m) (C#m) (Bm)
(Am) (G) (Gm) (D) (D+) (D)
na na na na na na i feel you fallin away
you’ll notice there’s no difference in my nights and days
i sail into your harbor without making a sound
cause you’re the only other vessel around
then shalalala i hear you holding his hand
again i am the soldier in the enemy’s land
i never meant enough to be a part of your battle plan
but over in the distance i stand
and now i’m crowded in an elevator going down
cast into somebody else’s lost and found
i suppose you really feel i’m only messing around
i’m merely making sense of the sound
you know we’ll never run the risk until we run away
i’m getting pretty tired of the games we play
i never woulda won you over anyway
reminded of it everyday
(remind me of it everyday)
arrested in our former forms of verbs and nouns
forensic in the figments of our former towns
i hope it all makes sense before it hits the ground
and finally find the source of the sound
ministry of illusion
(motown beat / Amajor / 140bpm)
this illusion is officially over
(A A A A A6 A A6 A A6 A6 A)
and it means not a thing to me now
(A A A6 A A6 A A Asus2 A)
enlightenment’s right ’round the corner
(A A6 A A6 A A Asus2 A A)
i used to get lost but i’ll find it somehow
(A A A A6 A A A6 Asus2 A A A A A6)
there’s a bad bad man on the loose
(A A Asus4 Asus4 Am Amsus2 A A)
and he’s just getting ’round to it now
(A A Asus4 A A Asus2 A A A A A6)
with his hand to his heart and his head on the ground
(A A Am Amsus2 A A A A6 Am Amsus2 A A A A6)
he play good old poker
(A A A A A6 D6)
fell for the joker in this humorless town
(Dmaj7 Dsus2 D Dmaj7 Dmaj7 Dsus2 D Dmaj7 D6 D D Dsus2 D)
yea he used to be lost but he’s glad to be found
(D D D D D D7 D6 D D Dsus2 Dsus2 D7 D6 D)
mistaken conclusions
(D D D Dsus2 Esus2 Esus4)
from a couple of euphemisms lying around
(Esus4 Esus4 Esus4 E Esus4 E6 E6 E6 E6 E Esus4 Esus2 Esus4 E Esus2)
you could use an illusion…
(E E E Esus2 E A A)
A Bdim Cdim C#dim
C#dim Cdim Bdim A
greetings from your fellow survivors
(A A A6 A A6 A A A A)
who shouldered you over
(A Asus2 A A6 Asus2 A A Asus2 A)
who’s that round the corner? that’s somebody’s daughter
(A A6 A A Asus2 A A Asus2 A A6 D)
(bass:)
(A (C#) D (F#) E (G#) A (C#) B C C# C B (G#) A (C#) D (A))
LYRICS:
this illusion is officially over
and it means not a thing to me now
enlightenment’s right round the corner
i used to get lost but i’ll find it somehow
there’s a bad bad man on the loose
(and he’s just getting round to it now)
with his hand to his heart and his head to the ground…
he plays good old poker
she fell for the joker in this humorless town
yea he used to be lost but he’s glad to be found
mistaken conclusions
from a couple of euphemisms lying around
you could use an illusion…
greetings from your fellow survivors
who shouldered you over and over and older and older…
and higher and higher…
who’s that round the corner?
that’s somebody’s daughter
who’s that in the mirror?
that’s somebody dearer…
who took that reflection?
we’re chasing perfection
who’s that getting clearer?
that’s somebody dearer
who’s that getting older?
look over my shoulder
who’s that getting nearer?
that’s somebody dearer
OUTTAKES:
church music
(C C Cmaj7)
(Am G7 C)
(G G6 G6)
(C C C)
(G C G7)
(C G7 C)
(G7 C G7)
(C Am G7)
(C C C C C C)
amazing grace
(i like how the song doesn’t mention jesus christ)
(just “grace”)
(john newton)
(1779)
(cue john newton as slave trader in reverse)
pilgrim
view from the cross
it is accomplished
(C ) (riff: C B C D C B C)
(C ) (Am) (G) (C )
jesus christ
lady madonna
*ultimus romanorum*
roman candle
(4:4 / 86bpm / Bminor)
INTRO:
(Bm7) (Bm7 D Bm7) (Bm7)
(Bmsus4) (Gsus2 Gmaj7) (Bm7 G Bm D+ Bm7)
(riff: F# E D B)
(riff: G A B A G F#)
(riff: A F# G F# D B)
VERSE:
(Bm) (Bmsus4) (Bm) (Bmsus4) (Bm)
(Gmaj7) (G6 G) (F#7)
(Em Emsus2 Em Em7 Em Em7 Em)
(Em7) (A6) (A7) (D Dsus2 D)
(riff over A: A Bb B C#)
CHORUS:
(D6 D Dsus2 D Dsus2 D Dsus4 D D D7)
(G Gsus2) (Gmaj7 G6) (G)
(Asus2 A) (A6 A) (Asus4 Asus2)
(A Asus2 A) (Em7 Em) (Emsus2 Em Em7 Em7 Em)
(Emsus4 Em Em7 Em Emsus4 Em Em7 Emsus2)
OUTRO:
(D) (riff: A A A A F# D C A A A A G D) (Bm)
light my roman candle
fight my my neon need
lead me through the darkness
then watch me go
just let me bleed…
own up to this nonsense
don’t pretend to pray
lead me through this nightmare
then make me move
design my day…
almost out of the limelight, baby
almost out of the limelight, baby
almost run its course
almost right on time
so take what is yours
and damn the design
shout yourself hoarse
well baby, that’s fine fine fine
light my roman candle
keep me in a haze
burn me down to ashes
and make me melt
but earn my praise
be part of the problem
ending up this way
don’t show no solution
just stick around
and do not say…
romanesca
(4:4 / Cmajor / 120bpm)
opening like the “sega” musical intro: “romanesca”
(C ) (G) (Am) (Em)
(C ) (G) (Am) (Em) (C )
(bass: C (G) G (B) A (E) E (G B))
ultimus romanorum
(4:4 / 120bpm / Aminor)
(Am B Dm Em F G)
(bass: A (C ) B (D#) D (A F) E F (A) G (B))
(open with “ultimus romanorum” in deep booming voice)
(“open sesame!”)
son of zeus
caesar
be my andromeda
transit of venus
mafia playground
INTRO
AUDIO
VIDEO
REVIEWS
VISUALS
STUDIO
ENSEMBLE
LIVE
OUTRO
fat italians
the second shunning
down in turin
(4:4 / Amajor / 102bpm)
INTRO:
(riff: B B C# D C# B C# B A)
(riff: C# C# C# B A F# A) x 2
(E A) (Asus4 A Asus2 A Asus2 A) (Dmaj7 D6 Esus4 E)
VERSE:
(Esus4 E A) (Asus4 A) (Asus2 A A) (D) [(Dmaj7) (D6 D Dsus2)] [(Esus4 E)] x 2
(Esus4 E A) (Asus4 A) (Asus2 A A) (D) [(Dmaj7) (D6 D Dsus2)] [(Esus4 E)] x 2
(D) (E) (D D6 D) (F#m) (F#m F#msus4 F#m) (E) (E6 E Esus4 Esus2 E)
(bass: E (G#) A (C#) D (E) E (G# B))
(bass: D (A F#) E (G# B) D (A) F# E (G#))
OUTRO:
(A) (D Dsus2 D) (A6 A)
(bass: A (C#) D (A) A)
“down in the grand ole turin again…”
in the swissest of lands…
and now they’ve all gone honest you see
they’ve made a meatball of me…
in this land of who knows when
we don’t know who it should be
(so why not let it be me….?)
is it all back to normal again
in the strangest of lands???
and no we all don’t work here for free
we get paid quite handsomely
cuz in this land of who knows when
we don’t know who it should be
(so let it be me….)
she went straight to the heart of me
from an A to a double D
we went a whole lot further when…
she gave me just i wanted then…
VERSE (x2):
Asus2 (down)
A (the)
D (grand)
Dmaj7 (old)
D6 (turin)
Dmaj7 (in the)
D6 (swissest)
A (-and)
(bass: A (C#) D (B) A)
BRIDGE:
Asus2 (cuz in this)
Asus4 A (land of)
Asus2 (who knows when)
A6 (should)
F#m7 (be)
F#msus4 F#m (let it)
Esus4 E (me)
(bass: A (F#) F# E (G#))
(second time: end on E (G# B))
OUTRO:
D
Dsus2 (to)
A6 A (A to)
(bass: D (A) A (C#))
holy roman soldiers
*british invasion*
british invasion
INTRO:
(*native son*)
(from “border victoria”)
(4:4 / 100bpm / D#major)
(with backup vocals:)
(D#) (Fm)
(4:4 / 118bpm)
INTRO:
(Emajor)
(E) (E Esus2 E E Esus2 E) x 2 (E Esus2 E E E)
(Fmajor)
(F) (F Fsus2 F F Fsus2 F) x 2 (F Fsus2 F F F)
(F#major)
(F#) (F# F#sus2 F# F# F#sus2 F#) x 2 (F# F#sus2 F# F# F#)
(bass: E F F# (Bb))
PART 1:
(C#7 C#6 C#) (Bmaj7 B7 B6 B) (Bmaj7 Bm6 Bm Bmsus2 B) (F#)
(bass: C# B (F#) F#)
PART 2:
(F#major)
(F#) (F# F#sus2 F# F# F#sus2 F#) x 2 (F# F#sus2 F# F# F#)
(Gmajor)
(G) (G Gsus2 G G Gsus2 G) x 2 (G Gsus2 G G G)
(G#major)
(G#) (G# G#sus2 G# G# G#sus2 G#) x 2 (G# G#sus2 G# G# G#)
(G# G#sus2 G# G# G#sus2 G#) x 8
(bass: F# G G#)
PART 3:
(G#7 G#6 G#7) (G#) (F#) (F) (G#) (G# G# G#6) (G#) (F#) (F) (G#)
(bass: G# F# F (A) G#)
OUTRO:
(G# G#sus2 G#) (F#maj7 F#sus2) (Fm)
(bass: G# F# F (G#))
LYRICS:
so you see
i’m full of the country
i’m lying in ireland
and staying alive
so you see
i built them a city
i hide in the holy land
preach peace to survive
so you see
italia’s my enemy
we were long-lost friends
until she stabbed me in the back…
why don’t we try again?
and pretend we are friends…
and that this will never happen again…
border victoria
friend of dorothy
glasgow grin
iona
from cork to county mayo
hill of tara
queen elizabeth
i don’t need no inspiration
*back in the USSR*
back in the USSR
(off 1968 album “the beatles”)
(E7)
[(A) (D) (C ) (D)] x 2
(D) (A) (C ) (D) (A) (B7) (E7) (C ) (A)
(A) (D7) (A) (A7) (D) (Dmaj7) (D7) (B7) (E7) (D7) (A)
*sharma*
sharma
durga
silk roads
(4:4 / 150bpm / Bminor)
(Bm C#/D D D Dsus2 D E E Esus2 E D Bm)
(riff: F# Bb F# D C# B Bb B)
can i get a little help?
not when you live for yourself…
i encourage purba…
*banjogai*
matsui
hiroshima
chai mayoto
(4:4 / 111bpm / D#major)
INTRO:
(D# D# D#m D# Bb D# Fm D#)
(bass: D# (Bb) Bb (D) D# (Bb G) F (G# C) D#)
(D#m D# Cm7 G G7 D# Cm D#)
(bass: D# (Bb) C (G) G (B D) D# (Bb) C (D#) D#)
(D#m D# Cm7 G#maj7 Cm D# Cm)
(bass: D# (Bb) C (G) G# (C ) C (D#) D# (Bb) C)
VERSE:
(D# D#m D# Cm7)
(D# D#m D# Bb6 Bb Bbsus4 Bbsus2)
(Cm Cmsus4 Cm) (Cm Bb G#) (G#m)
(bass: D# (Bb) C (D#) D# (Bb) Bb (C ) C Bb G# (B))
CHORUS:
(D# D#maj7 D#) (Cm Cmsus2 Cm)
(Cm7 Cmsus2 Cm7) (D#sus4 D# Fm)
(Fmsus2 Fm Fmsus2 Fm Fm7) (C Csus2 G#)
(bass: D# (Bb) C (D#) D# (Bb G) F (G#) C (D G) G# (C ))
BRIDGE:
(Cm7) (Bbsus2 Bbsus4) (Bbsus2 Bb Bb7)
(G#maj7 G#6 G#) (G G G7 G#)
(bass: C (Bb) Bb (G#) G# G G# (C D#))
SOLO:
(D# G Bb) (D# G Bb) (D# F# Bb) (D# G Bb) (D F Bb) (D# G Bb) (F G# C) (D# G Bb)
(D# Bb F#) (D# Bb G) (D# Bb G C) (D B G D) (D B G F) (D# Bb G G) (D# C G) (D# Bb G)
(D# Bb F#) (D# Bb G) (D# C G Bb) (D# C G# G) (D# C G) (D# Bb G) (D# C G)
LYRICS:
oh chai mayoto
please don’t lie
come back to me
and make me your guy
i’ll never stray from you
that’s for sure…
oh chai mayoto
say no more
say sayonara
my handmade whore
we’re safe in space
but i’d like more time…
just a slow row and a long ride…
who in the world would know?
it’s time to decide…
oh chai mayoto
i need more lime
eke out a living
on man-made dime
i’m out of order here, that’s for sure…
oh chai mayoto
my midday sun
come unto me until kingdom come
so speak your mind
let me hear me you roar…
oh chai mayoto
please don’t ride (away)
come back to me
and make me your guide
i’ll never stray from you
that’s for sure…
oh chai mayoto
please don’t rise (up)
bow down to me
and accept my guise
i’ll never stray from you
that’s for sure…
oh chai mayoto
my midday sun
come unto me until kingdom come
their souls secure
and their people pure
okinawa
(4:4 / Cmajor / 100bpm)
INTRO:
(Cmaj7) (Dmsus2)
(bass: C (E) D)
VERSE:
(C ) (Fmaj7)
(G) (F) (G) (F)
(G) (G7)
(bass: C (E) F (A) G F (A) G F (A) G (B))
they offered their resistance just so you and i could meet…
(Cdim)
*snow bunny*
polar bear
(120bpm)
(F#) (B) (G#) (E)
(B)
LYRICS:
long live the polar bear
she nearly lost her head
when the glacial age took center stage
and your girl’s as good as dead
when the stars align, when there’s something to be said
sympathize with the polar bear
who tore your baby to shreds
when the glacial age took center stage
and your girl’s as good as dead
“the nearest bar’s a little too far”
“may as well grill us some sausage sandwiches out here on this fire”
*native son*
seminole
wild child
*luce grace terranova*
luce grace terranova
wave
*more americana*
la jolla
big ben
going rogue!
leap year
dumataliana
teabaggers
oh shut up!
(based off melody of “fixin to die” rag)
(“the fish cheer”)
(country joe and the fish)
(off 1967 album “i feel like i’m fixin to die”)
(as sung by pellabear @ the college graduation party)
(an incredulous uncle stubbles: “he’s singing about vietnam!”)
(cue pellabear billed as headliner for woodstock 2020)
“gimme an F!”
(4:4 swing / 150bpm / Emajor)
VERSE:
12-bar E blues
(bass: E (G#) A (E) E (G#) B (F#) E)
CHORUS:
(E E+) (A Asus2 E) (E Esus2 E) (B) (B6 B Bsus4) (E)
(bass: E (G#) A (E) E (G#) B (F# E) E)
austin city limits
swing voters
redneck reggae
along came obama
ALONG CAME OBAMA
FIXING TO DIE RAG
DA DOO RON RON
“along came obama”
(4:4 / Bmajor / 145bpm)
INTRO:
(F#m) (Em)
(bass: F# E (G))
VERSE:
(B) (Bsus2) (B) (Bsus4) (B) (Bsus2) (B) (G#m)
(bass: B (F#) G# (B))
(C#9) (B9) (G#m) (F#) (G#m) (G#msus4) (G#m)
(bass: C# (B) B (A) G# F# (Bb) G# (B D#))
(E) (F# F#6 F# F#sus4) (G#m)
(bass: E (G#) F# G# (B D#))
(E) (F# F#6 F# F#sus4) (B)
(bass: E (G#) F# (B) B (F#))
OUTRO:
(G#m) (C#7) (C#) (C#sus2) (C#) (G#m)
(bass: G# (B D#) C# (G#) G# (B D#))
“da doo ron ron”
VERSE:
(E) (A6 A) (B B6) (Esus2 E)
(bass: E (G#) A (C#) B (G# F#) E (G# B))
CHORUS:
[(C#m) (B Bsus4)] x 2
(C#m) (A6 A)
(B B6) (Esus2 E)
(bass: C# B C# B C# (G#) A (C#) B (G# F#) E)
“fixing 2 die”
(4:4 swing / 150bpm / Emajor)
VERSE:
12-bar E blues
(bass: E (G#) A (E) E (G#) B (F#) E)
CHORUS:
(E E+) (A Asus2 E) (E Esus2 E) (B) (B6 B Bsus4) (E)
(bass: E (G#) A (E) E (G#) B (F# E) E)
an american dream
more americana
OUTTAKES:
omaha
(4:4 / 111bpm / Dmajor)
(D) (G) (D) (A)
(D+)
“uncle bernie had a gun…”
my grandmama was a fat old bitch in a well-cushioned chair
my grandpapa, he conditioned air, he was barely even there
so i say…ah ha ha ha ay yi yi ya
my grandmama from arabia, rolled grapes into leaves
my grandpapa from italia wore his heart on his sleeves
so i say…
*THAT’S LIFE*
*good morning!*
fountain of youth
that’s life
12:8 / 106bpm / Gmajor
VERSE:
(G) (B7) (Em) (A9)
(G) (B7) (Em) (A9) (D13)
(G) (B7) (Em) (A7)
(G) (B7) (Em) (A9) (D9sus4) (G6/9)
(bass: G (B) B (B A F#) E (E G B) A G (B) B (B A F#) E (E G B) A (A B C#) D (D B A) G (B) B (B A F#) E (E G B) A (A G) G (B) B (B A F#) E (E G B) A (A B C#) D (D A G) G)
CHORUS:
(G7) (G7#5) (G13) (C6) (A7) (D7) (G)
(bass: G (G B) C (A) A (C#) D (D C A F#) G
VERSE:
(G) (B7) (Em Em7) (A9)
(G) (B7) (Em) (A7) (D9sus4) (G) (Am7 G#maj7 G6)
(bass: G (B) B (B A F#) E (E G B) A G (B) B (B A F#) E (E G B) A (C#) D (D A G) G (B) A G# G)
CHORUS:
(G7) (G7#5) (G13) (C6) (A7) (D7) (D#7)
(bass: G (G B) C (A) A (C#) D D# (D# C# Bb G))
VERSE:
(G#major)
(G#) (C7) (Fm) (Fm7) (Bb7)
(G#) (C7) (Fm) (Bb7)
(6:8) measure
(9:8) measure
(12:8)
(D#9sus4) (G#) (B6) (E7) (D#9sus4) (A7b5) (G#6/9)
(bass: G# (C ) C (C Bb G E) F (F G# C) Bb (G#) G# (C ) C (Bb G E) F (G# C) Bb (D))
(bass: D# (Bb) G# (C ) B (G# F#) E D# (Bb) A G#)
alive
alive again
one of these days
(4:4 / 85bpm / Gmajor)
VERSE:
(G Gsus4 G Gsus4) (D6 D Dsus4 D) (Am7)
(G Gsus2 G) (Dsus4 D6) (C Csus2) (D)
[(G) (Bm7) (C C6)] x 2
(G) (Bm7) (C C6 Cmaj7 C6 C) (G)
(bass: G (B C) D (A) A (G) G (B) D (B) C (D) D (A F#) G (B) B C (A) G (B) B C (A) G (B) B C (G) G (B))
CHORUS:
(Dm7 Dmsus2) (Am7 Amsus4) (G Gsus4) (Dm7 Dm6) (Am7 Amsus2) (G)
(Am7) (Gsus2 G) (C)
(bass: D (C ) A (G) G (B C) D (B) A (G) G (B) A (G) G (B) C (G))
it’s over now
lonely old people
off 1975 paul mccartney album “venus and mars”
“treat her gently”
(A) (D) (E) (C#7) (F#m)
(D) (G) (D) (G) (D) (G) (D) (F#7) (Bm) (E) (A)
“lonely old people”
[(D) (F#m F#m7) (Bm G Bm) (Asus4) (G G6 G) (D6 D)] x 2
(Bm) (F#7) (A7) (Bm) (G Gdim G G6 G) (D6 D )
(A) (A6 A7 A6 A7) (Bm) (G) (G) (A6 Asus4 A) (D)
i’ve got a feeling
young at heart
(4:4 / 82bpm)
(INTRO:)
(bass:)
A (E) F (G#) A (E) F (G# C) B (D) E (G#)
A…
A (C#) B (D) E
E (G#) B (D) E (G#)
A (C#)
C# (E) F# (E) C# (E) F# (E C# Bb)
B (A F#)
E (G#) G (E) E (G#) G (E) E (G#)
A (E) F (G#) A (E) F (G# C) B (D) E (G#)
B (F#) E (G B)
(all you’ll derive out of being alive…)
A (E) E (G#) B (D) E (G#)
(here…)
A (C#) D (C) B A
living room
the replacements
*he done died*
do not disturb
damn you
twitch
waiting place
semblance of order
OUTTAKES:
*HONORARY BERRIES*
(family matters)
tabula rasa
forgotten sons
(4:4 shuffle / 85bpm)
(C ) (C7) (F) (Fm)
LYRICS:
ooh…you can love me none
i’m your lesson learned
i’m your dirty one
ooh, you can save your face
for i’m your silent source
i’ll restore your grace
ooh but the price you paid
oh but don’t you fear
cuz soon we’ll have it made…
ooo…you can love me none…
i’m your lesson learned, i’m your dirty one…
i’m your flesh and blood
i’m your only son…
lips like candy…
spit out brandy…
ha!
OUTTAKES:
born an orphan
XY (chromosomal confusion)
motherless children
*HOLIDAZE*
happy birthday
valentine’s day
*SEASON’S GREETINGS*
season’s greetings
gingerbread house
white christmas
missing christmas
chestnuts
jingle bells
silver bells
joy to the world
please come home for christmas
christmas is a time to say i love you
wonderful christmastime
christmas with hank
OUTTAKES:
run rudolph run
happy christmas (war is over)
santa claus is coming to town
*NEWFOUND HEROES*
past masters
el jacko
cobain
forgiven forgotten
don juan
chitlin circuit
groucho
the great unknown
LYRICS
no matter what i do
i’m the kind of sort that nobody knew
and no one will know
while you’re headed down to better bellows
improving your game
i didn’t want to end up the same…
so now i’m takin it day at a day
cuz i’d never really gotten the clue
and i never meant to get in your way
i’m just the kind of person nobody knew
and no one will know
it’s kinda just the way that it goes
i know i never really had an excuse
but i hope you have your happiest day
in time
i think i justa may’ve had mine
to do the things we do
you’ve gotta feel it out for yourself
i go to places most of us go
but it’s never the same
when you’re the only person missing a name
someday someone will show
someday, lo and behold
but theres a wicked storm brewing below…
*GIRL TALK*
*she loves you*
(high school sweethearts)
carrot booty
lack ̊of love
INTRO
AUDIO
REVIEWS
STUDIO
ENSEMBLE
LIVE
OUTRO
OUTTAKES:
*harvard hop*
(crimson chicks)
*hey nardilla!*
*wedding bell blues*
emma
*the battle of princeton*
(princeton girls)
*dancing with the stars*
*girl talk*
OUTTAKES:
hey jude
*THE CREEPS*
*chung chums*
(friends)
OUTTAKES:
gerardo
*I ME MINE*
*me want!*
OUTTAKES:
*dopeland*
(drugs)
OUTTAKES:
*ode to self*
OUTTAKES:
*THE SLUMS*
*sugar daddies*
michael anthony
cashman
wheels of fortune
dealmakers
sugar daddies
OUTTAKES:
shoeshine
buried treasure
mister bankrupt
*the great american train wreck*
dirty rider
failure to launch
meaningless motion
calling all cars
NASA
DWI
exit strategies
the great american train wreck
(1:4 motown / 89bpm / Aminor + Emajor)
INTRO:
(Abar x 4)
VERSE:
(E) (Edim)
(C#m) (B) (C#) (B) (A) (E)
(F#m) (E)
(Am) (Adim) (E) (E7)
(B Bsus4 B) (A7) (A6) (Adim) (Am) (Am6)
LYRICS:
don’t wanna wait…
for the great american train wreck…
go on a date…
getting your feet wet…
don’t mind climbing up that mountain
don’t mind swinging from that tree
don’t mind drinking from that fountain
i really don’t mind you
now don’t mind me
you try burning all that carbon
you try landing in that free
not quite bright but oh so charmin
and i’d really like to meet her majesty
lifetime leg-up, so disarming
my may madam majesty
not just bright but also charming
and she’s making history most definitely…
wait…
for the great american train track…
*lunacy*
come get me
piglets
manhunt
no exit
the fugitive
olfactory
*4 new york*
5B
union square blues
new york new york
new york state of mind
corporate cones
o rudy!
*let it charge*
let it charge
freudian slips
4:4 / 110bpm / Aminor
(slow version: 90bpm)
[(Am) (riff: B C) (Em)]
(riff: G E B F# E)
(riff: E D C B A G F# E)
[(Am) (Am) (Am G Am)] x 2
“toilet goethe”
LYRICS:
LiliAna/JoGa duet
come dream with me…
(come and dream with me…)
i knew we’d meet
(how did you know?)
‘cuz i set you free
(so long ago)
come dream with me (come dream with me)
come dream with me (come dream with me)
i knew we’d meet (how did you know?)
cuz i set you free (so long ago)
this memory (my mind will keep)
(both:) so we close our eyes and we go to sleep…
(socrates enters on drums)…
now come dream with me (come dream with me)
come dream with me (come dream with me)
you let me leave (i let you go)
i had every intention (just so you know)
i’m coming back (10x as strong)
for a midnight snack (i can’t wait that long)
dell dear
the duodecimalist
iLife
dolls
virtual reality
clairvoyance
dissemble
SCORE
LYRICS
game over
VIDEO
SCORE
LYRICS
*THE GAME*
*be the ball*
fantasy football
grapplers
be the ball
VIDEO
LYRICS
(4:4 / 95bpm / Bm –> Dm)
VERSE 1:
(Bm) (Bmsus2) (Bm) (Bmsus2)
(Bm) (Bmsus2) (Bm) (Bmsus2) (C#)
(Bm) (D) (A) (F#+) (F#) (G+) (G) (Cm)
VERSE 2:
(Cm) (Cmsus2) (Cm) (Cmsus2)
(Cm) (Cmsus2) (Cm) (Cmsus2) (D)
(Cm) (D#) (Bb) (G+) (G) (G#+) (G#) (C#m)
VERSE 3:
(C#m) (C#msus2) (C#m) (C#msus2)
(C#m) (C#msus2) (C#m) (C#msus2) (D#)
(C#m) (E) (B) (G#+) (G#) (A+) (A) (Dm)
VERSE 4:
(Dm) (Dmsus2) (Dm) (Dmsus2)
(Dm) (Dmsus2) (Dm) (Dmsus2) (E)
(Dm) (F) (C ) (A+) (A) (Bb+) (Bb) (D#m)
uncle bob’s basement
LYRICS
(4:4 / 90bpm / Amajor)
INTRO:
[(Amaj7) (A7)] x 2
(Amaj7) (Asus2) (E) (A7 Asus2) (E)
(A6) (A) (E) (Esus4) (E) (Dmaj7) (E) (Esus4) (D6)
(bass: A (E) E (G#) A (E) E (G#) A (E) E (G# B) D (C# A F#) E (G# B) D (B A F#))
VERSE 1:
(125bpm)
(A A6) repeat
(A) (Asus4) (A) (Asus2) (A) (Asus2) (A)
(A) (A) (C ) (A)
(bass: A (C#) C (G) A)
CHORUS 1:
(A6 Esus4) (F#m F#msus4 F#m C#m7 C#m)
(Bm) (Bmsus2) (Bm) (F#m)
(A) (Asus4) (A+) (D)
(B) (B7) (E) (Em Em6) (B7) (C#) (B) (F#6) (F#) (B)
(bass: A (E) E (G#) F# (A) C# B (F#) F# (A) A (C#) D (A) B (A F#) E (G C#) B (D#) C# B (F#) F# (Bb) B)
VERSE 2:
(B) (Bsus4) (B) (Bsus2) (B) (Bsus2) (B)
(B) (B) (D) (B)
(bass: B (D#) D (A) B)
CHORUS 2:
(B6 F#sus4) (G#m G#msus4 G#m D#m7 D#m)
(C#m C#msus2 C#m G#m)
(B) (Bsus4) (B+) (E)
(C# C#7 F# F#m F#m6) (C#7) (D#) (C#) (G#6 G#) (C#)
(bass: B (F#) F# (Bb) G# (B) D# C# (G#) G# (B) B (D#) E (B) C# (B G#) F# (A D#) C# (F) D# C# (G#) G# (C ) C#)
VERSE 3:
(C# C#sus4) (C#) (C#sus2) (C#) (C#sus2) (C#)
(C# C# E C#)
(bass: C# (G# F) E (G# B) C#)
OUTRO:
(C#7 C7)
(with D drone)
(bass: C# C)
verses shift from swing to straight…
“he had ’em run before they learned how to walk…” (swing)
“in a dark dark basement…” (straight)
outro is (swing):
C# C# B C# C# C# E C#
(alternate between 6 measures and 4 measures)
(finale goes C#7 C7 Csus2 C Cmaj7 C)
and i went down swinging
(4:4 / 97bpm / Gmajor)
(Cmaj7) (Bbmaj7)
(C ) (A)
(Em) (D) (Em) (C ) (Cm)
LYRICS:
many worry bout the state of their health
its shape and its size
they just as easily tend to lie to themselves
rely on their wives
for many millions there’s a need to know more
i’ve come to open their eyes
letting the people know
letting the good weed grow
(it’s the seed we’ll sow)
many call themselves the salt of the earth
and some of em tries
many seem to really know what it’s worth
and make the most of their lives
not very many have the courage to ask
why many a good man dies
letting a good man go
letting his neighbors know
be they friend or foe
fireman’s carry
friendlier faces
(4:4 / Bbmajor)
INTRO:
(Bb) groove
(spoken word:)
excuse me…
pardon me fellas…
i’m gonna teach you fellas how to sing…
VERSE:
(Bb) (Bbm Bb Bb7) (Bbm Bb Bb7)
(Bb7) (Bbm Bbmsus4 Bbm Bbsus2 Bb)
CHORUS:
(D# D#sus2) x 2 (D#) (D#maj7) (D# D#sus2 D# D#maj7 D#) (D# D#sus2)
(D# D#sus2) x 2 (D#) (D#maj7)
[(D#9) (D#maj7) (Bbdim)] x 2
(Gm) (Fm Fm6 Fm Fmsus4) (Bb)
(bass: (Bb D) D# (D) Bb (C#) D# (D) Bb (G) G F (G#) Bb (D))
BRIDGE:
(Cm Cmsus2 Cm Cmsus2 Cm)
(Cm) (Dm Dmsus4 Dm) (Bb)
(Cm) (Cm Cmsus2) x 3 (Cmsus4) (Cm) (Cmsus2) (Cm7) (Gm) (F)
(bass: C (D#) D (A) Bb (D) C (Bb) G F)
LYRICS:
“excuse me, pardon me fellas, im gonna teach u guys howta sing…”
how prophetic!
i’m legit, i tellya!
i’m heaven sent, ya see
and it’s all upta me
always had and always will be
this thing’ll go BUST if we don’t…
(no no, not that bust, jimmy) (durante)
put that back!
and call a docta!
joe…
had a coach called kostibos
he made us stand on our toes
(*with british tilt to accent*)
(“ray ray ray” backing vocals:)
then ray ray
came to take me away
replaced with a friendler face
so miss mary tell me a story
about a life of another
(anyone other than me)
cuz i’m wary of anyone other
no need to discover
new sisters and brothers
i’m bad to the bone
and only barely alone
i’m always barely alone
is it safe?
no it’s never safe
but safety’s overrated anyway
have some faith
and you’ll find it when you’re least expected
reflected in a friendlier face
champ
VIDEO
SCORE
LYRICS
vitollo
LYRICS
i love this game!
LYRICS
ain’t no need to scream and shout
they’re silent at the roundabout
VISUALS
broad street bullies
VIDEO
LYRICS
(110bpm)
INTRO:
(4:4 swing)
(Bbmajor)
(Bbsus4) (Bb) (Bb7sus4) (Bb7) (Bbsus2)
(Fm) (Fmsus4) (Fmsus2) (Fmsus4) (Fmsus2)
(Fmsus2) (Fmsus4) (Fm) (Bb)
(Bbsus4) (Bb) (Bb7sus4) (Bb7) (Bbsus2)
(Cm7) (C#dim) (Fm) (Bb)
(Cm7) (C#dim) (Cm) (Bb)
(D#major)
(D#maj7 D#) x 8
[(D#sus4) (D#)] x 2 (D#sus2)
(Bbm) (Bbmsus4) (Bbmsus2) (Bbsus4) (Bbsus2)
(Bbmsus2) (Bbmsus4) (Bbm) (D#)
[(D#sus4) (D#)] x 2 (D#sus2)
(Fm7) (F#dim) (Bbm) (D#)
(Fm7) (F#dim) (Fm) (D#)
(bass: Bb (C D) F (G# C) Bb (C D) C C# (Bb G E) F (G# C) Bb (C D) C C# C (Bb) Bb (D))
(bass: D# (Bb) Bb (C# F) D# (Bb G) F F# (A) Bb (C# F) D# (Bb G) F F# F (G# C F) D#)
VERSE:
(4:4 straight)
[(D#) (D#m) (D#msus2) (D#) (D#6) (D#) (D#m) (D#msus2) (D#)] x 2
[(D#) (D#m) (D#msus2) (D#)] x 2
(D#6) (D#) (D#m) (D#msus2) (D#)
[(C#) (D#7) (D#msus4) (D#m) [(F#) (F#6)] x 3 (D#m)] x 2
(bass: D# (C# F) D# (Bb) F# (Bb C#) D#)
CHORUS:
(D#) (Cm) (Bb) (D#)
(D#) (D#6) (D#) (D#sus2) (D#)
(G) (G7) (G+) (G) (Gsus4)
(Fm) (Fm6) (Fm7) (Fmsus2) (Fm) (Fmsus2) (Fm) (Fm7) (Fm) (Cm)
(bass: D# (Bb) C Bb (D) D# (Bb) G F (G#) C (G))
OUTRO:
[(Fm7) (Fm)] x 2
(Fmsus2) (Fm) (Fm7) (Fm)
(Cm) (Cmsus4) (Cm)
(bass: F (G#) C (G))
back to the bullpen
“luck be a lady”
THEMES
(written by frank loesser)
(from 1950 broadway musical “guys and dolls”)
(based on the 1933 damon runyon short stories “the idyll of miss sarah brown” and “blood pressure”)
SCORE
intro is 80bpm
verses is 140bpm
(4:4 swing)
(intro: 80bpm)
(G#7#5#9) (G#13) (C#6/9)
(G#7#5#9) (G#13) (C#6/9)
(F#6) (Gdim7) (Bbm7) (Gm7b5) (F#13) (F#9)
(G#7#5#9) (G#13) (C#6/9)
(G#7#5#9) (G#13) (C#6/9)
(F#6) (Gdim7) (Bbm7) (Gm7b5) (F#13) (F#9) (Gm7) (C7sus4) (C7b9)
(Fmaj9) (F6) (C#6/9#11)
(Fmaj9) (F6) (Amaj7) (A6 Amaj9)
(A6) (C#6) (G#m7b5) (G#13) (G#9) (C#6)
(bass: G# (C ) C# (Bb) G# (C ) C# (B Bb G# F) F# G (Bb) Bb (G#) G F#)
(bass: G# (C ) C# (Bb) G# (C ) C# (B Bb G# F) F# G (Bb) Bb (G#) G F# G (Bb D) C (Bb G E) F (A C D) C# (Bb E) F (A) A (C#) C# (Bb G#) G# (Bb C) C#)
(verse: 140bpm)
[(C#6) (D6)] x 3
(C#6) (G#7#9b5)
[(C#6) (D13#11)] x 6
(D#m7) (D9#11)
(C#6) (D6) (C#6) (A13)
[(D) (Am7b5/D#)] x 4
(D) (F7) (Em7) (C7) (B7#5)
(Em7) (Bbmaj7#11) (A7sus4) (Dmaj7)
(Em11) (A7sus4) (D6) (Bb7) (D#6) (Bb13b9) (D#6) (Bbm7) (D#7) (F7b9)
(Bbmsus2) (Bbm) (Bbm/maj7) (Bbm7b5) (C7b9) (Fmsus2) (Fm) (C7b9) (D#m7) (G#7sus4) (G#7)
[(C#6/9) (D6/9)] x 4
[(C#6/9) (Dmaj13)] x 4
[(C#6) (D9)] x 2
(C#6) (D13)
(C#6/9) (D13)
(C#6) (D6)
(D#m7) (B7) (D#6) (Edim) (D#m7) (Dmaj13) (C#6) (C7) (A+sus2) (Bbm7) (A13)
[(Dmaj7) (Em7b5)] x 4
(Dmaj7) (D7#9) (Gmaj7) (C9)
(D) (Am7b5sus4)
(C#6/9) (Bb7b9) (Ebm7) (Bb7#5#9) (D#m11) (Em11) (D#m11) (G#13sus4) (C#6) (D13) (C#6) (D13) (C#6) (D13) (C#6/9) (D7) (C#6)
(bass: C# D) x 3
(bass: C# (Bb) G# (B C))
(bass: C# D) x 6
(bass: D# D C# D C# (Bb G#) A (C#))
(bass D (A) A (C D#)) x 4
(bass: D (A F#) F E (G B) C B (G) E (G B) Bb A (C# D) D (C# A F#) E (G A B) A (C# D) D (B) Bb (D))
(bass: D# (C Bb) Bb (B D) D# (C ) Bb (C#) D# (C# Bb G) F (A C) Bb (C#) C (Bb G E) F (G#) C (C# E) D# (C# Bb F#) G# (C ))
(bass: C# D) x 13
(bass: D# (C# Bb) B (D#) C# (G# F) E D# D C# C (Bb) A Bb A (C#) D (C# A F#) E (D) D (C# A F#) E (G B) D (C# A F#) E (G B) D (C# A F#) E (G B) D (C A F#) G (B) C (D E) D (A) A (C D#) C# (Bb) Bb (B D F) D# (C# Bb) Bb (C# D) D# E D# (Bb F#) G# (C C#))
(bass: C# D C# D C# D C# D C#)
OUTTAKES:
ty cobb
“TC” –>
TC Sa
Taryn Chory
Ty Cobb
(based on “across the universe”)
(as i performed @ cafe cielo)
(Dmajor)
D –> G#
(a dissonant transition)
(a dissonant tradition)
best to forget the other…
we remember…
(F# –> G –> G# ascension)
(settle on G)
(return to normalcy)
(like nothing happened)
shot in the leg…
leveled in space…
coca-cola made a man into a corporate face…
(*cue ty cobb drowning in a pool of coca-cola*)
capital punishment shall be the newest art form!
(like the brits used to do)
(drawn + quartered)
pistol pete
(*cue marava committing suicide in poland*)
sveva is the ghost of marava
they both committed suici-ide (“they really tried…”)
and poland paul
had the loneliest birthday of them all
and poland paul
just had the loneliest birthday in his life…
and pistol pete had em all but beat
and pistol pete don’t accept defeat
while poland paul
built like a bowling ball
while poland paul
as i ignore the call
so poland paul
turned to alcohol
and poland paul…
just had the loneliest birthday of his life…
relax with my cats
we’re only doing our best
be cool with the ghoul
and he’ll lay you to rest
warm up with a lap…
recharge with a nap…
have fun with a gun
but don’t fool around
people come and cry to me
i always wonder why
what is it they see in me
thats makes them wanna
have me hold their hand and watch them cry
i always seem outnumbered
i dare not make a stand
so i hold it in and write it down
and keep it up and make no sound, but…
i know you know i know you know i know you know i know you know…
double down
double D
(still) i’ll remain…a mystery…
(so can you score some dope for me?)
jock
VIDEO
SCORE
LYRICS
you shook me all night long
VERSE:
(G) (C C) (G) (C ) (G) (D)
(G) (G) (D) (G) (D) (G)
(D)
CHORUS:
(G) (riff: A B) (D7) (D6) (D)
*raise hell*
(year of the rat)
mayday
SCORE
LYRICS
(an emergency distress signal)
it was mayday
it may’ve been out of the way
it was high time
unwilling and able to pay
it was mayday
my mayday gave me away
it was high time
decided to lead her astray
(and we left at the right time)
she was older
how old i will not ever say
she was all mine
now everything’s goin my way
(i look over my shoulder)
it was game time
writing me out of your will
and shooting to kill
it was mayday
they’re making me give her away
i pulled away at the right time
mayday
i know what you’re trying to say
it was game time
knowing the price players pay
it was mayday
taking a walk in the dark
with somebody’s sunshine
she was all mine
her momma gave her away
leavin’ just at the right time
fight or flight
SCORE
LYRICS
OUTRO
be prepared
THEMES
SCORE
(4:4 swing)
(Amajor+minor –> E –> B –> F# –> C# –> G# –> D# –> Bb –> F –> C –> G –> D –> A)
(120bpm)
VERSE:
(Amajor)
(A Asus4) (Am) [(Am6 Am G)] x 2 (G A)
(bass: A G (B) A (C C#))
CHORUS:
(C#m C#msus4 C#m) (F#m F#msus4 F#m F#msus2) (G# G#7 G#) (C#msus4 C#m)
(A Amaj7 A) (F#msus4) (B Bsus4) (B6 B Bsus4) (E) (riff: E D# C# B (AD) –> (BE))
VERSE:
(Emajor)
(E Esus4) (Am) [(Em6 Em D)] x 2 (D E)
(bass: E (G B) D (A F#) E (G G#))
CHORUS:
(G#m G#msus4 G#m) (C#m C#msus4 C#m C#msus2) (D# D#7 D#) (G#msus4 G#m)
(E Emaj7 E) (C#msus4) (F# F#sus4) (F#6 F# F#sus4) (B) (riff: B Bb G# F# (EA) –> (F#B))
(bass: G# (B D#) C# (D#) D# (Bb G) G# (B D#) E (G# B) C# (G# F#) F# (Bb) B)
VERSE:
(Bmajor)
(B Bsus4) (Bm) [(Bm6 Bm A)] x 2 (A B)
(bass: B A (C#) B (D D#))
CHORUS:
(D#m D#msus4 D#m)
LYRICS
stay tuned
SCORE
(4:4 / 92bpm / G#major)
INTRO:
[(G#) (G#dim) (Gdim) (F# G G#) (riff: C# D D#)] x 2
VERSE:
[(G#) (G#dim) (F# G G#)] x 2
(D#) (D#7) (G#m) (G#)
(G#) (G#sus4) (G#m) (F#)
(F#6) (F#) (F#sus4) (E) (Emaj7 E6 Esus2)
OUTRO:
(B) (B+) (B6)
(C#m) (C#dim) (B+) (B)
LYRICS
stay up while the rest of them sleep
and i will break every promise you keep
obey while the rest of them stray
light up in the dark…
and get in the way
shout out
while they’re trying to sleep
slow down
’til you’re starting to creep
let go while the rest of them hold…
they’re certain to drop
you’re destined to fold…
your destiny’s told…
their rivers don’t run very deep
as surely as some of them sleep
on honor i’d certainly dwell
i’m treading too deep
it’s all just as well
pipe down when there’s nobody home
and wait til she gets off the phone
(man) they all wanna put you to sleep
i’ll wait in the dark…
my outlook is bleak…
my razor is sharp…
but not very deep…
OUTRO
(i’ll tear you to pieces…)
“day of the dead”
wherever it is…
let’s hope it’s well on its way
yea you’re practically cured…
so whaddya say?
the rest is assured…
still pretending to pray…
so i hope that i’ll make it…
to the light of the day…
whether ready or not…
by the light of the day…
we’ve gotta watch what we do…
we’ve gotta watch what we say…
‘cuz in another dawn…
they’ll try to send me away…
but i held right on…
by the light of the day…
and in the dead of the night…
by the light of the day…
in the midnight hour…
they’ll try to lead me astray…
still i held right on…
by the light of the day…
we’d better watch what we do…
(before they put us away)
we below
the fire
SCORE
4:4 / 120bpm / Cmajor
C C C C C C C6 C Csus2 C
Em Em Em Em Em Em7 E+
Am
(bass: C (G) E (G B) A)
LYRICS
slippers
.
.
.
word salad
SCORE
(4:4 / Aminor / 120bpm)
(Am) (G)
(F)
LYRICS
baby not so fast….
we’re gonna all get gassed…
unless i make my move…
unless i make my move…
you’re lying in that shade
you think you’ve got it made
i detonate grenade
on my ground i stayed…
babe i smell a rat
baby how bout that
your man is thick as brick
his words will never stick
she didn’t care to see
she turned her nose up quite happily
don’t just leave it up to me
important things to do
i leave the floor to you…
i leave the floor to you…
evil empires
smokey bear
maniac magee
throwing grenades
SCORE
LYRICS
my forefathers had come unprepared
they dared never dared
their prophecies are fallin right flat
can’t you define where i’m at?
i’ve given in to throwing grenades
just to lighten the shades
interrupt their parades…
my alibis been blowin to bits
i’m throwing my fits…
i’m calling it quits…
love me in a little bit
my enemies never quit
wait until the judgment day
then think of something to say
(before it all blows away)
i’m holier than the ghosts of the past
the first and the last
(the slow and the fast…)
so narrowly averting disaster
moving faster n faster…
(til you’re already past her)
OUTRO
followed by the ghosts
i’ve given in to giving up names…
just to lessen my shame
.
be my superwoman
.
.
*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
.
.
📚📖|/\-*WIKI-LINK*-/\|📖📚
.
.
👈👈👈 ☜ *“XXX”*
.
*“XXX”* ☞ 👉👉👉
.
.
👈👈👈☜*“XXX”* ☞ 👉👉👉
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥🔥