-ZYX-
-as of [9 JULY 2024]–
-ZYX-
-ZYX-
*”SONG PROFILE” [FILE-PATH]* —>
(iCLOUD DRIVE)
/Users/joga/Library/Mobile\ Documents/com~apple~CloudDocs/-FINAL\ CUTS-/-SOUNDCLOUDS-/-STOP\ MOTION-
-ZYX-
*”POCKET SCORE” FILEPATH* —>
([“GOOGLE DRIVE” / “DOCUMENTS”] SYNC)
‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/3 -SYNC-/-POCKET SCORES-/-STOP MOTION-‘
.
*PROFILE PATH* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PREMIERE PRO-/-PROJECTS-/-[PREMIERE PRO] DIRECTORY 1-/-SOUND CLOUDS-/-SOURCE CODE-/-THE 2ND NATURE-/-STOP MOTION-
.
*RN* –>
(E3 F#3 F#3)
[F#(7)]
“dad eee back…”
*SECTION BASIX —>
[F#] [B] [F#] [E A]
.
*SECTION BASIX —>
[E9 F#dim B7 B7] [C#7] [B] [Bm]
-as of [22 NOVEMBER 2024]–
-VERSE 1-
swallowing a pill…
never show no emotion…
{…until our soul exploded)
.
-VERSE 2-
re-invent the wheel
fleeing thee encroaching ocean…
(…(and) as the soil eroded)
.
-REFRAIN 1–
still i stood still…
daddy don’t affect my
motion…
wouldn’t entertain the
notion…
(even as our) soil er
oded…
even our souls ex
ploded…
.
couldn’t entertain the notion…
(don’t affect my motion)
.
…only the holy ghost can…
…only the holy ghost can…
.
…only the holy ghost can…
.
-VERSE 3-
“triumph of the will”
who will set the wheels in motion?
(…only the holy ghost can)
.
-VERSE 4–
re-invent the wheel
fleeing the approaching ocean…
(until the levee’s broken)
.
-REFRAIN 2-
still i stood still
my feet, they may as well be frozen
i wouldn’t entertain the notion…
.
and even as our soil eroded…
and even as our souls exploded…
.
who will set the wheels in motion
(when your spirit’s broken?)
.
…only the holy ghost can…
…only the holy ghost can…
.
…only the holy ghost can…
.
.
*FILE PATH* —>
/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-STOP MOTION-
.
*CURRENT [(SCREEN RECORDINGS) DESTINATION FOLDER]* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-RAW MATERIALS-/-SCREEN RECORDINGS-
.
-REFRAIN 1-
.
*PLACE-HOLDERS* —>
AAA
BBB
.
AAA
.
*REFRAIN 1*
-6 PARTS-
(A4 / B2)
.
A1
A2
B1
.
A3
A4
B2
.
A1
couldn’t sit still…
didn’t show no emotion…
{…until our soul(s} exploded)
.
A2
re-invent the wheel
fleeing thee approaching ocean…
(…(and) as the soil eroded)
.
B1
still i stood still…
daddy don’t affect my
motion…
wouldn’t entertain the
notion…
(even as our) soil er
oded…
even our souls ex
ploded…
.
couldn’t entertain the notion…
(don’t affect my motion)
.
…only the holy ghost can…
…only the holy ghost can…
.
…only the holy ghost can…
.
A3
“triumph of the will”
who will set the wheels in motion?
(…only the holy ghost can)
.
A4
re-invent the wheel
fleeing the approaching ocean…
(until the levee’s broken)
.
B2
still i stood still
my feet, they may as well be frozen
couldn’t entertain the notion…
.
even as our soil eroded
even as our souls exploded
.
who will set the wheels in motion
(when your spirit’s broken?)
.
…only the holy ghost can…
…only the holy ghost can…
.
…only the holy ghost can…
.
BBB
.
*ALTERNATES* —>
couldn’t sit still…
.
FILL IT WITH ORIGINAL SIN AGAIN
JUST LIKE YOUR SUGAR AND CINNAMON
.
*STILL I STOOD STILL*
*SEE YOU IN THE NEXT DIMENSION*
the consequence has been forsaken
.
wasnt even worth a mention….
an alternating form of motion…
i may be headed in the wrong direction
(guess i’ll see you in the next dimension…
.
let’s re-assess the situation
.
wasn’t even worth a mention
and even with our will eroding….
and even as the road
figment of imagination
swalling a holy potion
who will set the wheels in motion when the spirit’s broken?
did it for our own protection
baby don’t you hinder our investigatoin
i thought i heard the curtain calling)
(mean streets)
musta been mistaken
musta deluded myself
all this genuflection
i guess that sealed my fate
my hours getting lae
.
ALL YOUR FAULT
-basix-
i guess i’ll seeya in the next dimension….
fast approaching
must be joking
.
and so my soul exploded
.
fillin out an explanation….
did it of his own volition
redefiine the
.
re-assess the situation
makin the same mistake again…
MY CONFIDENCE IS SO SOFT-SPOKEN
family tree is broken
anly the holy ghost can
.
damaging my reputation
re-assess the situation
soul it
.
(E9) (E9) (F#dim)
until i stand still
.
C#7
daddy don’t affect my
.
(B)
motion…
wouldn’t entertain the
(B Bb B Bb C# Bb G# F#)
.
(B)
notion…
.
(even as our) soil er
.
(B7)
oded…
wait until our soul ex
.
ploded
.
.
.
(E9 E9)
couldn’t quite escape the notion…
abidin by the same rotation
token of appreciation
.
duly noted
road exploded
who will set the wheels in motion
when your spirit’s broken…
only the holieest ghost can…
.
borrow beg or steal
you’ll feel it when its fast approaching
.
re ivent the wheel
re instill the same old notion
.
joking
.
comin on strong
lead you in the wrong direction
gazing at your own reflection
couldn’t entertain the notion…
a
vehicles fast approaching
.
token of appreciation
lead me in the wrong directon
lead me til te cycle’s broken
as a token of appreciation
couldn’t quite escape the notion…
my senses have been re-awoken…
wait until the seals are broken
seems as though the tribe has spoken
feels as though my feet arefrozen….
disobey
call it what you will
wouldn’t entertain the notion
-showing no emotion…
old enough to be recorded
old enough to be reported
unworthy of mention
repealing all the laws of motion
running from the law
.
she seemed so soft-spoken
.
daddy don’t impede my missin
who will set the wheels in motion…?
daddy now abots the mission
victim of a superstition…
all of us have been exploited
.
.
i may as well be frozen
disobey the laws of motion
.
.
sticking to the path i’ve chosen
may as well be frozen
.
givin into superstition
.
well if you wanna take a ride you know
(you’re gonna have to pay. a token)
.
oh you just wait until the floodgates open…
(the wheels are set into motion)
.
didn’t expect no elixicr
except no magic potion
ascend to the throne again
time to come home again
.
-IMPAIRING MY VISION
DADDY BACK DOWN
MY SENSES HAVEN BEEN RE-AWOKEN*
.
although i don’t need no permission
.
*PART 1*
(*mantra*)
daddy back down…
daddy don’t affect my motion…
(only the holy ghost can)
.
time to set these wheels in motion
.
abiding by the same rotation
.
victim of a mass devotion
.
i
don’t expect no submission
intermission
devotion
holy goes can
and SHE DONT SHOW NO EMOTIN
be right there with e
root…
pursuit…
c-c-c-cyan…
it’s a dangerous way
.
and she’s affecting my reputation…
.
although i had my reservatios
i didnt show no emotion
(cuz only the…)
.
ddint show no aein
.
B
XXX
stick
(…with our countenance frozen)
.
ncomes down to indecision
.
*bridge 1* —>
(major key —> minor key)
baby gonna sit there listening (in)…
.
*PART 2*
“DADDY’S DEAD”
“daddy’s dead…”
“daddy’s dad was so ashamed…”
.
*PART 3*
“TOP COUNTRY HOES”
*LO DAVY…*
(delivered in low southern accent)
(a duet with macca)
(with explosives rigged to his clothes as we perform to a huge television audience)
(‘taylor swift’ rushes to the stage dressed as ‘mary magdalene’)
it’s a dangerous way
we’re sick of playing your games…
your mother knows
close your eyes and strike a pose
take your time replying to my
we’re hiding out in a time machine
we were willing and able…
we were siamese invaders
in enemy terrain
they wanna shoot down your plane
they wanna your body and blow up your brain
i already knew you…you didn’t know me…
dead on a tuesday
daddy wont buy me no booze
isn’t there anything you can do uncle scrooge?
what did daddy do to you?
what did daddy do?
eat her out…
i’ve had wabbits on this show!
(says beautiful marilyn monroe character to grumpy old man donald duck:)
(don’t do this to me uncle scrooge!)
(i’ll sing the blues for you and you’ll be as good as new!)
nobody’s rooting for you…
so now you’re totally screwed…
it’d be like fucking a muppet…and loving it…
scrubadub dub binnit…
til it quits showbiz and sits til it gets its scripts…
and has three more kids and a mortgage…
engage…
own the fucking stage…
(claps)
“love and marriage…”
i spotted a killian in the village
gave her the good ole once over
then i delivered a short sharp shock
(in accent from pink floyd’s “us and them”)
top country hoes
now pick your nose
(with “rolling j” rish accent)
(I”LL PAY YER BILL!)
(CMREE SONNY…)
(HAVE A SAFE JOUHNEY!)
(at the princeton A+B)
watch her mouth…
(top country hoes)
(now) watch her legs…
watch her NOW…
open your mouth
now keep it closed…
what’s the wrong thing to do?
if it wasn’t me…
could it possibly b ew…
B YEEEEWWWWWWWW
B OOOOOOOOOOOOOOOOO
(let their castles overflow)
(STOP!)
dam right it wasn’t me…
i don’t have time to pop your cherry tree
even if i wanted to
feeling like a child
so meek and mild
all my old friends disappeared
and left me here for days…
the days turned weeks to months and months to years
all my old friends disappeared
you’re running out of time
but that’s OK
you wouldn’t believe the games that they forced me to play
I KNOOOOWWWWWW
I KNOOOOWWWWWWW
then overload my brain…
can you outrun me?
can you outrun anybody?
your family’s still getting to know you…
(you know) anything you do is fine by me…
.
*top country hoes*
take your time…
(top country hoes)
movin out..
top country hoes
and now she knows…
change your mind…
and thar she blows…
take off your clothes…
(top country hoes)
and there she goes…
ride it out…
(long country roads…)
.
*LO DAVY…*
(delivered in low southern accent)
(a duet with macca)
(with explosives rigged to his clothes as we perform to a huge television audience)
(taylor swift rushes to the stage dressed as mary magdalene)
*top country hoes*
take your time…
(top country hoes)
movin out…
top country hoes
change your mind…
and now she knows…
take off your clothes…
and thar she blows…
(top country hoes)
and there she goes…
ride it out…
long country roads…
.
*INTRO*
(# BARS)
.
*lead-in lyrix* —>
“XXX”
.
*SONIC SNAPSHOTS*
(# BARS)
XXX
.
*MANTRAS*
(# BARS)
XXX
.
*FREE-FORM CHANTS*
(# BARS)
XXX
.
*OUTRO*
(# BARS)
XXX
.
.
(then…)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
.
*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
.
.
*SONG TITLE* —>
*WORKING TITLES*
.
*ALTERNATE TITLES*
.
.
*INTRO*
.
*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
.
*VERSE #*
.
(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
.
.
*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
.
.
*BRIDGE*
XXX
.
*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
.
“first things first…”
*determine ‘pertinent playlist placement(s’*
[ickmg up a good mistaken
.
✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅
*SCRATCHPAD* —>
.
“CALL IT WHAT YOU WILL”
“DIDN’T FIT THE BILL”
.
soul eroded
soil exploded
soil
.
-exploit-
.
we will set the wheel in motion…
.
BBB
-as of [2 OCTOBER 2024]–
.
.
and it was duly noted….
.
*FILE PATH* —>
/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-STOP MOTION-
.
*CURRENT [(SCREEN RECORDINGS) DESTINATION FOLDER]* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-RAW MATERIALS-/-SCREEN RECORDINGS-
.
-WORKING TITLES-
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
*ALTERNATE LYRIX* —>
how you gonna stop stop motion?
and it should come as no surprisel,
we’re sick of playing your games…
(time to set the wheels in motion)
we will re-invent the wheel….
(i know the loneliest ghost can – change note)
until my…
daddy swept down
disobeying laws of motion
as only the holiest ghost can!!!!
pause
1 HITTER*
as only the holiest ghost can!
STOP
#4
orbital the oracle
time to set the wheels in motion0
sure it is the path that. chosen
(surrender to the path i’d chosen)
(with just a ROPE and a motion)
(a show of devotion)
(a world in slow motion…)
.
(that’s when my….)
(least resistance)
daddyo
daddy moves slow
i guess that s why they call it all stop motion
don’t show no devotion
how little we still know
how brittle
X
X
.
.
*OUTLIERS* –>
X
X
XXXXXX
.
.
your mother knows
close your eyes and strike a pose
take your time replying to my
we’re hiding out in a time machine
we were willing and able…
we were siamese invaders
in enemy terrain
they wanna shoot down your plane
they wanna your body and blow up your brain
i already knew you…you didn’t know me…
dead on a tuesday
daddy wont buy me no booze
isn’t there anything you can do uncle scrooge?
what did daddy do to you?
what did daddy do?
eat her out…
i’ve had wabbits on this show!
(says beautiful marilyn monroe character to grumpy old man donald duck:)
(don’t do this to me uncle scrooge!)
(i’ll sing the blues for you and you’ll be as good as new!)
nobody’s rooting for you…
so now you’re totally screwed…
it’d be like fucking a muppet…and loving it…
scrubadub dub binnit…
til it quits showbiz and sits til it gets its scripts…
and has three more kids and a mortgage…
engage…
own the fucking stage…
(claps)
“love and marriage…”
i spotted a killian in the village
gave her the good ole once over
then i delivered a short sharp shock
(in accent from pink floyd’s “us and them”)
top country hoes
take your pick…
now pick your nose
(with “rolling j” rish accent)
(I”LL PAY YER BILL!)
(CMREE SONNY…)
(HAVE A SAFE JOUHNEY!)
(at the princeton A+B)
watch her mouth…
(top country hoes)
(now) watch her legs…
watch her NOW…
open your mouth
now keep it closed…
what’s the wrong thing to do?
if it wasn’t me…
could it possibly b ew…
B YEEEEWWWWWWWW
B OOOOOOOOOOOOOOOOO
(let their castles overflow)
(STOP!)
dam right it wasn’t me…
i don’t have time to pop your cherry tree
even if i wanted to
feeling like a child
so meek and mild
all my old friends disappeared
and left me here for days…
the days turned weeks to months and months to years
all my old friends disappeared
you’re running out of time
but that’s OK
you wouldn’t believe the games that they forced me to play
I KNOOOOWWWWWW
I KNOOOOWWWWWWW
then overload my brain…
can you outrun me?
can you outrun anybody?
your family’s still getting to know you…
(you know) anything you do is fine by me…
.
*INTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
*SONIC SNAPSHOTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*MANTRAS*
(# BARS)
.
*BAR 1* —>
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*OUTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
XXX
.
-LYRICAL ALTERNATES/EXTENSIONS-
.
-SONG LINX-
.
-VISUALS-
.
-4:4-
-118 bpm-
-F# BLUES-
.
*REFRAIN*
(reference notes: E3 F#3 F#3 F#3 B3 B3 B3 B3 C#4 Bb3 G#3 F#3)
(F#7)
(barred 2nd fret / lift pinky 7th)
(daddy back down)
(B)
(daddy don’t affect)
(B) (Bbar) (F#m7) (ffect my mo…)
(barred 2nd fret / lift pinky 7th)
(my)
.
(F#m7)
(motion)
(Bsus4 B E7 A)) (only the / holy / ghost can)
(barred 2nd fret B / open chord lift pinky E7 / open chord lift pinky A7)
(on)
.
(B)
(ly the)
.
(E7)
(holy)
.
(A Amaj7 A6)
(ghost can)
.
.
*REPEAT*
(F#7)
(daddy back down)
.
(B)
(daddy don’t affect)
.
(Bsus2)
(my)
.
(F#m7)
(motion)
.
(Bsus4)
(on)
.
(B)
(ly the)
(E7)
(holy)
(A Amaj7 A6)
(ghost can)
.
PART 2:
(reference notes: F#4 F#4 E4 D#4)
(E9)
(jazz 9th 767777)
(daddy)
(Adim)
(xx4545)
(back)
(B7)
(xx4445)
(down)
(C#7)
(xx6667)
(daddy don’t affect my)
(B7 B6 B)
(7th fret bar)
(motion)
(Bsus4)
(on)
(B)
(ly the)
(Bm Bm Bm7 Bm6 Bm)
(holy ghost can…)
(only the holy ghost can…)
LYRICS:
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can…)
(only the holy ghost can…)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F#)
(bass: (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E)
(bass: (G#) A (C ) B (D#) C# (B) B (F#))
******************************************************************
(4:4)
(118bpm)
(F#blues)
(CHORUS:)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(E9) (daddy) (Adim) (back) (B7) (down)
(C#7) (daddy don’t affect my)
(B7 B6 B) (motion) (Bsus4) (on) (B) (ly the)
(Bm Bm Bm7 Bm6 Bm) (holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E (G#) A (C ) B (D#) C# (B) B (F#))
(1:4 / F#major / 84bpm)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(riff: F# C# D# F F# C# D# F)
(two measures of B)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(bass: F# (Bb D#) C# (F) B (F#))
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C# D D#) (F#sus2) (F#)
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C#6) (C#) (C#sus4) (F#sus2) (F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# (F) F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# D D# (Bb) F#)
root…
pursuit…
c-c-c-cyan…
.
.
*DADDY DON’T DRIVE
GONNA CAUSE A MASS EXPLOSION
potion
ocean
long lost dream
-jonah wahla
googlea earth move
british nvasion
.
.offerin
to my sole provider
offer him the chance agai
he’s our sole provider
.
-22 MAY 2024-
XXX
.
*V1*
(‘summer 2015’)
(‘rough sketch’)
(13+ minutes)
.
.
*EXAMPLES* —>
.
*FILE PATH* —>
/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-STOP MOTION-
.
*CURRENT [(SCREEN RECORDINGS) DESTINATION FOLDER]* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-RAW MATERIALS-/-SCREEN RECORDINGS-
.
*TEMPOS* —>
(half time?)
[1:4]
75
.
[4:4]
118
.
[MINUTES] / [SECONDS]
[XXX BARS]
.
[F# BLUES]
[4:4]
[118 BPM]
.
.
[1 BEAT] = [OVER 0.508 SECONDS]
.
[27 BARS]
.
-PART 1-
[8 BARS]
[4 BARS]
(x 2)
.
-PART 2-
[19 BARS]
.
-PART 1-
[4 BARS]
.
*RN* –>
(E3 F#3 F#3)
[F#(7)]
“dad eee back…”
.
*SECTION BASIX —>
[F#] [B] [F#] [E A]
.
-BAR 1-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
“DADDY BACK DOWN…”
.
-BAR 2-
[B] [B] [B] [B]
(2) (2) (2) (2)
“DADDY DON’T AFFECT MY…”
.
-BAR 3-
[F#] [F#] [F#] [F#]
(2) (2) (2) (2)
“…MOTION…”
.
-BAR 4-
[E] [E] [A] [A]
(7) (7) (5) (5)
“…HOLY GHOST CAN…”
.
-PART 2-
[8 BARS]
.
*SECTION BASIX —>
[E9 F#dim B7 B7] [C#7] [B] [Bm]
.
-BAR 1-
[E9] [F#dim] [B7] [B7]
(7) (5) (2) (2)
“DADDY BACK DOWN…”
.
-BAR 2-
[C#7] [C#7] [C#7] [C#7]
(4) (4) (4) (4)
“DADDY DON’T AFFECT MY…”
.
-BAR 3-
[B] [B] [B] [B]
(7) (7) (7) (7)
“…MOTION…(WOULDN’T ENTERTAIN THE)…”
.
*rn* —>
{B B B B C# Bb G# F#)
“wouldn’t entertain the notion…”
.
-BAR 4-
[B] [B] [B] [B]
(7) (7) (7) (7)
“….NOTION…EVEN AS OUR SOIL…”
.
-BAR 5-
[B] [B] [B] [B]
(7) (7) (7) (7)
“ERODED….EVEN AS OUR SOULS…”
.
-BAR 6-
[B] [B] [B] [B]
(7) (7) (7) (7)
“EXPLODED…DADDY DON’T AFFECT MY”
.
-BAR 7-
[B] [B] [B] [B]
(7) (7) (7) (7)
“….MOTION….(ONLY THE…)”
.
-BAR 8-
*reference notes* —>
(B) (A) (F#)
.
[Bm] [Bm7] [Bm] [Bm]
(7) (7) (7) (7)
1 —>
“…HOLY GHOST CAN…ONLY”
.
-BAR 9-
[B] [B7] [B] [B]
(7) (7) (7) (7)
2 —>
“…HOLIEST GHOST CAN…ONLY THE”
.
-BAR 10-
(2 BEATS)
[E9] [A7]
“HOLY GHOST CAN…”
.
.
*INTRO*
(# bars)
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
*OUTRO*
(# bars)
.
*INTRO*
(# BARS)
.
*lead-in (#) reference notes* —>
XXX
[X]
(0)
“…”
.
.
-REFRAIN 1-
(reference notes: E3 F#3 F#3 F#3 B3 B3 B3 B3 C#4 Bb3 G#3 F#3)
(F#7)
(barred 2nd fret / lift pinky 7th)
(daddy back down)
(B)
(daddy don’t affect)
(B) (Bbar) (F#m7) (ffect my mo…)
(barred 2nd fret / lift pinky 7th)
(my)
(F#m7)
(motion)
(Bsus4 B E7 A)) (only the / holy / ghost can)
(barred 2nd fret B / open chord lift pinky E7 / open chord lift pinky A7)
(on)
(B)
(ly the)
(E7)
(holy)
(A Amaj7 A6)
(ghost can)
REPEAT:
(F#7)
(daddy back down)
(B)
(daddy don’t affect)
(Bsus2)
(my)
(F#m7)
(motion)
(Bsus4)
(on)
(B)
(ly the)
(E7)
(holy)
(A Amaj7 A6)
(ghost can)
PART 2:
(reference notes: F#4 F#4 E4 D#4)
(E9)
(jazz 9th 767777)
(daddy)
(Adim)
(xx4545)
(back)
(B7)
(xx4445)
(down)
(C#7)
(xx6667)
(daddy don’t affect my)
(B7 B6 B)
(7th fret bar)
(motion)
(Bsus4)
(on)
(B)
(ly the)
(Bm Bm Bm7 Bm6 Bm)
(holy ghost can…)
(only the holy ghost can…)
LYRICS:
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can…)
(only the holy ghost can…)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F#)
(bass: (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E)
(bass: (G#) A (C ) B (D#) C# (B) B (F#))
******************************************************************
(4:4)
(118bpm)
(F#blues)
(CHORUS:)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(F#7) (daddy back down)
(B) (daddy don’t affect) (Bsus2) (my)
(F#m7) (motion)
(Bsus4) (on) (B) (ly the)
(E7) (holy)
(A Amaj7 A6) (ghost can)
(E9) (daddy) (Adim) (back) (B7) (down)
(C#7) (daddy don’t affect my)
(B7 B6 B) (motion) (Bsus4) (on) (B) (ly the)
(Bm Bm Bm7 Bm6 Bm) (holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
daddy back down
daddy don’t affect my motion
(only the holy ghost can)
(bass: F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) F# (Bb) B (F#) F# (A C#) B (F#) E (G#) A (F#) E (G#) A (C ) B (D#) C# (B) B (F#))
(1:4 / F#major / 84bpm)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(riff: F# C# D# F F# C# D# F)
(two measures of B)
[(F# F# F#6 F#maj7) (F# F# F#6 C#)] x 2
(bass: F# (Bb D#) C# (F) B (F#))
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C# D D#) (F#sus2) (F#)
[(F#) (C#6) (C#) (C#sus2) (C#) (B) (Bdim) (B) (Bsus2)] x 2
(Bdim) (D#m) (B C C#) (D#m Dm C#)
(C#6) (C#) (C#sus4) (F#sus2) (F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# (F) F#)
(bass: F# (Bb) C# B (F# D) D# (Bb) B C C# (F) D# D C# D D# (Bb) F#)
root…
pursuit…
c-c-c-cyan…
.
*SONIC SNAPSHOTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*MANTRAS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
*BASSLINES*
.
*BEATS*
.
*HARMONIES*
.
*COUNTER-POINTS*
.
*SAMPLES*
.
*********************************
*********************************
*********************************
*********************************
*********************************
*********************************
.
.
(“time signature”)
(“tempo”)
(“key”)
.
.
“IN SUMMARY …”
(for all versions)
.
.
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
.
.
********************************************
–
(“time signature”)
(“tempo”)
(“key”)
.
.
O
XXX
XXX
.
.
“IN SUMMARY …”
(for all versions)
-ZYX-
-as of [8 JULY 2026]-
.
*SOURCE CODE* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-
.
.
*PLACEHOLDER* —>
XYZ
*5 SECTIONS* —>
“SETTINGS”
“CHAPTERS”
“OUTLINE”
“DUMP”
“SUPPLEMENTALS”
.
-[SONG BASIX] TEMPLATE-
(HEADER)
-[SONG BASIX] TEMPLATE-
(FOOTER)
.
.
XYZ
.
*SETTINGS* —>
-KEY-
-TIME SIGNATURE-
-BPM-
-BEAT DURATIONS-
(ARCHIVES)
-[60] / [BPM]-
–[1 BEAT] = [XXX SECONDS]–
-[XXX BARS] / [XXX BEATS]-
*DURATION* —>
-[# MINUTES] / [# SECONDS]-
-PASTE “SCREENSHOT FRAME” HERE-
.
*SPEX SCREENSHOT* —>
–[KEY]-
–[#:#]–
–[# BPM]-
.
–[# BARS] / [# BEATS]–
–[1 BEAT] = [# SECONDS]–
-[# SECONDS]-
–[# MINUTES] / [# SECONDS]–
*POST TO THIS [FILEPATH]* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/1 -SPEX-
.
XYZ
.
*OUTLINE*
-[###] SECTIONS-
-[###] PARTS-
([INTRO] / [X#] / [X#] / [SOLO] / [OUTRO])
-INTRO-
-X#-
-X#-
-X#-
-X#-
-OUTRO-
*POST TO THIS FILEPATH* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-OUTLINES-
.
*SECTIONS* —>
-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])
-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
*POST TO THIS FILEPATH* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BASIX-
.
XYZ
.
*6 [BAR BREADOWN] TEMPLATES* —>
.
*# PARTS* —>
-INTRO-
(# BARS / # BEATS)
.
(TENOR C5)
-# SYLLABLES-
*reference notes* —>
(X# X# X# X#)
(word word word word)
.
-X#-
(# BARS / # BEATS)
.
-X#-
(# BARS / # BEATS)
.
-X#-
(# BARS / # BEATS)
.
-X#-
(# BARS / # BEATS)
.
-SOLO-
(# BARS / # BEATS)
.
-X#-
(# BARS / # BEATS)
.
-OUTRO-
(# BARS / # BEATS)
(REPEAT x #)
(# BARS / # BEATS)
*POST TO THIS [FILEPATH]* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BARS-
.
XYZ
.
*LYRIX* —>
-INTRO-
(# BARS / # BEATS)
(instrumental)
-X#-
(# BARS / # BEATS)
X
X
X
X
-X#-
(# BARS / # BEATS)
X
X
X
X
-OUTRO-
(# BARS / # BEATS)
-COUNTERPOINTS-
X
X
X
X
*POST TO THIS FILEPATH* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-SECTIONS-
.
-DUMP-
-ZYX-
.
XYZ
.
*ALTERNATE LYRIX* —>
XXX
*ALTERNATE TITLES* —>
XXX
*VISUALS* —>
XXX
.
*[SONG DATABASE] LINX* —>
.
-[FILE-PATHS]-
.
*🎸✨CHORDS✨🎸*
*🎼✨WORDS✨✍️*
🧫🥼🧪✨NOTES✨🧪🥼🏋️♀️
(open these 3 links in 3 new windows)
Ithen use ‘spectacle’ to evenly split screen into 3rds)
(chords / words / notes)
[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]
.
-SPOTIFY EMBED LINK–
-[DISTRO-KID] PROFILE-
.
-POCKET SCORES-
*SPEX* —>
‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/1 -SPEX-‘
-MUSICAL KEY-
-TIME SIGNATURE-
-TEMPO-
-BEAT LENGTH-
*PARTS* —>
‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/2 -PARTS-‘
-BAR BREAKDOWN-
-TABLE OF CONTENTS-
*LYRIX* —>
‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/3 -LYRIX-‘
(SCREENSHOTS FROM “BASIX WORDPRESS ENTRY”)
.
-SORT [FINDER FOLDER] BY [NAME]-
-SEND [ENTRY SCREENSHOTS] TO YOUR iPHONE-
-TAKE NOTES IN [macOS NOTEPAD]-
.
-SUPPLEMENTAL DUMP-
-ZYX-
.
.
👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉
👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉
.
👈👈👈 ☜ *“SONG TITLE”*☞ 👉👉👉
-THE BASIX-
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥
-as of [19 MAY 2024]–
.
.
-SPOTIFY LINK-
.
.
*LYRIX* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PREMIERE PRO-/-PROJECTS-/-[PREMIERE PRO] DIRECTORY 1-/-SOUND CLOUDS-/-SOURCE CODE-/-THE 2ND NATURE-/-STOP MOTION-/5 -NOTES-/3 -LYRIX-/-SECTIONS-
.
*CHORDS* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PREMIERE PRO-/-PROJECTS-/-[PREMIERE PRO] DIRECTORY 1-/-SOUND CLOUDS-/-SOURCE CODE-/-THE 2ND NATURE-/-STOP MOTION-/5 -NOTES-/2 -PARTS-/-BARS-
.
.
.
.
.
.
-PRO TOOLS SESSIONS–
*FILE-PATH* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PRO TOOLS-/-[PRO TOOLS] SESSIONS-/-SOUNDCLOUDS-/-STOP MOTION-
.
*SONIC ALTERNATES*
.
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*’PREMIERE PRO’ PROJECT*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
.
.
.
(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)
(chords / lyrics)
(sonic extensions / lyrical scraps)
.
.
.
*key*
*time signature*
*tempo*
.
*INTRO*
.
.
.
*SONIC SNAPSHOTS*
.
.
.
*MANTRAS*
.
.
.
*FREE-FORM CHANTS*
.
.
.
*OUTRO*
.
.
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥