-LYNCH MOBS-[THE BASIX]

leave barry alone
he’s OK now

his daddy played in the league
before he came out

he’s training hard in his old age
every day

and the pitchers won’t throw him strikes
what, they afraid?

he’s been a friend of mine for a very long time
and if you don’t mind, all that i am trying to say
is go away…

leave bubba alone, he’s ok now
just spoke with him on the phone, he’s doing great
he’s helping hilary out with her campaign
you can hear the people shout just ‘cuz he came

he’s been a friend of mine for a very long time
and if you don’t mind, all that i am trying to say
is go away…

leave jeffrey alone
he’s OK now…
so what?  he likes ’em young
give him a break now

massages are his reward
pressure’s insane
so he flies ’em all aboard his private plane

he’s eating everything in sight…
(cinnamon raisins)

the cops will raid his place tonight…
(it doesn’t faze him)

and now he’s behind bars
a team of kenneth stars
work to make sure my man jeffrey’s OK…

this job
it don’t mean nothing to me
i had a dream and now i’m being what i wanted to be

my job must mean the world to you
‘cuz everyday i’m doing what you wanted to do

this job
it don’t mean nothing to me
i’ve got a billion in the bank, i’ve got a beautiful family

i make all my money ‘cuz you watch what i do
otherwise i wouldn’t bother talking to you

this job
it don’t mean nothing to me
i had a dream and now i’m being what i wanted to be

my job must mean the world to you
so who the hell you think you be a’talkin to?

.

(1:4 motown / 150bpm / Eblues)

INTRO:

(E blues guitar solo)

(E) (G#)

(bass: E (G#) G# (C D#))

VERSE:

(Esus4) (Em) (Esus2) (E)

(E6 E Esus2 E)

(Esus4 Em) (Esus2) (E)

(E E6 E)

(E E7 E6 E) (C#m G#)

(E) (Esus4) (E) (Esus2) (E)

(E6 E)

(bass: E (G# B) C# (G#) G# (C D#) E (G#))

CHORUS:

[(A7) (B7 B+ Bsus4)] x 2

[(E) (E6 E6 E Esus2 E)] x 2

(bass: A (C#) B A (C#) B (F# E) E)

CHORUS:

[(A7) (B7 B+ Bsus4)] x 2

(C#m) (C#msus4) (G# G#7 G#+ G#sus4) (E)

(bass: A (C#) B A (C#) B (D#) C# (G#) G# (B C# D#) E (G# B))

OUTRO:

(D) (E) (B A G E)

(G) (E) (B A G E)

(E7) (E) (A A7 E)

(E) (E7) (A A7 E)

(bass: D (A F#) E (G#) B A G (B D) E (G#) G (B D) E (G#) B A G (B D) E (G#) A (E) E (G#) A (E) E)

(4:4 / 135bpm / Eminor)

INTRO:

[(Em) (D) (A)] x 12

(bass: E (G B) D (A) A (E))

OUTRO:

(110bpm)

[(Em) (Em+) (D) (D7)] [(Em) (Em+) (D)]

(bass: E (G B C E) D (C A F#) E (G B C E) D (A F#))

(G) (B Csus2 B D) (G) (D)

(bass: G (B) B C B (D#) D (A F#) G (B) D (A F#))

(G G7) (C Cmaj7 C) (Am Amsus2 Am) (Bm Bmsus2 Bm)

(bass: G (B) C (G) A (C ) B (F#))

(E Esus2 E E7) (A7 A A7) (A7 A A7+6 A) (F) (riff: C B A F# F G A B)

(bass: E (G#) A (E) F)

(into “prodigies”)

(Emajor)

(A G D E E7 E) (D Dsus2 E)

(bass: E (G#) A (E) G (B) D (A F#) E (G# B) D (A F# E) E)

(riff: A G F# F F# E D E F# E)

lynch mobs (chords) (v1)
lynch mobs (chords) (v2)
Screen shot 2013-05-22 at 5.47.02 PM
Screen shot 2013-05-22 at 5.48.14 PM
Screen shot 2013-05-26 at 3.36.39 PM
Screen shot 2013-05-26 at 3.36.50 PM
Screen shot 2013-05-26 at 3.36.59 PM
Screen shot 2013-05-26 at 3.37.09 PM
Screen shot 2013-05-26 at 3.37.19 PM
Screen shot 2013-05-26 at 3.37.27 PM

*SCORES*

*LINX*

.

*WORDS*

*SCRAPS*

.

(1:4 motown / 150bpm / Eblues)

INTRO:

(E blues guitar solo)

(E) (G#)

(bass: E (G#) G# (C D#))

VERSE:

(Esus4) (Em) (Esus2) (E)

(E6 E Esus2 E)

(Esus4 Em) (Esus2) (E)

(E E6 E)

(E E7 E6 E) (C#m G#)

(E) (Esus4) (E) (Esus2) (E)

(E6 E)

(bass: E (G# B) C# (G#) G# (C D#) E (G#))

CHORUS:

[(A7) (B7 B+ Bsus4)] x 2

[(E) (E6 E6 E Esus2 E)] x 2

(bass: A (C#) B A (C#) B (F# E) E)

CHORUS:

[(A7) (B7 B+ Bsus4)] x 2

(C#m) (C#msus4) (G# G#7 G#+ G#sus4) (E)

(bass: A (C#) B A (C#) B (D#) C# (G#) G# (B C# D#) E (G# B))

OUTRO:

(D) (E) (B A G E)

(G) (E) (B A G E)

(E7) (E) (A A7 E)

(E) (E7) (A A7 E)

(bass: D (A F#) E (G#) B A G (B D) E (G#) G (B D) E (G#) B A G (B D) E (G#) A (E) E (G#) A (E) E)

(4:4 / 135bpm / Eminor)

INTRO:

[(Em) (D) (A)] x 12

(bass: E (G B) D (A) A (E))

OUTRO:

(110bpm)

[(Em) (Em+) (D) (D7)] [(Em) (Em+) (D)]

(bass: E (G B C E) D (C A F#) E (G B C E) D (A F#))

(G) (B Csus2 B D) (G) (D)

(bass: G (B) B C B (D#) D (A F#) G (B) D (A F#))

(G G7) (C Cmaj7 C) (Am Amsus2 Am) (Bm Bmsus2 Bm)

(bass: G (B) C (G) A (C ) B (F#))

(E Esus2 E E7) (A7 A A7) (A7 A A7+6 A) (F) (riff: C B A F# F G A B)

(bass: E (G#) A (E) F)

(into “prodigies”)

(Emajor)

(A G D E E7 E) (D Dsus2 E)

(bass: E (G#) A (E) G (B) D (A F#) E (G# B) D (A F# E) E)

(riff: A G F# F F# E D E F# E)

lynch mobs (chords) (v1)
lynch mobs (chords) (v2)
Screen shot 2013-05-22 at 5.47.02 PM
Screen shot 2013-05-22 at 5.48.14 PM
Screen shot 2013-05-26 at 3.36.39 PM
Screen shot 2013-05-26 at 3.36.50 PM
Screen shot 2013-05-26 at 3.36.59 PM
Screen shot 2013-05-26 at 3.37.09 PM
Screen shot 2013-05-26 at 3.37.19 PM
Screen shot 2013-05-26 at 3.37.27 PM

.

leave barry alone
he’s OK now

his daddy played in the league
before he came out

he’s training hard in his old age
every day

and the pitchers won’t throw him strikes
what, they afraid?

he’s been a friend of mine for a very long time
and if you don’t mind, all that i am trying to say
is go away…

leave bubba alone, he’s ok now
just spoke with him on the phone, he’s doing great
he’s helping hilary out with her campaign
you can hear the people shout just ‘cuz he came

he’s been a friend of mine for a very long time
and if you don’t mind, all that i am trying to say
is go away…

leave jeffrey alone
he’s OK now…
so what?  he likes ’em young
give him a break now

massages are his reward
pressure’s insane
so he flies ’em all aboard his private plane

he’s eating everything in sight…
(cinnamon raisins)

the cops will raid his place tonight…
(it doesn’t faze him)

and now he’s behind bars
a team of kenneth stars
work to make sure my man jeffrey’s OK…

this job
it don’t mean nothing to me
i had a dream and now i’m being what i wanted to be

my job must mean the world to you
‘cuz everyday i’m doing what you wanted to do

this job
it don’t mean nothing to me
i’ve got a billion in the bank, i’ve got a beautiful family

i make all my money ‘cuz you watch what i do
otherwise i wouldn’t bother talking to you

this job
it don’t mean nothing to me
i had a dream and now i’m being what i wanted to be

my job must mean the world to you
so who the hell you think you be a’talkin to?

.

(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)
(sonic extensions / lyrical scraps)

.

*time signature*

*tempo*

*key*

.

*INTRO*

.

*SONIC SNAPSHOTS*

*MANTRAS*

*FREE-FORM CHANTS*

.

*OUTRO*

.

.

👈👈👈☜*“LYNCH MOBS”* ☞ 👉👉👉
*THE SONG*

.

.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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*🌈✨ *TABLE OF CONTENTS* ✨🌷*

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥