.
-as of [19 JULY 2024]–
.
.
-[avid media composer] is a ‘film/video editing software application’ / ‘non-linear editing system’ (NLE) developed by [avid technology]-
.
*initially released in 1989 on Macintosh II as an offline editing system, the application has since evolved to allow for both offline and online editing, including editing/finishing in…*
*”un-compressed standard definition”*
(SD)
.
*”high definition”*
(HD)
.
*2K*
.
*4K*
.
Since the 1990s, Media Composer has been the dominant non-linear editing system in the film and television industry, first on Macintosh and later on Windows.
Avid NewsCutter, aimed at newsrooms, Avid Symphony, aimed at finishing, were all Avid products that were derived from Media Composer and share similar interfacing,
as were Avid Xpress Pro (discontinued in 2008)
and its predecessor Avid Xpress DV, which were aimed at the lower end of the market
.
There are 4 versions of ‘Avid Media Composer’
Media Composer | First
(a freeware version),
Media Composer,
Media Composer | Ultimate,
and Media Composer | Enterprise
.
Media Composer can be used as standalone software, or to which the user can add specific external I/O devices, either from Avid or from specific third parties
.
History
According to Eric Peters, one of the company’s founders, most prototypes of “the Avid” were built on Apollo workstations.
At some point, Avid demo’d one of their products at SIGGRAPH.
Says Peters:
“Some Apple people saw that demo at the show and said, ‘Nice demo. Wrong platform!’
It turned out they were evangelists for the then new Mac II (with six slots!).
When we got back to our office (actually a converted machine shop) after the show, there was a pile of FedEx packages on our doorstep.
They were from Apple, and they contained two of their prototype Mac II machines
(so early they didn’t even have cases, just open chassis).
Also there were four large multisync monitors.
Each computer was loaded with full memory (probably 4 megs at the time), and a full complement of Apple software (pre-Claris).
That afternoon, a consultant knocked on our door saying, ‘Hi. I’m being paid by Apple to come here and port your applications from Apollo to Macintosh.’
He worked for us for several weeks, and actually taught us how to program the Macs.”
At the time, Macs were not considered to be fast enough for video purposes.
The Avid engineering team, however, managed to get 1,200 kBytes per second, which allowed them to do offline video on the Macs.
The Avid Film Composer was introduced in August 1992.
Film Composer was the first non-linear digital editing system to capture and edit natively at 24fps. Steven Cohen was the first editor to use Film Composer for a major motion picture, on Lost in Yonkers (1993).
The system has been used by other top editors such as Walter Murch on The English Patient, the first digitally edited film to receive a Best Editing Oscar
In 1994, the Academy of Motion Picture Arts and Sciences awarded the Avid Film Composer with a plaque for Science & Technical Achievement
Six persons were recognized in that effort: Bill Warner, Eric Peters, Joe Rice, Patrick O’Connor, Tom Ohanian, and Michael Phillips. For continued development, Avid received an Oscar representing the 1998 Scientific and Technical Award for the concept, design, and engineering of the Avid Film Composer system for motion picture editing.
Film Composer is no longer available, since all of its specific film editing features were implemented into the “regular” Media Composer.
In July 2009, American Cinema Editors (ACE) announced that the ACE Board of Directors had recognized Avid Media Composer software with the Board’s first ACE Technical Excellence Award.[2]
Hardware[edit]
Avid Mojo DX: a newer version of the Mojo with architecture offering faster processing and full 1920×1080 HD resolution in addition to standard definition video. This interface has SDI/HD-SDI inputs and outputs, HDMI outputs and stereo 1/4″ TRS audio inputs and outputs.
Avid Nitris DX: a replacement of the Adrenaline hardware, a successor to the original Avid Nitris (used with Avid DS and Avid Symphony), with architecture offering faster processing and full 1920×1080 HD resolution (without extra cards) in addition to standard definition video. This interface also has a hardware DNxHD codec. Video connections include SDI, HD-SDI, Composite, S-Video and Component (SD or HD) inputs and outputs, it also has a HDMI output. Audio connections include XLR, AES, optical S/PDIF and ADAT inputs and outputs. It also has RCA inputs and 1/4″ TRS outputs, plus LTC timecode I/O. Starting with Media Composer v5.5 an optional AVC-Intra codec module can be installed in the Nitris DX for native playback of this format. With Media Composer v6.0 is it now possible to have two DNxHD or AVC-Intra modules installed for dual stream stereoscopic capture and full resolution stereoscopic playback.
Hardware history[edit]
Media Composer as standalone software (with optional hardware) has only been available since June 2006 (version 2.5). Before that, Media Composer was only available as a turnkey system.
The 1990s[edit]
From 1991 until 1998, Media Composer 1000, 4000 and 8000 systems were Macintosh-only, and based on the NuVista videoboard by Truevision. The first-release Avids (US) supported 640×480 30i video, at resolutions and compression identified by the prefix “AVR”. Single-field resolutions were AVR 1 through 9s; interlaced (finishing) resolutions were initially AVR 21–23, with the later improvements of AVR 24 through 27, and the later AVR 70 through 77. AVR12 was a two-field interlaced offline resolution. Additionally, Avid marketed the Media Composer 400 and 800 as offline-only editors. These systems exclusively used external fast SCSI drives (interfaced through a SCSI accelerator board) for media storage.
Avid media was digitised as OMFI (Open Media Framework Interchange) format
In the mid-nineties, versions 6 and 7 of Media Composer 1000, 8000 and 9000 were based on the Avid Broadcast Video Board (ABVB), supporting video resolutions up to AVR77. The video image was also improved to 720×480. 3D add-on boards (most notably the Pinnacle Alladin, externally, and the pinnacle genie pro board, internally, through special 100 pin bypass cable ) and 16bit 48K 4-channel and 8-channel audio I/O (Avid/DigiDesign 442 and Avid/DigiDesign 888) were optional.
The 1998 introduction of the Avid Symphony marked the transition from ABVB to the Meridien hardware, allowing for uncompressed SD editing. This introduction was also the first version of Media Composer XL available for the Windows operating system. Many users were concerned that Avid would abandon the Mac platform, which they eventually did not do. Media Composer XL versions 8 through 12.0.5 (models MC Offline XL, MC 1000 XL, MC 9000XL) were built around Meridien hardware. Compression options were expressed in ratios for the first time in the evolution of the product. Even though the video board had changed, the audio I/O was still handled by the Avid/DigiDesign 888 (16bit 48K) hardware. At this time, 16×9 aspect ratios began to be supported.
The 2000s[edit]
Avid Media Composer Meridien was released through November, 2003.
In 2003, Avid Mojo and Avid Adrenaline formed the new DNA (Digital Non-linear Accelerator) hardware line. The launch of Avid Media Composer Adrenaline brought along a software version renumbering, as it was labeled Avid Media Composer Adrenaline 1.0.
At this time, Avid began using MXF (Material Exchange Format) formatting for media files.
Avid products maintain compatibility with OMFI files.
Adrenaline was the first Media Composer system to support 24bit audio. It also meant the end of Film Composer and Media Composer Offline, since the Avid Media Composer Adrenaline featured most of the film options and online resolutions and features. From this point onward, Avid systems have supported media storage using SCSI, PCI-e, SATA, IEEE 1394a & b, Ethernet and fiberoptic interfaces.
In 2006, Media Composer 2.5 was the first version to be offered ‘software-only’, giving the user the option of purchasing and using the software without the additional cost of the external accelerators. Software-only Avid setups could use third-party breakout boxes, usually interfaced via FireWire, to acquire video from SDI and analog sources.
In 2008, the Mojo DX and Nitris DX were introduced, replacing the Adrenaline. Both are capable of handling uncompressed HD video, with the Nitris DX offering greater processing speed and input/output flexibility.
Avid designed hardware[edit]
Avid systems used to ship with Avid branded I/O boxes, like Mojo, Adrenaline and Nitris, but in recent years have ceased to produce their own hardware, and have started collaborating with companies like Blackmagic Design and AJA, releasing customised, Avid-branded I/O boxes, like DNxIO, DNxIQ and DNxIV.
Third-party supported hardware[edit]
Starting with Media Composer 6, a new Open IO API allowed third-party companies to interface their hardware into Media Composer. AJA Video Systems, Blackmagic Design, Matrox, BlueFush and MOTU are supporting this API. Avid’s own DX hardware is still natively interfaced into the application which currently allows some extra features that Open IO is limited in (LTC timecode support for example). It is expected that over time some of these missing APIs will be added.
AJA IO Express: Starting with Media Composer 5.5, introduced support for the AJA IO Express interface. This interface will allow SD/HD input and output via SDI and HDMI. It also has analog video and audio outputs for monitoring. It connects to a computer via PCIe or ExpressCard/34 interface.
Matrox MXO2 Mini: Starting with Media Composer 5, Avid introduced support for the Matrox MXO2 Mini interface, as a breakout box with no additional processing. While this interface does have input connections, only output is supported by Media Composer v5.x, starting with Media Composer v6.x you can capture with this interface. The connections on the unit support analog video/audio and HDMI in both SD and HD formats. The device is connected by a cable to either a PCIe card or ExpressCard/34 interface, so this unit can be used on a desktop or laptop system.
Avid Media Composer compatible hardware is manufactured by AJA Video Systems, Blackmagic Design, BlueFish, Matrox and MOTU.
Discontinued hardware[edit]
Avid Mojo: includes Composite and S-Video with two channels of RCA audio. There is an optional component video cable that can be added to this interface. This interface only supports SD video formats.
Avid Mojo SDI: includes Composite, S-Video, Component and SDI video, with 4 channels RCA, 4 channels AES and 2 channels optical S/PDIF audio. This interface only supports SD video formats.
Avid Adrenaline: rack mountable interface which includes Composite, S-Video, Component and SDI video, 4 channels of XLR, 4 channels of AES, 2 channels of S/PDIF and 8 channels of ADAT audio. This interface also has an expansion slot for the DNxcel card which adds HD-SDI input and output as well as a DVI and HD component outputs. The DNxcel card uses Avid’s DNxHD compression which is available in 8-bit color formats up to 220mb as well as a 10-bit color format at 220mb. The DNxcel card also adds real-time SD down-convert and HD cross-convert.
Avid Mojo DX : rack mountable interface with various I/O
Avid Nitris DX: : rack mountable interface with various I/O
Features[edit]
Key features[edit]
Animatte
3D Warp
Paint
Live Matte Key
Tracker / Stabiliser
Timewarps with motion estimation (FluidMotion)
SpectraMatte (high quality chroma keyer)
Color Correction toolset
(with Natural Match)
Stereoscopic editing abilities (expanded in MC v6)
AMA – Avid Media Access, the ability to link to and edit with P2, XDCAM, R3D, QuickTime and AVCHD native material directly without capture or transcoding.
Mix and Match – put clips of any frame rate, compression, scan mode or video format on the same timeline
SmartTools – drag and drop style editing on timeline, can be selectively adjusted to the types of actions that the user wants to use when clicking on timeline.
RTAS – (RealTime AudioSuite), support for realtime track-based audio plug-ins on the timeline.
5.1 and 7.1 Surround Sound audio mixing, compatible with Pro Tools
PhraseFind – analyses clips and indexes all dialog phonetically allowing text search of spoken words. (reacquired as of 8.9.3)
ScriptSync (with Nexidia phonetic indexing and sync) (reacquired as of 8.9.3)
.
Color correction
Avid Symphony includes Advanced/Secondary/Relational Color Correction and Universal HD Mastering.
Starting with version 7, Symphony became paid option for Media Composer; with version 8, it was included with monthly and annual subscription licenses.
Software protection[edit]
The software used to be protected by means of “blesser” floppy, tied to the Nubus’s TrueVista board (meaning that if the board is replaced, a new “blesser” floppy comes with the board), and later with USB dongles. As of version 3.5 the dongle is optional, and existing users may choose to use software activation or keep using their dongles, while new licenses are sold exclusively with software activation. The software ships with installers for both Mac and Windows and can physically be installed on several computers, allowing the user to move the software license between systems or platforms depending on the licensing method.
Licensing options[edit]
With Media Composer 8, Avid introduced monthly and annual subscription licensing systems similar to Adobe Creative Cloud, allowing users to install and activate Avid without purchasing a perpetual license. Media Composer licenses must be confirmed either by Avid’s internet servers every 30 days or by an on-site floating license server. Starting with version 8, updates and support for perpetual licenses also require annual support agreements; support is included with subscription licenses.[3]
Installers[edit]
The installer used to include installers for:[4]
EDL Manager
Avid Log Exchange (no longer in v8)
FilmScribe
MediaLog (no longer in v8)
Interplay Transfer
MetaSync Manager (no longer in v6)
MetaSync Publisher (no longer in v6)
MetaFuze (Windows only), a standalone application to convert files (R3D, DPX, TIFF) from film scanning, CGI systems or RED camera into MXF media files.
Actually based on an import module that was taken from Avid DS.
Third-party software[edit]
Some boxed versions of Media Composer came with the following third party software:
Avid FX – 2D & 3D compositing and titling software (aka Boris RED)
Sorenson Squeeze – Compression software to create, Windows Media, QuickTime, MPEG 1/2, MPEG 4 or Flash video (v8 monthly/annual subscription only)
SonicFire Pro 5 – music creation software (includes 2 CDs of music tracks)
Avid DVD by Sonic – DVD and Blu-ray authoring software (Windows only; no longer updated as of v8)
NewBlue Titler Pro – 2D and 3D video title software (v8 perpetual licenses bundled with v1, subscription licenses with v2)
Boris Continuum Complete – 2D and 3D graphics and effects (v8 monthly/annual subscription only)
Revisions and features[edit]
Date Operating system Version Description
1989 Macintosh[which?] Avid/1
First release
Serial #001 ships to Alan Miller @ Rebo Studios in June on a Mac IIx
Jeff Bernstein becomes second editor on the Avid
1992 Macintosh[which?]
Avid Film Composer
True 24-frame capture, editing, and playback
Open Media Framework (OMF),
introduced in April
Jan 1993 Macintosh[which?]
Model 210 (unbundled) ($15,000)
Model 220 (with Mac IIci) ($24,900)
Dec 1994 Macintosh[which?] 5.2
AVR27
Multicamera editing
Realtime chroma and luma keys
Avid Media Reader support
3rd party Photoshop plugins support
Jul 1995 Mac OS 7.5 5.5
Film Cutter (simplified version of Film Composer)
Hardware-independent QuickTime codec
3D effects module
Sep 1995 Mac OS 7.5 6.0
Macintosh 68K hardware support dropped
Based on the Avid Broadcast Video Board (ABVB) hardware
Mar 1996 Mac OS 7.5 6.1
PCI-based system
Dec 1996 Mac OS 7.5 6.5
Script-based editing
AVR77
AVR9s
Feb 1998 Mac OS 7.5 – 8 7.0
Models like MC 1000 ($66,500) and MC 8000 ($94,625)
Paint
Animatte
AVX plugins
Spot color correction
Image cloning
Intraframe Editing
AudioSuite plugins
1999 Mac OS 7.6 – 8.6 7.2 Last version based on the ABVB hardware.
1999 Mac OS 8.5 8.0
Meridien hardware based
ABVB hardware support dropped
Uncompressed SD video support
Media Composer XL
1999 Windows 9.0
Meridien hardware based
2000 Mac OS 9, Windows 10.0
SD 24p support on Mac
2001 Mac OS 9, Windows 10.5
2002 Mac OS 9, Windows 11.0
Marquee (Windows only)
DV support (option)
Feb 2003 macOS 11.7
MetaSync
Introduction of 23.976 SD editing (11.5 for Windows, and 11.8 for OSX)
May 2003 macOS, Windows 1.0
Based on the Adrenaline hardware
Nov 2003 macOS, Windows 12.0
Last version based on the Meridien hardware
Sept 2004 macOS, Windows 1.5
MXF support
Marquee on Mac
Dec 2004 Windows 2.0
HD support
HD-SDI I/O with DNxcel card option
10-bit video support
SpectraMatte keyer
AVX2
March 2005 Windows 2.1
P2 support
XDCam support
Dec 2005 Windows 2.2
HDV support
June 2006 macOS, Windows 2.5
No longer hardware based
HD support on Mac
Media Composer soft
Mojo and Mojo SDI support
XDCam HD
Tracker
Sept 2006 macOS, Windows 2.6
Interplay
Safe Color Limiter effect
March 2007 macOS, Windows 2.6.4
DNxHD36
Low-bandwidth HD compression rate for offline editing
May 2007 macOS, Windows 2.7
MacPro (Intel) support
ScriptSync
P2/XDCam writeout
Dec 2007 macOS, Windows 2.8
VC-1/MXF (SMPTE 421M) support
ASC CDL metadata support
June 2008 macOS, Windows 3.0
‘DX’ hardware support
new render engine (better multi-threading and GPU support)
RT timecode generator
SubCap effect
AVC-I codec support
Sept 2008 macOS, Windows 3.05
XDCAM 50mb format
DNA hardware on Mac OS X 10.5.5
RED workflow support
Dec 2008 macOS, Windows 3.1
Video Satellite option for Pro Tools (Windows only)
March 2009 macOS, Windows 3.5
Avid Media Access (AMA) for better file based workflows
FluidStabiliser
Keyframeable color correction
Native XDCAM EX support
Timecode in QuickTime files
basic stereoscopic 3D support
Software Activation
14-day Downloadable Trial
Sept 2009 macOS, Windows 4.0
Mix and Match frame rates on timeline
Expert Decompose
AVC-I writeout
Macintosh Video Satellite support
1080p24 (not-PsF) output
HD Ancillary data support on DX hardware
GFCAM 50mb/100mb support
Stereoscopic enchantments
Updated 3rd party software bundle
Nov 2009 macOS, Windows 4.0.4
Mac OS X 10.6.3 Snow Leopard support
June 2010 macOS, Windows 5.0
Windows 7 support
AMA support for RED
QuickTime and Canon cameras
Matrox MXO2 Mini output
SmartTool ‘drag & drop’ editing
HD-RGB support
AVCHD import
SMPTE 436M support
RTAS audio plug-in support
March 2011 macOS, Windows 5.5.1
AJA Video Systems Io Express hardware support
HDCAM SR Lite native editing
AVC-Intra codec module for Nitris DX
PhraseFind option
Support for EUCON hardware interfaces
SmartTool improvements
ScriptSync dropped from the trial version
August 2011 macOS, Windows 5.5.3
Mac OS X 10.7 Lion support
Last version to support Windows XP
November 2011 macOS, Windows 6.0
Improved UI (more tabs & less modal)
Redesigned stereoscopic toolset
Open I/O (supports 3rd party video hardware)
5.1/7.1 audio mixing support with interoperability with Pro Tools
RED EPIC and AVCHD support for AMA
Support for EUCON Artist hardware interface in the color corrector
DNxHD 4:4:4 format
ProRes encoding on OS X
Built-in Marketplace for purchase of [stock footage] and plug-ins
MetaSync dropped
September 2012 macOS, Windows 6.5
MXF AS-02 support
Remote editing via Interplay Sphere
Audio Punch-In with 3rd party hardware
64 voice audio playback
AMA relink enhancements
DNxHD 100, SD JPEG 2K playback
Active Format Description metadata support
ProRes as a native codec
July 2013 macOS, Windows 7.0
FrameFlex
Source side LUTs
Managed AMA
Background file transcode
Waveform caching
Master audio fader
Avid Symphony sold as an optional package to Media Composer
September 2013 macOS, Windows 7.0.2
XDCAM EX 35 capture
Dynamic bin naming
December 2013 macOS, Windows 7.0.3
Setting to enable or disable frame blending in Motion Adapters
New Nvidia drivers support
May 2014 macOS, Windows 8.0.0
Monthly/annual subscription licensing support
Support agreement requirements for future updates
Avid Application Manager introduced
July 2014 macOS, Windows 8.1.0
Support for AAX-64 plug-ins
MXF OP1a export
Frame view border colors and icons
Filter out AMA media in Media Tool
Place a saved title in the timeline
Changes to dragging behaviors
Support for ARRI AMIRA camera
October 2014 macOS, Windows 8.2.0
Background rendering
Favorite bins
Select project window improvements
Quick filter bins in project window
Search for text in marker comment fields
Increase image cache for thumbnails
Warning for project frame rate changes
Application Manager updates
Support for copying DPX files to a DMF folder
December 2014 macOS, Windows 8.3.0
2K & 4K resolution support
Rec. 2020 & DCI-P3 color space support
LUT management and LUT timeline effect
Support for high frame rates
DNxHR Avid codec introduced
Play and render in low res proxy mode
New Blue Titler for high-res projects replacing the title tool
Quick filter items in a bin
List tool replaces EDL Manager and FilmScribe applications
Color info tool
Support for DPX export
Additional column headings
Support for Avid’s Artist Series DNxIO I/O hardware
March 2015 macOS, Windows 8.3.1
QuickTime Export for DNxHR
Support for XAVC-I UHD/4K
Export DNxHR as MXF OP1a
Media creation default change
Mac GPU support (certain effects can now be accelerated using GPU hardware on Mac systems.)
January 2016 macOS, Windows 8.5.0
HDR support
Hybrid log–gamma
SMPTE ST 2084
Group by audio waveform
June 2016 macOS, Windows 8.6.0
Source browser
Native support for Panasonic AVC-LongG
Audio ducking
New ways to select segments in timeline
Create sequence based on timeline selection
Nested AudioSuite effects
Audio grouping
Default pan now baked in
SMPTE channel order
Red plugin update
Export with mask margins
Timeline clip comments in timecode generator
Updates to DNxIO
December 2016 macOS, Windows 8.7.0
List tool changes
Audio dupe detection
Extended audio punch in
Sony XAVC LongG
New safe area and safe title options
Rotation presets in FrameFlex
Controlling which track is shown in split view
Audio default pan
Timecode burn-in effect local frame count
Bin enhancements
February 2017 macOS, Windows 8.8.0
Timeline clip notes
Frame cache for effects
ScriptSync v2.0
PhraseFind v2.0
Bin sharing on non-Avid storage
Change to find window
Change to script Window
August 2017 macOS, Windows 8.9.0
Custom Quicktime export audio enhancements
AAC support in Avid generic plug-in
Support for Sony XAVC_L 1080p format
Audio slip
Source browser enhancements
Source/record colors
Automatically open effect editor when adding effect
.
Pre- and post-roll in CC mode
.
Position bar snap
Audio mixer redesign
Support for hi-res monitors
Generate LTC on playback
Remote client offset
Update to custom safe action/safe titling setting
Color adapter and FrameFlex icon update
January 2018 macOS, Windows 2018.1 Avid changed the version numbering starting in January 2018
July 2018 macOS, Windows 2018.7
16K project presets
Live timeline
High frame rate support (100, 119.88, 120 fps)
Newtek NDI video over IP support
BXF file support
August 2018 macOS, Windows 2018.8
Exporting to AVC-I Op1A
HDR to SDR conversion features
Avid generic plugin
September 2018 macOS, Windows 2018.9
DNxUncompressed
October 2018 macOS, Windows 2018.10
AVC-LongG support
December 2018 macOS, Windows 2018.12
Avid Titler+
Shape-based color correction (Symphony)
Editing group clips
Waveform sync
64 tracks of video
Change audio source track in timeline
January 2019 macOS, Windows 2018.12.1 Additional features
April 2019 macOS, Windows 2018.12.3 through 2018.12.11 Bug fixes
June 2019 macOS, Windows 2019.6
New user interface
Distributed processing option
MXF Op1A media creation & mixdown
OpenEXR support
IMF support
32bit floating-point quality
Support for ACES Workflows
Dynamic relink across frame rates
July 2019 macOS, Windows 2019.7 Bug fixes
August 2019 macOS, Windows 2019.8
September 2019 macOS, Windows 2019.9 UI improvements
November 2019 macOS, Windows 2019.11 Bug fixes
January 2020 macOS, Windows 2019.12.1 Bug fixes
April 2020 macOS, Windows 2020.4
Catalina support
ProRes export (also on PC)
Universal Media Engine (UME)
Bulk edit
Strip silence
ACES output transforms
DNxHD codec flavors renamed
May 2020 macOS, Windows 2020.5 Bug fixes
June 2020 macOS, Windows 2020.6
Variable-frame-rate media support
August 2020 macOS, Windows 2020.8 Bug fixes
References[edit]
^ “Media Composer Version FAQ 2019”. avid.secure.force.com. Retrieved 2020-07-14.
^ “American Cinema Editors (ACE) Board Honors Avid Media Composer” (Press release). Archived from the original on 2009-12-12. Retrieved 2009-12-23.
^ “Media Composer 8 FAQ”. Avid.[dead link]
^ “Media Composer – Compare”. Avid.
External links[edit]
Official website Edit this at Wikidata
en.wikipedia.org /wiki/Media_Composer
Media Composer
Contributors to Wikimedia projects24-30 minutes 8/8/2005
Media Composer
Media Composer Video Editor Software.jpg
Developer(s) Avid Technology
Initial release 1989; 32 years ago
Stable release
2020.9 / September 30, 2020; 8 months ago
Operating system macOS 10.12 and later, Windows 7 and later.
Type Video editing software
License Proprietary
Website
Avid Media Composer
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