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-as of [18 SEPTEMBER 2024]–
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-[beat-edit] by [mamoworld] will analyze the [beat] of a [music track] and automatically add [markers] to your [sequence]-
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-[MAMO-WORLD]-
$99
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-BIN TEMPLATE 1-
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*PROJECT PANEL* —>
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*SOUNDCLOUDS* —>
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*”REST IN PEACE”* —>
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*”SOUNDCLOUDS”* —>
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“MASTER CLIP”* —>
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*IMPORT AN [AUDIO FILE]* —>
[COMMAND] + [ i ]
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*CLICK THE [WAV FILE] TO SELECT IT* —>
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*TO CREATE NEW [SEQUENCE] FROM SELECTED [AUDIO CLIP]* —>
[COMMAND] + [CONTROL] + [ n ]
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*[PRESS/DRAG/DROP] THE [SEQUENCE] INTO THE SONG’S [SEQUENCE BIN]* —>
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-[DOUBLE-CLICK] THE [SEQUENCE] TO OPEN IT IN [TIMELINE PANEL]-
(OR CLICK TO SELECT IT + USE THE KS [[OPTION] + [ t ]] TO OPEN IT IN [TIMELINE PANEL])
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*NAVIGATE TO [TIMELINE PANEL]* —>
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-GO FULL SCREEN-
-FIT TO SCREEN-
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*MOVE [PLAYHEAD] TO BEGINNING OF [TIMELINE]* —>
[fn] + [LEFT ARROW]
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*VIEW [SEQUENCE SETTINGS]* —>
[CONTROL] + [ s ]
(our custom KS)
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*VIEW THE “SAMPLE RATE” IN THE [AUDIO SECTION]* —>
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-THE HIGHEST [SAMPLE RATE] AVAILABLE IS [96 kHz]-
(96,000 samples / second)
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*CLICK THE TIMELINE [HAMBURGER BUTTON] + SELECT “SHOW AUDIO TIME UNITS”* —>
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-YOU CAN NOW HORIZONTALLY NAVIGATE THE [TIMELINE] WITH [LEFT/RIGHT ARROW KEYS] MOVING [TIMESTAMP] BACKWARD/FORWARD BY [1 SAMPLE]-
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*HOLD DOWN [ = ] TO ZOOM ALL THE WAY IN* —>
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-THE [ONSCREEN TIMELINE RANGE] IS NOW [70 SAMPLES] LONG-
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*CLICK THE ‘AUDIO CLIP’ TO SELECT IT*—>
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*ADD DEFAULT [FADE IN/OUT] TO THE AUDIO TRACK* —>
[SHIFT] + [ d ]
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*CLICK THE [SQUARE] TO SELECT THE [FADE IN/OUT]* —>
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*FADE COSINE VALUE* —>
19
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*STANDARD [FADE IN/OUT] TIME DURATION* —>
[1 SECOND]
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*[PRESS/DRAG/DROP] THE [FADE SQUARE] LEFT/RIGHT TO [SHORTEN/LENGTHEN] THE [FADE]-
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-[PRESS/DRAG/DROP] THE [FADE SQUARE] UP/DOWN TO [INCREASE/DECREASE] “FADE COSINE VALUE”-
[-100] – [100]
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*TO DELETE SELECTED [FADE]* —>
[DELETE]
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*FIT TO SCREEN* —>
[ \ ]
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*MOVE [PLAYHEAD] TO END OF [TIMELINE]* —>
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*HOLD DOWN [ = ] TO ZOOM IN*
(THE [ENDPOINT] WILL BE CENTERED)
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*START PLAYBACK* —>
[SPACE BAR]
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*WHEN YOU REACH THE FIRST BEAT, STOP PLAYBACK* —>
[SPACE BAR]
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*ALIGN YOUR CURSOR WITH THE NEAREST “TRANSIENT” IN THE [AUDIO CLIP]-
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*SPLIT THE CLIP* —>
[COMMAND] + [ k ]
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-CLICK THE [FIRST PART] OF THE [SPLIT CLIP] + TAP [DELETE]-
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-CLICK THE [EMPTY SPACE] BEFORE [2ND PART] OF [SPLIT CLIP] + TAP [DELETE] TO MOVE IT TO THE BEGINNONG OF THE TIMELINE-
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*OPEN ‘BEATEDIT’*
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*TOP MENU BAR* —>
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-CLICK THE [AUDIO TRACK] IN THE [TIMELINE] TO SELECT IT-
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*GO FULL SCREEN* —>
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*CLICK ‘LOAD MUSIC’* —>
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-THE [BEATS] ARE INDICATED BY THE [VERTICAL BLUE LINES] ON YOUR [AUDIO WAVE-FORM]–
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-[BEAT MARKERS] ARE ADDED BY DEFAULT-
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*TO ADD ‘BAR MARKERS’ INSTEAD OF ‘BEAT MARKERS’, CHANGE ‘1’ TO ‘4’* AFTER “1 BEAR EVERY….” —>
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*CHOOSE ‘SEQUENCE MARKERS’ + CLICK [CREATE MARKERS]* —>
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*NAVIGATE TO [TIMELINE]* —>
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-GO FULL SCREEN-
-FIT TO SCREEN-
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*MOVE [PLAYHEAD] TO BEGINNING OF TIMELINE* —>
[fn] + [LEFT ARROW]
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-KEEP HITTING [ = ] TO [ZOOM IN] UNTIL [MARKERS] CAN BE DISTINGUISHED FROM ONE ANOTHER-
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*MOVE PLAYHEAD TO BEGINNING OF [TIMELINE]* —>
[fn] + [LEFT ARROW]
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*MOVE PLAYHEAD TO THE NEXT [BEAT]* —>
[SHIFT] + [ m ]
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*MOVE [PLAYHEAD] TO THE PREVIOUS [BEAT]* —>
[SHIFT] + [CONTROL] + [ m ]
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*IF SONG IS [120 BPM]* —>
[1 MINUTE] = [60 SECONDS]
-[2 BEATS] PER [SECOND]-
[1 BEAT] = [(1/2 SECOND)]
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*FOR [4:4]* —>
[1 BAR] = [4 BEATS]
[1 BEAT] = [(1/4 BAR)]
[1 SECOND] = [(1/2 BAR)]
[1 BAR] = [2 SECONDS]
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*FOR [FRAME RATE] OF [30 FRAMES/SECOND]* —>
[1 SECOND] = [30 FRAMES]
[1 FRAME] = [(1/30 SECOND)]
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[1 BEAT] = [15 FRAMES]
[1 BAR] = [60 FRAMES]
[1 FRAME] = [(1/15) BEAT]
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(in “premiere pro”, the highest [frame rate] is [60 FPS])
[1 SECOND] = [60 FRAMES]
[1 FRAME] = [(1/60 SECOND)]
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[1 BEAT] = [30 FRAMES]
[1 BAR] = [120 FRAMES]
[1 FRAME] = [(1/30 BEAT)]
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(in “premiere pro”, the highest [sample rate] is [96 kHz])
*FOR [SAMPLE RATE] OF [96 kHz]* —>
[1 SECOND] = [96,000 SAMPLES]
[1 SAMPLE] = [(1/96000 SECOND)]
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*if frame rate is [60 FPS]* —>
[1 FRAME] = [(1/60 SECOND)]
[1 SAMPLE] = [(1/1600 FRAME)]
[1 FRAME] = [1600 SAMPLES]
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*IF YOU ARE AUTOMATING A SEQUENCE BY “BEAT”, MAKE SURE TO TRIM CLIPS TO [(1/2 SECOND)]*
*IF YOU ARE AUTOMATING A SEQUENCE BY “BAR”, MAKE SURE TO TRIM CLIPS TO [2 SECONDS]*
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-COUNT [# OF MARKERS] IN [SEQUENCE]-
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*TO VIEW [CLIP] DURATION* —>
*HOVER [POINTER] OVER [(CLIP)/(NESTED SEQUENCE)] IN THE [TIMELINE]* —>
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-FILE TYPE-
-IN POINT-
-OUT POINT-
-TIME DURATION-
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*THE [TIME DURATION] OF THE [MASTER SEQUENCE] IS DISPLAYED IN [BOTTOM RIGHT CORNER] OF [PROGRAM MONITOR]* —>
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*DEFAULT [TIME UNIT DISPLAY]* —>
[HOUR] / [MINUTE] / [SECOND] / [FRAME]
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*OUR CLIP* —>
-[4 MINUTES] / [49 SECONDS] / [29 FRAMES]-
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*if we set [frame rate] to [30 FPS]* —>
[29 FRAMES] = [0.967 SECOND]
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-BY DEFAULT, [FRAMES] ARE DISPLAYED INSTEAD OF “SAMPLES”-
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*TO SET [TIME UNIT DISPLAY] TO “SAMPLES”* —>
*CLICK THE [TIMELINE HAMBURGER BUTTON] + SELECT “SHOW AUDIO UNITS”* —>
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*THE [TIMELINE DISPLAY UNITS] ARE NOW* —>
[HOURS] / [MINUTES] / [SECONDS] / [SAMPLES]
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-WHEN “SHOW AUDIO UNITS” IS NOT SELECTED + YOU ARE DISPLAYING “FRAMES”* —>
*YOU SPECIFY [TIME UNITS] FROM [TOP LEFT CORNER] OF [TIMELINE]* —>
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*if we set [sample rate] to [96 kHz]* —>
[1 SECOND] = [96,000 SAMPLES]
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[OUR [CLIP] IS ROUNDED UP TO (4 MINUTES./ 50 SECONDS)]
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*[RIGHT-CLICK] THE [TIME UNIT DISPLAY BOX] IN [TOP LEFT CORNER] OF [TIMEPLINE PANEL] TO SWITCH BETWEEN [(SAMPLES)/(MILLI-SECONDS)] WHEN YOU SET [DEFAULT DISPLAY UNIT] TO “SAMPLES”* —>
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-OUR CLIP IS [30 FPS] / [96 kHz]-
-SELECT [AUDIO SAMPLES] FOR THE MOST PRECISE “BEAT DIVISIONS”-
(ALTHOUGH IT WILL BE SLIGHTLY “OFF” BECAUSE IT IS THE “TRUE CLOCK TIME”)
(USE “MILLI-SECONDS” INSTEAD)
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[1 BEAT] = [(1/2 SECOND)]
[1 BEAT] = [15 FRAMES]
[1 BEAT] = [48,000 SAMPLES]
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[1 BAR] = [2 SECONDS]
[1 BAR] = [60 FRAMES]
[1 BAR] = [192,000 SAMPLES]
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-TRIM YOUR “BEAT CLIPS” TO A “HALF SECOND”-
-TRIM YOUR “BAR CLIPS” TO “2 SECONDS”-
-SET ALL [CLIPS] TO SAME [DISPLAY RESOLUTION]-
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-OUR CLIP IS [4 MINUTES] / [50 SECONDS] LONG-
-OUR CLIP IS [290 SECONDS] LONG-
-OUR CLIP CONTAINS [580 BEAT MARKERS]-
-OUR CLIP CONTAINS [145 BARS]-
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*CREATE NEW [WORKSPACE] FOR [SEQUENCE AUTOMATIONS]* —>
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*DROP THE [“SEQUENCE AUTOMATION” FOLDER] TO ITS OWN PANEL* —->
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*TO SAVE AS “NEW WORKSPACE”* —>
[SHIFT] + [OPTION] + [CONTROL] + [ w ]
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*IT WILL BE ASSIGNED A [KS]* —>
[SHIFT] + [OPTION] + [ 4 ]
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*TO RETURN TO THE [BASIC LAYOUT]* —>
[SHIFT] + [OPTION] + [ 1 ]
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*TO MOVE TO THE [PARENT DIRECTORY]* —>
[COMMAND] + [UP ARROW]
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*RIGHT PANEL* —>
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-HORIZONTAL-
-SQUARE-
-VERTICAL-
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*CREATE [TEMPO FOLDERS] FOR THE 3 [LAYOUTS]* —>
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*ADD [BPM FOLDERS] IN ALL [TEMPO FOLDERS]* —>
[120 BPM]
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*CREATE BINS FOR “BARS” + “BEATS” IN ALL [BPM FOLDERS]* —>
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-CALCULATE LENGTH OF [BAR/BEAT] BASED ON “TEMPO” / “TIME SIGNATURE”-
[120 BPM] / [4:4]
[1 MINUTE] = [60 SECONDS]
[1 SECOND] = [2 BEATS]
[1 BEAT] = [(1/2 SECOND)]
[1 BAR] = [4 BEATS]
[1 BAR] = [2 SECONDS]
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*IN THE [BARS/BEATS] BINS, CREATE [“CLIP BUNDLE AUTOMATION BINS”] NAMED AFTER THEIR [TIME DURATION]* —>
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*OPEN AN “AUTOMATION BIN”* —>
(HORIZONTAL / 120BPM / 4:4 / BEATS)
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*SWITCH TO “SEQUENCE AUTOMATION” WORKSPACE* —>
[SHIFT] + [OPTION] + [ 4 ]
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*IN THE [LEFT PANEL], OPEN THE [[SEARCH BINS] FOLDER]* —>
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*OPEN YOUR “FAVORITE SEARCH BINS”* —>
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*OPEN THE [16:9] BIN* —>
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*COPY/PASTE THE “SEARCH BIN RESULTS” INTO YOUR “AUTOMATION BIN”* —>
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*TURN ON ‘SNAP MODE’ IN THE [TIMELINE] + MOVE PLAYHEAD TO FIRST MARKER AFTER [STARTING POINT] ON THE [TIMELINE]* —>
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*THE ‘PLAYHEAD POSITION BOX’ TELLS US THAT EACH ‘BEAT DIVISION’ IS [5 SECONDS / 11 FRAMES]* —>
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*TO AVOID GAPS, MAKE SURE YOUR CLIPS ARE LONGER THAN THE ‘BEAT DIVISION DURATION’*
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*OPEN UP YOUR CLIPS IN ‘SOURCE MONITOR’ + DRAG THE [BLUE HANDLES] ON YOUR [IN/OUT POINTS] TO EXTEND [CLIP DURATION]* —>
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*DRAG THE [LEFT HORIZONTAL ZOOM SCROLL HANDLE] RIGHT TO [ZOOM IN]* —>
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*THE LENGTH FROM [IN POINT] TO [OUT POINT] IS DISPLAYED ON THE RIGHT SIDE OF THE [SOURCE MONITOR]* —>
(2 SECONDS / 12 FRAMES)
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*TO CYCLE THROUGH [OPEN CLIPS/SEQUENCES] IN [SOURCE MONITOR]* —>
@
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*HAMBURGER MENU* —>
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*BEAT SELECTION* —>
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*BEAT INFO* —>
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*SOUNDCLOUDS* —>
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*TRAX* —>
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*PHONE HOME* —>
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*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
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👈👈👈☜*-[PREMIERE PRO] AUDIO-* ☞ 👉👉👉
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥