-as of [6 AUGUST 2024]–
.
.
*recording internal audio* –>
-DOWNLOAD [BLACKHOLE]–
(3 VARIATIONS)
(2-CHANNEL / 16-CHANNEL / 64-CHANNEL)
.
-OPEN [AUDIO MIDI SETUP]–
.
*CREATE ‘AGGREGATE DEVICE’
(name it ‘AD 1’)
(click the ‘plus sign’ in ‘bottom left corner’)
.
.
.
(set this as ‘input’)
.
(you can ‘right click’ device name)
.
(or go to ‘sound preferences’ and select ‘AD 1’ as input)
(the ‘microphone logo’ indicates that this device is set as ‘input’)
(‘blackhole’ will capture your ‘internal audio’)
*the ‘scarlet 2I2 USB’ is your ‘voice-over microphone’*
.
(at the top of the panel, select ‘scarlett 212 USB’ as ‘clock source’)
(‘hardware’ is more reliable time-keeper)
(then set ‘drift correction’ for ‘blackhole 64-channel’)
(any ‘clock source’ should not have ‘drift correction’ enabled)
(only the ‘secondary sources’)
.
(then create a ‘multi-device output’)
.
*bottom left corner* –>
.
(name it “MAIN DEVICE 1”)
(make sure that ‘macbook pro speakers’ is the first item on list)
(it’s a ‘mac quirk’)
(‘macbook pro speakers’ are sometimes labeled as ‘built-in output’)
(select ‘macbook pro speakers’ as ‘master device’)
(set the ‘secondary sources’ (scarlett 212 / blackhole 64-channel) to enable ‘drift correction’)
.
.
.
(go to ‘sound preferences’ and select ‘MAIN DEVICE 1’ as ‘output’)
.
*open ‘OBS’*
.
(create ‘new scene’ + name it ‘INTERNAL AUDIO’)
.
*add source ‘audio output capture’*
.
*select device ‘blackhole 64-channel’* –>
.
*CLIFFS NOTES* –>
*OPEN ‘OBS’*
*SPLIT SCREEN*
.
*BOTTOM LEFT* –>
“SCENES PANEL”
.
.
*π¨βπ¬π΅οΈββοΈπββοΈ*SKETCHES*πββοΈπ©βπ¬π΅οΈββοΈ*
.
.
πππ β *βBLACKHOLEβ (OVERVIEW)*
.
*βFREE 3RD PARTY macOS APPSβ* β πππ
.
.
πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
.
.
*πβ¨ *TABLE OF CONTENTS* β¨π·*
.
.
π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯