-as of [14 NOVEMBER 2024]–
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*recording internal audio* –>
-DOWNLOAD [BLACKHOLE]–
(3 VARIATIONS)
(2-CHANNEL / 16-CHANNEL / 64-CHANNEL)
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-OPEN [AUDIO MIDI SETUP]–
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*CREATE ‘AGGREGATE DEVICE’
(name it ‘AD 1’)
(click the ‘plus sign’ in ‘bottom left corner’)
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(set this as ‘input’)
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(you can ‘right click’ device name)
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(or go to ‘sound preferences’ and select ‘AD 1’ as input)
(the ‘microphone logo’ indicates that this device is set as ‘input’)
(‘blackhole’ will capture your ‘internal audio’)
*the ‘scarlet 2I2 USB’ is your ‘voice-over microphone’*
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(at the top of the panel, select ‘scarlett 212 USB’ as ‘clock source’)
(‘hardware’ is more reliable time-keeper)
(then set ‘drift correction’ for ‘blackhole 64-channel’)
(any ‘clock source’ should not have ‘drift correction’ enabled)
(only the ‘secondary sources’)
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(then create a ‘multi-device output’)
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*bottom left corner* –>
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(name it “MAIN DEVICE 1”)
(make sure that ‘macbook pro speakers’ is the first item on list)
(it’s a ‘mac quirk’)
(‘macbook pro speakers’ are sometimes labeled as ‘built-in output’)
(select ‘macbook pro speakers’ as ‘master device’)
(set the ‘secondary sources’ (scarlett 212 / blackhole 64-channel) to enable ‘drift correction’)
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(go to ‘sound preferences’ and select ‘MAIN DEVICE 1’ as ‘output’)
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*open ‘OBS’*
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(create ‘new scene’ + name it ‘INTERNAL AUDIO’)
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*add source ‘audio output capture’*
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*select device ‘blackhole 64-channel’* –>
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*CLIFFS NOTES* –>
*OPEN ‘OBS’*
*SPLIT SCREEN*
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*BOTTOM LEFT* –>
“SCENES PANEL”
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*π¨βπ¬π΅οΈββοΈπββοΈ*SKETCHES*πββοΈπ©βπ¬π΅οΈββοΈ*
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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