.
-as of [22 JANUARY 2026]–
.
*as of ‘9 NOVEMBER 2023’*
.
*WORDS*
*NOTES*
.
*key*
*time signature*
*tempo*
.
*INTRO*
(# bars)
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
*OUTRO*
(# bars)
.
(4:4swing / Bbmajor)
INTRO:
(Bb Bbsus4 Bb)
PART 1:
(Bb Bb6 Bb) (Bb) (Bb) (D#maj7 D#m)
(they’ll only get nice nice nicer)
(G# G#6 G#6) (Bbdim)
(gotta hold steady man)
(D#msus2) (D#) (D#7) (Bb)
(gotta entice her)
(Gm7 Gm) (D#maj7)
(and slowly speed up)
(D#7) (Bb)
(get in the groove)
(D#9)
(cuz as soon as those)
(Bb Bb D#maj7 Bb)
(Bb7) (D#6) (Bbdim)
(get in the know…better know where you’re going)
(riff: D C# D C# F G)
(F6 F Gm) (D#7) (Bb)
(cuz if we go out in style you’d better get ready to move)
(bass: Bb (D) D#)
PART 2:
(Bb) (G#) (G#6) (G#)
ho ho ho ing
(G#m) (C#7) (B) (E Em E)
(bass: G# (B D#) C# (B) B (F#) E (G#))
little less lana del ray
(a little T n A)
(little miss muffin)
(she’s selling her soul to anton levay)
.
*INTRO*
(# BARS)
.
*lead-in (#) reference notes* —>
XXX
[X]
(0)
“…”
.
*SONIC SNAPSHOTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*MANTRAS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
*BASSLINES*
.
*BEATS*
.
*HARMONIES*
.
*COUNTER-POINTS*
.
*SAMPLES*
.
*as of ‘9 NOVEMBER 2023’*
.
*CHORDS*
*NOTES*
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
they only get nice nice nicer
but you gotta hold steady man
you gotta entice her
slowly speed up
get in a groove
cuz as soon as those years start showing
you’d better get in the know
you’d better know where you’re going
and if we go out in style
you’d better get ready to move
.
*INTRO*
(# BARS)
.
*lead-in lyrix* —>
“XXX”
.
*SONIC SNAPSHOTS*
(# BARS)
XXX
.
*MANTRAS*
(# BARS)
XXX
.
*FREE-FORM CHANTS*
(# BARS)
XXX
.
*OUTRO*
(# BARS)
XXX
.
.
(then…)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
.
*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
.
.
*SONG TITLE* —>
*WORKING TITLES*
.
*ALTERNATE TITLES*
.
.
*INTRO*
.
*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
.
.
*VERSE #*
.
(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
.
.
*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
.
.
*BRIDGE*
XXX
.
*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
.
“first things first…”
*determine ‘pertinent playlist placement(s’*
.
.
*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
.
*as of ‘9 NOVEMBER 2023’*
.
*CHORDS*
*WORDS*
.
-WORKING TITLES-
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
and if we go out of style…
at least we’ll be well in the nude
.
*INTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
*SONIC SNAPSHOTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*MANTRAS*
(# BARS)
.
*BAR 1* —>
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*OUTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
XXX
.
-LYRICAL ALTERNATES/EXTENSIONS-
.
-SONG LINX-
.
-VISUALS-
.
*SPOTIFY LINK*
.
*PRO TOOLS SESSIONS*
.
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*SONIC ALTERNATES*
.
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*’PREMIERE PRO’ PROJECT*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
.
.
.
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥