-as of [4 JUNE 2024]–
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The Surround Reverb effect is primarily intended for 5.1 sources, but it can also provide surround ambience to mono or stereo sources
In the Waveform Editor, you can choose Edit > Convert Sample Type to convert a mono or stereo file to 5.1, and then apply Surround Reverb.
In the Multitrack Editor, you can send mono or stereo tracks to a 5.1 bus or master with Surround Reverb
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Input Center:
Determines the percentage of the center channel included in the processed signal
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Input LFE:
Determines the percentage of the Low Frequency Enhancement channel used to excite reverb for other channels.
The LFE signal itself is not reverberated
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Reverb Settings
Impulse:
Specifies a file that simulates an acoustic space.
Click Load to add a custom, 6-channel impulse file in WAV or AIFF format
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Room Size:
Specifies a percentage of the full room defined by the impulse file.
The larger the percentage, the longer the reverb
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Damping LF:
Reduces low-frequency, bass-heavy components in reverb, avoiding muddiness and producing a clearer, more articulate sound
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Damping HF:
Reduces high-frequency, transient components in reverb, avoiding harshness and producing a [warmer, lusher sound]
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Pre-Delay:
Determines how many milliseconds the reverb takes to build to maximum amplitude.
To produce the most natural sound, specify a short pre-delay of 0–10 milliseconds.
To produce interesting special effects, specify a long pre-delay of 50 milliseconds or more
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Front Width:
Controls the stereo spread across the front three channels.
A width setting of 0 produces a mono reverb signal
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Surround Width:
Controls the stereo spread across the rear surround channels (Ls and Rs)
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Output
C Wet Level:
Controls the amount of reverb added to the Center channel.
(Because this channel usually contains dialog, reverb should typically be lower)
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L/R Bal:
Controls left-right balance for front and rear speakers.
100 outputs reverb to only the left,
-100 to only the right
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F/B Bal:
Controls front-back balance for left and right speakers.
100 outputs reverb to only the front,
-100 to only the back
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Mix:
Controls the ratio of original to reverberant sound.
A setting of 100 outputs only reverb
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Gain:
Boosts or attenuates amplitude after [processing]
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