✨QUEEN OF DIAMONDS✨
🎶BASIX🎶


-as of [22 OCTOBER 2026]-


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*NAVIGATE TO [BOTTOM]* —>


XDUMPX


wordpaste


chordpaste


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-QUADRATIX-


-FILE PATHS-


-PEER REVIEW-


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-[PRO TOOLS] SESSIONS-


-[PREMIERE PRO] PROJECTS–


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-ZYX-


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*SOURCE CODE* —>


~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-



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-[SONG PROFILE] LINK-


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


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-MODUS OPERANDI-


“JOGAN NOTATION”


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*PLACEHOLDER* —>


XYZ


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*5 SECTIONS* —>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


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XYZ

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*SETTINGS* —>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-
(ARCHIVES)

-[60] / [BPM]-


–[1 BEAT] = [XXX SECONDS]–


-[XXX BARS] / [XXX BEATS]-


*DURATION* —>


-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


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*SPEX SCREENSHOT* —>


–[KEY]-

–[#:#]–

–[# BPM]-

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–[# BARS] / [# BEATS]–

–[1 BEAT] = [# SECONDS]–

-[# SECONDS]-

–[# MINUTES] / [# SECONDS]–


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/1 -SPEX-


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XYZ

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*OUTLINE*


-[###] SECTIONS-


-[###] PARTS-

([INTRO] / [X#] / [X#] / [SOLO] / [OUTRO])


-INTRO-


-X#-


-X#-


-X#-


-X#-


-OUTRO-


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-OUTLINES-


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*SECTIONS* —>


-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])


-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


-X#-
(# BEATS)

(# SECONDS)
([#:##] – [#:##])


-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BASIX-


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XYZ

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*6 [BAR BREADOWN] TEMPLATES* —>


-1 BAR-


-2 BARS-


-3 BARS-


-4 BARS-


-8 BARS-


-12 BARS-


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*# PARTS* —>


-INTRO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

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-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


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(TENOR C5)

-# SYLLABLES-

*reference notes* —>

(X# X# X# X#)

(word word word word)


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

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-BAR 3-

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-BAR 4-

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-BAR 5-

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-BAR 8-

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-BAR 9-

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-BAR 10-

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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

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-BAR 2-

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-BAR 3-

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-BAR 5-

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-BAR 6-

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-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

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-BAR 2-

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-BAR 3-

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-BAR 4-

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-BAR 5-

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-BAR 6-

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-BAR 7-

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(#) (#) (#) (#)

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-BAR 8-

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-BAR 9-

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-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

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-BAR 3-

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-BAR 4-

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-BAR 5-

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-BAR 6-

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-BAR 7-

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(#) (#) (#) (#)

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-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-SOLO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

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(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

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-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 13-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 14-

[X] [X] [X] [X]

(#) (#) (#) (#)


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-OUTRO-

(# BARS / # BEATS)

(REPEAT x #)

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BARS-


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XYZ

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*LYRIX* —>


-INTRO-

(# BARS / # BEATS)

(instrumental)


-X#-

(# BARS / # BEATS)

X

X

X

X


-X#-

(# BARS / # BEATS)

X

X

X

X


-OUTRO-

(# BARS / # BEATS)

-COUNTERPOINTS-

X

X

X

X


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-SECTIONS-


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-DUMP-

-ZYX-

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XYZ


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*ALTERNATE LYRIX* —>

XXX


*ALTERNATE TITLES* —>

XXX


*VISUALS* —>

XXX


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*[SONG DATABASE] LINX* —>


-THE LONG RUN-


-SIGNATURE SOUNDS-


-PAST MASTERS-


-WORKS IN PROGRESS-


-COLD CUTS-


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*🎸✨CHORDS✨🎸*

-[CHORDS] TEMPLATE-


*🎼✨WORDS✨✍️*

-[WORDS] TEMPLATE-


🧫🥼🧪✨NOTES✨🧪🥼🏋️‍♀️

-[NOTES] TEMPLATE-


(open these 3 links in 3 new windows)

Ithen use ‘spectacle’ to evenly split screen into 3rds)

(chords / words / notes)

[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]


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-SPOTIFY EMBED LINK–

-SPOTIFY SIGN-IN LINK-


-[DISTRO-KID] PROFILE-

-DISTROKID TEMPLATE-

-[DISTRO-KID] SIGN-IN LINK-


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-POCKET SCORES-


*SPEX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/1 -SPEX-‘

-MUSICAL KEY-

-TIME SIGNATURE-

-TEMPO-

-BEAT LENGTH-


*PARTS* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/2 -PARTS-‘

-BAR BREAKDOWN-

-TABLE OF CONTENTS-


*LYRIX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/3 -LYRIX-‘

(SCREENSHOTS FROM “BASIX WORDPRESS ENTRY”)


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-SORT [FINDER FOLDER] BY [NAME]-


-[GALLERY VIEW]-


-SEND [ENTRY SCREENSHOTS] TO YOUR iPHONE-


-TAKE NOTES IN [macOS NOTEPAD]-


XDUMPX


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XDUMPX


*BASIC LYRIX* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


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*INTRO* —>


come get ready…


come get ready…


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


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*ALTERNATE LYRIX* —>


X


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have you seen me crying diamonds?
have you seen me cry like a heartbroken star in the sky?

well wherever you are i hope you can fly…

(come get ready)


have you heard her yearn in earrnest?
how she lives and learns as we die on a fifth of july

have you seen me crying diamonds?
have you seen me cry like a heartbroken star in the sky?

well wherever you are i hope you can fly…

(you’d better get ready to fly)


don’t turn your light off
release the beat

ripping your dresses right off
feel my heat
beneath my sheet

mama don’t raise your voice
let it rest


leaving your kittens right out
in the street
release my sheep

wishing you had more white-out
now you can’t delete
now you can’t repeat

mama don’t raise your voice
let it rest…


you’ll have to excuse me…i’m kinda new…

what can i do for you?

i came to fill your shoes

abide by all the stars in action

i’m gonna grow up to be just like you..
(“what can i do for you”?)

the greatest jew since lenny bruce
the greatest jew since lenny bruce


hate to be the one to be a breaking the mold
cut and run, come up cold
come and hold me centerfold
come and hold me centerfold
come and hold me centerfold


thought you’d be the one to be a getting it done
baby cut and run, cut and run

(come and hold me centerfold) x 3


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-XDUMPX-


👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉


👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉


👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉


👈👈👈☜*“COLD CUTS”* ☞ 👉👉👉


👈👈👈☜*“SIZZLE REEL”* ☞ 👉👉👉


👈👈👈☜*“PAST MASTERS”* ☞ 👉👉👉


-XDUMPX-


.


*BASIC CHORDS* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


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*INTRO* —>


XXX


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


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*ALTERNATE SECTIONS* —>


X


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INTRO:

(4:4 / Gmajor / 120bpm)

(G Gsus2 read G)

come get ready…

VERSE 1:

(G6 Gsus2 ing) (D6 Dsus4)

have you seen me crying diamonds?

(come get ready madam)

(G6 Gsus2 like G6 a (D7+6 D7sus4 en D7+6 D7sus4 the) (G Bm7 G Bmsus4)

have you seen me cry like a heartbroken star in the sky?

(Em Edim ev Emsus4 er Em) (A7 A7sus2 come A7 read)

well wherever you are, i hope you can fly…come get ready…

(bass: G (A B) D (B A) G (B) D (C A) G (B) B (A) G (B) B (F#) E (G B) A (G))

VERSE 2:

[(G6 Gsus2 ing) (D6 Dsus4)] x 3

(bass: G (A B) D (B A))

have you heard her yearn in earnest?

how she lives and learns as we die on a fifth of july

(moonshine…)

have you seen me crying diamonds?

(come get ready)

(G6 Gsus2 like G6 a (D7+6 D7sus4 en D7+6 D7sus4 the) (G Bm7 G Bmsus4)

have you seen me cry like a heartbroken star in the sky?

(bass: G (B) D (C A) G (B) B (A) G (B) B (F#) E (G B) A (G))

(Em Edim ev Emsus4 er Em) x 3

(A7 A7sus2 come A7 read)

(bass: E (G B) A (G))

well wherever you are…

well wherever you are…

well wherever you are…

i hope you can fly…

(my little darling…)

OUTRO:

[(Em Edim ev Emsus4 er Em) (A7 A7sus2 come A7 read)] x 4

(bass: E (G B) A (G))

(A7 A7sus2 come A7 read) x 12

you’d better get ready to fly…

BRIDGE:

(4:4 / Gmajor / 86bpm)

[(Em Edim ev Emsus4 er Em) (A7 A7sus2 come A7 read)]

(bass: E (G B) A (G))

OUTRO 2:

(Em Emsus4 Em EmsusF# Em) (E)

mama don’t turn your light off

release the beat

(Amaj7 Amaj7sus2 ri Amaj7) (Amaj7 Amaj7sus2 my)

(E)

(bass: E (G#) A (G#) E (G#))

ripping your dresses right off

and feel my heat

release my sheep

(B6 B Bsus4 Bsus2 Bsus4 Bsus2 Bsus4 B) (Am)

mama don’t raise your voice

let it rest

(bass: B A (E))

(E Esus2 E)

leaving your kittens right out

in the street

beneath my sheet

(Amaj7 Amaj7sus2 ri Amaj7) (Amaj7 Amaj7sus2 my)

(E)

(bass: E (G#) A (G#) E (G#))

wishin you had more white-out

now you can’t delete

now you can’t repeat

(B6 B Bsus4 Bsus2 Bsus4 Bsus2 Bsus4 B) (Am) (Am6 Am)

(bass: B A (E))

mama don’t raise your voice

let it rest

(E Em G)

(bass: E (G) G)

PART 2:

(G G6 G) (C9) (G)

you’ll have to ‘cuse me…

i’m kinda new…

(C9) (G)

what can i do for you?

(C9) (G)

i ca-came to f-fill your shoes

(Cmsus2 Cmsus4 Cmsus2 Cmsus4 Cmsus2 Cmsus4 Cmsus2 Cm) (G Gsus2)

i abide by all the stars in action

(bass: G (B) C (Bb) G (B) C (Bb) G (B) C (Bb) G (B) C (G) G)

CHORUS:

(G+) (Cm just G+) (A7 you A7sus2 A7) (Gdim) (D7)

(C7+6) (C9) (C7 C6) (C7 C6) (G)

(bass: G (B) C (G) G (B) A (G) G (Bb C#) D (C ) C (A) G)

i’m gonna grow up to be just like you…

(the greatest jew since lenny bruce)

(the greatest jew…since lenny bruce…)

cartoon peanuts joga looking at a larger and larger portrait…

“what can i do for you?”

*(REPEAT PART 2 –> CHORUS)*

PART 3:

(Gmaj7) (G) (Gsus2 G)

(Gdim A7 Gdim) (F#dim/Bb F#dim) (Gdim Adim)

(C7 C6) (G)

(Em Emsus4 me Em) (A7)

(C7 C6) (G)

(bass: G (Bb) A (G) G F# G (Bb) A (C ) C (A) G (B D) E (G B) A (C#) C (A) G)

well i’d hate to be the one to be a breaking the mold

cut and run and come up cold

come and hold me centerfold

come and hold me centerfold

come and hold me centerfold

we thought you’d be the one to be a getting it done

cut and run, cut and run

come and hold me centerfold

come and hold me centerfold

come and hold me centerfold

OUTRO:

[(G6 G6sus2 in) (Cm6 B+ Cm Cm6 Cm7 Cm6 Cm C) (G6sus2 G6) (Cmsus2 Cm Cm Cm6 Gsus2 G G Gsus2) (Gm Gmsus2 Gm Gm6) (Gsus2 G)] x 12

(bass: G (A B) C B C (G) G (B) C (A) G)

have you heard her yearn in earnest?

(i thought our love was everlasting…)


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-XDUMPX-


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-as of [3 NOVEMBER 2026]-

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.

👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉

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.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥

-as of [25 JUNE 2025]–

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*CHORDS*

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*WORDS*

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*NOTES*

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*SPOTIFY LINK*

.

*PRO TOOLS SESSIONS*

*G-DRIVE LINK*

.

*FILE-PATH* —>

/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-

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*SONIC ALTERNATES*

*G-DRIVE LINK*

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*FILE-PATH* —>

/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-

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*’PREMIERE PRO’ PROJECT*

*G-DRIVE LINK*

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*FILE-PATH* —>

XXX

.

*CINEMATIC ALTERNATES*

*G-DRIVE LINK*

.

*FILE-PATH* —>

XXX

.

*’SIBELIUS’ SCORE*

*G-DRIVE LINK*

.

*FILE-PATH* —>

XXX

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.

SCHIZO ScrAbblE

get ready – que of dmands….

got messed p

partcles stars n the sky

starrty eeyed skies

1 more uorth of ly

but barely enough to get by

deadby the 45th of jly

is t my time to die yet?

cudnt get rid o it now

ABOrtN

ro life

stork

inertile cople

stork

kdnapper

i hpoe u can ly

kidnap

o lordly loo

gcome get ready

paradise lost

i feel ur heat

throuacrosst the street

ctuckn u r r

chldren

feel m heat

mamam watch ur boys getting dressed

[rant teen

ive went and rely ade myself a mess

but i digress

COME GET READY

keel 

arrval

but not as blue as you

not quite as blue as ou

born n red to fill ur shoes

stuc in the middle with U

cme et rady

over heanvely jars

i hope u can ly

come get ready

*SCORES*

*LINX*

.

*WORDS*

*SCRAPS*

.

(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)
(sonic extensions / lyrical scraps)

.

*time signature*

*tempo*

*key*

.

*INTRO*

.

*SONIC SNAPSHOTS*

*MANTRAS*

*FREE-FORM CHANTS*

.

*OUTRO*

.

.

.

👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉

.

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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥