“TO CATCH A PREDATOR”
[SONG PROFILE]

-BASIX-

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πŸŒ‘πŸŒ’πŸŒ“βœ¨πŸšͺ-=*INTRO*=-πŸšͺβœ¨πŸŒ–πŸŒ—πŸŒ˜

*INTRO*

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*πŸŒͺ.SOUNDπŸŒ₯πŸŽ™πŸŒ©CLOUDS.πŸŒͺ*

AUDIO

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*🎬✨CLIPSβœ¨πŸ“½*

VIDEO

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*🎸✨CHORDS✨🎸*

“dolores mccoo!”

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*”BASIC CHORDS”*

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*”CHORD CHARTS”*

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*”THE SCORE”*

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*”GUITAR TABS”*

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*”BASS TABS”*

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*LINKS*

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(“time signature”)
(“tempo”)
(“key”)

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(4:4 / 115bpm / Dmajor)

INTRO:

(little caesar pizza man utters “humbert humbert!”)
(in lieu of “pizza pizza!”)
(piss-take on “hubba hubba!”)

(D D Ddim D) (Dsus2 D Dsus4 D)

(D D Ddim D) (D D7 D6 D)

(D7 D7 D6 D7) (Ddim D Ddim D)

(D D Ddim D) x 2

VERSE:

(D D D D6 D Ddim D) (D D D D6 D)

(D D D D6 D Ddim D) (D D D Dsus2 D)

CHORUS:

(D D D Dsus2 D Dmaj7 D) (D Dsus4 D Dsus2 D)

(G6) (Gmaj7 Gsus2 G Gmaj7) (Dsus2 D)

(D Dsus4 D Dsus2 D) (A Asus4 A A6 A7 A6 A Asus4)

(Asus2 A A6 A Asus4) (D)

(bass: D (A F#) G (B) D (A) A (C# D) D)

BRIDGE:

(D Dsus2 D) (D Ddim D) (D Ddim D D6 D) (D Dsus2 D)

(D Dsus2 D) (B7 B7+ B7) (Gm6 Gm G)

(Gmaj7 G6 G) (Dsus2 D)

(bass: D (A) B (A F#) G (B) D)

CODA:

(D+ F#7 D+ F#7 D+) (D Dmaj7 D D6)

(Em7 Em6) (A6 A Asus4 A) (D)

(bass: D (Bb) F# (Bb C#) D (Bb) F# (Bb G#) D (B A F#) E (G B) A (C#) D)

(D Dsus2 D) (B7 B7+ B7) (Bm Bmsus2 Bm Bmsus4 Bm Bmsus2 Bm)

(Bm Bmsus2 Bm B+ Bm7 Bm7 Bm) (Bm Bmsus2 Bm Bdim Bm Bm7 D)

(bass: D (A) B (D) D)

“tipperary”

(D D7 D D7 D6 Dm D)

(conclude with brian wilson’s piss-take on ‘surfer girl’)

(as todd rundgren cracks up backstage)
(along with danny elfman)
(as they engage in a homoerotic demonic dance featuring elfman’s “little girls” character)
(and they gradually morph into simpsons characters with the theme)

(as the song shifts up to D#major…)

(into “therapeutic blues”)
(as sung by a cranky pete townshend)
(circa “rough boys” + “eminence front”)

hauerpower (chords)

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(4:4 / 115bpm / Dmajor)

INTRO:

(D D Ddim D) (Dsus2 D Dsus4 D)

(D D Ddim D) (D D7 D6 D)

(D7 D7 D6 D7) (Ddim D Ddim D)

(D D Ddim D) x 2

VERSE:

(D D D D6 D Ddim D) (D D D D6 D)

(D D D D6 D Ddim D) (D D D Dsus2 D)

CHORUS:

(D D D Dsus2 D Dmaj7 D) (D Dsus4 D Dsus2 D)

(G6) (Gmaj7 Gsus2 G Gmaj7) (Dsus2 D)

(D Dsus4 D Dsus2 D) (A Asus4 A A6 A7 A6 A Asus4)

(Asus2 A A6 A Asus4) (D)

(bass: D (A F#) G (B) D (A) A (C# D) D)

BRIDGE:

(D Dsus2 D) (D Ddim D) (D Ddim D D6 D) (D Dsus2 D)

(D Dsus2 D) (B7 B7+ B7) (Gm6 Gm G)

(Gmaj7 G6 G) (Dsus2 D)

(bass: D (A) B (A F#) G (B) D)

CODA:

(D+ F#7 D+ F#7 D+) (D Dmaj7 D D6)

(Em7 Em6) (A6 A Asus4 A) (D)

(bass: D (Bb) F# (Bb C#) D (Bb) F# (Bb G#) D (B A F#) E (G B) A (C#) D)

(D Dsus2 D) (B7 B7+ B7) (Bm Bmsus2 Bm Bmsus4 Bm Bmsus2 Bm)

(Bm Bmsus2 Bm B+ Bm7 Bm7 Bm) (Bm Bmsus2 Bm Bdim Bm Bm7 D)

(bass: D (A) B (D) D)

“tipperary”

(D D7 D D7 D6 Dm D)

hauerpower (chords)

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O
XXX
XXX

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“IN SUMMARY …”
(for all versions)

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*SONIC EXTENSIONS*

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*🎼✨LYRICS✨✍️*

LYRICS

she my lolita and she like me…
she my lolita…

she my lolita and she like me…
she my lolita…

she my lolita and she good enough for me….
good enough for me…
good enough for me….
good enough for me….

we’re talking skills and bills, ba-baby balls n chains

(*frantic 911 call placed by old jewish lady on “9th street”:*)

(“and now he’s turnin over furniture!”)

the skills remain…

skills n bills, ba-babe i’ll wrack my brain
remain insane for your entertainment…

now it’s a long long way to tipperary…
go on…
dec-dec-dec-decorate the bus for me…

long way…
wrong way…

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“alpizar the adventurous athlete”

(i bought my boyfriend a bong)
and then he grew out his beard
(he went from mainstream to weird)
in 2 months flat
now how about that?

just a little bit of magic
and the right kind of woman

he grew out his beard
(he went from mainstream to weird)

in 2 months flat
now how about that?

i’ll bring my bong
(and we’ll smoke a great deal)

i bought my boyfriend a bong
he went from wall street to hong kong

now just imageone that…

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PART 1:

she my lolita and she like me…
she my lolita…

she my lolita and she like me…
she my lolita…

she my lolita and she good enough for me….
good enough for me…
good enough for me….
good enough for me….

we’re talking skills and bills, ba-baby balls n chains

(*frantic 911 call placed by old jewish lady on β€œ9th street”:*)

(β€œand now he’s turnin over furniture!”)

the skills remain…

skills n bills, ba-babe i’ll wrack my brain
remain insane for your entertainment…

OUTRO:

now it’s a long long way to tipperary…
go on…
dec-dec-dec-decorate the bus for me…

long way…
wrong way…

*SCRAPS*

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🧫πŸ₯ΌπŸ§ͺ✨“BEHIND THE MUSIC”✨πŸ§ͺπŸ₯ΌπŸ‹οΈβ€β™€οΈ

(written in 2008)

(while i was living in the east village)
(and obsessed with christine hauer)
(who was a 17-year-old high school senior at the time)
(so she had already reached the age of consent)
(i was 24 years old)
(became a staple of live shows with ‘jogabot’)

(1955 vladimir nabokov novel)
(about a grown man’s affair with an ‘underage’ girl)
(12 years old)

THEMES

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πŸ€–β˜ οΈπŸ›‘β™žβš”οΈπŸ›‘ENSEMBLEπŸ›‘βš”οΈβ™˜πŸ’€πŸ€–

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βœ¨βš‘οΈπŸ”ŒπŸŽ€πŸŒŒPRODUCTIONπŸŒŒπŸŽ€πŸ”Œβš‘οΈβœ¨

STUDIO

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πŸ•΄πŸŽ«πŸŽ­βœ¨PERFORMANCEβœ¨πŸŽ­πŸŽ«πŸ•΄

LIVE

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*βœ¨πŸ¦„πŸ“–βœ¨STORYLINESβœ¨πŸ“–πŸ¦„βœ¨*

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πŸ‘ŽπŸ€·β€β™‚οΈπŸ‘©β€βš–οΈπŸ™€*REVIEWS*πŸ˜»πŸ‘¨β€βš–οΈπŸ€·β€β™‚οΈπŸ‘

(bandcamp page:)
(closing track of ‘girl talk’ album)

REVIEWS

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πŸŒŒπŸŒ“πŸŒ”πŸŒ•πŸŽ†πŸŒƒ-=*OUTRO*=-πŸŒƒπŸŽ†πŸŒ–πŸŒ—πŸŒ˜πŸŒŒ

*OUTRO*

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πŸ‹οΈβ€β™€οΈπŸŽΆπŸ‹οΈβ€β™‚οΈβ™©πŸ‹οΈβ€β™‚οΈβ™ͺπŸ‹οΈβ€β™‚οΈβ™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈπŸŽ΅πŸ‹οΈβ€β™€οΈπŸŽΆπŸ‹οΈβ€β™‚οΈβ™©πŸ‹οΈβ€β™‚οΈβ™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈβ™ͺπŸ‹οΈβ€β™‚οΈβ™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈπŸŽ΅

πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œGIRL POWER”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰
*THE PLAYLIST*

πŸ‹οΈβ€β™€οΈπŸŽΆπŸ‹οΈβ€β™‚οΈβ™©πŸ‹οΈβ€β™‚οΈβ™ͺπŸ‹οΈβ€β™‚οΈβ™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈπŸŽ΅πŸ‹οΈβ€β™€οΈπŸŽΆπŸ‹οΈβ€β™‚οΈβ™©β™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈπŸ‹οΈβ€β™‚οΈβ™ͺπŸ‹οΈβ€β™‚οΈβ™«πŸ‹οΈβ€β™‚οΈβ™¬πŸ‹οΈβ€β™‚οΈπŸŽ΅

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πŸ’•πŸ’πŸ’–πŸ’“πŸ–€πŸ’™πŸ–€πŸ’™πŸ–€πŸ’™πŸ–€β€οΈπŸ’šπŸ’›πŸ§‘β£οΈπŸ’žπŸ’”πŸ’˜β£οΈπŸ§‘πŸ’›πŸ’šβ€οΈπŸ–€πŸ’œπŸ–€πŸ’™πŸ–€πŸ’™πŸ–€πŸ’—πŸ’–πŸ’πŸ’˜

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*🌈✨ *TABLE OF CONTENTS* ✨🌷*

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πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯*we won the war* πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯