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πππβ¨πͺ-=*INTRO*=-πͺβ¨πππ
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*πͺ.SOUNDπ₯ππ©CLOUDS.πͺ*
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“dolores mccoo!”
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–
(“time signature”)
(“tempo”)
(“key”)
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(4:4 / 115bpm / Dmajor)
INTRO:
(little caesar pizza man utters “humbert humbert!”)
(in lieu of “pizza pizza!”)
(piss-take on “hubba hubba!”)
(D D Ddim D) (Dsus2 D Dsus4 D)
(D D Ddim D) (D D7 D6 D)
(D7 D7 D6 D7) (Ddim D Ddim D)
(D D Ddim D) x 2
VERSE:
(D D D D6 D Ddim D) (D D D D6 D)
(D D D D6 D Ddim D) (D D D Dsus2 D)
CHORUS:
(D D D Dsus2 D Dmaj7 D) (D Dsus4 D Dsus2 D)
(G6) (Gmaj7 Gsus2 G Gmaj7) (Dsus2 D)
(D Dsus4 D Dsus2 D) (A Asus4 A A6 A7 A6 A Asus4)
(Asus2 A A6 A Asus4) (D)
(bass: D (A F#) G (B) D (A) A (C# D) D)
BRIDGE:
(D Dsus2 D) (D Ddim D) (D Ddim D D6 D) (D Dsus2 D)
(D Dsus2 D) (B7 B7+ B7) (Gm6 Gm G)
(Gmaj7 G6 G) (Dsus2 D)
(bass: D (A) B (A F#) G (B) D)
CODA:
(D+ F#7 D+ F#7 D+) (D Dmaj7 D D6)
(Em7 Em6) (A6 A Asus4 A) (D)
(bass: D (Bb) F# (Bb C#) D (Bb) F# (Bb G#) D (B A F#) E (G B) A (C#) D)
(D Dsus2 D) (B7 B7+ B7) (Bm Bmsus2 Bm Bmsus4 Bm Bmsus2 Bm)
(Bm Bmsus2 Bm B+ Bm7 Bm7 Bm) (Bm Bmsus2 Bm Bdim Bm Bm7 D)
(bass: D (A) B (D) D)
“tipperary”
(D D7 D D7 D6 Dm D)
(conclude with brian wilson’s piss-take on ‘surfer girl’)
(as todd rundgren cracks up backstage)
(along with danny elfman)
(as they engage in a homoerotic demonic dance featuring elfman’s “little girls” character)
(and they gradually morph into simpsons characters with the theme)
(as the song shifts up to D#major…)
(into “therapeutic blues”)
(as sung by a cranky pete townshend)
(circa “rough boys” + “eminence front”)

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(4:4 / 115bpm / Dmajor)
INTRO:
(D D Ddim D) (Dsus2 D Dsus4 D)
(D D Ddim D) (D D7 D6 D)
(D7 D7 D6 D7) (Ddim D Ddim D)
(D D Ddim D) x 2
VERSE:
(D D D D6 D Ddim D) (D D D D6 D)
(D D D D6 D Ddim D) (D D D Dsus2 D)
CHORUS:
(D D D Dsus2 D Dmaj7 D) (D Dsus4 D Dsus2 D)
(G6) (Gmaj7 Gsus2 G Gmaj7) (Dsus2 D)
(D Dsus4 D Dsus2 D) (A Asus4 A A6 A7 A6 A Asus4)
(Asus2 A A6 A Asus4) (D)
(bass: D (A F#) G (B) D (A) A (C# D) D)
BRIDGE:
(D Dsus2 D) (D Ddim D) (D Ddim D D6 D) (D Dsus2 D)
(D Dsus2 D) (B7 B7+ B7) (Gm6 Gm G)
(Gmaj7 G6 G) (Dsus2 D)
(bass: D (A) B (A F#) G (B) D)
CODA:
(D+ F#7 D+ F#7 D+) (D Dmaj7 D D6)
(Em7 Em6) (A6 A Asus4 A) (D)
(bass: D (Bb) F# (Bb C#) D (Bb) F# (Bb G#) D (B A F#) E (G B) A (C#) D)
(D Dsus2 D) (B7 B7+ B7) (Bm Bmsus2 Bm Bmsus4 Bm Bmsus2 Bm)
(Bm Bmsus2 Bm B+ Bm7 Bm7 Bm) (Bm Bmsus2 Bm Bdim Bm Bm7 D)
(bass: D (A) B (D) D)
“tipperary”
(D D7 D D7 D6 Dm D)

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XXX
XXX
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“IN SUMMARY …”
(for all versions)
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she my lolita and she like meβ¦
she my lolitaβ¦
she my lolita and she like meβ¦
she my lolita…
she my lolita and she good enough for meβ¦.
good enough for meβ¦
good enough for meβ¦.
good enough for meβ¦.
we’re talking skills and bills, ba-baby balls n chains
(*frantic 911 call placed by old jewish lady on “9th street”:*)
(“and now he’s turnin over furniture!”)
the skills remainβ¦
skills n bills, ba-babe i’ll wrack my brain
remain insane for your entertainment…
now it’s a long long way to tipperary…
go on…
dec-dec-dec-decorate the bus for me…
long way…
wrong way…
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“alpizar the adventurous athlete”
(i bought my boyfriend a bong)
and then he grew out his beard
(he went from mainstream to weird)
in 2 months flat
now how about that?
just a little bit of magic
and the right kind of woman
he grew out his beard
(he went from mainstream to weird)
in 2 months flat
now how about that?
i’ll bring my bong
(and we’ll smoke a great deal)
i bought my boyfriend a bong
he went from wall street to hong kong
now just imageone that…
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PART 1:
she my lolita and she like meβ¦
she my lolitaβ¦
she my lolita and she like meβ¦
she my lolitaβ¦
she my lolita and she good enough for meβ¦.
good enough for meβ¦
good enough for meβ¦.
good enough for meβ¦.
weβre talking skills and bills, ba-baby balls n chains
(*frantic 911 call placed by old jewish lady on β9th streetβ:*)
(βand now heβs turnin over furniture!β)
the skills remainβ¦
skills n bills, ba-babe iβll wrack my brain
remain insane for your entertainmentβ¦
OUTRO:
now itβs a long long way to tipperaryβ¦
go onβ¦
dec-dec-dec-decorate the bus for meβ¦
long wayβ¦
wrong wayβ¦
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π§«π₯Όπ§ͺ⨓BEHIND THE MUSIC”β¨π§ͺπ₯ΌποΈββοΈ
(written in 2008)
(while i was living in the east village)
(and obsessed with christine hauer)
(who was a 17-year-old high school senior at the time)
(so she had already reached the age of consent)
(i was 24 years old)
(became a staple of live shows with ‘jogabot’)
(1955 vladimir nabokov novel)
(about a grown man’s affair with an ‘underage’ girl)
(12 years old)
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π€β οΈπ‘ββοΈπ‘ENSEMBLEπ‘βοΈβππ€
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β¨β‘οΈππ€πPRODUCTIONππ€πβ‘οΈβ¨
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π΄π«πβ¨PERFORMANCEβ¨ππ«π΄
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*β¨π¦πβ¨STORYLINESβ¨ππ¦β¨*
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ππ€·ββοΈπ©ββοΈπ*REVIEWS*π»π¨ββοΈπ€·ββοΈπ
(bandcamp page:)
(closing track of ‘girl talk’ album)
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ππππππ-=*OUTRO*=-ππππππ
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ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅
πππβ*βGIRL POWERβ* β πππ
*THE PLAYLIST*
ποΈββοΈπΆποΈββοΈβ©ποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅ποΈββοΈπΆποΈββοΈβ©β«ποΈββοΈβ¬ποΈββοΈποΈββοΈβͺποΈββοΈβ«ποΈββοΈβ¬ποΈββοΈπ΅
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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*πβ¨ *TABLE OF CONTENTS* β¨π·*
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯