-as of [16 JUNE 2026]-
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“color co-ordinaters”
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[the visual arts are ‘art forms’ such asβ¦]
‘ceramics’
‘drawing’
‘painting’
‘sculpture’
‘print-making’
‘design’
‘crafts’
‘photography’
‘video’
‘film-making’
‘architecture’
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*many ‘artistic disciplines’ (such as ‘performing arts’, ‘conceptual art’, ‘textile arts’) involve aspects of the ‘visual arts’ as well as ‘arts’ of other ‘types’*
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(also included within the ‘visual arts’ are the ‘applied arts’, such as…)
‘industrial design’
‘graphic design’
‘fashion design’
‘interior design’
‘decorative art’
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(current usage of the term “visual arts” includes ‘fine art’ as well as the ‘applied decorative ‘arts’ + ‘crafts”, but this was not always the case)
(before the ”arts’ + ‘crafts’ movement’ in ‘britain’ (and ‘elsewhere’) at the turn of the ’20th century’, the term ‘artist’ was often restricted to a person working in the ‘fine arts’ (such as ‘painting, sculpture, or printmaking) and not the ‘handicraft’, ‘craft’, or ‘applied art’ media)
(the distinction was emphasized by ‘artists’ of the ”arts’ + ‘crafts’ movement’, who valued ‘vernacular art forms’ as much as ‘high forms’)
(‘art schools’ made a distinction between the ‘fine arts’ and the ‘crafts’, maintaining that a ‘craftsperson’ could not be considered a ‘practitioner’ of ‘the arts’)
(the increasing tendency to privilege ‘painting’ (and to a lesser degree ‘sculpture’) above other ‘arts’ has been a feature of ‘western art’ as well as ‘east asian art’)
(in both ‘regions’, ‘painting’ has been seen as relying to the highest degree on the ‘imagination’ of the ‘artist’, and the furthest removed from ‘manual labour’ β in ‘chinese painting’ the most highly valued styles were those of “scholar-painting”, at least in theory practiced by ‘gentleman amateurs’)
(the ‘western hierarchy of genres’ reflected similar attitudes)
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