✨OB LA DI OB LA DA✨
🎶BASIX🎶


-as of [22 OCTOBER 2026]-


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*NAVIGATE TO [BOTTOM]* —>


XDUMPX


wordpaste


chordpaste


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-QUADRATIX-


-FILE PATHS-


-PEER REVIEW-


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-[PRO TOOLS] SESSIONS-


-[PREMIERE PRO] PROJECTS–


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-ZYX-


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*SOURCE CODE* —>


~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-



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-[SONG PROFILE] LINK-


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


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-MODUS OPERANDI-


“JOGAN NOTATION”


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*PLACEHOLDER* —>


XYZ


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*5 SECTIONS* —>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


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XYZ

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*SETTINGS* —>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-
(ARCHIVES)

-[60] / [BPM]-


–[1 BEAT] = [XXX SECONDS]–


-[XXX BARS] / [XXX BEATS]-


*DURATION* —>


-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


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*SPEX SCREENSHOT* —>


–[KEY]-

–[#:#]–

–[# BPM]-

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–[# BARS] / [# BEATS]–

–[1 BEAT] = [# SECONDS]–

-[# SECONDS]-

–[# MINUTES] / [# SECONDS]–


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/1 -SPEX-


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XYZ

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*OUTLINE*


-[###] SECTIONS-


-[###] PARTS-

([INTRO] / [X#] / [X#] / [SOLO] / [OUTRO])


-INTRO-


-X#-


-X#-


-X#-


-X#-


-OUTRO-


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-OUTLINES-


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*SECTIONS* —>


-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])


-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


-X#-
(# BEATS)

(# SECONDS)
([#:##] – [#:##])


-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BASIX-


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XYZ

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*6 [BAR BREADOWN] TEMPLATES* —>


-1 BAR-


-2 BARS-


-3 BARS-


-4 BARS-


-8 BARS-


-12 BARS-


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*# PARTS* —>


-INTRO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


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(TENOR C5)

-# SYLLABLES-

*reference notes* —>

(X# X# X# X#)

(word word word word)


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-SOLO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 13-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 14-

[X] [X] [X] [X]

(#) (#) (#) (#)


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-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


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-OUTRO-

(# BARS / # BEATS)

(REPEAT x #)

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BARS-


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XYZ

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*LYRIX* —>


-INTRO-

(# BARS / # BEATS)

(instrumental)


-X#-

(# BARS / # BEATS)

X

X

X

X


-X#-

(# BARS / # BEATS)

X

X

X

X


-OUTRO-

(# BARS / # BEATS)

-COUNTERPOINTS-

X

X

X

X


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-SECTIONS-


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-DUMP-

-ZYX-

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XYZ


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*ALTERNATE LYRIX* —>

XXX


*ALTERNATE TITLES* —>

XXX


*VISUALS* —>

XXX


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*[SONG DATABASE] LINX* —>


-THE LONG RUN-


-SIGNATURE SOUNDS-


-PAST MASTERS-


-WORKS IN PROGRESS-


-COLD CUTS-


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*🎸✨CHORDS✨🎸*

-[CHORDS] TEMPLATE-


*🎼✨WORDS✨✍️*

-[WORDS] TEMPLATE-


🧫🥼🧪✨NOTES✨🧪🥼🏋️‍♀️

-[NOTES] TEMPLATE-


(open these 3 links in 3 new windows)

Ithen use ‘spectacle’ to evenly split screen into 3rds)

(chords / words / notes)

[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]


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-SPOTIFY EMBED LINK–

-SPOTIFY SIGN-IN LINK-


-[DISTRO-KID] PROFILE-

-DISTROKID TEMPLATE-

-[DISTRO-KID] SIGN-IN LINK-


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-POCKET SCORES-


*SPEX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/1 -SPEX-‘

-MUSICAL KEY-

-TIME SIGNATURE-

-TEMPO-

-BEAT LENGTH-


*PARTS* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/2 -PARTS-‘

-BAR BREAKDOWN-

-TABLE OF CONTENTS-


*LYRIX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/3 -LYRIX-‘

(SCREENSHOTS FROM “BASIX WORDPRESS ENTRY”)


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-SORT [FINDER FOLDER] BY [NAME]-


-[GALLERY VIEW]-


-SEND [ENTRY SCREENSHOTS] TO YOUR iPHONE-


-TAKE NOTES IN [macOS NOTEPAD]-

VIDEO

CHORDS

LYRICS

THEMES

(off 1968 “eponymous beatles album”)

(paul mccartney song)

(part of our beatles medly in 6th grade)

(i remember that we had to replace “bra” with “bla” because joey calabro couldn’t stop giggling)

(also the theme song for a sitcom called “life goes on” from the 90s)
(i never watched it but i remember it featured an actor with down’s syndrome)

ENSEMBLE

STUDIO

LIVE

VISUALS

REVIEWS

*OUTRO*

(***BACK TO “THE WHITE ALBUM”***)


XDUMPX


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XDUMPX


*BASIC LYRIX* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


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*INTRO* —>


XXX


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


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*ALTERNATE LYRIX* —>


X


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VERSE 1:


desmond has a barrow in the market place
molly is the singer in a band
desmond says to molly “girl i like your face”
and molly says this as she takes him by the hand…


CHORUS:


ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…
ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…


VERSE 2:

desmond takes a trolley to the jewellers stores…
buys a 20-carat golden ring (ring?)
takes it back to molly waiting at the door…
and as he gives it to her she begins to sing (sing!)…

CHORUS:

ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…
ob-la-di ob-la-da life goes on bra…
la-la how the life goes on, yeah (no)…

BRIDGE:

in a couple of years they have built a home sweet home…
with a couple of kids running in the yard…
of ‘Desmond’ and ‘Molly Jones’…
(ah ha ha ha ha ha)

VERSE 3:

happy ever after in the marketplace…
desmond lets the children lend a hand (Arm! Leg!)
‘Molly’ stays at home and does her pretty face…
and in the evening she’s a singer with the band…

CHORUS:

yes, ob-la-di ob-la-da life goes on bra…
la-la how the life goes on (ha ha ha)
hey, ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…

BRIDGE:

in a couple of years they have built a home sweet home…
with a couple of kids running in the yard…
of ‘Desmond’ and ‘Molly Jones’…
(ha ha ha ha ha ha ha ha ha ha)

VERSE 4:

yeah, happy ever after in the market place…
molly lets the children lend a hand (Foot!)
Desmond stays at home and does his pretty face…
and in the evening she’s a singer with the band…

CHORUS:

yeah, ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…
yeah, ob-la-di ob-la-da life goes on bra…
la-la how the life goes on…

OUTRO:

and if you want some fun…
take ob-la-di ob-la-da!

(thank you, uh, ha ha ha!)


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-XDUMPX-


👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉


👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉


👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉


👈👈👈☜*“COLD CUTS”* ☞ 👉👉👉


👈👈👈☜*“SIZZLE REEL”* ☞ 👉👉👉


👈👈👈☜*“PAST MASTERS”* ☞ 👉👉👉


-XDUMPX-


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*BASIC CHORDS* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


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*INTRO* —>


XXX


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


.


*ALTERNATE SECTIONS* —>


X


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chordpaste


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-XDUMPX-


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-as of [22 OCTOBER 2026]-

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👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉

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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥