β¨XXXβ¨<br>πΆBASIXπΆ
-as of [13 OCTOBER 2026]-
.
*NAVIGATE TO [BOTTOM]* β>
XDUMPX
.
.
-[PRO TOOLS] SESSIONS-
.
-ZYX-
.
*SOURCE CODE* β>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-

.
-[SONG BASIX] TEMPLATE-
(HEADER)
-[SONG BASIX] TEMPLATE-
(FOOTER)
.
.
*PLACEHOLDER* β>
XYZ
.
*5 SECTIONS* β>
“SETTINGS”
“CHAPTERS”
“OUTLINE”
“DUMP”
“SUPPLEMENTALS”
.
XYZ
.
*SETTINGS* β>
-KEY-
-TIME SIGNATURE-
-BPM-
-[60] / [BPM]-
–[1 BEAT] = [XXX SECONDS]–
-[XXX BARS] / [XXX BEATS]-
*DURATION* β>
-[# MINUTES] / [# SECONDS]-
-PASTE “SCREENSHOT FRAME” HERE-
.
XYZ
.
*OUTLINE* β>
-[###] SECTIONS-
-[###] PARTS-
-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])
A1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
B1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
.
XYZ
.
-INTRO-
XXX
.
(TENOR C5)
*reference notes* β>
A1 B2 C3
(word word word word)
.
-A1-
XXX
.
-B1-
XXX
.
-A2-
XXX
.
-B2-
XXX
.
-OUTRO-
XXX
.
XYZ
.
.
*SCATTERSHOTS* β>
XXX
*VISUALS* β>
XXX
*ALTERNATE TITLES* β>
XXX
.
-XYZ-
XYZ
.
.
XYZ
XDUMPX
*BASIC LYRIX* β>
*OUTLINE* β>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
.
*INTRO* β>
XXX
*VERSE 1* β>
XXX
*CHORUS 1* β>
XXX
*BRIDGE 1* β>
XXX
*OUTRO* β>
XXX
.
-PASTEBIN-
.
XDUMPX
πππβ*βTHE LONG RUNβ* β πππ
πππβ*βOUR SIGNATURE SOUNDSβ* β πππ
πππβ*βTHE DRAWING BOARDβ* β πππ
πππβ*βCOLD CUTSβ* β πππ
πππβ*βSIZZLE REELβ* β πππ
πππβ*βPAST MASTERSβ* β πππ
XDUMPX
*BASIC CHORDS* β>
*OUTLINE* β>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
.
*INTRO* β>
XXX
*VERSE 1* β>
XXX
*CHORUS 1* β>
XXX
*BRIDGE 1* β>
XXX
*OUTRO* β>
XXX
.
*VERSE 1*
(Bbmajor)
(Bb)
i need protection…
(D# D#6)
to ease my mind…
(Bb)
protection…
(D# D#6)
find…
(F)
wasn’t protected…
(D#) (D#m6) (Bb)
then…now i’m in trouble again…
CHORUS 1:
(Gm)
seemed very simple…
(Gm/F#)
follow the model…
(F)
swallow a bottle…
(C9)
pound down the throttle…
(D# D#m6)
asked for it over and over again…
(D#m) (Bbsus2 Bb)
PART 3:
(Bb Bb7 Bb6) (G#) (Bb)
wanna be in trouble with you…
(D#7)
hear your boyfriends go ‘boo hoo hoo’…
(Bb Bb7 Bb6) (G#) (Bb)
i’ll be in trouble with you…
(Gm)
don’t wanna another test…wanna change the…
(Gm/F#)
subject….
(F)
give you all my best…
(C9)
know you’re gonna love it…
(*pause*)
(D#7 D#m6) (Bb)
and then i’ll run my mouth again…
PART 4:
(Bb)
think fast little wild one…
(Bbsus2 Bb)
my heat…
PART 5:
(B7 B7sus4 B7)
yea….
(Bm)
yea yea yea…
(x 2)
(B Bm B)
god is my only friend…
(E)
so fuckin lazy…
(Em)
so fuckin crazy…
(B Bm B)
god is my only friend…
(F#)
asked for it over and…
(E7 E6 E) (Em)
over again…
(Em) (Bsus2 B)
i need protection…
(F#)
convicted of crimes that i…
(E) (Em)
never committed then…now i’m in trouble a…
(B)
gain…
OUTRO:
(B)
o and so are we…
(F#) (E Em)
running for miles…prepare for arrival…
.
(4:4 swing)
(91bpm)
(Bbmajor)
INTRO:
(D# D#m F# Bb) (Bb Bb Bb Bbsus4 Bbdim)
(riff: D D D# E Bb)
(D#6 D#m F#dim Bbdim F) (F D) (C9) (riff: G G Bb G)
(D#6 D+) (F#dim F#dim/D F7 C7 Bbdim C7 C Csus2) (C9)
(riff: D# D F# D F C Bb C D Bb G Bb C C C)
(Csus2 C)
(F6 F Fsus4 F)
(F G# Bb) x 2
(D# D Bb) x 2
(F G# Bb)
(D# D Bb)
(F6 F Fsus4)
(bass: D# (Bb) F# (Bb) Bb (C# E)
D# (Bb) F# (A) Bb (G E) F (A C) D C (D E)
D# (Bb) F# (A) Bb (C#) C (G E) F
F (A) G# (C ) Bb (F) F (A) G# (C ) Bb (D)
D# D (A) Bb (D) D# D (A) Bb
(F) F (A) G# (C ) Bb (D) D# D (A) Bb (F) F (A))
PART 1:
(reference note: D C Bb C Bb)
(Bb Bbsus2 (need) (Bb) (pro) (Bbsus2 (tect) Bb (tion)
(D#) (easa my) (D#6) (mind)
(D#maj7 D#6 D#) (D#6) (tect) (Bb) (ion) (Bb6 Bb) (hope we) (Bb Bbsus2)
(F (wasn’t pro) (F6) (tect) (F) (ed))
(riff: (Fsus4) (Fm) (tect) (F) (ed) / Bb Bb Bb G# G# G)
(D#7 (then) D#m (troub) D#m6 D#m) (Bb) (gain)
(bass: Bb (D) D# (C ) Bb (F) F (A C F) D# (Bb) Bb (F))
i need protectionβ¦
to ease my mind
i need protection
the kind i hope we can findβ¦
because i wasn’t protected then
now i’m in trouble again…
CHORUS:
(Gm7 Gm7sus4 (sim) Gm7 (ple))
(Gm/F# Gmsus4 (mod) Gm (el))
(F6 F F6) (F Fsus4) OR (F Fsus4 Fsus2) (swallow a) (F Fsus4) (bottle)
(C9) (Csus4 (down)) (C9)
(D#) (D#maj7 (ov) D#6 (er) D# (and)) (D#m6)
(D#maj7 D#6 D#) (Bbsus2 Bb)
(bass: G F (A Bb) C (D E) D# (Bb) Bb)
its seems very simple
to follow the model
to swallow a bottle
to pound down the throttle
i asked for it over and over again…
i need protectionβ¦
it seems very simple
to seek out the needle
to stick to the subject
to swallow a bottle
to pound down the throttle
i asked for it over and over again…
i need protectionβ¦
PART 2:
(Bb Bb7 Bb6) (G# Bb)
i wanna be in trouble with you
(D#7 D#sus2 D# D#maj7 D#6 D#)
and hear your boyfriends go boo hoo hoo
(Bb Bb7 Bb6) (G# Bb)
i wanna be in trouble with you
(bass: Bb (G) G# (C ) Bb (D) D# (Bb) Bb (G) G# (C ) Bb (F))
PART 3:
(Gm Gmsus4 (a) Gm (nother)) (Gmsus4/F# Gm)
(F6 (give) F (you) Fsus4 (all) Fsus2 (my) Fsus4 (best)) (Fsus2 (and) Fsus4 (i)) (C9 (know))
(bass: G F (A Bb) C (D E))
don’t want another test
i wanna change the subject
i’ll give you all my best
and i know you’re gonna love itβ¦
(PAUSE)
(D#7 D#m6) (Bb)
(bass: D# (C ) Bb)
and then i’ll run my mouth againβ¦
*GUITAR SOLO*
(over “protection” part 1) x 2
(Bb Bbsus2 Bb) (Bbsus2 Bb)
(D# D#6)
(D#maj7 D#6 D#) (D#6) (Bb) (Bb6 Bb) (Bb Bbsus2)
(F F6 F) (D# D#m D#m6 D#m) (Bb)
(bass: Bb (D) D# (C ) Bb (F) F (A C F) D# (Bb) Bb (F))
OUTRO:
(Bb) (Bbsus2 (my) Bb)
think fast little wild one
and feel my heat
think fast little wild one
release the beat
(what a long strange trip it’s been…)
(as throngs of deadheads tear the band to pieces)
(led by amanda lynn disguised as a flower child)
(4:4 straight)
(Bmajor)
(132bpm)
INTRO:
(B7) (B7sus4) (B7)
(B7 B7sus4 Bm)
yea yea yea…
(riff: B A F# A F# E F# A F# β¦ F# F# E D B)
VERSE:
(B Bm (on) Bmsus2 (ly) B (friend))
(E (so) Esus2 (fuck) E (ing) E7 (lazy))
(Em Emsus2 Em Em7)
god is my only friend
i’m so fucking lazy
i’m so goddamned crazy
(B Bm Bmsus2 B)
god is my only friend
(F#sus4 (asked) F#sus2 F#) (F#sus4 (ov) F#sus2 (er) F# (and)) (E7 (ov) E6 E Em)
i asked for it over and over againβ¦
(Em7 (i) Em6 (need) Em (pro)) (Bsus2 (tect) B (ion))
(i need protectionβ¦)
(bass: B (F#) E (G) B (F#) F# E (G) B)
VERSE:
god is my only friend
(F#sus4 F#sus2 F# F#sus4 (i)) (E7 (ne) E6 E Em Em7 Em6 Em (a)) (B) (gain)
convicted of crimes that i never committed then
now i’m in trouble again…
(bass: B (F#) E (G) B (F#) F# E (G) B)
i need protection…
OUTRO:
[(B) (F# F#6 F# F#sus4) (E6 Emaj7 E6 E6 Em)] x 12
(bass: B (F#) F# E (G))
o who are we?
been running for miles
now prepare for arrival
tread carefully…
you murdered your rival
still you stick to denial
you can hide here with me…
stay here awhile
and we’ll hide out in style
o who are we?
(in the wee wee hoursβ¦)
(under sleepy stars)
.
XDUMPX
.
XXX
-as of [1 JUNE 2024]–
.
.
.
.
.
*SPOTIFY LINK*
.
*PRO TOOLS SESSIONS*
.
*FILE-PATH* β>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*SONIC ALTERNATES*
.
*FILE-PATH* β>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*βPREMIERE PROβ PROJECT*
*G-DRIVE LINK*
.
*FILE-PATH* β>
XXX
.
*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
.
*FILE-PATH* β>
XXX
.
*βSIBELIUSβ SCORE*
*G-DRIVE LINK*
.
*FILE-PATH* β>
XXX
.
-as of [1 APRIL 2025]–
.
.
*key*
*time signature*
*tempo*
.
*INTRO*
(# bars)
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
*OUTRO*
(# bars)
.
.
******************************************************************
******************************************************************
.
*INTRO*
(# BARS)
.
*lead-in (#) reference notes* β>
XXX
[X]
(0)
ββ¦β
.
*SONIC SNAPSHOTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*MANTRAS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
*BASSLINES*
.
*BEATS*
.
*HARMONIES*
.
*COUNTER-POINTS*
.
*SAMPLES*
.
.
πππ β *βLA COSA NOSTRAβ*β πππ
*THE BASIX*
.
.
πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
.
.
*πβ¨ *TABLE OF CONTENTS* β¨π·*
.
.
π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯
.
.
.
πππβ*βTHE LONG RUNβ* β πππ
.
.
πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
.
.
π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯