-as of [13 OCTOBER 2026]-
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*NAVIGATE TO [BOTTOM]* —>
-XDUMPX-
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-[PRO TOOLS] SESSIONS-
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-ZYX-
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*SOURCE CODE* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-
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-[SONG BASIX] TEMPLATE-
(HEADER)
-[SONG BASIX] TEMPLATE-
(FOOTER)
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*PLACEHOLDER* —>
XYZ
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*5 SECTIONS* —>
“SETTINGS”
“CHAPTERS”
“OUTLINE”
“DUMP”
“SUPPLEMENTALS”
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XYZ
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*SETTINGS* —>
-KEY-
-TIME SIGNATURE-
-BPM-
-[60] / [BPM]-
–[1 BEAT] = [XXX SECONDS]–
-[XXX BARS] / [XXX BEATS]-
*DURATION* —>
-[# MINUTES] / [# SECONDS]-
-PASTE “SCREENSHOT FRAME” HERE-
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XYZ
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*OUTLINE* —>
-[###] SECTIONS-
-[###] PARTS-
-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])
A1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
B1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
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XYZ
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-INTRO-
XXX
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(TENOR C5)
*reference notes* —>
A1 B2 C3
(word word word word)
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-A1-
XXX
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-B1-
XXX
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-A2-
XXX
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-B2-
XXX
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-OUTRO-
XXX
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XYZ
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*SCATTERSHOTS* —>
XXX
*VISUALS* —>
XXX
*ALTERNATE TITLES* —>
XXX
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-XYZ-
XYZ
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XYZ
-XDUMPX-
*BASIC LYRIX* —>
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*OUTLINE* —>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* —>
XXX
*VERSE 1* —>
XXX
*CHORUS 1* —>
XXX
*BRIDGE 1* —>
XXX
*OUTRO* —>
XXX
*VERSE 1*
[6 BARS]
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where art thou, ‘rob roy’?…sweet…
yellow-haired boy…are the…
synths sinking in?….sweet…
yellow-haired boy…are the…
synths sinking in?
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*VERSE 2*
[6 BARS]
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where art thou, ‘rob roy’?…sweet…
yellow-hair…are the…
synths sinking in?…or are you…
stuck in the cupboard a
gain?
but if you…
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*CHORUS 1*
[4 BARS]
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bring me along…i will…
break out in song
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if you
bring me along…i will…
break out in song…
dam…
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*VERSE 3*
[4 BARS]
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kani come back…and…
make me a snack…and…
put down your game…and…
pour me some grain…and if i…
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*CHORUS 2*
[6 BARS]
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break out in song…will you…
sing right along?…if i…
break out in song…will you…
sing right along?
hey ay…
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*VERSE 4*
[4 BARS]
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I don’t despair, for i’m…
practically there…where my…
outlook is clear…
if i…
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*CHORUS 3*
[6 BARS]
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break out in song
will you
sing right along?…if i…
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break out in song…will you…
sing right along?
my…
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*VERSE 5*
[10 BARS]
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dear daniel boone…won’t you…
ring again soon?
ring again soon…
ring again soon…
ring again soon…
and if i…
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*CHORUS 4*
[2 BARS]
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if i break out in song…will you…
sing right along?
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*OUTRO 1*
[8 BARS]
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*OUTRO 2*
[2 BARS]
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(my dear daniel poon…)
(my big baby ruth…)
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-XDUMPX-
👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉
👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉
-XDUMPX-
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*BASIC CHORDS* —>
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*OUTLINE* —>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* —>
XXX
*VERSE 1* —>
XXX
*CHORUS 1* —>
XXX
*BRIDGE 1* —>
XXX
*OUTRO* —>
(4:4)
(F#blues)
(88bpm)
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(hum main riff in 2 octaves when performing solo)
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*INTRO*
(F#sus2 F#) x 12
(add B9 there for spice)
(or F#7 F#?)
(aka “e note” to “f note”)
(or F#m F#?)
riff: (E F# E A G# F# E E E E F# E C#) (B D B)
(F#sus2)
VERSE 1:
(reference notes: G# Bb / or A Bb)
(or G A for variety’s / vanity’s sake?)
(resist pressiure to make music more needlessly complicated in the hopes of “impressing” them)
(you may not impress non-musicians with technical prowess)
(F#m F#) x 3
where art though rob roy?
(F#sus4 F#)
…stuck in the cupboard again?
(F#7)
(C#)
CHORUS 1:
(B)
(and if) you bring me along…
(F#)
i will break out in song…
(F#m)
if you bring me along i will break out in song…)
VERSE 2:
(F#m F# F#+ F#) x 3
damkani come back…
(F#7)
pour me some grain…
CHORUS 2:
and if i break out in song…
will you sing right along?
if i break out in song will you sing right along?
*INTRO RIFF* x 2
(backed by F#sus4 F# or F#7 F#)
BRIDGE 1:
(F#)
“AI don’t despair…”
(E Esus2)
“for i’m practically there…”
(A6)
“…outlook is clear…”
*INTRO RIFF X 2*
CHORUS 3:
if i break out in song…
will you sing right along?
if i break out in song will you sing right along?
BRIDGE 2:
(Bsus4 B Bsus2)
my dear daniel boone…
(Bmaj7sus2 Bmaj7)
ring again soon..
(Bmaj7sus2 Bmaj7)
ring again soon…
(B9 B7)
“ring again soon…”
(B9 B7)
“ring again soon…”
CHORUS 3:
(F#m)
if i break out in song…
will you sing right along?
OUTRO:
(F# F# F# A F# C# B A F# C# B)
(C#7 B7 B6 F#7)
[(F# F# F# F# B)] x 2
(melody: F# F# F# F# C# F#)
(melody: C# C# C# C# A F#)
(C#7 B7 B6 F#7)
(x 4)
(C#7 B7 B6 F#7) x 12
(vacillate between B and F# keys)
-XDUMPX-
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XXX
-as of [4 JULY 2026]-
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-CONNECT THE DOTS-
(INTRO)
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-OFF THE GRID-
(OUTRO)
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*FILE PATH* —>
/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-MACHINE LEARNING-
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*TITLE SCROLL* —>
“THE SECRET LIFE OF MACHINES”
“RISE OF THE TRIAD”
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*PRO TOOLS SESSIONS*
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-APPS-/-PRO TOOLS-/-SESSIONS-/-SOUNDCLOUDS-/-THE CLASSIX-/-ROAD 2 DAMASCUS-/-ROAD 2 DAMASCUS- (1)
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*SONIC ALTERNATES*
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*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*[PREMIERE PRO] PROJECT*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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*OPENING BANNER* —>
“MACHINE LEARNING”
“THE SECRET LIVES OF MACHINES”
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*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)
(chords / lyrics)
(sonic extensions / lyrical scraps)
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*time signature*
*tempo*
*key*
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*INTRO*
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*SONIC SNAPSHOTS*
*MANTRAS*
*FREE-FORM CHANTS*
*OUTRO*
*VISUALS*
WE WE WIL BE REDISCOVERDEDWE WLL BE RE=DISCOVERED
2nd coming
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-as of [28 DECEMBER 2023]–
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*INTRO*
(34 bars)
(0:00 – 1:33)
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*VERSE 1*
(6 bars)
(1:33 – 1:50)
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*VERSE 2*
(6 bars)
(1:50 – 2:06)
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*CHORUS 1*
(4 bars)
(2:06 – 2:15)
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*INTRO RIFF*
(2 bars)
(2:15 – 2:22)
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*VERSE 3*
(4 bars)
(2:22 – 2:33)
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*CHORUS 2*
(6 bars)
(2:33 – 2:49)
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*INTRO RIFF*
(4 bars)
(2:49 – 3:00)
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*VERSE 4*
(4 bars)
(3:00 – 3:10)
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*INTRO RIFF*
(4 bars)
(3:10 – 3:20)
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*CHORUS 3*
(6 bars)
(3:20 – 3:38)
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*VERSE 5*
(10 bars)
(3:38 – 4:05)
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*CHORUS 4*
(2 bars)
(4:05 – 4:11)
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*OUTRO 1*
(8 bars)
(x 8)
(4:11 – 7:04)
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*OUTRO 2*
(2 bars)
(x 12)
(7:04 – 8:07)
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*INTRO*
(# BARS)
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*lead-in lyrix* —>
“XXX”
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*SONIC SNAPSHOTS*
(# BARS)
XXX
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*MANTRAS*
(# BARS)
XXX
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*FREE-FORM CHANTS*
(# BARS)
XXX
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*OUTRO*
(# BARS)
XXX
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(then…)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
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*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
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*SONG TITLE* —>
*WORKING TITLES*
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*ALTERNATE TITLES*
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*INTRO*
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*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
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*VERSE #*
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(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
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*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
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*BRIDGE*
XXX
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*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
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“first things first…”
*determine ‘pertinent playlist placement(s’*
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*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
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👈👈👈☜*“ROAD TO DAMASCUS”* ☞ 👉👉👉
*THE BASIX*
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥
..
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥
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