-as of [24 OCTOBER 2026]-
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*NAVIGATE TO [BOTTOM]* —>
XDUMPX
WORDPASTE
CHORDPASTE
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-[PRO TOOLS] SESSIONS-
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-ZYX-
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*SOURCE CODE* —>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-
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-[SONG PROFILE] LINK-
-[SONG BASIX] TEMPLATE-
(HEADER)
-[SONG BASIX] TEMPLATE-
(FOOTER)
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*PLACEHOLDER* —>
XYZ
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*5 SECTIONS* —>
“SETTINGS”
“CHAPTERS”
“OUTLINE”
“DUMP”
“SUPPLEMENTALS”
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XYZ
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*SETTINGS* —>
-KEY-
-TIME SIGNATURE-
-BPM-
-[60] / [BPM]-
–[1 BEAT] = [XXX SECONDS]–
-[XXX BARS] / [XXX BEATS]-
*DURATION* —>
-[# MINUTES] / [# SECONDS]-
-PASTE “SCREENSHOT FRAME” HERE-
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XYZ
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*OUTLINE* —>
-[###] SECTIONS-
-[###] PARTS-
-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])
A1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
B1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
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XYZ
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-INTRO-
XXX
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(TENOR C5)
*reference notes* —>
A1 B2 C3
(word word word word)
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-A1-
XXX
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-B1-
XXX
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-A2-
XXX
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-B2-
XXX
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-OUTRO-
XXX
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XYZ
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*SCATTERSHOTS* —>
XXX
*VISUALS* —>
XXX
*ALTERNATE TITLES* —>
XXX
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-XYZ-
XYZ
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XYZ
XDUMPX
*BASIC LYRIX* —>
*OUTLINE* —>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* —>
XXX
*VERSE 1* —>
XXX
*CHORUS 1* —>
XXX
*BRIDGE 1* —>
XXX
*OUTRO* —>
XXX
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*ALTERNATE LYRIX* —>
X
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wordpaste
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XDUMPX
👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉
👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉
XDUMPX
*BASIC CHORDS* —>
*OUTLINE* —>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* —>
XXX
*VERSE 1* —>
XXX
*CHORUS 1* —>
XXX
*BRIDGE 1* —>
XXX
*OUTRO* —>
XXX
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*ALTERNATE SECTIONS* —>
X
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chordpaste
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XDUMPX
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XXX
-as of [12 AUGUST 2026]-
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-as of [9 SEPTEMBER 2024]-
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*WORDS*
*NOTES*
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*key*
*time signature*
*tempo*
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*INTRO*
(# bars)
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
*OUTRO*
(# bars)
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(4:4 swing)
(88bpm)
(Bmajor)
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*VERSE 1*
(reference note: F# G# B C#)
(B B6 B Bsus2) (F#+ F# F#sus4)
magic marker…multiply…
(F#m6 F#m F#msus4 F#m) (B)
make more of your kind…
(B Bsus4) (E6)
spend my days…
(E7 E6) (C#m7)
flying high…
(Ddim C#(7) F#(+?) –> B)
reliable … al … ibi …
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*VERSE 2*
(B B6 B Bsus2) (F#+ F# F#sus4)
cinderella…flew the nest…
(F#m6 F#m F#msus4 F#m) (B)
made it to my roof…
(B B B Bsus4 B) (E6 E)
we were starry pretenders…
(E7 E6 E) (E)
seeking out the…
(Ddim C# C#7) (F#)
continental truth…
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*CHORUS*
(G#m)
love her…
(G#m/G)
miss markham…
(G#m/F#)
magic in her eye…call her…
(F#)
up and she couldn’t com…
(E6 E)
ply…
(Ddim C# B)
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*BRIDGE*
(B B6)
and i still love her…
(F#+) (F#) (F#msus4 F#msus2)
miss markham…
(F#) (F#m)
but my intentions are well-disguised…
(G#m) (C#m7)
but if she keeps in touch with each and every one of us…
(G#m) (F#) (C#) (B)
then we’ll be in for a big surprise…
(4:4 swing / Bmajor / 88bpm)
INTRO:
(F# G# B C#) (B) (F# G# B C#) (F#+)
(F# G# B C#) (F#m) (F# F E D) (B)
(F# F) (E) (E D#) (C#m) (C#) (F#) (G#bend F#)
(bass: B (F#) F# (A C#) B (F#) E (G# B) C# (G# F) F# (Bb))
VERSE:
(B B6 B Bsus2) (F#+ F# F#sus4)
(F#m6 F#m F#msus4 F#m) (B)
(B Bsus4) (E6) (E7 E6) (C#m7) (Ddim C# C#7 F# F#+ B)
(bass: B (F#) F# (A C#) B (F#) E (G# B) C# D C# (B G# F) F# (Bb) B)
(B B6 B Bsus2) (F#+ F# F#sus4)
(F#m6 F#m F#msus4 F#m) (B)
(B B B Bsus4 B) (E6 E) (E7 E6 E) (E) (Ddim C# C#7) (F#)
(bass: B (F#) F# (A C#) B (F#) E (G# B) D C# (B G# F) F#)
CHORUS:
(F#6) (G#msus4 G#m) (G#m G#msus4 G#m)
(G#m G#msus4 G#m) (G#m7) (G#m) (G#m G#msus4 G#m)
(F#) (F#6 F# F#sus4) (E6 E)
(bass: F# (Bb) G# F# E)
BRIDGE:
(Esus2 E) (B B6) (F#+ F# F#sus4 F#msus2)
(F# F#sus2) (F#msus4 F#msus2 F#m F#m6 F#m F#msus4)
(F#m6 F#m) (G#m G#msus4 C#m7 F#6 F# F#sus4)
(B B7 C#7 C#6 B)
(B B7 C#7 C#6 C7 B)
(bass: E (G#) B (G#) F# (A) G# (B) C# (B G# E) F# (Bb) B (D#) C# (Bb) B (D#) C# C B)
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*INTRO*
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*SONIC SNAPSHOTS*
*MANTRAS*
*FREE-FORM CHANTS*
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*OUTRO*
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(4:4 swing)
(Bmajor)
(88bpm)
INTRO:
(F# G# B C#) (B) (F# G# B C#) (F#+)
(F# G# B C#) (F#m) (F# F E D) (B)
(F# F) (E) (E D#) (C#m) (C#) (F#) (G#bend F#)
(bass: B (F#) F# (A C#) B (F#) E (G# B) C# (G# F) F# (Bb))
VERSE:
(reference note: F# G# B C#)
(B B6 B Bsus2) (F#+ F# F#sus4)
(F#m6 F#m F#msus4 F#m) (B)
(B Bsus4) (E6) (E7 E6) (C#m7) (Ddim C# C#7 F# F#+ B)
(bass: B (F#) F# (A C#) B (F#) E (G# B) C# D C# (B G# F) F# (Bb) B)
(B B6 B Bsus2) (F#+ F# F#sus4)
(F#m6 F#m F#msus4 F#m) (B)
(B B B Bsus4 B) (E6 E) (E7 E6 E) (E) (Ddim C# C#7) (F#)
(bass: B (F#) F# (A C#) B (F#) E (G# B) D C# (B G# F) F#)
CHORUS:
(F#6) (G#msus4 G#m) (G#m G#msus4 G#m)
(G#m G#msus4 G#m) (G#m7) (G#m) (G#m G#msus4 G#m)
(F#) (F#6 F# F#sus4) (E6 E)
(bass: F# (Bb) G# F# E)
BRIDGE:
(Esus2 E) (B B6) (F#+ F# F#sus4 F#msus2)
(F# F#sus2) (F#msus4 F#msus2 F#m F#m6 F#m F#msus4)
(F#m6 F#m) (G#m G#msus4 C#m7 F#6 F# F#sus4)
(B B7 C#7 C#6 B)
(B B7 C#7 C#6 C7 B)
(bass: E (G#) B (G#) F# (A) G# (B) C# (B G# E) F# (Bb) B (D#) C# (Bb) B (D#) C# C B)
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********************************************
********************************************
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*INTRO*
(# BARS)
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*lead-in (#) reference notes* —>
XXX
[X]
(0)
“…”
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*SONIC SNAPSHOTS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*MANTRAS*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*OUTRO*
(# BARS)
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-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
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*BAY 6*
(buy 1 get one free)
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*BASSLINES*
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*BEATS*
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*HARMONIES*
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*COUNTER-POINTS*
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*SAMPLES*
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👈👈👈 ☜ *“CRAYOLA”*☞ 👉👉👉
*THE BASIX*
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*SPOTIFY LINK*
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*PRO TOOLS SESSIONS*
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*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*SONIC ALTERNATES*
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*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*’PREMIERE PRO’ PROJECT*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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(‘eric larnick’ liked the december 2009 video)
(other than that nobody seemed to respond to the song)
(even though it’s one of my favorites)
(recorded latest version of song in 2013)
(61 clearview avenue)
(princeton NJ)
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-as of [9 SEPTEMBER 2024]-
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*CHORDS*
*NOTES*
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*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
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*VERSE 1*
magic marker, multiply
let’s make more of your kind
spent my days flying high
with a reliable alibi…
.
*VERSE 2*
’til cinderella flew the nest
she made it to my roof
yea, we were starry pretenders
seeking out this continental truth
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*CHORUS 1*
oh, how i love her
miss markham
for the magic in her eyes…
so i call her up but she couldn’t comply…
.
*OUTRO*
and i still love her
miss markham
but my intentions are well-disguised
but if she keeps in touch with each and every one of us…
(then we’ll be in for a big surprise…)
.
*INTRO*
(# BARS)
.
*lead-in lyrix* —>
“XXX”
.
*SONIC SNAPSHOTS*
(# BARS)
XXX
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*MANTRAS*
(# BARS)
XXX
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*FREE-FORM CHANTS*
(# BARS)
XXX
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*OUTRO*
(# BARS)
XXX
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(then…)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
.
*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
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*SONG TITLE* —>
*WORKING TITLES*
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*ALTERNATE TITLES*
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*INTRO*
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*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
.
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*VERSE #*
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(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
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*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
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*BRIDGE*
XXX
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*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
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“first things first…”
*determine ‘pertinent playlist placement(s’*
8.16.17:
V2 (0:00)
first attempt is ok – shaky
second verse is good – missed C#m7 but good singing
into third part good
into repeat second verse good
into third repeat good
into good slow fourth part good sung
second attempt better 2:50
ooo yea cinderella good good singing
good transition into “zero”
V3 (0:00)
good first part – little shaky
ooo cinderella good siniging
into third part good singing comply a bit flat
good fourth part well sung
second attempt good
good cinderella no pause before ‘seeking out the’
good third part
next cinderella ok i like the pause before seeking
good third part
V5 (0:00)
faster first attempt good hit C#m7 – reliable alibi shaky
good second verse bad seeking out the
good third bad transition
fourth part good
end
second attempt good not reliable alibi
good cinderella starry pretenders mumbled
good third part thank you
good cinderella good enunciation
good ooo 3:00 XXXXXXXXXXXXXXXIGXX
magic marker multiply startover
guitar flourish
into zero
V11 (0:00)
good attempt good transition
good second attempt
good soul on second verse
slow third part 3
.
*KINDRED SPIRITS*
*KINDRED SPIRITS*
*V1*
(2013)
(written + recorded in ‘december 2009’)
(latest version recorded in 2013)
(teach ‘arv’ the song)
(swing beat)
(images of “jennifer marie markham”)
[bandcamp width=100% height=120 album=1258232687 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small track=2418726621]
*V1*
(2013)
“LESS THAN ZERO”
(Bmajor)
*ENSEMBLE*
*CLIPS*
.
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*👨🔬🕵️♀️🙇♀️*SKETCHES*🙇♂️👩🔬🕵️♂️*
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👈👈👈☜*“CRAYOLA”* ☞ 👉👉👉
*THE BASIX*
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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*🌈✨ *TABLE OF CONTENTS* ✨🌷*
.
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥