-as of [24 OCTOBER 2026]-
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*NAVIGATE TO [BOTTOM]* β>
XDUMPX
WORDPASTE
CHORDPASTE
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-[PRO TOOLS] SESSIONS-
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-ZYX-
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*SOURCE CODE* β>
~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-

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-[SONG BASIX] TEMPLATE-
(HEADER)
-[SONG BASIX] TEMPLATE-
(FOOTER)
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*PLACEHOLDER* β>
XYZ
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*5 SECTIONS* β>
“SETTINGS”
“CHAPTERS”
“OUTLINE”
“DUMP”
“SUPPLEMENTALS”
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XYZ
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*SETTINGS* β>
-KEY-
-TIME SIGNATURE-
-BPM-
-[60] / [BPM]-
–[1 BEAT] = [XXX SECONDS]–
-[XXX BARS] / [XXX BEATS]-
*DURATION* β>
-[# MINUTES] / [# SECONDS]-
-PASTE “SCREENSHOT FRAME” HERE-
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XYZ
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*OUTLINE* β>
-[###] SECTIONS-
-[###] PARTS-
-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])
A1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
B1
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])
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XYZ
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-INTRO-
XXX
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(TENOR C5)
*reference notes* β>
A1 B2 C3
(word word word word)
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-A1-
XXX
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-B1-
XXX
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-A2-
XXX
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-B2-
XXX
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-OUTRO-
XXX
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XYZ
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*SCATTERSHOTS* β>
XXX
*VISUALS* β>
XXX
*ALTERNATE TITLES* β>
XXX
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-XYZ-
XYZ
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XYZ
XDUMPX
*BASIC LYRIX* β>
*OUTLINE* β>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* β>
XXX
*VERSE 1* β>
XXX
*CHORUS 1* β>
XXX
*BRIDGE 1* β>
XXX
*OUTRO* β>
XXX
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*ALTERNATE LYRIX* β>
X
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wordpaste
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XDUMPX
πππβ*βTHE LONG RUNβ* β πππ
πππβ*βOUR SIGNATURE SOUNDSβ* β πππ
πππβ*βTHE DRAWING BOARDβ* β πππ
πππβ*βCOLD CUTSβ* β πππ
πππβ*βSIZZLE REELβ* β πππ
πππβ*βPAST MASTERSβ* β πππ
XDUMPX
*BASIC CHORDS* β>
*OUTLINE* β>
-INTRO-
-VERSE 1-
-CHORUS 1-
-BRIDGE 1-
-OUTRO-
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*INTRO* β>
XXX
*VERSE 1* β>
XXX
*CHORUS 1* β>
XXX
*BRIDGE 1* β>
XXX
*OUTRO* β>
XXX
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*ALTERNATE SECTIONS* β>
X
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chordpaste
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XDUMPX
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XXX
-as of [17 AUGUST 2024]–
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VERSE 1-
brought down by the weight of a
brought down by the weight of a
brought down by the weight of a tree
i know that sheβll be waiting there for me…
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–VERSE 2-
cuz when the stars aligned
and the full moon shined
let the pretty little buildings be
i know that sheβll be waiting there for me…
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-VERSE 3-
remember what you thought that you were
count all the costs you incurred
to set your broken heart free
and i knowβ¦
that sheβll be waiting there for me…
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-PART 2-
tara lara lara lara ah ah
tara lara ah ah ah
oh the days go by so slow you know
and thereβs nowhere left for you to be
oh the days go by so slow you know
and thereβs nowhere left to set your heart free
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-CODA-
and i knowβ¦
(β¦.that sheβll be waiting there for me)
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“stars aignedβ¦.
full moon shined
that’s special relativityβ¦.
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*SPOTIFY LINK*
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*PRO TOOLS SESSIONS*
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*FILE-PATH* β>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*SONIC ALTERNATES*
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*FILE-PATH* β>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*βPREMIERE PROβ PROJECT*
*G-DRIVE LINK*
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*FILE-PATH* β>
XXX
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*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
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*FILE-PATH* β>
XXX
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*βSIBELIUSβ SCORE*
*G-DRIVE LINK*
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*FILE-PATH* β>
XXX
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-as of [17 AUGUST 2024]–
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*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
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β β β β β β β β β β β β β β β β
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–rrrr
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β β β β β β β β β β β β β β β β
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baby you just wait + seeβ¦
livin in the land of the freeβ¦
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β β β β β β β β β β β β β β β β
*INTRO*
(# BARS)
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*lead-in lyrix* β>
βXXXβ
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*SONIC SNAPSHOTS*
(# BARS)
XXX
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*MANTRAS*
(# BARS)
XXX
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*FREE-FORM CHANTS*
(# BARS)
XXX
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*OUTRO*
(# BARS)
XXX
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(thenβ¦)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
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*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
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*SONG TITLE* β>
*WORKING TITLES*
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*ALTERNATE TITLES*
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*INTRO*
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*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
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*VERSE #*
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(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
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*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
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*BRIDGE*
XXX
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*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
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βfirst things firstβ¦β
*determine ‘pertinent playlist placement(s’*
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πππβ*βTHE LONG RUNβ* β πππ
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πππππ€ππ€ππ€ππ€β€οΈπππ§‘β£οΈπππβ£οΈπ§‘ππβ€οΈπ€ππ€ππ€ππ€ππππ
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π₯π₯π₯π₯π₯π₯*we won the war* π₯π₯π₯π₯π₯π₯