✨SPECIAL RELATIVITY✨
🎢BASIX🎢


-as of [24 OCTOBER 2026]-


.


*NAVIGATE TO [BOTTOM]* β€”>


XDUMPX


WORDPASTE


CHORDPASTE


.


-QUADRATIX-


-FILE PATHS-


-PEER REVIEW-


.


-[PRO TOOLS] SESSIONS-


-[PREMIERE PRO] PROJECTS–


.


-ZYX-


.


*SOURCE CODE* β€”>


~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-



.


-[SONG PROFILE] LINK-


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


.


-MODUS OPERANDI-


“JOGAN NOTATION”


.


*PLACEHOLDER* β€”>


XYZ


.


*5 SECTIONS* β€”>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


.

XYZ

.


*SETTINGS* β€”>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-

-[60] / [BPM]-


–[1 BEAT] = [XXX SECONDS]–


-[XXX BARS] / [XXX BEATS]-


*DURATION* β€”>

-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


.

XYZ

.


*OUTLINE* β€”>


-[###] SECTIONS-


-[###] PARTS-


-INTRO-

(# BEATS)

(# SECONDS)

([0:00] – [#:##])


A1

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


B1

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


-OUTRO-

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


.

XYZ

.


-INTRO-


XXX


.


(TENOR C5)


*reference notes* β€”>


A1 B2 C3


(word word word word)


.


-A1-


XXX


.


-B1-


XXX


.


-A2-


XXX


.


-B2-


XXX


.


-OUTRO-


XXX


.

XYZ

.




.


*SCATTERSHOTS* β€”>


XXX


*VISUALS* β€”>


XXX


*ALTERNATE TITLES* β€”>


XXX


.


-XYZ-


XYZ


.




.


XYZ


XDUMPX


*BASIC LYRIX* β€”>


*OUTLINE* β€”>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* β€”>


XXX


*VERSE 1* β€”>


XXX


*CHORUS 1* β€”>


XXX


*BRIDGE 1* β€”>


XXX


*OUTRO* β€”>


XXX


.


*ALTERNATE LYRIX* β€”>


X


.


wordpaste


.


XDUMPX


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œTHE LONG RUN”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œOUR SIGNATURE SOUNDS”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œTHE DRAWING BOARD”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œCOLD CUTS”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œSIZZLE REEL”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œPAST MASTERS”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰


XDUMPX


*BASIC CHORDS* β€”>


*OUTLINE* β€”>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* β€”>


XXX


*VERSE 1* β€”>


XXX


*CHORUS 1* β€”>


XXX


*BRIDGE 1* β€”>


XXX


*OUTRO* β€”>


XXX


.


*ALTERNATE SECTIONS* β€”>


X


.


chordpaste


.


XDUMPX


.

XXX

-as of [17 AUGUST 2024]–

.

*CHORDS*

.

*WORDS*

VERSE 1-

brought down by the weight of a

brought down by the weight of a

brought down by the weight of a tree

i know that she’ll be waiting there for me…

.

–VERSE 2-

cuz when the stars aligned

and the full moon shined

let the pretty little buildings be

i know that she’ll be waiting there for me…

.

-VERSE 3-

remember what you thought that you were

count all the costs you incurred

to set your broken heart free

and i know…

that she’ll be waiting there for me…

.

-PART 2-

tara lara lara lara ah ah

tara lara ah ah ah

oh the days go by so slow you know

and there’s nowhere left for you to be

oh the days go by so slow you know

and there’s nowhere left to set your heart free

.

-CODA-

and i know…

(….that she’ll be waiting there for me)


.

“stars aigned….

full moon shined

that’s special relativity….

*NOTES*

.

*SPOTIFY LINK*

.

*PRO TOOLS SESSIONS*

*G-DRIVE LINK*

.

*FILE-PATH* β€”>

/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-

.

*SONIC ALTERNATES*

*G-DRIVE LINK*

.

*FILE-PATH* β€”>

/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-

.

*’PREMIERE PRO’ PROJECT*

*G-DRIVE LINK*

.

*FILE-PATH* β€”>

XXX

.

*CINEMATIC ALTERNATES*

*G-DRIVE LINK*

.

*FILE-PATH* β€”>

XXX

.

*’SIBELIUS’ SCORE*

*G-DRIVE LINK*

.

*FILE-PATH* β€”>

XXX

.

-as of [17 AUGUST 2024]–

.

*CHORDS*

*NOTES*

.

*SECTION 1*
(# bars)

*SECTION 2*
(# bars)

.

βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…

.

–rrrr

.

βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…

.

baby you just wait + see…

livin in the land of the free…

.

βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…βœ…

*INTRO*

(# BARS)

.

*lead-in lyrix* β€”>

β€œXXX”

.

*SONIC SNAPSHOTS*

(# BARS)

XXX

.

*MANTRAS*

(# BARS)

XXX

.

*FREE-FORM CHANTS*

(# BARS)

XXX

.

*OUTRO*

(# BARS)

XXX

.

.

(then…)

*SONIC SUBDIVISIONS*

(* 6 CATEGORIES*)

(‘half of 12’)

(sounds good to me (+ my ‘fellow duodecimalists’)


(cue ‘the creeps’ fadeout)

.

*TITLE*

*INTRO*

*VERSES*

*REFRAIN*

*BRIDGES*

*OUTRO*

.

.

*SONG TITLE* β€”>

*WORKING TITLES*

.

*ALTERNATE TITLES*

.

.

*INTRO*

.

*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))

.

.

*VERSE #*

.

(aim for *12*)
(use at least *3*)

(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)

“VIGNETTES”
“SLICES OF LIFE”

.

.

*REFRAIN*

XXX

*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*

.

.

*BRIDGE*

XXX

.

*OUTRO*

*into ‘counterpoint’ vocal free-form fade-outs*

.

β€œfirst things first…”

*determine ‘pertinent playlist placement(s’*

.

.

.

.

πŸ‘ˆπŸ‘ˆπŸ‘ˆβ˜œ*β€œTHE LONG RUN”* ☞ πŸ‘‰πŸ‘‰πŸ‘‰

.

.

πŸ’•πŸ’πŸ’–πŸ’“πŸ–€πŸ’™πŸ–€πŸ’™πŸ–€πŸ’™πŸ–€β€οΈπŸ’šπŸ’›πŸ§‘β£οΈπŸ’žπŸ’”πŸ’˜β£οΈπŸ§‘πŸ’›πŸ’šβ€οΈπŸ–€πŸ’œπŸ–€πŸ’™πŸ–€πŸ’™πŸ–€πŸ’—πŸ’–πŸ’πŸ’˜

.

.

πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯*we won the war* πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯πŸ”₯