✨TRAIL OF TEARS✨
🎶BASIX🎶


-as of [3 NOVEMBER 2026]-


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*NAVIGATE TO [BOTTOM]* —>


XDUMPX


wordpaste


chordpaste


.


-QUADRATIX-


-FILE PATHS-


-PEER REVIEW-


.


-[PRO TOOLS] SESSIONS-


-[PREMIERE PRO] PROJECTS–


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-ZYX-


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*SOURCE CODE* —>


~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-



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-[SONG PROFILE] LINK-


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


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-MODUS OPERANDI-


“JOGAN NOTATION”


.


*PLACEHOLDER* —>


XYZ


.


*5 SECTIONS* —>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


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XYZ

.


*SETTINGS* —>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-
(ARCHIVES)

-[60] / [BPM]-


–[1 BEAT] = [XXX SECONDS]–


-[XXX BARS] / [XXX BEATS]-


*DURATION* —>


-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


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*SPEX SCREENSHOT* —>


–[KEY]-

–[#:#]–

–[# BPM]-

.

–[# BARS] / [# BEATS]–

–[1 BEAT] = [# SECONDS]–

-[# SECONDS]-

–[# MINUTES] / [# SECONDS]–


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/1 -SPEX-


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XYZ

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*OUTLINE*


-[###] SECTIONS-


-[###] PARTS-

([INTRO] / [X#] / [X#] / [SOLO] / [OUTRO])


-INTRO-


-X#-


-X#-


-X#-


-X#-


-OUTRO-


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-OUTLINES-


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*SECTIONS* —>


-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])


-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


-X#-
(# BEATS)

(# SECONDS)
([#:##] – [#:##])


-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BASIX-


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XYZ

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*6 [BAR BREADOWN] TEMPLATES* —>


-1 BAR-


-2 BARS-


-3 BARS-


-4 BARS-


-8 BARS-


-12 BARS-


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*# PARTS* —>


-INTRO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


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(TENOR C5)

-# SYLLABLES-

*reference notes* —>

(X# X# X# X#)

(word word word word)


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-SOLO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 13-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 14-

[X] [X] [X] [X]

(#) (#) (#) (#)


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-OUTRO-

(# BARS / # BEATS)

(REPEAT x #)

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BARS-


.

XYZ

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*LYRIX* —>


-INTRO-

(# BARS / # BEATS)

(instrumental)


-X#-

(# BARS / # BEATS)

X

X

X

X


-X#-

(# BARS / # BEATS)

X

X

X

X


-OUTRO-

(# BARS / # BEATS)

-COUNTERPOINTS-

X

X

X

X


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-SECTIONS-


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-DUMP-

-ZYX-

.


XYZ


.


*ALTERNATE LYRIX* —>

XXX


*ALTERNATE TITLES* —>

XXX


*VISUALS* —>

XXX


.


*[SONG DATABASE] LINX* —>


-THE LONG RUN-


-SIGNATURE SOUNDS-


-PAST MASTERS-


-WORKS IN PROGRESS-


-COLD CUTS-


.


.


*🎸✨CHORDS✨🎸*

-[CHORDS] TEMPLATE-


*🎼✨WORDS✨✍️*

-[WORDS] TEMPLATE-


🧫🥼🧪✨NOTES✨🧪🥼🏋️‍♀️

-[NOTES] TEMPLATE-


(open these 3 links in 3 new windows)

Ithen use ‘spectacle’ to evenly split screen into 3rds)

(chords / words / notes)

[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]


.


-SPOTIFY EMBED LINK–

-SPOTIFY SIGN-IN LINK-


-[DISTRO-KID] PROFILE-

-DISTROKID TEMPLATE-

-[DISTRO-KID] SIGN-IN LINK-


.


-POCKET SCORES-


*SPEX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/1 -SPEX-‘

-MUSICAL KEY-

-TIME SIGNATURE-

-TEMPO-

-BEAT LENGTH-


*PARTS* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/2 -PARTS-‘

-BAR BREAKDOWN-

-TABLE OF CONTENTS-


*LYRIX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/3 -LYRIX-‘

(SCREENSHOTS FROM “BASIX WORDPRESS ENTRY”)


.


-SORT [FINDER FOLDER] BY [NAME]-


-[GALLERY VIEW]-


-SEND [ENTRY SCREENSHOTS] TO YOUR iPHONE-


-TAKE NOTES IN [macOS NOTEPAD]-


XDUMPX


.




.


XDUMPX


*BASIC LYRIX* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* —>


XXX


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


.


*ALTERNATE LYRIX* —>


X


.


my village green
my cul-de-sac
my hometown team
i’ll get them back

write what you feel
along the way
and like a fine wine
you’ll age OK

my teenage dream
my homegrown square
i call you up
you’re never there

i tried to move
out of the way
until the rain came…
on holiday….

my mortal wound
my DNA
my darkened room
my homemade grey

my DNA
my farmer’s tan
my harvard square
my one man band

i’d follow you down
bout anywhere

i call you all day long
you’re never there…

CODA:

(Csus2 C Cmaj7) (Cm Cm6 Cm Cdim G)

(bass: G (B) C (B G) A G (B) C (A F#) G)

i call you all day long…

you’re never there…


.


-XDUMPX-


👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉


👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉


👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉


👈👈👈☜*“COLD CUTS”* ☞ 👉👉👉


👈👈👈☜*“SIZZLE REEL”* ☞ 👉👉👉


👈👈👈☜*“PAST MASTERS”* ☞ 👉👉👉


-XDUMPX-


.


*BASIC CHORDS* —>


*OUTLINE* —>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* —>


XXX


*VERSE 1* —>


XXX


*CHORUS 1* —>


XXX


*BRIDGE 1* —>


XXX


*OUTRO* —>


XXX


.


*ALTERNATE SECTIONS* —>


X


.


(4:4 swing)

(Gmajor)

(98bpm)

(reference note: B B A G)

*INTRO*

(G F G F Em F6 C G)

(on 3 and 1 strings:)

7 7 –> 5 5 –> 4 3 –> 3 1 –> 0 0 –>

(on 4 and 2 strings:)

5 5 –> 3 3 –> 2 1 –> 0 0

(bass: G F (A) G F E F (A C D) C (G E) G)

.

*VERSE*

(G G Gsus2 G) x 2
(G barred 3rd position)
(with thumb wraparound on low string)

(G G C6 C)
(G barred 3rd position)
(with thumb wraparound on low string)
(to C barred 8th position)

(Cmaj7 Cmaj7 Am G)
(C barred 3rd position)
(Am barred 5th position)
(G barred 3rd position)

(G G6 G) (G7) (G7sus4 G7 G9) (C)
(G barred 3rd position)
(C open position)

(Csus2 C Csus2) (Cmaj7 Cmaj7 Cmaj7)
(C open position)

(Cm6 Cm Cdim G)
(C barred 8th position)
(Cdim 1st position)
(G barred 3rd position)


*CODA*

(Cmaj7 C6 C) (Cmaj7 Cmaj7 Cmaj7)
(C open position)
(to C6 barred 8th position)
(to Cmaj7 open position

(Cm6 Cm Cdim G)
(C barred 8th position)
(Cdim 1st position)
(G barred 3rd position)

(bass: G (B) C (B G) A G (B) C (A F#) G)


.


-XDUMPX-


.


.


-as of [3 NOVEMBER 2026]-

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👈👈👈 ☜ *-XXX-*

.

*-XXX-* ☞ 👉👉👉

.

.

👈👈👈☜*-XXX-* ☞ 👉👉👉

.

.


.

.

👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉

.

.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥

*LYRICS*

.

*time signature*

*tempo*

*key*

.

*INTRO*

.

*CHORDS*

*LINX*

.

*WORDS*

*SCRAPS*

.

(open the following links in ‘new window’)

Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)

(sonic extensions / lyrical scraps)

.

*key*

*time signature*

*tempo*

.

*INTRO*

.

.

.

*SONIC SNAPSHOTS*

.

.

.

*MANTRAS*

.

.

.

*FREE-FORM CHANTS*

.

.

.

*OUTRO*

.

(4:4 swing)
(Gmajor)
(98bpm)

INTRO:

(G F G F Em F6 C G)

(bass: G F (A) G F E F (A C D) C (G E) G)

VERSE:

(G Gsus2 G) x 3 (C6 C) (Cmaj7 Am G)

(G G6 G7 G7sus4 G7 Gsus2) (Csus C Cmaj7)

(Cm Cm6 Cm Cdim G)

wo

.

.

👈👈👈☜*“HARVARD SQUARE”* ☞ 👉👉👉
*THE SONG*

.

.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥