.
(4:4 / Amajor)
*LINX*
(riff –> F# F F# B A)
X X 0 2 2 2
X X X 2 2 1
X X 0 2 2 2
X X 0 7 7 7
X X 0 7 7 5
X 5 4 5 5 5
(D) (Dmaj7) (Dmaj7 F+ Dmaj7) (D6 D9)
(Dmaj7) (Dmaj7 F+ Dmaj7) (D6 D9)
(bass: D (C# A F#) F (A C C#) D (C))
.
SNAPSHOTS*
(reference A4 F#4 E4)
(“free at last”)
(A A6 A)
(Amaj7 A6) (finally)
(A7+6) (at last)
(F#m F#msus4 F#m) (Dmaj7)
(Dmaj7 F+ Dmaj7)
(D6 D9)
.
VERSE 2:
(A A6 A)
(although my moment)
(Asus2 A) x 2
already…
(Asus2 A) x 2
wouldn’t want…
(Esus4 E)
(any other moment…)
(E E E6)
(i’ll cross an)
(A6) (A+) (A) (Adim/C#)
(ocean)
(Dmaj7)
(gonna land on land eventually…)
(Dmaj7 F+ Dmaj7)
(bass: A (F#) F# (C#) D (C# A F#) F (C#) D (C) A (E) E (G#) A (C C# D#) D (C# A F#) F (A C#) D (C# A))
(*solo over verse*)
.
CHORUS 1:
(F#m)
(F#msus4 F#m) (tailor)
(F#msus4 F#m) (sewed my)
(Dmaj7) (D6) (jeans) (Dmaj7)
.
CHORUS 2:
(F#m) (F#m/F) (F#msus4) (sail) (F#m)
(E6) (still) (Esus4 E) (sail) (D7 D6 D) (D Ddim) (finally)
(bass: F# (A C#) D (C# A) F# E (G# B) D (B))
.
SOLO:
(A A7 D Dm) x 6
(bass: A (C#) D (A))
.
*OUTRO*
(Bmsus2) (Bm Bm7) (Cdim B7) (D7 D6 D) (A)
(bass: B C B (D#) D (A) A (C#))
.
.
(4:4)
(Amajor)
INTRO:
VERSE:
OUTRO:
(let my utter lack of transportation)
(lead me straightaway to golden oldie days…)
.
*as of ‘2 NOVEMBER 2023’*
.
.
*key*
*time signature*
*tempo*
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
*INTRO*
(# BARS)
.
*lead-in (#) reference notes* —>
XXX
[X]
(0)
“…”
.
*SONIC SNAPSHOTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*MANTRAS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
*OUTRO*
(# BARS)
.
-BAR #-
[X] [X] [X] [X]
(0) (0) (0) (0)
###
XXX
.
.
.
*BAY 6*
(buy 1 get one free)
.
.
.
.
*BASSLINES*
.
*BEATS*
.
*HARMONIES*
.
*COUNTER-POINTS*
.
*SAMPLES*
.
.
.
*
.
.
.
(4:4 / Amajor)
*LINX*
(riff –> F# F F# B A)
X X 0 2 2 2
X X X 2 2 1
X X 0 2 2 2
X X 0 7 7 7
X X 0 7 7 5
X 5 4 5 5 5
(D) (Dmaj7) (Dmaj7 F+ Dmaj7) (D6 D9)
(Dmaj7) (Dmaj7 F+ Dmaj7) (D6 D9)
(bass: D (C# A F#) F (A C C#) D (C))
.
*SNAPSHOTS*
(reference A4 F#4 E4)
(“free at last”)
(A A6 A)
(Amaj7 A6) (finally)
(A7+6) (at last)
(F#m F#msus4 F#m) (Dmaj7)
(Dmaj7 F+ Dmaj7)
(D6 D9)
.
VERSE 2:
(A A6 A)
(although my moment)
(Asus2 A) x 2
already…
(Asus2 A) x 2
wouldn’t want…
(Esus4 E)
(any other moment…)
(E E E6)
(i’ll cross an)
(A6) (A+) (A) (Adim/C#)
(ocean)
(Dmaj7)
(gonna land on land eventually…)
(Dmaj7 F+ Dmaj7)
(bass: A (F#) F# (C#) D (C# A F#) F (C#) D (C) A (E) E (G#) A (C C# D#) D (C# A F#) F (A C#) D (C# A))
(*solo over verse*)
.
CHORUS 1:
(F#m)
(F#msus4 F#m) (tailor)
(F#msus4 F#m) (sewed my)
(Dmaj7) (D6) (jeans) (Dmaj7)
.
CHORUS 2:
(F#m) (F#m/F) (F#msus4) (sail) (F#m)
(E6) (still) (Esus4 E) (sail) (D7 D6 D) (D Ddim) (finally)
(bass: F# (A C#) D (C# A) F# E (G# B) D (B))
.
SOLO:
(A A7 D Dm) x 6
(bass: A (C#) D (A))
.
*OUTRO*
(Bmsus2) (Bm Bm7) (Cdim B7) (D7 D6 D) (A)
(bass: B C B (D#) D (A) A (C#))
.
.
.
*SCRAPS*
.
(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)
(chords / lyrics)
(sonic extensions / lyrical scraps)
.
*time signature*
*tempo*
*key*
.
*INTRO*
.
*SONIC SNAPSHOTS*
*MANTRAS*
*FREE-FORM CHANTS*
.
*OUTRO*
.
.
*as of ‘2 NOVEMBER 2023’*
.
*CHORDS*
*NOTES*
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
*INTRO*
(# BARS)
.
*lead-in lyrix* —>
“XXX”
.
*SONIC SNAPSHOTS*
(# BARS)
XXX
.
*MANTRAS*
(# BARS)
XXX
.
*FREE-FORM CHANTS*
(# BARS)
XXX
.
*OUTRO*
(# BARS)
XXX
.
.
(then…)
*SONIC SUBDIVISIONS*
(* 6 CATEGORIES*)
(‘half of 12’)
(sounds good to me (+ my ‘fellow duodecimalists’)
(cue ‘the creeps’ fadeout)
.
*TITLE*
*INTRO*
*VERSES*
*REFRAIN*
*BRIDGES*
*OUTRO*
.
.
*SONG TITLE* —>
*WORKING TITLES*
.
*ALTERNATE TITLES*
.
.
*INTRO*
.
*guitar riffs*
*dynamic changes*
*sonic ‘layers’ / ‘textures’ ‘added*
(until the ‘song proper kicks in)
(auka “verse 1”
(a ‘narrative’)
(maybe with (‘tempo’ / ‘time signature’ / ‘key’ change))
.
.
*VERSE #*
.
(aim for *12*)
(use at least *3*)
(“relative verse”)
2 verses that are identical minus a ‘word change’ or 2*
(for ‘first verse’ –? ‘final verse’)
“VIGNETTES”
“SLICES OF LIFE”
.
.
*REFRAIN*
XXX
*HOOKS*
*LAYERED VOCAL HARMONIES*
*LAYER INSTRUMENTAL TEXTURES*
.
.
*BRIDGE*
XXX
.
*OUTRO*
*into ‘counterpoint’ vocal free-form fade-outs*
.
“first things first…”
*determine ‘pertinent playlist placement(s’*
.
*VERSE 1*
free at last
finally free at last
i’m finally free…
although my moment has already passed…
i wouldn’t want any other moment…
waiting up for me….
i’ll cross an ocean…
if it’ll take me out to sea…
i’ll land on land eventually…
.
*SOLO OVER VERSE*
.
*VERSE 2*
my mama was a tailor…
she sewed my new blue jeans…
my father’s still a sailor…
he’s still sailing…he sailed right away from me…
(until he’s finally free)
.
*OUTRO*
“let my utter lack of transportation lead me straightaway to golden oldie days…”
.
(4:4)
(Amajor)
INTRO:
VERSE:
OUTRO:
(let my utter lack of transportation)
(lead me straightaway to golden oldie days…)
.
.
VERSE 1:
free at last
finally free at last
i’m finally free…
although my moment has already passed…
i wouldn’t want any other moment…
waiting up for me….
i’ll cross an ocean…
if it’ll take me out to sea…
i’ll land on land eventually…
VERSE 2:
i wouldn’t want any other moment taken away from me…
my mama was a tailor…
she sewed my new blue jeans…
and you know what that means…
sew until i grow too lean n mean…
my father’s still a sailor…
he’s still sailing…sailed right away from me…
(and now he’s finally free)
this moment’s golden
but golden oldies sure get old…
don’t spoil my moment
i won’t spoil your moment for you
don’t spoil my moment for me
whatever it means to you…
probably means a little more to me…
OUTRO:
“let my utter lack of transportation lead me straightaway to golden oldie days…”
.
VERSE 1:
free at last
finally free at last
i’m finally free…
although my moment has already passed…
i wouldn’t want any other moment…
waiting up for me….
i’ll cross an ocean…
if it’ll take me out to sea…
i’ll land on land eventually…
VERSE 2:
i wouldn’t want any other moment taken away from me…
my mama was a tailor…
she sewed my new blue jeans…
and you know what that means…
sew until i grow too lean n mean…
my father’s still a sailor…
he’s still sailing…sailed right away from me…
(and now he’s finally free)
this moment’s golden
but golden oldies sure get old…
don’t spoil my moment
i won’t spoil your moment for you
don’t spoil my moment for me
whatever it means to you…
probably means a little more to me…
OUTRO:
“let my utter lack of transportation lead me straightaway to golden oldie days…”
.
.
.
*as of ‘2 NOVEMBER 2023’*
.
*CHORDS*
*WORDS*
.
(i wouldn’t want any other moment taken away from me)
and you know what that means…
sew until i grow too lean n mean…
this moment’s golden
but golden oldies sure get old…
don’t spoil my moment
i won’t spoil your moment for you
don’t spoil my moment for me
whatever it means to you…
probably means a little more to me…
(we’ve surpassed the golden line…)
use it!
(we can hear ya!)
.
.
-WORKING TITLES-
.
*SECTION 1*
(# bars)
*SECTION 2*
(# bars)
.
*INTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
*SONIC SNAPSHOTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*MANTRAS*
(# BARS)
.
*BAR 1* —>
XXX
.
*FREE-FORM CHANTS*
(# BARS)
.
*BAR 1* —>
XXX
.
*OUTRO*
(# BARS)
.
*BAR 1* —>
XXX
.
XXX
.
-LYRICAL ALTERNATES/EXTENSIONS-
.
-SONG LINX-
.
-VISUALS-
.
*SPOTIFY LINK*
.
*PRO TOOLS SESSIONS*
.
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*SONIC ALTERNATES*
.
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
.
*’PREMIERE PRO’ PROJECT*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
.
*FILE-PATH* —>
XXX
.
.
.
.
.
💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
.
.
🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥