โœจAMBER ALERTโœจ
๐ŸŽถBASIX๐ŸŽถ


-as of [12 OCTOBER 2026]-


.


*NAVIGATE TO [BOTTOM]* โ€”>


-X DUMP X-


.


-QUADRATIX-


-FILE PATHS-


-PEER REVIEW-


.


-[PRO TOOLS] SESSIONS-


-[PREMIERE PRO] PROJECTS–


.


-ZYX-


.


*SOURCE CODE* โ€”>


~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-



.


-[SONG PROFILE] LINK-


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


.


-MODUS OPERANDI-


“JOGAN NOTATION”


.


*PLACEHOLDER* โ€”>


XYZ


.


*5 SECTIONS* โ€”>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


.

XYZ

.


*SETTINGS* โ€”>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-

-[60] / [BPM]-


–[1 BEAT] = [XXX SECONDS]–


-[XXX BARS] / [XXX BEATS]-


*DURATION* โ€”>

-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


.

XYZ

.


*OUTLINE* โ€”>


-[###] SECTIONS-


-[###] PARTS-


-INTRO-

(# BEATS)

(# SECONDS)

([0:00] – [#:##])


A1

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


B1

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


-OUTRO-

(# BEATS)

(# SECONDS)

([#:##] – [#:##])


.

XYZ

.


-INTRO-


XXX


.


(TENOR C5)


*reference notes* โ€”>


A1 B2 C3


(word word word word)


.


-A1-


XXX


.


-B1-


XXX


.


-A2-


XXX


.


-B2-


XXX


.


-OUTRO-


XXX


.

XYZ

.




.


*SCATTERSHOTS* โ€”>


XXX


*VISUALS* โ€”>


XXX


*ALTERNATE TITLES* โ€”>


XXX


.


-XYZ-


.


-X DUMP X-


.


*BASIC LYRIX* โ€”>


.


*OUTLINE* โ€”>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* โ€”>


XXX


*VERSE 1* โ€”>


XXX


*CHORUS 1* โ€”>


XXX


*BRIDGE 1* โ€”>


XXX


*OUTRO* โ€”>


XXX


(4:4)
(120bpm)
(Dmajor)

INTRO:

(riff:)

(D chord)

(A A G G F# F# E E F# E D D)

(D G D Em D Dsus2 D)

(D B A G F# E D D)

(bass: D (A F#) G (B) D (A F#) E (G B) D)

VERSE 1:

(reference notes: A A A F# F# F# F# A F# E D)

(D Dsus2 D Dsus2 D)

he wore the well-withheld expression of an innocent lass…

(Em7 Emsus2 Em Em7 Em)

looking around for a benchmark to surpass…

(Bm Bmsus4 Bm Bmsus4 Bm)

he had an interesting take on the fate of the ones who had it

(A6 A Asus4 A A6 A Asus4 Asus2 A)

in โ€™em to t-t-take their money and run…

(bass: D (A F#) E (G) B A (C#))

VERSE 2:

(D Dsus2 D)

she was a two-faced little loony by the name of ‘babs’…

(Em7 Emsus2 Em Em7 Em)

the coffeeโ€™s always colder on these concrete slabs…

(Bm Bmsus4 Bm)

she told an innarestin story though she never reached the endingโ€ฆ

(Bm7 Bm7sus4 Bm7)

sheโ€™d turn off all the lights as weโ€™d pretend to be pretendingโ€ฆ

(A6 A Asus4)

and then sheโ€™d really knock us out with something stronger…

(A6)

we were told to lie around a wait a little while longerโ€ฆ

(bass: D (A F#) E (G) B (A) A (F#))

OUTRO:

(Emajor)

(E Esus2) (E Esus2) (A Amaj7 A)

the children are missingโ€ฆ

(bass: E (F# G#) A (E))


-X DUMP X-


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œTHE LONG RUNโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œOUR SIGNATURE SOUNDSโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œTHE DRAWING BOARDโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œCOLD CUTSโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œSIZZLE REELโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œPAST MASTERSโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰


-X DUMP X-


.


*BASIC CHORDS* โ€”>


.


*OUTLINE* โ€”>


-INTRO-


-VERSE 1-


-CHORUS 1-


-BRIDGE 1-


-OUTRO-


.


*INTRO* โ€”>


XXX


*VERSE 1* โ€”>


XXX


*CHORUS 1* โ€”>


XXX


*BRIDGE 1* โ€”>


XXX


*OUTRO* โ€”>


XXX


VERSE 1:

he wore the well-withheld expression of an innocent lass
looking around for a benchmark to surpass
he had an interesting take on the fate of the ones who had it in ’em
to t-t-take their money and run

VERSE 2:

she was a two-faced little loony by the name of babs
the coffee’s always colder on these concrete slabs
she told an innarestin story though she never reached the ending…
she’d turn off all the lights as we’d pretend to be pretending…
and then she’d really knock us out with something stronger
we were told to lie around a wait a little while longerโ€ฆ

OUTRO:

the children are missing…

*SCRAPS*

hey

have i ruined your day?

i’ve been banned from your bed

let the battle beginโ€ฆ

unbearable

terrible

walk right in line of the arrows

into “arrow through me”

(***BACK TO โ€œXXXโ€***)

.

*VERSE 1*

he wore the well-withheld expression of an ‘innocent lass’…

looking around for a benchmark to surpass…

he had an interesting take on the fate of the ones…

who had it in โ€™em to t-t-take their money and run…

.

*VERSE 2*

(s)he was a two-faced little loony by the name of ‘babs…

the coffeeโ€™s always colder on these concrete slabs…

(she told an) interesting story though she never reached the endingโ€ฆ
(he’d turn off all the lights as weโ€™d pretend to be pretendingโ€ฆ)

and then sheโ€™d really knock us out with something stronger…
(we were told to lie around a wait a little while longerโ€ฆ)

.

*OUTRO*

the children are missingโ€ฆ
the children are missing…


-X DUMP X-


.

XXX

*SCORES*

*LINX*

.

*WORDS*

*SCRAPS*

.

bozo (chords)

(open the following links in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)
(sonic extensions / lyrical scraps)

.

*time signature*

*tempo*

*key*

.

*INTRO*

.

*SONIC SNAPSHOTS*

*MANTRAS*

*FREE-FORM CHANTS*

.

*OUTRO*

.

.

๐Ÿ‘ˆ๐Ÿ‘ˆ๐Ÿ‘ˆโ˜œ*โ€œMAGIC KNEE GROWSโ€* โ˜ž ๐Ÿ‘‰๐Ÿ‘‰๐Ÿ‘‰

.

.

๐Ÿ’•๐Ÿ’๐Ÿ’–๐Ÿ’“๐Ÿ–ค๐Ÿ’™๐Ÿ–ค๐Ÿ’™๐Ÿ–ค๐Ÿ’™๐Ÿ–คโค๏ธ๐Ÿ’š๐Ÿ’›๐Ÿงกโฃ๏ธ๐Ÿ’ž๐Ÿ’”๐Ÿ’˜โฃ๏ธ๐Ÿงก๐Ÿ’›๐Ÿ’šโค๏ธ๐Ÿ–ค๐Ÿ’œ๐Ÿ–ค๐Ÿ’™๐Ÿ–ค๐Ÿ’™๐Ÿ–ค๐Ÿ’—๐Ÿ’–๐Ÿ’๐Ÿ’˜

.

.

*๐ŸŒˆโœจ *TABLE OF CONTENTS* โœจ๐ŸŒท*

.

.

๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ*we won the war* ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ