✨BLOOD PRESSURE✨
🎶BASIX🎶

-ZYX-


-[4:4 SWING]-


-[120 BPM]-


-[G MAJOR]-


.


VERSE:

(reference note: G4 E4 D4)
(“life on the…)

(G)

life on the ruby river ain’t as good as it

(Am)

initially seems…we all had…

(Em)

dreams we tucked away like a needle in the haystack…

hey baby hey baby hey baby hey…i’ve been…

(G)

trying to make a 4-leaf clover outta these average

(Am)

run-of-the-mill leaves…you’re spreading your…

(Cmaj7 Am) (D7) (G)

lovely breeze through the unsuspecting trees…


REFRAIN 1:

(G)

somebody out

(G7)

somebody in

(G6)

some wanna learn

(G) (Gdim)

some never win no matter what

(Em)

some scared to know

(Em7)

most mind their biz

(Em6)

i’m coming home

(C9)

(wherever it is)


-BRIDGE-

(D)

hey, have a helluva day

(B+) (Bm)

just as long as they don’t know

(F#m)

they’ll never see what we don’t show…

hey, there’s a light up ahead
we gotta keep at it all night
baby, you are my eyesight


VERSE 2:

alive with my hometown mama getting violent on our vodka tangerines
re-enacting our favorite movie scenes
how dare you compare the grand designer to your run-of-the-mill schemes
like the light at the end of the tunnel that appears in my dreams


-REFRAIN 2-

don’t cometh out

invite me in

i wanna learn

but i never win no matter win

some scared to know

most mind their biz

i’m coming home

(wherever it is)


.


(G G6) x 3

(G Gsus2 G)

(Am Amsus2 Am) (Am Am7)

(Em Emsus4 Em) x 4

(G G6) x 3

(G Gsus2 G)

(Am Amsus2 Am) (Am Am)

(Cmaj7 Am Am7) (D7) (G)

(G G6 G) (G) (G G6 G) (G(7) Gsus2 G) x 2

(G6 G) (Gsus2 G) x 2

(Em) (Em Emsus4 Em) (Em Em7) (Emsus4) (Cmaj7 C6 C)

(D) (Dsus2 D) (D6 D) (B+)

[(Bmsus4 Bm)] x 2

(B+ Bmsus4 B+)

(F#msus4 F#m) (F#m7 A(m)7 F#m7) (F#msus4 F#m)

(bass: G (B) A (G) E (G) G (B) A (C E) C (B G) A (C E) D (C A) G)

(bass: G (B D) E (G A B) C (E) D (A) B (G) F# A (G) F#)

that's what funerals are for (chords)

.

*VERSE*

(G G6) x 3

(G Gsus2 G)

(Am Amsus2 Am) (Am Am7)

(Em Emsus4 Em) x 4

(G G6) x 3

(G Gsus2 G)

(Am Amsus2 Am) (Am Am)

(Cmaj7 Am Am7) (D7) (G)

(G G6 G) (G) (G G6 G) (G(7) Gsus2 G) x 2

(G6 G) (Gsus2 G) x 2

(Em) (Em Emsus4 Em) (Em Em7) (Emsus4) (Cmaj7 C6 C)

(D) (Dsus2 D) (D6 D) (B+)

[(Bmsus4 Bm)] x 2

(B+ Bmsus4 B+)

(F#msus4 F#m) (F#m7 A(m)7 F#m7) (F#msus4 F#m)

(bass: G (B) A (G) E (G) G (B) A (C E) C (B G) A (C E) D (C A) G)

(bass: G (B D) E (G A B) C (E) D (A) B (G) F# A (G) F#)

-ZYX-


-as of [17 JUNE 2026]-


.


*SOURCE CODE* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-


.


-[SONG PROFILE] LINK-


.


*PLACEHOLDER* —>

XYZ


*5 SECTIONS* —>


“SETTINGS”


“CHAPTERS”


“OUTLINE”


“DUMP”


“SUPPLEMENTALS”


.


-[SONG BASIX] TEMPLATE-


-[SONG OUTLINE] TEMPLATE-


-[SONG BASIX] TEMPLATE-
(HEADER)


-[SONG BASIX] TEMPLATE-
(FOOTER)


.


-MODUS OPERANDI-


“JOGAN NOTATION”


.

XYZ

.


*SETTINGS* —>


-KEY-


-TIME SIGNATURE-


-BPM-


-BEAT DURATIONS-
(ARCHIVES)

-[60] / [BPM]-


[1 BEAT] = [XXX SECONDS]


-[XXX BARS] / [XXX BEATS]-


*DURATION* —>

-[# MINUTES] / [# SECONDS]-


-[SPEX] TEMPLATE-

-PASTE “SCREENSHOT FRAME” HERE-


.


*SPEX SCREENSHOT* —>


[KEY]-

[#:#]

[# BPM]-

.

[# BARS] / [# BEATS]

[1 BEAT] = [# SECONDS]

-[# SECONDS]-

[# MINUTES] / [# SECONDS]


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/1 -SPEX-


.

XYZ

.


*OUTLINE*


-[###] SECTIONS-


-[###] PARTS-

([INTRO] / [X#] / [X#] / [SOLO] / [OUTRO])


-INTRO-


-X#-


-X#-


-X#-


-X#-


-OUTRO-


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-OUTLINES-


.


*SECTIONS* —>


-INTRO-
(# BEATS)
(# SECONDS)
([0:00] – [#:##])


-X#-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


-X#-
(# BEATS)

(# SECONDS)
([#:##] – [#:##])


-OUTRO-
(# BEATS)
(# SECONDS)
([#:##] – [#:##])


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BASIX-


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XYZ

.


*6 [BAR BREADOWN] TEMPLATES* —>


-1 BAR-


-2 BARS-


-3 BARS-


-4 BARS-


-8 BARS-


-12 BARS-


.


*# PARTS* —>


-INTRO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


.


(TENOR C5)

-# SYLLABLES-

*reference notes* —>

(X# X# X# X#)

(word word word word)


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-SOLO-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 9-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 10-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 11-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 12-

[X] [X] [X] [X]

(#) (#) (#) (#)


-BAR 13-

[X] [X] [X] [X]

(#) (#) (#) (#)

-BAR 14-

[X] [X] [X] [X]

(#) (#) (#) (#)


.


-X#-

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


-BAR 5-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 6-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 7-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 8-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


.


-OUTRO-

(# BARS / # BEATS)

(REPEAT x #)

(# BARS / # BEATS)


-BAR 1-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 2-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 3-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”

-BAR 4-

[X] [X] [X] [X]

(#) (#) (#) (#)

“…word word…”


*POST TO THIS [FILEPATH]* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/2 -PARTS-/-BARS-


.

XYZ

.


*LYRIX* —>


-INTRO-

(# BARS / # BEATS)

(instrumental)


-X#-

(# BARS / # BEATS)

X

X

X

X


-X#-

(# BARS / # BEATS)

X

X

X

X


-OUTRO-

(# BARS / # BEATS)

-COUNTERPOINTS-

X

X

X

X


*POST TO THIS FILEPATH* —>

~/Library/Mobile Documents/com~apple~CloudDocs/-FINAL CUTS-/-SOUNDCLOUDS-/-MY DEAR BROWN-/-POCKET SCORES-/3 -LYRIX-/-SECTIONS-


.

-DUMP-

-ZYX-

.


XYZ


.


*ALTERNATE LYRIX* —>

XXX


*ALTERNATE TITLES* —>

XXX


*VISUALS* —>

XXX


.


*[SONG DATABASE] LINX* —>


-THE LONG RUN-


-SIGNATURE SOUNDS-


-PAST MASTERS-


-WORKS IN PROGRESS-


-COLD CUTS-


.


-[FILE-PATHS]-

-[FILE-PATHS] TEMPLATE-


.


*🎸✨CHORDS✨🎸*

-[CHORDS] TEMPLATE-


*🎼✨WORDS✨✍️*

-[WORDS] TEMPLATE-


🧫🥼🧪✨NOTES✨🧪🥼🏋️‍♀️

-[NOTES] TEMPLATE-


(open these 3 links in 3 new windows)

Ithen use ‘spectacle’ to evenly split screen into 3rds)

(chords / words / notes)

[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]


.


-SPOTIFY EMBED LINK

-SPOTIFY SIGN-IN LINK-


-[DISTRO-KID] PROFILE-

-DISTROKID TEMPLATE-

-[DISTRO-KID] SIGN-IN LINK-


.


-POCKET SCORES-


*SPEX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/1 -SPEX-‘

-MUSICAL KEY-

-TIME SIGNATURE-

-TEMPO-

-BEAT LENGTH-


*PARTS* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/2 -PARTS-‘

-BAR BREAKDOWN-

-TABLE OF CONTENTS-


*LYRIX* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/-TRAX-/-SCORES-/-MY DEAR BROWN-/5 -NOTES-/3 -LYRIX-‘

(SCREENSHOTS FROM “BASIX WORDPRESS ENTRY”)


.


-SORT [FINDER FOLDER] BY [NAME]-

-[GALLERY VIEW]-


-SEND [ENTRY SCREENSHOTS] TO YOUR iPHONE-

-TAKE NOTES IN [macOS NOTEPAD]-


.


-SUPPLEMENTAL DUMP-

-ZYX-


.


-as of [24 JUNE 2026]-

.


👈👈👈☜*“THE LONG RUN”* ☞ 👉👉👉

👈👈👈☜*“OUR SIGNATURE SOUNDS”* ☞ 👉👉👉

👈👈👈☜*“THE DRAWING BOARD”* ☞ 👉👉👉

👈👈👈☜*“COLD CUTS”* ☞ 👉👉👉

👈👈👈☜*“SIZZLE REEL”* ☞ 👉👉👉

👈👈👈☜*“PAST MASTERS”* ☞ 👉👉👉


.

👈👈👈 ☜ *“SONG TITLE”*☞ 👉👉👉
-THE BASIX-

.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥

.

*SCORES*

*LINX*

.

*WORDS*

*SCRAPS*

.

.

*BASIC CHORDS*

.

.

*LYRICS*

.

.

*INTRO*

.

*SONIC SNAPSHOTS*

*MANTRAS*

*FREE-FORM CHANTS*

.

*OUTRO*

.

*SONG LYRICS*
(open in ‘new window’)
Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)
(sonic extensions / lyrical scraps)

.

*time signature*

*tempo*

*key*

.

*INTRO*

.

*SONIC SNAPSHOTS*

*MANTRAS*

*FREE-FORM CHANTS*

.

*OUTRO*

.

.

*SONIC EXTENSIONS*

.

.

*VERSE 1*

life on the ruby river ain’t as good as it initially seems
we all had dreams we tucked away just like the needles in the haystack
hey baby hey baby / hey baby hey

i’ve been trying to make a 4-leaf clover from these average run-of-the-mill leaves
you’re spreading your lovely breeze through the unsuspecting trees

.

*REFRAIN 1*

somebody out
somebody in
some wanna learn
some never win no matter what
some scared to know
most mind their biz
i’m coming home
(wherever it is)

.

*BRIDGE*

hey, have a helluva day
just as long as they don’t know
won’t see what we don’t show

hey, there’s a light up ahead
we gotta keep at it all night
baby, you are my eyesight

.

*VERSE 2*

alive with my hometown mama getting violent on our vodka tangerines
re-enacting our favorite movie scenes

how dare you compare the grand designer to your run-of-the-mill schemes?
like the light at the end of the tunnel that appears in my dreams

.

*REFRAIN 2*

don’t cometh out

invite me in

i wanna learn

but i never win no matter win

some scared to know

most mind their biz

i’m coming home

(wherever it is)

.

.

(open the following links in ‘new window’)

Ithen use ‘spectacle’ to evenly split screen in half)

(chords / lyrics)

(sonic extensions / lyrical scraps)

.

.

.

*key*

*time signature*

*tempo*

.

*INTRO*

.

.

.

*SONIC SNAPSHOTS*

.

.

.

*MANTRAS*

.

.

.

*FREE-FORM CHANTS*

.

.

.

*OUTRO*

.

.

👈👈👈☜*“BLOOD PRESSURE”* ☞ 👉👉👉

.

.

💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘

.

.

🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥