-as of [9 OCTOBER 2025]-
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*FILE-PATH* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PREMIERE PRO-/-PROJECTS-/-[PREMIERE PRO] DIRECTORY 1-/-SOUND CLOUDS-/-TRAX-/-SOURCE CODE-/-BASIX-/-FINAL FANTASY-/-TRAX-/-FINAL FANTASY- (1).wav
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(4:4)
[109 BPM]
[G MAJOR]
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*VERSE 1*
RN —> G4 D4
(“pinwheel…”)
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[G] [Gmaj7]
[C Cbar Cmaj7] [Am] [D7]
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[G6 G] [Em] [Am Amsus2]
[D Dsus4] x 4
[Cdim Cdim+G] x 4
[Am] [E+] [Am] [Em]
[C7] [G]
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*transition* —>
[G] [Am] [C]
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*VERSE 2*—>
RN —> C4 G2
(“pinwheel…”)
[C] [Cmaj7]
[Fmaj7] [Dm] [G]
[C6 C] [Am] [Dm7]
[G Gsus4] x 4
[Fdim Fdim+C] x 4
[Dm] [A+] [Dm] [Am]
[F7] [C]
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*BRIDGE*
RN —> G4 E4 D4 C4
[Am] x 4
thoughts….
trap…
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[Dm]
map…
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[Em]
mind….
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[Am]
blind…
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*WORDS* —>
*VERSE 1*
pinwheel to a new dimension
come feel out a higher throne
well-heeled in your ruby slippers
and my daily dose of methadone
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*VERSE 2*
steer clear when i’m life-affirming
draw near when defenses are down
hold tight, it’s a dangerous ride
but she’s the only living thing around
-FINAL FANTASY-
*BRIDGE*
and my thoughts neurotic
it’s a trap erotic
it’s a map
i laid out in my mind
once i was lost
now i’m just blind
fall down when there’s no one watching
gear up when your guests arrive
done died as she waits inside
and she’s the only one among us alive
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pinwheel to a new dimension
come feel out a higher throne
well-heeled in your ruby slippers
and my daily dose of methadone
steer clear when i’m life-affirming
draw near when defenses are down
hold tight, it’s a dangerous ride
but she’s the only living thing around
and my thoughts neurotic
it’s a trap erotic
it’s a map
i laid out in my mind
once i was lost
now i’m just blind
fall down when there’s no one watching
gear up when your guests arrive
done died as she waits inside
and she’s the only one among us alive
.
(4:4 / 109bpm)
verse modulations are 5 steps
chorus –> verse modulations are 5 steps
VERSE:
(Gmajor)
(G) (Gmaj7) (Cmaj7) (Csus2) (Am) (D) (Dsus2) (D7)
(G6) (G) (Em) (Em7) (or Esus4 E / riff: A G# G) (Amsus2) (Am) [(D) (Dsus4)] x 4 [(Cdim) (F9)] x 4
(riff: GC A B) (Am) (E+) (Amsus2) (Am) (Am7) (Am) (riff: E G E E E D C) (C7) (G) (Am) (G) (G) (Am) (C )
(bass: G (B) C (E G) A (C ) D (A F#) G (B D) E (G B) A (C E) D [C (A F#) F (G A)] x 4
(bass: (E G) A (C ) E (G#) A (C E) G (B) A (E) G) (G (B) A C)
VERSE:
(Cmajor)
(C ) (Cmaj7) (Fmaj7) (Fsus2) (Dm) (G) (Gsus2) (G7)
(C ) (C6) (C ) (Am) (Am7) (Dmsus2 Dm) [(G) (Gsus4)] x 4 [(Fdim) (Bb9)] x 4
(riff: CF D E) (Dm) (A+) (Dmsus2) (Dm) (Dm7) (Dm) (riff: A C A A A G F) (F7) (C ) (Dm) (C ) (C ) (Dm) (F)
(bass: C (G E) F (A C) D (A F) G (B) C (G) A (C E) D (A F) G [F (B) Bb (F)] x 4 (D) D (A) A (C#) D (A) C (E) D C) (C (E) D (A) F))
CHORUS:
(Cmajor)
[(Am7) (Amsus4) (Am)] [(Am) Amsus4) (Am)]
(Amsus4 Am) (Dm) (Dmsus2) (Dm) (Dm7) (Em)
(Amsus4 Am) (Em) (Em) (Em7) (E+) (Am) (Am7) (Am) (Em) (F)
(bass: A (C E) D (A F) E (G) A (E) E (G G#) A (C ) E … F)
VERSE:
(Fmajor)
(F) (Fmaj7) (Bbmaj7) (Bbsus2) (Gm) (C ) (Csus2) (C7)
(F F6 F) (Dm) (Dm7) (Gmsus2) (Gm) [(C ) (Csus4)] x 4 [(Bbdim) (D#9)] x 4
(riff: FBb G A) (Gm) (D+) (Gmsus2) (Gm) (Gm7) (Gm) (Bb7) (F) (Gm) (F) (F) (Gm) (Bb)
(bass: F (A) Bb (A) G (Bb) C (G E) F (A C) D (A F) G (Bb D) C [Bb (C E) D# (C# Bb)] x 4 (F) G (Bb) D (Bb) G Bb (G#) F (A) G F)
CHORUS:
(Fmajor)
[(Dm7) (Dmsus4) (Dm)] [(Dm) (Dmsus4) (Dm)]
(Dmsus4) (Dm) (Gm) (Gmsus2) (Gm) (Gm7) (Am)
(Dm) (Dmsus4) (Am) (Am) (Am7) (A+) (Dm) (Dm7) (Am) (Bb)
(bass: D (A F) G (Bb) A (C E D A) A (C E) D (A) A Bb)
VERSE:
(Bbmajor)
(Bb) (Bbmaj7) (D#maj7) (D#sus2) (Cm) (F) (Fsus2) (F7)
(Bb6) (Bb) (Gm) (Gm7) (or Gsus4 G / riff: C B Bb) (Cmsus2) (Cm)
[(F) (Fsus4)} x 4 [(D#dim) (G#9)] x 4
(riff: BbD# C D) (Cm) (G+) (Cmsus2) (Cm) (Cm7) (Cm) (riff: G Bb G G G F D#) (D#7) (Bb) (Cm) (Bb) (Bb Cm D#)
(bass: Bb (D) D# (Bb) C (G) F (A) Bb (F) G (Bb D) C (G E) F (A Bb C F) [D# (C F#) G# (Bb C)] x 4 C (G) G (B) C (D#) D# (C#) Bb (D) C Bb (D) C (D#) D#)
VERSE:
(D#major)
(D#) (D#maj7) (G#maj7) (G#sus2) (Fm) (Bb) (Bbsus2) (Bb7)
(D#6) (D#) (Cm) (Cm7) (or Csus4 C / riff: F E D#) (Fmsus2) (Fm)
[(Bb) (Bbsus4)} x 4 [(G#dim) (C#9)] x 4
(riff: D#G# F G) (Fm) (C+) (Fmsus2) (Fm) (Fm7) (Fm) (riff: C D# C C C Bb G#) (G#7) (D#) (Fm) (D#) (D# Fm G#)
(bass: D# (D Bb G) G# (Bb C D#) F (G#) Bb (D) D# (Bb) C (Bb G E) F (G# C) Bb [(G#) (B D) C# (B G#)] x 4 (G#) F (G#) C (G# E) F (G#) G# (C D#) D# (Bb G) F (G# C F) D# (Bb G) F (G#) G#)
VERSE:
(G#major)
(G#) (G#maj7) (C#maj7) (C#sus2) (Bbm) (D#) (D#sus2) (D#7)
(G#6) (G#) (Fm) (Fm7) (or Fsus4 F / riff: Bb A G#) (Bbmsus2) (Bbm)
[(D#) (D#sus4)} x 4 [(C#dim) (C#dim / G#)] x 4
(riff: G#C# Bb C) (Bbm) (F+) (Bbmsus2) (Bbm) (Bbm7) (Bbm) (riff: F G# F F F D# C#) (C#7) (G#) (Bbm) (G#) (G# Bbm C#)
(bass: G# (C ) C# (F G#) Bb (C#) D# (Bb G) G# (C D#) F (G# C) Bb (C# F) D# C# (F G#) Bb (C#) F (A) Bb (C# F) G# (C ) Bb (F) G#) (G# (C ) Bb C#)
G –> C –> Am –> F –> Dm –> Bb –> D# –> Cm –> G# –> C# –> Bbm –> F# –>
D#m –> B –> G#m –> E –> C#m –> A –> F#m –> D –> Bm –> G –> Em –> C –>
Am –> F –> Bb –> Gm –> D# –> G# –> Fm
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(4:4 / 109bpm)
verse modulations are 5 steps
chorus –> verse modulations are 5 steps
VERSE:
(Gmajor)
(G) (Gmaj7) (Cmaj7) (Csus2) (Am) (D) (Dsus2) (D7)
(G6) (G) (Em) (Em7) (or Esus4 E / riff: A G# G) (Amsus2) (Am) [(D) (Dsus4)] x 4 [(Cdim) (F9)] x 4
(riff: GC A B) (Am) (E+) (Amsus2) (Am) (Am7) (Am) (riff: E G E E E D C) (C7) (G) (Am) (G) (G) (Am) (C )
(bass: G (B) C (E G) A (C ) D (A F#) G (B D) E (G B) A (C E) D [C (A F#) F (G A)] x 4 ( (E G) A (C ) E (G#) A (C E) G (B) A (E) G) (G (B) A C)
VERSE:
(Cmajor)
(C ) (Cmaj7) (Fmaj7) (Fsus2) (Dm) (G) (Gsus2) (G7)
(C ) (C6) (C ) (Am) (Am7) (Dmsus2 Dm) [(G) (Gsus4)] x 4 [(Fdim) (Bb9)] x 4
(riff: CF D E) (Dm) (A+) (Dmsus2) (Dm) (Dm7) (Dm) (riff: A C A A A G F) (F7) (C ) (Dm) (C ) (C ) (Dm) (F)
(bass: C (G E) F (A C) D (A F) G (B) C (G) A (C E) D (A F) G [F (B) Bb (F)] x 4 (D) D (A) A (C#) D (A) C (E) D C) (C (E) D (A) F))
CHORUS:
(Cmajor)
[(Am7) (Amsus4) (Am)] [(Am) Amsus4) (Am)]
(Amsus4 Am) (Dm) (Dmsus2) (Dm) (Dm7) (Em)
(Amsus4 Am) (Em) (Em) (Em7) (E+) (Am) (Am7) (Am) (Em) (F)
(bass: A (C E) D (A F) E (G) A (E) E (G G#) A (C ) E … F)
VERSE:
(Fmajor)
(F) (Fmaj7) (Bbmaj7) (Bbsus2) (Gm) (C ) (Csus2) (C7)
(F F6 F) (Dm) (Dm7) (Gmsus2) (Gm) [(C ) (Csus4)] x 4 [(Bbdim) (D#9)] x 4
(riff: FBb G A) (Gm) (D+) (Gmsus2) (Gm) (Gm7) (Gm) (Bb7) (F) (Gm) (F) (F) (Gm) (Bb)
(bass: F (A) Bb (A) G (Bb) C (G E) F (A C) D (A F) G (Bb D) C [Bb (C E) D# (C# Bb)] x 4 (F) G (Bb) D (Bb) G Bb (G#) F (A) G F)
CHORUS:
(Fmajor)
[(Dm7) (Dmsus4) (Dm)] [(Dm) (Dmsus4) (Dm)]
(Dmsus4) (Dm) (Gm) (Gmsus2) (Gm) (Gm7) (Am)
(Dm) (Dmsus4) (Am) (Am) (Am7) (A+) (Dm) (Dm7) (Am) (Bb)
(bass: D (A F) G (Bb) A (C E D A) A (C E) D (A) A Bb)
VERSE:
(Bbmajor)
(Bb) (Bbmaj7) (D#maj7) (D#sus2) (Cm) (F) (Fsus2) (F7)
(Bb6) (Bb) (Gm) (Gm7) (or Gsus4 G / riff: C B Bb) (Cmsus2) (Cm)
[(F) (Fsus4)} x 4 [(D#dim) (G#9)] x 4
(riff: BbD# C D) (Cm) (G+) (Cmsus2) (Cm) (Cm7) (Cm) (riff: G Bb G G G F D#) (D#7) (Bb) (Cm) (Bb) (Bb Cm D#)
(bass: Bb (D) D# (Bb) C (G) F (A) Bb (F) G (Bb D) C (G E) F (A Bb C F) [D# (C F#) G# (Bb C)] x 4 C (G) G (B) C (D#) D# (C#) Bb (D) C Bb (D) C (D#) D#)
VERSE:
(D#major)
(D#) (D#maj7) (G#maj7) (G#sus2) (Fm) (Bb) (Bbsus2) (Bb7)
(D#6) (D#) (Cm) (Cm7) (or Csus4 C / riff: F E D#) (Fmsus2) (Fm)
[(Bb) (Bbsus4)} x 4 [(G#dim) (C#9)] x 4
(riff: D#G# F G) (Fm) (C+) (Fmsus2) (Fm) (Fm7) (Fm) (riff: C D# C C C Bb G#) (G#7) (D#) (Fm) (D#) (D# Fm G#)
(bass: D# (D Bb G) G# (Bb C D#) F (G#) Bb (D) D# (Bb) C (Bb G E) F (G# C) Bb [(G#) (B D) C# (B G#)] x 4 (G#) F (G#) C (G# E) F (G#) G# (C D#) D# (Bb G) F (G# C F) D# (Bb G) F (G#) G#)
VERSE:
(G#major)
(G#) (G#maj7) (C#maj7) (C#sus2) (Bbm) (D#) (D#sus2) (D#7)
(G#6) (G#) (Fm) (Fm7) (or Fsus4 F / riff: Bb A G#) (Bbmsus2) (Bbm)
[(D#) (D#sus4)} x 4 [(C#dim) (C#dim / G#)] x 4
(riff: G#C# Bb C) (Bbm) (F+) (Bbmsus2) (Bbm) (Bbm7) (Bbm) (riff: F G# F F F D# C#) (C#7) (G#) (Bbm) (G#) (G# Bbm C#)
(bass: G# (C ) C# (F G#) Bb (C#) D# (Bb G) G# (C D#) F (G# C) Bb (C# F) D# C# (F G#) Bb (C#) F (A) Bb (C# F) G# (C ) Bb (F) G#) (G# (C ) Bb C#)
G –> C –> Am –> F –> Dm –> Bb –> D# –> Cm –> G# –> C# –> Bbm –> F# –>
D#m –> B –> G#m –> E –> C#m –> A –> F#m –> D –> Bm –> G –> Em –> C –>
Am –> F –> Bb –> Gm –> D# –> G# –> Fm
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(open the following 3 links in 3 new windows)
Ithen use ‘spectacle’ to evenly split screen into 3rds)
(chords / words / notes)
[OPTION] + [CONTROL] + [LEFT/RIGHT ARROWS]
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*SPOTIFY LINK*
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*PRO TOOLS SESSIONS*
*FILE-PATH* —>
/Users/joga/Desktop/[GOOGLE DRIVE SYNC FOLDERS]/-JOSEPHJGATTI-/-APPS-/-PREMIERE PRO-/-PROJECTS-/-[PREMIERE PRO] DIRECTORY 1-/-SOUND CLOUDS-/-TRAX-/-SOURCE CODE-/-BASIX-/-FINAL FANTASY-/-PRO TOOLS-
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*SONIC ALTERNATES*
*FILE-PATH* —>
/Users/joga/Desktop/-G-DRIVE SYNC-/-SAMUELPETERSON1232020-/-PROJECTS-/-PRO TOOLS-/-PROJECT MEDIA CACHE-/-SOUNDCLOUDS-/-TOP 12-/-PRINCE OF PEACE-
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*’PREMIERE PRO’ PROJECT*
*FILE-PATH* —>
XXX
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*CINEMATIC ALTERNATES*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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*’SIBELIUS’ SCORE*
*G-DRIVE LINK*
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*FILE-PATH* —>
XXX
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(written in 2009)
(recorded in 2013)
(uncle tony + aunt tammy taking us to the local fair and buying pinwheels)
(“pinwheel” as metaphor for movement along mind map)
(one of my favorite chord progressions)
(originally had key changes from verse to verse)
(recorded version has coda featuring ‘all-in’)
(second real attempt at the song)
(about my calling as messiah?)
(or heavy drug use)
(“daily dose of methadone”)
(luke appreciated that line in december 2009)
(nighttime jogashadow walking across super mario brothers II game in watchung basement)
*THE BASIX*
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🧫🥼🧪✨BEHIND THE MUSIC✨🧪🥼🏋️♀️
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🤖☠️🛡♞⚔️🛡ENSEMBLE🛡⚔️♘💀🤖
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🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵
👈👈👈☜*“MAKE A WISH”* ☞ 👉👉👉
*THE PLAYLIST*
🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵🏋️♀️🎶🏋️♂️♩🏋️♂️♪🏋️♂️♫🏋️♂️♬🏋️♂️🎵
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💕💝💖💓🖤💙🖤💙🖤💙🖤❤️💚💛🧡❣️💞💔💘❣️🧡💛💚❤️🖤💜🖤💙🖤💙🖤💗💖💝💘
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🔥🔥🔥🔥🔥🔥*we won the war* 🔥🔥🔥🔥🔥🔥