-CLIP ASSEMBLY LINE--MODUS OPERANDI-

-as of [23 SEPTEMBER 2026]-

-CREATE [TEMPLATE PROJECT]-

-IMPORT [BOOKEND SEQUENCE]-

-PROJECT PANEL-

-FULL SCREEN-

-EXPAND ALL BINS-

-SELECT ALL [ASSETS]-

-DRAG/DROP [SELECTED ASSETS] OVER ANY [LABEL SQUARE] IN [LEFTMOST COLUMN]-

-DELETE [SEQUENCE IMPORT] BIN-

-CUSTOM [PROJECT PANEL] LAYOUT-

-CREATE [BOOKEND] BIN-

-CREATE [[MASTER SEQUENCE] SUB-BIN]-

-MOVE [MASTER SEQUENCE] INTO ITS [SUB-BIN]-

-OPEN [MASTER SEQUENCE] IN [TIMELINE]-

-CREATE [[NESTED SEQUENCE] SUB-BIN] IN [MASTER SEQUENCE] BIN-

-SCAN THE [MASTER SEQUENCE] FOR [NESTED SEQUENCES]-

-TO ADD SEQUENCE “GRAFIX” TO THE [PROJECT PANEL], SEECT THE [SEQUENCE] IN [TIMELINE] + “UPGRADE TO SOURCE GRAPHIC”* —>

-[OPTION] + [CONTROL] + [ g ]-

-CREATE A “PERMANENT AUDIO SLUG”-

-MERGE [SLUG/AUDIO CLIP] IN “NESTED SEQUENCE”-

“RENDER/REPLACE”

-[AUDIO] WORKSPACE]-

-REVIEW [AUDIO CLIPS]-

-OPEN [MASTER SEQUENCE] IN [TIMELINE]-

-OPEN [NESTED SEQUENCE] INTO ITS OWN [TIMELINE TAB]-

-REVEAL [SOURCE CLIPS] IN [PROJECT PANEL]-

-OPEN [SOURCE CLIPS] IN [SOURCE MONITOR]-

-PLAY BACK [SOURCE CLIPS] IN [SOURCE MONITOR]-

-CLOSE [SOURCE CLIP] FROM [SOURCE MONITOR]-

-CLOSE [SOURCE MONITOR]-

-PLAY BACK [NESTED SEQUENCE] IN [PROGRAM MONITOR]-

-PLAY BACK [MASTER SEQUENCE] IN [PROGRAM MONITOR]-

-MAKE SURE THEY AREN’T “CLIPPING”-

-IF YOU CHANGE “GAIN” FROM “SOURCE”, ITS CHANGES WILL BE REFLECTED TO NEXT TIME YOU INSERT THE [SOURCE] INTO A [SEQUENCE]-

-IF YOU CHANGE “GAIN” FROM “NESTED SEQUENCE”, ITS CHANGES WILL BE REFLECTED IN ALL [MASTER SEQUENCES] THAT THE “NESTED SEQUENCE” IS NESTED IN-

-IF YOU CHANGE “GAIN” FROM “MASTER SEQUENCE, ITS CHANGES WILL ONLY APPLY TO THAT “MASTER SEQUENCE”-

-SET [IN/OUT POINTS] OF SELECTED [CLIP] IN [MASTER SEQUENCE]* —>

-[ x ]-

*PLAY [IN] TO [OUT]* —>

-[OPTION] + [ k ]-

*CLEAR [IN/OUT] POINTS* —>

-[COMMAND] + [OPTION] + [F1]-

*LOUDNESS METER* —>

*INTRO* —>

*OUTRO* —>

-“TRUE PEAK” SHOULD BE [-1]-

-TO ACHIEVE THIS, ADJUST CLIP [GAIN] IN [MASTER SEQUENCE]-

-THIS ALSO REDUCES “SHORT TERM LUFS” + “INTEGRATED LUFS” BY [-1]-

-[CLOUD] MUSIC VIDEO [DATABASE]* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-FINAL CUTS-/0B -TRAX-/-SOUNDCLOUDS-/-THE LONG RUN-‘

*ALIAS* —>

‘/Users/joga/Desktop/-SYNC FOLDERS-/-ALIASES-/-SONG PROFILES-/-THE LONG RUN-‘

*FINDER LEFT SIDEBAR* —>

*[LOCAL] SONG PROJECTS* —>

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-PROJECTS-/–MUSIC VIDEOS–‘

-[[LOCAL SONG PROJECT] DIRECTORY] ALIAS* —>

‘/Users/joga/Desktop/-SYNC FOLDERS-/-ALIASES-/-MUSIC VIDEOS-/-[LOCAL] MUSIC VIDEOS-‘

*FINDER LEFT SIDEBAR* —>

-[MUSIC VIDEO] DIRECTORY-

*PROJECT FILES* —>

-PROJECT PANEL-

-CREATE AN [“ARCHIVES” BIN] TO HOLD YOUR “SUPPLEMENTARY BINS”-

-CREATE A [“DAILY” BIN] TO HOLD “BOOKEND SEQUENCE” + “BODY SEQUENCE”-

-OPEN [BOOKEND SEQUENCE] IN [TIMELINE]-

-OPEN [BODY SEQUENCE] IN [SOURCE MONITOR]-

-MOVE [TIMELINE PLAYHEAD] TO END OF [INTRO]-

-TURN ON “NESTING”-

-SOURCE PATCH [V1 / A1]-

-TRACK TARGET [V1 / A1]-

-TRACK LOCK ALL OTHER [TRAX]-

-INSERT [BODY SEQUENCE] INTO [BOOKEND SEQUENCE]-

-ZOOM TO [TIMELINE SEQUENCE]-

-OPEN [NESTED BODY SEQUENCE] INTO ITS OWN [TIMELINE SEQUENCE]-

-DELETE [GAP] BETWEEN [BODY OUT] + [OUTRO IN]-

*AFTER EACH [SESSION], BACK UP [SONG PROJECT] TO [CLOUD]-

*LOCAL [MUSIC VIDEO] DIRECTORY* —>

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-PROJECTS-/–MUSIC VIDEOS–‘

*FINDER LEFT SIDEBAR* —>

*CLOUD [MUSIC VIDEO] DIRECTORY* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-MUSIC VIDEOS-‘

*FINDER LEFT SIDEBAR* —>

-OPEN [PREMIERE PRO]-

-OPEN [LIBRETTO TEMPLATE]-

-[BLANK SLATE] WORKSPACE-

-PROJECT PANEL-

-DOCK THE PANEL-

-[SKELETON] BIN-

-MAIN SEQUENCE-

-V11-

-DUPLICATE “-SKELETON- (MAIN) [V11]” SEQUENCE-

-RENAME IT “-SKELETON- (MAIN) [V12]”-

-CREATE [V12] BIN-

-INSERT DUPLICATED [SEQUENCE] INTO [V12] BIN-

-CUSTOM [PROJECT PANEL] LAYOUT-

-ADJUST [COLUMN WIDTHS] IF NEEDED-

-SAVE AS NEW [WORKSPACE]-

(PROJECT PANEL)

-PRESS ANY [ARROW KEY] TO SELECT THE FIRST [ITEM] IN YOUR [PROJECT PANEL]-

(LISTED ALPHABETICALLY)

-PRESS [DOWN ARROW] KEY UNTIL YOUR “SKELETON SEQUENCE” IS SELECTED-

*OPEN [SELECTED SEQUENCE] IN [TIMELINE]* —>

-[OPTION] + [ t ]-

-THIS OPENS YOUR [TIMELINE] + [PROGRAM MONITOR]-

-CLOSE [PROJECT PANEL] + [PROGRAM MONITOR]-

-SAVE NEW WORKSPACE AS [TIMELINE]-

-[TRACK LOCK] ALL [AUDIO]-

-[TRACK LOCK] ALL [VIDEO]-

(YOU CANNOT OPEN “NESTED SEQUENCES” IF THE TRAX ARE LOCKED)

-MOVE [PLAYHEAD] TO BEGINNING OF [TIMELINE]-

-ZOOM TO [FRAME]-

-TARGET TRACK [V1] / [A1]-

-SELECT [INTRO] NESTED SEQUENCE-

-OPEN IT IN A NEW [TIMELINE TAB]-

-CLOSE [PROGRAM MONITOR]-

-PRESS [ESCAPE] TO [DE-SELECT] ALL [CLIPS] IN THE [TIMELINE]-

-IF THE SELECTED ITEM DOESN’T OPEN IN NEW TAB WHEN YOU USE YOUR [OPEN NESTED SEQUENCE] KS, IT IS A [CLIP]-

-CREATE A [TIMELINE / FX CONTROLS] WORKSPACE-

*WHEN YOU CLOSE ALL [DROPDOWN MENUS* —>

*IF YOU “OPTION-CLICK” ANY [[TOP LEVEL] MENU], ALL [[TOP LEVEL] MENUS] OPEN* —>

-[OPTION-CLICK] ANY [[TOP LEVEL] MENU] AGAIN TO CLOSE ALL [[TOP LEVEL] MENUS]-

*IF YOU [OPTION-CLICK] ANY [[2ND LEVEL] MENU], ALL [[2ND LEVEL] MENUS] IN THAT [[TOP LEVEL] MENU] OPEN* —>

-[OPTION-CLICK] ANY [[2ND LEVEL] MENU] IN THAT [[TOP LEVEL] MENU] AGAIN TO CLOSE ALL [[2ND LEVEL] MENUS] IN THAT [[TOP LEVEL] MENU]-

*BOTTOM RIGHT CORNER* —>

*TO CYCLE THROUGH THESE 3 [FILTER SETTINGS]* —>

-[OPTION] + [CONTROL] + [ = ]-

*SHOW ALL PROPERTIES* —>

*SHOW ONLY [KEYFRAMED] PROPERTIES* —>

(“SPEED” IS ALWAYS AUTOMATICALLY “KEYFRAMED”)

*SHOW ONLY [EDITED] PROPERTIES* —>

-THE [SCALE] IS [100%] BY DEFAULT-

-THIS REFERS TO THE PEERCENTAGE CHANGE IN SCALE [HEIGHT] ACCOMPANIED BY A CHANGE IN [WIDTH] THAT PRESERVES THE CLIP’S [ASPECT RATIO]-

-IF YOU [FIT TO FRAME], YOU CHANGE THE CLIP’S [SCALE]-

(IT IS [150%] IN THIS SCREENSHOT)

*YOU CAN ONLY ADJUST “SCALE WIDTH” IF YOU UNCHECK “UNIFORM SCALE”* —>

-THIS SETTING PRESERVES [ASPECT RATIO]-

-SO IF [SCALE HEIGHT] WAS CHANGED BY [150%], THEN [SCALE WIDTH] IS ASO CHANGED BY [150%]-

-[OPACITY] IS SET TO [100%] BY DEFAULT-

*BLEND MODEI* —>

“NORMAL”

(MEANING THE [TOP] VIDEO CLIP COMPLETELY OBSCURES ALL [VIDEO CLIPS] BENEATH IT ON THE [TIMELINE]-

-ALL [KEYFRAMED PROPERTIES] ARE [EDITED PROPERTIES]-

*TIME [RE-MAPPING]* —>

-THIS MEANS YOU CAN PLAY BACK THE VIDEO WITH ALTERED SPEED FROM [-100%] (“REVERSE SPEED”) TO [+200%] (“DOUBLE SPEED”)

“AUTOMATIC RANGE RESCALING”

-THIS AUTOMATICALLY ADJUSTS THE [HEIGHT] OF [KEYFRAME GRAPH] SO THAT YOUR [KEYFRAMES] ARE ALWAYS VISIBLE ON YOUR SCREEN-

*COLLAPSE ALL [DROP-DOWN MENUS] + “SELECT ALL”* —>

*SAVE PRESET* —>

-[COMMAND] + [CONTROL] + [F10]-

*THESE [PRE-SETS] ARE SAVED IN THE [PRE-SETS] BIN IN YOUR [EFFFECTS PANEL]* —>

-[FILE-PATHS]-

-PROJECT PANEL-

-MOVE [SEQUENCES] BETWEEN [PROJECTS]-

-CLIP [IMPORT/EXPORT]-

-[AUDIO] ASSEMBLY LINE-

-[VISUAL] ASSEMBLY LINE-

-[LIBRETTO] TEMPLATE-

-GLOBAL ASSETS-

-OUR [BOOKENDS]-

“ROLLER COASTERS”

“INTRO”

-66 FRAMES-

-[30] FPS-

-[2.2] SECONDS-

-[TITLE] ENTERS AFTER [42 FRAMES]-

-[1.4] SECONDS-

-“MAIN SEQUENCE” ENTERS WHEN “INTRO” ENDS-

*V4* —>

“TITLE”

*V3* —>

-CAPTION GRAFIX-

*V2* —>

-“SHEEN” ADJUSTMENT LAYER-

-ADD “CROSS DISSOLVE” FADE-IN TO “CAPTIONS GRAPHIC”-

-SELECT THE [CAPTIONS GRAFIX]-

*UPGRADE TO “SOURCE GRAPHIC”* —>

-[OPTION] + [CONTROL] + [ g ]-

(THIS CANNOT BE “UNDONE”)

*THIS ALLOWS YOU TO SELECT THE “CROSS DISSOLVE” BY CLICKING IT TWICE* —>

-WHEN YOU ARE “ZOOMED TO FRAME”, YOUR [PLAYHEAD] WILL HAVE A SMALL HORIZONTAL LINE EXTENDING FROM THE [RIGHT] OF YOUR [PLAYHEAD]-

(THE “LENGTH” OF THE “FRAME”)

-ADD A MARKER THERE-

*TO MOVE [PLAYHEAD] TO THE SELECTION’S “START/END”* —>

-[SHIFT] + [fn] + [LEFT/RIGHT ARROW]-

-CAPTIONS ARE FULLY VISIBLE AFTER [71 FRAMES]-

-[2.183] SECONDS-

-[TITLE] FADES OUT AFTER [79 FRAMES]-

-[2.31666] SECONDS-

-CAPTION GRAPHIC-

-PROPERTIES PANEL-

-[CENTER ALIGN] THE TEXT-

-CENTER THE [GRAPHIC] HORIZONTALLY-

*ADJUST THE [FONT SIZE] UNTIL YOUR LONGEST CAPTION FITS IN THE [SAFE MARGINS]-

*TO TRACK ASSETS* —>

-[TIMELINE] PANEL-

-TARGET [TRACK]-

-SELECT [SEQUENCE]-

*REVEAL [NESTED SEQUENCE]* —>

-[SHIFT] + [CONTROL] + [ f ]-

-TARGET [TRACK]-

-SELECT [CLIP]-

*REVEAL IN [FINDER]* —>

-[COMMAND] + [CONTROL] + [ f ]-

-COPY/PASTE [FILEPATH] INTO [WORDPRESS ENTRY]-

(ALONG WITH [FOLDER DIRECTORY LIST TO NAVIGATE TO ITS MIRRORED “CLOUD DIREECTORY”)

(ALONG WITH EVERY INSTANCE IT IS USED IN THE [MASTER SEQUENCE])

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-TEMPLATES-/-INTROS-/-ROLLER COASTERS-/1 -IMPORTS-/-KING OF THE CATS- (RAW IN).mp4’

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-TEMPLATES-/-INTROS-/-ROLLER COASTERS-/1 -IMPORT-/-KING OF THE CATS- (RAW IN).mp4’

-INTRO VIDEO-

-OUTRO VIDEO-

-OUTRO AUDIO-

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-TEMPLATES-/-SOUNDCLOUDS-/-GOLDEN GLOBES-/-SOUNDCLOUD-/-GOLDEN GLOBES-.wav’

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-TEMPLATES-/-SOUNDCLOUDS-/-GOLDEN GLOBES-/-SOUNDCLOUDS-/-GOLDEN GLOBES-.wav’

-INTRO AUDIO-

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-TEMPLATES-/-CALLING CARDS-/-FRONT-/-FRONT BANNER- [1].jpg’

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-TEMPLATES-/-CALLING CARDS-/-FRONT-/-FRONT BANNER- [1].jpg’

-OUTRO VIDEO-

*SOLO AKUSTIKA BODY CLIPS* —>

*LOCAL FILEPATH* —>

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-PROJECTS-/–MUSIC VIDEOS–/-STOP MOTION-/–PROJECT FILES–/-STOP MOTION- [2].prproj’

*CLOUD FILEPATH* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-MUSIC VIDEOS-/-STOP MOTION-/-PROJECTS-/-STOP MOTION- [2].prproj’

-[COPY/PASTE] UPDATED “LOCAL PROJECT FILE” INTO “CLOUD LOCAL PROJECT FOLDER” AFTER EVERY [EDITING SESSION]-

-MOVE THE PREVIOUS “CLOUD LOCAL PROJECT FILE” INTO ITS DEDICATED “ARCHIVES” CLOUD FOLDER-

-IF THE [CLOUD BACKUP] IS OT IN THE FOLDER, IT MAY HAVE BEEN DELETED AS “DUPLICATE” VIA [FILEREV]-

-SEARCH FOR IT IN THE [GOOGLE DRIVE] WEB INTERFACE-

-FILTER BY “VIDEO”-

-SEARCH FOR “TITLE VARIANTS”-

-SELECT A “VIDEO RESULT”-

*TO VIEW “FILE INFORMATION”* —>

-[OPTION] + [ v ]-

-THEN “D”-

(OPENS THE “DETAILS” TAB OF THE [FILE INFORMATION] RIGHT “POP-UP COLUMN”)

*MAKE A NOTE OF THE “BOOKENDS” BIN [FILEPATH]* —>

“SKELETON” —>

“MAIN SEQUENCE” —>

“V9” —>

“SKELETON (MAIN [V9]”

-BACK UP [LIBRETTO TEMPLATE] TO [GOOGLE DRIVE]-

*LOCAL FILEPATH* —>

‘/Users/joga/Documents/Adobe/Common/Assets/Project Templates/-[LIBRETTO] TEMPLATE-.prproj’

*CLOUD FILEPATH* —>

‘/Users/joga/Library/CloudStorage/GoogleDrive-josephjgatti@gmail.com/My Drive/-RAW MATERIALS-/-MACBOOK PRO-/-WORKSPACES-/-PREMIERE PRO-/-TEMPLATES-/–TEMPLATE PROJECTS–/-[LIBRETTO] TEMPLATE-.prproj’

*OPEN [SONG PROJECT]* —>

‘/Users/joga/Desktop/-LOCAL EDITS-/-PREMIERE PRO-/-PROJECTS-/–MUSIC VIDEOS–/-STOP MOTION-/–PROJECT FILES–/-STOP MOTION- [2].prproj’

-IMPORT THE [BOOKEND SEQUENCE] FROM [LIBRETTO TEMPLATE]-

-RENAME ITS [BIN]-

(NAMED AFTER THE “TEMPLATE PROJECT” THE SEQUENCE WAS IMPORTED FROM)

-ADD ENOUGH [Z] TO BEGINNING OF [BIN NAME] UNTIL IT IS POSITIONED AT BOTTOM OF [ALPHABETICAL LIST] IN [PROJECT PANEL]-

-OPEN THE [SEQUENCE] IN THE [TIMELINE]-

-OPEN THE SONG’S FIRST [BODY SEQUENCE] IN [TIMELINE]-

-NAVIGATE TO [PROGRAM MONITOR]-

*OPEN [OVERLAY SETTINGS]* —>

-[OPTION] + [CONTROL] + [ o ]-

-SELECT AN [OVERLAY] PRE-SET-

-CLICK [OK]-

-[MARKERS] WORKSPACE-

-[TARGET TRACK] ONLY YOUR [CAPTIONS TRACK]-

-USE [UP/DOWN ARROW KEYS] TO NAVIGATE THROUGH YOUR CAPTIONS-

-PRESS [ d ] TO SELECT “CAPTION GRAPHIC”-

*NAVIGATE TO “PROPERTIES PANEL”* —>

-[OPTION] + [CONTROL] + [ p ]-

*CLICK THE [TEXT GRAPHIC] IN THE LIST TO SELECT IT* —>

-HOLD DOWN [RIGHT ARROW KEY] UNTIL THE CAPTION FADES IN-

-IN [TEXT MENU], CENTER ALIGN THE TEXT-

-IN [ALIGN/TRANFORM MENU], “ALIGN CENTER HORIZONTALLY”-

-CLICK INTO [Y POSITION] BOX-

-PRESS [UP ARROW KEY] TO MOVE [CAPTION GRAPHIC] DOWN-

-PRESS [DOWN ARROW KEY] TO MOVE [CAPTION GRAPHIC] UP-

-PRESS [RETURN] ONCE THE CAPTION IS BELOW THE [TITLE SAFE AREA] TOP HORIZONTAL MARGIN-

-IN [TEXT MENU], CLICK INTO THE [FONT SIZE] BOX-

-PRESS [DOWN ARROW KEY] UNTIL THE CAPTION IS BETWEEN THE [TITLE SAFE AREA] VERTICAL MARGINS-

-PRESS [DOWN ARROW] TO NAVIGATE TO NEXT [CAPTION]-

-REPEAT THE PROCESS FOR ALL CAPTIONS-

-OPEN THE [SEQUENCE] IN [SOURCE MONITOR]-

-ADD [IN/OUT POINTS] TO ITS [BEGINNING / END]-

-NAVIGATE TO [TIMELINE]-

-TURN ON [NESTED SEQUENCE] SETTING-

-SOURCE PATCH [V1] / [A1]-

-TRACK TARGET [V1] / [A1]-

-MOVE [PLAYHEAD] TO END OF [INTRO CLIP]-

-LOCK ALL TRAX BESIDES [V1] + [A1]-

-NAVIGATE TO [SOURCE MONITOR]-

-OVERWRITE INTO [SEQUENCE]-

-ZOOM TO FRAME @ [BODY ENTRANCE/EXIT] TO ENSURE NO GAPS-

-SPLIT ALL [CLIPS] @ [BODY EXIT] + DELETE ALL “OVERLAPS”-

-CLOSE [GAP] BETWEEN [BODY] + [OUTRO]-

-SET [IN/OUT POINTS] AT [BEGINNING] + [END] OF [SEQUENCE]-

*TO SELECT ALL CLIPS IN TARGETED TRAX* —>

-[SHIFT] + [OPTION] + [CONTROL] + [F10]-

-OPEN [SEQUENCE] IN [TIMELINE]–

-MOVE [PLAYHEAD] TO [BEGINNING] OF [TIMELINE]-

“ZOOM TO FRAME”

-ADJUST “TIMELINE HEIGHT” SO THAT ALL [TIMELINE TRAX] ARE VISIBLE-

*TOGGLE ALL “SOURCE AUDIO”* —>

-[COMMAND] + [OPTION] + [ 9 ]-

*TOGGLE ALL “SOURCE VIDEO”* —>

-[COMMAND] + [OPTION] + [ 0 ]-

-YOU CANNOT TOGGLE [SOURCE AUDIO/VIDEO] LIKE YOU CAN WITH “TARGETED [AUDIO/VIDEO] TRAX”-

*TOGGLE ALL [VIDEO TARGETS]* —>

-[COMMAND] + [0]-

*TOGGLE ALL [AUDIO TARGETS]* —>

-[COMMAND] + [9]-

*TOGGLE INDIVIDUAL [AUDIO TARGETS]* —>

-[COMMAND] + [ F1/2/3/4/5/6/7/8]-

*TOGGLE INDIVIDUAL [VIDEO TARGETS]* —>

-[COMMAND] + [1/2/3/4/5/6/7/8]-

*”MARKERS” WORKSPACE* —>

*NAVIGATE TO “MARKERS PANEL]* —>

-[COMMAND] + [RETURN]-

-ZOOM TO SEQUENCE-

-IF ALL TRAX ARE “TARGETED”, PRESSING “D” WILL SELECT ALL [CLIPS] UNDER THE [PLAYHEAD]-

(PRESS [ESCAPE] TO [DE-SELECT] THEM)

-“EDIT POINTS” ARE THE [BEGINNING/END] OF [CLIPS]-

-USE [DOWN ARROW] TO MOVE [PLAYHEAD] TO NEXT [EDIT POINT]-

-USE [UP ARROW] TO MOVE [PLAYHEAD] TO PREVIOUS [EDIT POINT]-

-“ZOOM TO FRAME” AT EVERY [EDIT POINT]-

*REVEAL ACTIVE “TIMELINE SEQUENCE” IN [PROJECT PANEL]* —>

-[COMMAND] + [CONTROL] + [ r ]-

(THIS KS WORKS WHETHER OR NOT “CLIPS” ARE SELECTED)

*IF A [CLIP] IN [V1/A1] IS LINKED, IT WILL HAVE A [V/A] AT THE END OF ITS [CLIP NAME] IN [TIMELINE PANEL]* —>

-THE [NAME/LABEL] IS BASED ON WHICH TRACK YOU ORIGINALLY INSERTED THE [CLIP] INTO-

(EVEN IF YOU MOVE THE [CLIP] TO ANOTHER [TRACK]-

-“LINK SUFFIXES” FOR ALL SUBSEQUENT TRACKS ARE ASSIGNED A “NUMBER” AT THE END OF THE [V/A] DESIGNATION-

(V2 / V3 / V4)

(A2 / A3 / A4)

-[V / A] ARE THE ONLY 2 “LINK LABEL” TYPES-

([CAPTIONS/GRAFIX] ARE MARKED “V”)

*TO TOGGLE [SHOW “SOURCE CLIP” [NAME/LABEL]]* IN [TIMELINE PANEL]* —>

-[COMMAND] + [OPTION] + [2]-

-WHEN THIS FEATURE IS SELECTED, CHANGING A [CLIP NAME] IN [PROJECT PANEL] WILL INSTANTLY CHANGE NAME OF ALL INSTANCES OF THE [CLIP] IN A [TIMELINE SEQUENCE]-

-IF CLIPS HAVE BEEN [MANUALLY LINKED], CHANGING 1 OF THE CLIP’S NAMES IN [PROJECT PANEL] WILL ONLY AFFECT THAT CLIP’S NAME IN [TIMELINE SEQUENCE]-

–

-WHEN THE “SHOW SOURCE CLIP NAME” SETTING IS TURNED OFF, YOU CAN CHANGE A SELECTED CLIP”S NAME IN THE [TIMELINE] WITHOUT CHANGING IT’S NAME IN [PROJECT PANEL]-

-IF YOU DO NOT ASSIGN A SPECIFIC NAME, THE DISPLAYED “CLIP NAME” DEFAULT TO THE [(SOURCE CLIP) NAME]-

-IF YOU CHANGE NAME OF A [CLIP] LINKED WITH OTHER [CLIPS], ALL THE [CLIPS] IN THE [LINK] WILL ALSO CHANGE NAMES-

(EVEN IF YOU MANUALLY LINKED THEM)

*POINTER HOVERS* —>

-VIDEO CLIPS-

-[VIDEO CLIP] OPACITY LEVELS-

(FOR “KEYFRAMING”)

(THE “FRAME OPACITY LEVEL” IS DISPLAYED ALONG THE CLIP)

(YOU ADJUST THE “OPACITY” OF “CAPTIONS / GRAFIX” IN THE SAME WAY)

-AUDIO CLIPS-

-[AUDIO CLIP] VOLUME LEVELS-

(FOR “KEYFRAMING”)

(THE “VOLUME LEVEL” IS DISPLAYED ALONG EACH [CHANNEL] OF THE [CLIP])

*IF THE [AUDIO WAVEFORM] DOESN’T DISPLAY, SELECT THE [AUDIO CLIP] + USE THIS KS TO “RENDER AUDIO” FOR ALL [AUDIO CLIPS] IN THE [SEQUENCE]* —>

-[OPTION] + [F2]-

-[MASTER MIX] VOLUME LEVEL-

(FOR “KEYFRAMING”)

(THE “(MASTER) VOLUME LEVEL” IS DISPLAYED ALONG THE [TIMELINE]-

*COLOR LABELS* —>

*THE “WHITE CORNERS” INDICATE THAT THE CLIP IS STRETCHED TO ITS [FULL LENGTH] FROM THAT [SIDE]-

*HOVER [POINTER] OVER THE “MUSIC NOTE” IN [TOP RIGHT CORNER] OF [AUDIO CLIPS] TO VIEW ITS “MUSIC PRESET”* —>

*HOVER [POINTER] OVER THE “FX SYMBOL” IN [TOP RIGHT CORNER] OF [VIDEO/AUDIO CLIPS] TO VIEW ITS “VIDEO/AUDIO FX” (IF ANY)* —>

(IF NO “FX” HAVE BEEN APPLIED, THE “FX SYMBOL” IS GRAYED OUT)

*TO APPLY [DEFAULT VIDEO/AUDIO TRANSITIONS] TO [SELECTED CLIPS]* —>

-[SHIFT] + [ d ]-

-“ZOOM TO FRAME” AT EACH “EDIT POINT”-

-AT [START/END] POINTS, AUDIO CLIPS [FADE IN/OUT]-

-[VIDEO CLIPS] “CROSS-DISSOLVE”-

(ALTHOUGH THIS IS IDENTICAL TO “FADE IN/OUT” AT [START/END] POINTS)

-AT ALL OTHER “EDIT POINTS”, AUDIO “CROSS FADES” + VIDEO “CROSS DISSOLVES”-

*SELECT NEAREST [EDIT POINT] AS “ROLL”* —>

-[OPTION] + [CONTROL] + [ r ]-